Music Album Details
♪ Music by: Sohail Sen, Mika Singh, Milind Gaba, Sharib-Toshi & Tanishk Bagchi
♪ Lyrics by: Sameer Sen, Farhad-Sajid, Earl Edgar, Sanjeev Chaturvedi, Mamta Sharma, Arafat Mehmood, Rani Malik, Manoj Yadav & Danish Sabri
♪ Music Label: T-Series
♪ Music Released On: 9th May 2016
♪ Movie Releases On: 3rd June 2016
To hear the full songs of this album on Saavn CLICK HERE
To buy this album on iTunes CLICK HERE
Housefull 3 is an upcoming Bollywood comedy film, starring Akshay Kumar, Riteish Deshmukh, Abhishek Bachchan, Jacqueline Fernandez, Lisa Haydon and Nargis Fakhri in lead roles, with Boman Irani and Jackie Shroff in supporting roles. The film is directed by Farhad-Sajid, and produced by Sajid Nadiadwala. The movie is the third part in the ‘Housefull’ franchise, and we can see where the franchise is heading. The quality of the second part was nohere near that of the first; I doubt that the third one will even match the second, going by the trailer. As for the music, the first part had an awesome and enjoyable album by Shankar-Ehsaan-Loy. The second had quite a decent album by Sajid-Wajid, which didn’t match up to the first, but was good anyway. The third part however, has a multicomposer album, and I’ve seen where multi-composer albums go with comedy films (Ahem, ‘Welcome Back’, we’re hinting at you…!) The list of composers isn’t so impressive, either, and each team gets only one song, so, yeah…! Sharib-Toshi, fresh from the success (*cough cough*) of their three songs from the ‘1920 London’ album, are the first music directors in the album. Not expecting something great from them, but I will be happy if they manage to give something good, because here they can’t give typical Bhatt-ish stuff, can they? 😂 The next is Sohail Sen. I wonder from where he ended up doing this album, but nevertheless, expectations are high from him as he seems to be the composer I like the most in this album! After ‘Gunday’, a great song is expected. The third composers on the list are Mika Singh and his all-time partner Millind Gaba. (I think it’s the other way around.. Mika is the partner of Millind… I guess…?) I am not expecting anything from them, going by their ridiculous title song in ‘Welcome Back’. And the last composer is Tanishk Bagchi. Now, he has been impressing right from ‘Tanu Weds Manu Returns’ to ‘Kapoor & Sons’ to the recent ‘Sarbjit’. He had got a rom-com action film ‘Direct Ishq’ in between, where he didn’t impress much, so let’s see how he does in this rom-com! Read on to find out how the songs of the much awaited ‘Housefull 3’ are!
1. Pyar Ki
Singers ~ Nakash Aziz, Anmol Malik, Divya Kumar & Sharib-Toshi, Rap by ~ Earl Edgar, Music by ~ Sharib-Toshi, Lyrics by ~ Manoj Yadav, Farhad-Sajid & Danish Sabri
Sharib-Toshi, back after their middling songs in ‘1920 London’ (I thought they wouldn’t dare to make music after that!) get the very first song in the album. Sharib-Toshi have had a decent track record with upbeat songs, the best being ‘Emotional Fool’ (Humpty Sharma Ki Dulhania) for me. Here, they give an upbeat track with literally no meaning, except a trying-to-be-catchy composition, which works to some extent. The makers play it safe by employing four lyricists on this track, so we can’t catch the culprit who is feeding nonsense to our ears! Well, good escape!! Sharib-Toshi’s composition does appeal on and off, but when it does, something has to spoil it — either the lyrics or the vocals. Frankly, the composition is catchy. A hookline that is perfect for Bollywood and specifically, such movies in Bollywood, does grab your attention, while the other parts of the song have been composed pretty good too. Divya’s Qawwali portion is a good addition. In spite of the decent composition, the lyrics are atrocious. Manoj, Farhad, Sajid and Danish team up to give lyrics that try to be smart with a very stupid double meaning hookline, that doesn’t even shock you in the least. In the rap portion, I’m guessing written by Danish, as I can even hear him singing (though not credited!), it is suggested that the relationship of two lovers is just like that of bread and JAM! 😛 In the song, the moon gains weight (“Chaand ko chadh gayi hai charbi”) and the Sun starts talking in Arabic! (“Sooraj bhi laga bakkne Arabi”) These idiotic lines make the song appeal even more, and cater to your laughter. And the rap (I’m mentioning it again..) is a must-hear! 😂😂 On the vocals front, two singers try to save the song, with Nakash using his totally lovable voice, and Divya singing a wonderful Qawwali bit. Anmol, however, is back with her over-stylish vocals singing ‘baby’ like ‘baibaa’ and interfering by inserting random “yeaaahh”s everywhere. Earl’s rap is stupid. Sharib-Toshi’s arrangements are catchy, too. Mostly techno sounds, but they do surprise by adding good Spanish guitars and harmonium in between. A ridiculously funny start to the album! This time Sharib-Toshi do commendably well, but others spoil their work! Oh, yeah.. And salute to the lyricists! They’re surely gonna win awards worldwide for that!
