NOT A TYPICAL DHARMA DULHANIA! (HUMPTY SHARMA KI DULHANIA – Music Review)

Album Details:-

♪ Music by:- Sharib-Toshi, Sachin-Jigar, Badshah, The Titans & Jawad Ahmed
♪ Lyrics by:- Irshad Kamil, Kumaar, Shashank Khaitan, Badshah & Ahmad Anees
♪ Music Label:- Sony Music
♪ Music Released On:- 16th June 2014
♪ Movie Releases On:- 11th June 2014

Humpty Sharma Ki Dulhania Album Cover

Humpty Sharma Ki Dulhania Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Humpty Sharma Ki Dulhania is Karan Johar’s next production under his production house Dharma Productions. Again they are introducing a new director Shashank Khaitan for this film. The film stars the ‘Student of The Year’ Jodi Alia Bhatt and Varun Dhawan. The movie is a romantic comedy set in Punjab. Siddharth Shukla is playing an important role in the film too. The music of the film has been given by Sharib and Toshi Sabri, and Sachin-Jigar. Both of the duos are working with Dharma for the first time, and I was eager to know what they come up with for a film with such a quirky name. All the composers have always given their best while working for Dharma. I was hoping for the same with these two duos as well. Turns out that two of Sharib-Toshi’s songs have been recreated by them, with only one original. Sachin-Jigar have composed three songs. So let’s see how the songs of this album are!


1. Saturday Saturday:- Singers ~ Indeep Bakshi, Badshah & Akriti Kakkar ; Original Lyrics by ~ Badshah, New Lyrics by ~ Kumaar ; Original Music by ~ Badshah & The Titans, Recreated by ~ Sharib-Toshi

This song is a club song which was released two years ago. Well, Sharib-Toshi say they have “recreated” it. We should believe them, shouldn’t we? Even though the song sounds exactly the same in terms of musical arrangements, we should call it a recreation! I mean come on! They’ve worked SO HARD to “compose” the Akriti part, right! Well turns out the song has no changes whatsoever in arrangements and tune, but Sharib-Toshi have just told Kumaar to write some lyrics to the same tune for a single paragraph and gotten Akriti to sing that. Kumaar has written the lyrics of the new paragraph suiting the mood of the song — Punjabi club — and Akriti sings it well, but seriously, Karan Johar didn’t need to call them just for that. :/ Badshah and The Titans have composed an efficient club song and if the makers of the film needed a female part in it, they could have just asked Badshah, why trouble the “oh so busy” Sharib-Toshi? 😛 Okay, sorry, now I will review the song actually, but all the credit will go to Badshah and the Titans. They have as I said composed an efficient club song with awesome techno and electronic beats, and In deep Bakshi has sung it well. The rap by Badshah is also good and catchy. The only problem I had with it was that they seem to be saying “Sachurday” and emphasizing on the “t” in Saturday a bit too much, with an American accent, that doesn’t sound so good in a Punjabi song frankly. 😛 The song is nevertheless a hit, so it doesn’t matter that much whether I liked it, and you should definitely listen to it!

 

2. Samjhawan:- Singers ~ Arijit Singh & Shreya Ghoshal ; Original Lyrics by ~ Ahmad Anees, New Lyrics by ~ Kumaar ; Original Music by ~ Jawad Ahmed, Recreated by ~ Sharib-Toshi

Sharib-Toshi return with another “recreated” track, this time of a famous Punjabi song from the Punjabi movie ‘Virsa’ and the song was sung by Rahat Fateh Ali Khan originally, and composed by Jawad Ahmed. Of course, this time Sharib-Toshi have decided to actually make the song a bit different from the original. Though they have not changed the tune, they have made it more suitable for the Bollywood audiences, by replacing Rahat sahab with Arijit, the nation’s current musical heartthrob, and adding the female singer as Shreya Ghoshal. Again, some lyrics have also been altered to cater to the Bollywood audiences, by changing some Punjabi words to Hindi. The song has been recreated very beautifully, and unlike ‘Saturday Saturday’, it actually sounds great, whatever they have done to recreate the track. Arijit has sung the song very soulfully, but of course he couldn’t match up to the sukoon level which Rahat sahab’s voice has. Shreya was supposed to sing just an interlude as per the old song, but she gets a whole extra paragraph to sing. And that paragraph which Shreya sings, is like a treat to all music lovers. She will amaze you with her voice, like she might have already done ‘n’ number of times till now, but she will amaze you yet again! The music has also been recreated very effectively. The harmonium part which plays many times in the song is just awesome, and after the song ends with that harmonium piece, it will leave you wanting more. A must-listen recreation! Almost flawless recreation of a superhit Punjabi track! #5StarHotelSong!! 

