NEITHER GREAT, NOR GRAND, BUT DEFINITELY FULL OF MASTI!! (GREAT GRAND MASTI – Music Review)

Music Album Details
♪ Music by: Sanjeev-Darshan, Sharib-Toshi & Superbia (Shaan-Gourov-Roshin)
♪ Lyrics by: Sameer Anjaan, Manoj Yadav & Kumaar
♪ Music Label: Zee Music Company
♪ Music Released On: 7th July 2016
♪ Movie Releases On: 15th July 2016

Great Grand Masti

Great Grand Masti

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Great Grand Masti is an upcoming Bollywood comedy film, starring Riteish Deshmukh, Vivek Oberoi, Aftab Shivdasani and Urvashi Rautela in lead roles. The film has been directed by Indra Kumar, and produced by Sameer Nair, Aman Gill, Ashok Thakeria, Sri Adhikari Brothers and Anand Pandit. The film is the third of its type to release this year, and all I know is that both of those, namely ‘Mastizaade’ and ‘Kyaa Kool Hain Hum 3’, fell flat on their noses, and I expect this one to do so, as well, so all I’m concerned about is the music. The music of ‘Mastizaade’ was a one-hit wonder, with ‘Rom Rom Romantic’ by Amaal Mallik being the only song I loved out of four other songs by Meet Bros Anjjan and Anand Raaj Anand. In ‘Kyaa Kool Hain Hum 3’ too, only one song — ‘Jawaani Le Doobi’, was really addictive, out of the four, all by Sajid-Wajid. Here, we have three entities — firstly, the thrice-in-a-blue-moon (please understand what that means) composers Sanjeev-Darshan, sons of Shravan Rathod of Nadeem-Shravan. They had composed the title track for ‘Grand Masti’ and now get two songs out of four in the sequel. Next up is the consistently disappointing (at least this year) duo, Sharib-Toshi, with one song, and last up is the band Superbia, with its members being singer Shaan, and Gourov Dasgupta and Roshin Balu. They too, get one song, and so the album is very conveniently made up of songs composed by two duos and a trio. What we have to see, is exactly how enjoyable the songs actually are. (because those of ‘Grand Masti’ weren’t at all!)


1. Teri Kamar Ko
Singers ~ Sanjeev Rathod, Darshan Rathod & Kanika Kapoor, Music by ~ Sanjeev-Darshan, Lyrics by ~ Kumaar

An ode to the “Mastiiiiiii” from Anand Raaj Anand’s title track of the first ‘Masti’ movie, begins the album to the third instalment of the franchise. Not before long, the title of this movie comes and the peppy song takes off. Sanjeev-Darshan, who had composed a very dull and uninteresting title song fro ‘Grand Masti’, actually make up for their mistake there, with this song. This is the ideal song you want in a comedy movie — peppy, enjoyable, addictive and hummable. The duo have proved themselves in the 90s and it is commendable how they’ve evolved and are composing contemporary music, till date. Here, they do get in a bit of the templatised late 2000s sound of Bollywood, but everything is done very craftily. By craftily, I don’t mean it is a musical gem or something, but it is quite catchy, as it should be! The hook is infectious and energetic. It makes you groove along to it. The duo has composed a just as infectious tune, with three parts repeating, which are 1) the “Teri Kamar Ko” hook, 2) Kanika’s “darliiing” part, and 3) the 90s bhangra piece that goes like “oh baby teri look kamaal lagti hai…” . All three parts repeat throughout the song and mutually complement each other, to result in quite an appealing composition, overall. There is not even one word above the three parts I have mentioned, and that is kind of weird for a Bollywood song. So the mukhda is the antara and vice versa. Sanjeev-Darshan’s energetic singing too, gives the song half of its catchiness. Kanika sounds good, but not as unique as she does in other songs. It is Sanjeev-Darshan, who steal the spotlight. Arrangements are good as well. That groovy beat is present throughout the song, which is unforgettable. Brass has been used generously and it sounds great. The Punjabi part I spoke about has a great Dhol rhythm to it. Kumaar’s lyrics are enjoyable too. Especially true female part, is hilarious. Indifferent to the boys’ pleas, the clever girlfriends want a party, a ride in the car, a margarita, a diamond AND a meeting with his parents, before, in Kumaar’s words, “Jo bhi chaahe karle”! Surprisingly VERY catchy, and something that will play everywhere for a while! #5StarHotelSong!!

 

2. Resham Ka Rumaal
Singers ~ Toshi Sabri & Soniya Sharma, Original Song by ~ Ila Arun, Music by ~ Sharib-Toshi, Lyrics by ~ Manoj Yadav

Sharib-Toshi are back after an unsuccessful stint in the first half of this year, with bad or just below average songs from ‘1920 London’, ‘Veerappan’ & ‘Housefull 3’. After composing for two ‘third instalments’ — those of ‘1920’ and ‘Housefull’, they are back in the third instalment for ‘Masti’, and this time, they remix a traditional folk song by Ila Arun, ‘Resham Ka Rumaal’, with, of course, many modern club beats and whatnot. The song actually starts off with a funky groove, but when the actual composition starts, you can’t help but daydream and get bored. The composition is really dull, and also a desperate mix of their very own ‘Emotional Fool’ (Humpty Sharma Ki Dulhania) and ‘Pyaar Ki’ (Housefull 3). It is just the typical Sharib-Toshi composition for dance songs. {They have typical compositions in dance as well as romance!! :\ } The hookline is taken as it is from Ila Arun’s song, and I don’t actually like the composition of that either, so this was a nightmare, especially with the masculine voice of the female voice! That brings us to the vocals. Toshi sounds dull and bland, and as feminine as ever. The female singer sounds more masculine than him. Both sound bad, in short. She has included unnecessary nuances in order to sound cool, especially in the hookline, adding the “ha” sound everywhere she can, to make it sound kind of like this — “Rehesham kaha ruhumaahal galehe pehe dahalke tu aajana, o dude mere main, main dillihi kaha surma lagahake arree, khadi hun ca-lub kehe darwahajje pehe.” It is so irritating! I was as irritated while hearing it, as you were while reading that! And then there’s a rap that sounds stupid. The arrangements are not interesting at all, with club beats trying to elevate the song’s quality, but reducing it in the bargain. Manoj Yadav changes the hookline to make it sound more modern and ‘cool’, like changing “dildar” to “dude”, and “kab Se khadi hun darwaje pe” in the original to “khadi hun ca-lub [club] Ke darwaaje pe.” Disgusting. And then another disgusting line goes “Where are you, where are you, mujhe taiyaar karke”, to which the female singer answers with the hookline of the song in that annoying voice and pronunciation. Sharib-Yoshi and Manoj Yadav are back with another bad song! Skip!