2. Taang Uthake
Singers ~ Mika Singh, Mamta Sharma, Neeti Mohan & Sohail Sen, Backing Vocals by ~ Hrishikesh Chury & Madan Shukla, Music by ~ Sohail Sen, Lyrics by ~ Sameer Sen, Farhad-Sajid, Mamta Sharma & Sanjeev Chaturvedi
Here comes another song with a Topsy-Turvy name. Sohail Sen holds the baton for this one, and fails to do much wonder with it. The composition is the typical Bollywood-Dappankuthu combo, with the typical kuthu rhythm supporting the Bappi Lahiri-styled composition. Sohail tries hard to create another ‘Tune Maari Entriyaan’, but fails miserably. All he manages to create is a decent dance track, which isn’t a sureshot earworm. The composition being very stale and heard-before types, it does not appeal as much as ‘Tune Maari Entriyaan’ either. Sohail has roped in Mika as the lead male singer, singing for three actors, while Mamta and Neeti get their voices superimposed on each other, and thank God Neeti’s voice is clearly audible, while you have to strain your ears to hear Mamta’s, which I’m sure nobody will do. Their parts, trough, have been composed very good, and are actually catchy, especially the second antara. Mika, as always, eats up most of his words, and in a line says something like “Kiltapille pultapille”. He puts in that unusual dog sound while singing, and it seems more dog-like ever since he sang that wonderfully catchy song ‘Tu Mere Agal Bagal Hai’ (Phata Poster Nikhla Hero)! But sadly, the same magic hasn’t been repeated here. Sohail’s arrangements remind you of ‘Tune Maari Entriyaan’, and I guess he has copy-pasted the same rhythm into this song. The dhols, rock guitars, are all the same. He seems to have added the brass band and Shehnaai. And now, coming to the lyricists! Here, there are not two, not three and not even four, but a total of FIVE lyricists! (Plus, Mamta is one of them!) And what can they offer? A song about lifting up your legs and dancing the whole night! What an amazing concept!! I was really awestruck on hearing the lyrics! Too good! If you think I would say all that, you’re so much mistaken. Judge for yourself. Here are some lines — “Jhoomega body ka har part taang uthake”… So are you telling me that our legs have legs, toes have legs, fingers have legs, our eyes have legs, our ears have legs, our stomach has legs, our pancreas has legs, our appendix has legs, our lungs have legs and everything else has legs? Thanks for the wonderful lesson on anatomy! I never knew all this! 😀 Here’s another one — “Main wine Ki bottle, jismein nasha total, all the guys just want a piece of me”… No comments… So, you get the idea! All the lines are just a mishmash of supposedly “fun” words, but none appeal. It’s just a compilation of lines from various dance songs which have come and gone across the years. A catchy composition, but everything else, boring! Lyrics again, deserve a standing ovation, for giving such an unknown fact about human anatomy!
Singers ~ Mika Singh, Akira, Miss Pooja & Kuwar Virk, Music by ~ Mika Singh & Millind Gaba, Lyrics by ~ Rani Malik & Farhad-Sajid
Mika has already driven us crazy in ‘Taang Uthake’, and now he’s here to compose a song with Millind Gaba, someone whose songs I’ve never liked. This is a Punjabi wedding song, which has a pretty enjoyable composition, but gets boring after a minute, because if the atrocious vocals and lyrics, again! The starting has a dholak portion that sounds like the start of ‘Balam Pichkari’, but just for a second. After that, a very poorly recorded female sangeet portion, only to be disturbed by Bhangra elements like that phurr phurr sound. Mika sings in an utterly intolerable high pitch, which is sure to puncture your eardrums if you hear it for too long. The female singers don’t help. Miss Pooja’s voice isn’t as harsh as usual, but is more irritating than ever. Akira, who had a song in the recent ‘Santa Banta Pvt. Ltd.’, has only one single line in the song, which I suspect is a line that had to be replaced, because it’s smack in the middle of Miss Pooja’s stanza. And her voice is atrocious! Hear it in ‘Ishq Karle Anytime’ (Santa Banta Pvt. Ltd.) for a more detailed hearing experience. Millind and Mika have horribly and terribly recorded the “song”, if I can call it one. It sounds as if we are hearing it on a radio in some garage. Heck, garages pick up a better signal, than this song’s recording makes it sound like! Irritating Bhangra sounds make up most of the arrangements, with harmonium, techno sounds, and the quintessential tumbi pitching in occasionally. The lyrics are by Rani Malik, a pretty renowned lyricist of the 90s, and she writes lyrics that will put all the lyricists of the album to shame. They’ll wonder how they couldn’t come up with such bad lyrics and they’ll curse themselves for not torturing the listeners as much as she has. Here’s an example — “Mauka hai dastoor bhi hai, Par why you standing far. Take me in your arms raja, Like a true sardar”. It is an insult of Hinglish!! Farhad-Sajid too force their names in the lyricists list; I guess they must’ve made up one or two lines in each song, and hence, they feature as lyricists on every song. ATROCIOUS!!!! RIDICULOUS!!! YUCK!! Stepping on cow dung in the village with bare feet is better than hearing this, because at least we can wash our feet, whereas this song won’t even get washed out of your brain!