 

3. Daingad Daingad:- Singers ~ Divya Kumar, Pratibha Baghel, Deepali Sathe, Akriti Kakkar, Udit Narayan & Niharika Sinha, Lyrics by ~ Irshad Kamil, Music by ~ Sachin-Jigar

With this song, Sachin-Jigar enter into the soundtrack with the first original song of the soundtrack. Looking at the never ending list of singers, I was expecting a great dhinchak type track, but what I got missed my expectations terribly. A wannabe ‘London Thumakda’ or ‘Kikli Kalerdi’ (Luv Shuv Tey Chicken Khurana) track, which just sounds like a mishmash of sentences and lines of different songs put together, this track fails terribly in whatever it wanted to achieve. Unless it wanted to annoy you. 😛 Sachin-Jigar have tried to make a wedding song and note that I have used the term “tried to” as in they haven’t succeeded in doing so. The two prime reasons to attempt this track are:- a) because you want to hear Udit Narayan’s voice after a long time since he only sings in Dharma films nowadays or b) because you’re hearing it for the first time, whicisare probably the only two reasons to hear it, because frankly speaking, after you hear it once, you might not play it again unless you are compelled to do so, for some reason! The lyrics by Irshad Kamil aren’t that impressive either, and out of the seven singers, only the known ones that is Divya, Akriti and Udit Narayan do well, others annoy. They sound like old aunties, which is probably the situation in the movie. The arrangements are very less, and not attractive at all. A mediocre song, with weak lyrics and average vocals. Listen at your own risk.

 

4. Lucky Tu Lucky Me:- Singers ~ Benny Dayal, Anushka Manchanda, Lyrics by ~ Shashank Khaitan, Music by ~ Sachin-Jigar

Here is the second song by Sachin-Jigar, and along with being the second song by them, it is also the second club song in the same film. This one is also very catchy, but totally dependent on the video. The part from ‘banda main bachelor..’ till the title of the song comes has a very nice tune. Sachin-Jigar, who are the best nowadays at electronic music, have composed a good tune and the arrangements are also awesome. Benny Dayal must be so accustomed to singing such songs till now and he must have been the first choice for this song, too. If any composers are making club songs, by default they should call Benny first, because he is an expert at these now. Anushka, who has a small part, also sounds good, but I don’t know why her voice never reaches to us in its original form, and is always altered. The song is a good club song, but it won’t attract many listeners as an individual song, and will work mostly with the picturization. Lyrics by the director himself are perfect for the song, and Varun’s rap is also commendable. Give it an attempt, there’s nothing to regret!

 

5. Emotional Fool:- Singer ~ Toshi Sabri, Backing Vocals ~ Geet Sagar, Lyrics by ~ Kumaar, Music by ~ Sharib-Toshi

Sharib-Toshi re-enter the album with their first original track of the album, which strikes the right chord. They have composed a fun, romantic/peppy track, with interesting lyrics by Kumaar, and great arrangements. That is just for the mukhda. The song loses its charm in the antaras which follow. Toshi’s voice sounds great singing this composition, and the techno beats are catchy, but the catchiness and good stuff fall apart in the antaras, and aa great start gets wiped away by the subsequent antaras and disappoint. Nevertheless, the song provides entertainment and I guess that is what matters. Entertaining and disappointing at the same time!

 

6. D Se Dance:- Singers ~ Vishal Dadlani, Shalmali Kholgade, Backing Vocals ~ Anushka Manchanda, Lyrics by ~ Irshad Kamil, Music by ~ Sachin-Jigar

Right from the moment it starts, you will get reminded of the superhit ‘Balam Pichkari’ from ‘Yeh Jawaani Hai Deewani’ because of the harmonium arrangements along with the dholaks. When the singers kick in, the small feeling of resemblance to ‘Balam Pichkari’ becomes a certainty. The use of the same arrangements with the same singers, is something never to be done if the first song isn’t composed by you. Sachin-Jigar have done exactly what I have stated not to do. Irshad Kamil’s lyrics are also okay. Though the song will surely make you dance along, it doesn’t have that special ingredient which other Dharma dance songs have. The vocals are great, but again bear a big resemblance to ‘Balam Pichkari’, and though that isn’t a huge problem, but pretty unsafe to be so close to such a big hit song. Of course, Sachin-Jigar’s electronic touches are present throughout the song. Another average song, which is catchy but not up to the Dharma standards.


Humpty Sharma Ki Dulhania is an album from which everyone had a lot of expectations. With each film, Dharma was giving superhit music up till now, and from this film, everyone was expecting even more. On top of that, it was Sachin-Jigar and Sharib-Toshi’s first time working with the big production house. Last year Pritam showed us his ability to compose for Dharma. Amit Trivedi succeeded in composing his first full album for Dharma in 2012 with ‘Ek Main Aur Ekk Tu’. Ajay-Atul had showed us their versatility when working with Dharma for the first time. Vishal and Shekhar time and time again show us their comfort in composing for Dharma, it is like their second home. However, I have to say that these two duos have not taken advantage of this opportunity. They have produced very ordinary songs, which could as well have been for any film, and not a Dharma film. Considering the standard of music which Dharma was known for, this album is simply a disgrace. Otherwise, it is an okay album. Both duos have delivered good songs but of course these good songs did have the scope to have been way better. It is definitely not a typical Dharma album, because Dharma albums are known for their repeat value, and in this album, very few so gs have that quality! So I conclude by saying that Sachin-Jigar and Sharib-Toshi did not make well use of the great opportunity which they had got and they have given to the world, the worst album ever in the history of Dharma films!

 

Final Rating for This Album:- सा < रे < ग < म <  < ध < नी

Note:- The letter which is underlined is the final rating.

 

Which is your favourite song from Humpty Sharma Ki Dulhania? Vote for your favourite! 🙂

 

Next “dish”:- Bobby Jasoos, Chef:- Shantanu Moitra

 

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