 

3. I Wanna Tera Ishq
Singers ~ Shivranjani Singh & Shivangi Bhayana, Music by ~ Sanjeev-Darshan, Lyrics by ~ Kumaar

This song starts off VERRRRYYY addictively. The percussion that starts off the song really helps in attracting the listener’s attention. And the rattles after that just increase his/her interest. Sanjeev-Darshan have cone up with another catchy and haunting tune, which grabs you, but not as great as the title song. Nevertheless, it is quite groovy! The hookline is something that irritates you the first time, but gets better and better with each listen. The antara is something that has gotten stuck in my mind. The mukhda, too, attracts the listener and makes sure he doesn’t leave halfway. The arrangements are another great aspect of the song, with catchy and addictive beats, Arabic arrangements like the percussion and the rattle, which reminds me of a snake rattle for some reason. 😀 A wonderful saxophone interlude fills the gap between two stanzas, and electronic tabla beats sound great. The two lead singers really sing the song the way it is supposed to, with a sensuous tone, to make it more addictive. I can’t differentiate between the two, but both sound good (irritating at first, but again, better each time) and also remind one of Neha Kakkar. It is the lyrics where the song lacks out, as was expected. The hookline makes no sense. 😛 “I wanna tera ishq” means “I want to your love” which is nonsensical. But again, the vocals and composition saves Kumaar! Another catchy song from Sanjeev-Darshan! #5StarHotelSong!! {I haven’t had tomatoes thrown at me for a long time!! Bring it on!!}

 

4. Lipstick Laga Ke
Singers ~ Payal Dev & Shaan, Music by ~ Superbia, Lyrics by ~ Sameer Anjjan

The last song on the album goes into the calmest mode of the album, more like Indipop of 2000s, with Superbia (a trio comprising Shaan, Gourov Dasgupta & Roshin Balu) behind the composition and arrangements. The trio composes a decent song, which could’ve easily topped the charts, but in the time period I mentioned — the 2000s. In this decade, too, it is sounding good, but just that. The song is a like Punjabi pop number, with a slow-paced tune arranged on an overdose of tumbi, making it sound like a Kanika Kapoor song without Kanika Kapoor, and a Kanika Kapoor song without Kanika Kapoor is like ice cream without ice cream! 😦 😂😂😂 Nevertheless, the trio have made a nice instrumentation for themselves in the song, with a great guitar riff, and nice shehnais throughout. It is just the tumbi that sounds unnecessarily overdone. The “oh saiyyan ve” is crazily infectious, even in its slow pace! Payal Dev sounds good here, and at least she doesn’t sound irritating (like in “Veerappan”), but her voice sounds pretty addictive. And Shaan sings in a different avatar after a loooooonnnngggg time. His goody-goody songs are done I hope, and he features in an outright baddy-baddy song here, and sounds great rapping in Punjabi! A pleasant surprise for his peers. At least he didn’t add his too-sugary voice here, and spoil the song! Sameer’s lyrics are ATROCIOUS though. They’re too ridiculous to be talked about, but here are some highlights: “Lipstick lagake tenu loot liya ve / akhiyaan milake heart attack diya ve.” Excuse me, what’s “Myocardial infarction” then?? :\ I’m pretty sure Sameer learnt Biology with the lyricists of ‘Taang Uthake’, who are of the opinion that all our body parts have legs! A good composition, but a bit predictable and “on-and-off” type grooviness.


I never expected Great Grand Masti to have good songs. At the most, I was expecting one great song and the rest time pass. Yes, I know all are time pass songs, but for me, two of them stood out, and those are the two composed by the most senior composers, Sanjeev-Darshan. I know they’re ridiculous and I usually thrash such songs, but why thrash them when the movie needs such ridiculous songs. On one hand, we can have ridiculous songs with bad compositions (‘Housefull 3’) and on the other, they can have really addictive tunes (like these two). Even Superbia comes up with a functional composition, and partially gains my interest, but it is only Sharib-Toshi who disappoint. Again. And again. And again… All in all, it is an album that is neither great, nor grand, but full of ‘Masti’ for sure!!

 

Final Rating for This Album: सा < रे < ग < म <  < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Teri Kamar Ko > I Wanna Tera Ishq > Lipstick Laga Ke > Resham Ka Rumaal

 

Which is your favourite song from Great Grand Masti? Please vote for it below! Thanks! 🙂

Advertisements

2 thoughts on “NEITHER GREAT, NOR GRAND, BUT DEFINITELY FULL OF MASTI!! (GREAT GRAND MASTI – Music Review)

  1. Another well written review. Was expecting a 5Star for Lipstick Laga Ke as the song is quite catchy n the music is nice too. Never mind, u analysed the album quite well. Good going 🙂

    Liked by 1 person

Leave A Comment...

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s