4. Fake Ishq
Singers ~ Kailash Kher, Nakash Aziz & Altamash Faridi, Music by ~ Tanishk Bagchi, Lyrics by ~ Arafat Mehmood & Farhad-Sajid
Tanishk is back after a mediocre and a mindblowing song in ‘Sarbjit’. I had praised him for not making his rock Qawwali ‘Allah Hu Allah’ in ‘Sarbjit’, filmy at all. And lo and behold! Here he comes with a filmy rock Qawwali, just against my wishes. Just as I expected, he overdoes the filminess, and ends up spoiling everything. The singers lineup will not make you think so, by trust me, the singing is horrendous! I’ve never seen Kailash Kher singing so badly, in such an unnecessarily high voice, and whenever I have, it sounded pleasant! Nakash’s talent has been purely wasted by making him wail random “Abbaaaa”‘s all throughout the song, which is a real pest to the ears. Altamash is the most modest, only showing up in the hookline — that too, overshadowed by Kailash’s booming voice. Nakash gets to do an atrociously worded AdLib before the Qawwali actually starts, but he sings it decently. Tanishk’s core composition is pretty boring, too, desperately trying to ape Sohail Sen’s ‘Isq Risk’ (Mere Brother Ki Dulhan) which was leagues ahead, and of a totally different level. The composition is ridiculously high-pitched, and a troublesome one too, at that. It is tooooooo dull and toooooo trying-to-be-emotional. Arrangements too, sound odd. I’ve never heard a shehnaai in a Qawwali before, and it doesn’t sound good, I’ve learned today! The rock element hasn’t been overdone, though, and thankfully, most of the arrangements are the usual tabla and harmonium. The lyrics, yet again, do not impress at all!!! “Bada fake tha pehle, yeh ishq ishq, yeh ishq ishq. Abb nek lagey hai, yeh ishq ishq”. Wow, you must have got a very weak heart, man. “Emotion Ke jo taar hil gaye, kele Ke chhilke jaise chhil Gaye, love mein hum kill Gaye”. This line is trying so hard to be funny.. Hahahaha! Here, I laughed.. Happy? And lines like “Aeroplane Se rail ho Gaye” and “Topper se hum fail ho Gaye”, “Heaven Se hum hell ho Gaye” (pronounced by Kailash as ‘Hail’, so that makes sense, because hail comes from heaven, right?) just degrade the song even more. An insult to the Qawwali genre, a miserable copy of ‘Isq Risk’, an insult to a legend like Kailash, and a waste of his talent. Was expecting better from Tanishk!
You saw how “good” Housefull 3 was. Yes, it was funny. Yes, it is a comedy movie. But comedy movies can have better soundtracks. I think a single composer would’ve done way better on the album! And if they really wanted multiple composers, just to keep on with the trend, I guess, more experienced composers would have done better. In my opinion, Sohail should have done the Qawwali. 😀 Shankar-Ehsaan-Loy and Sajid-Wajid’s albums guaranteed a house full opening for the first two films… Not sure about this one, though!! 😂
Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां
Note: The letter which is underlined is the final rating.
Recommended Listening Order: Pyar Ki > Taang Uthake > Fake Ishq = Malamaal
Which is your favourite song from Housefull 3? Please vote for it below! Thanks! 🙂
Note: ‘Housefull 3’ being a June release, it will be counted in the June Music Mastani Monthly awards… Just reviewed it because ‘Waiting’ and ‘Veerappan’ albums are still awaited! 😣