Music Album Details
♪ Music by: Jeet Gannguli & Sangeet-Siddharth
♪ Lyrics by: Kausar Munir & Rashmi-Virag
♪ Music Label: T-Series
♪ Music Released On: 19th August 2016
♪ Movie Releases On: 16th September 2016
To hear the full songs of this album on Saavn CLICK HERE
To buy this album on iTunes CLICK HERE
Raaz Reboot is an upcoming Bollywood horror film, and the fourth installment of the ‘Raaz’ franchise. The movie stars Emraan Hashmi, Gaurav Arora (‘Love Games’ fame), and débutante Kriti Kharbanda. The movie is directed by Vikram Bhatt and produced by Mukesh Bhatt, Bhushan Kumar and Krishan Kumar. Of course somebody is possessed by an evil spirit and Emraan Hashmi loves that someone and all those clichés of a Bollywood horror-romance starrign Emraan Hashmi, must be there in the film. Who cares about the story though, when the music is the highlight? Music is definitely the highlight of a Bhatt film, and though I keep mocking it in some of my other reviews, I have to admit that sometimes, the songs are very beautiful. The third ‘Raaz’ movie had a wonderful soundtrack by Jeet Gannguli, and guest composer Rashid Khan had also composed (or ‘copied’) a wonderful song. This time too, things are quite like the last time. Jeet Gannguli is in charge of the full album, consisting of six tracks (three original songs, with one of those having two versions and one more having three, so 3+2+1=6) and guest composers are Sangeet-Siddhartha Haldipur, with one track. Jeet Gannguli has been impressing on and off this year, his last memorable song being the wonderful ‘Dekha Hazaro Dafaa’ (Rustom), while Sangeet-Siddharth gave a good album to ‘Love Games’ earlier this year, which was highly impressive and innovative. So, I expect some good things from these two, and hopefully, they give a good reboot to the ‘Raaz’ series!
1. Lo Maan Liya
Singer ~ Arijit Singh, Music by ~ Jeet Gannguli, Lyrics by ~ Kausar Munir
Jeet starts off the album with a song that evokes memories of Bhatt songs that have been entertaining us for the last two decades. This song is a perfect blend of the Bhatts’ sound in the 2000s as well as this decade. Jeet’s composition is something that instantly gets you hooked to it, despite the fact that it is oh-so-clichéd! The mukhda is something that sounds so sweet even in all its painfulness, and you immediately start humming it after the song is over. Making a successful typical melpdy is an art that Jeet seems to have mastered over the years. The song is reminiscent of his own ‘Dard’ (Sarbjit) in one line of the mukhda, (“ayyee yaar zara humko”) and it is also my favourite line from the song, composed beautifully. The hookline lies in the mukhda itself, and I’ve already said how catchy it is. The antara, however, takes the song to a whole new level. It is composed in a very 90s-ish manner. The haunting feel of the rest of the song flees away in this part, and a sweet and lovable tune sets in, until the hookline comes back. It kind of reminded me of the title track of ‘Khamoshiyan’ which was composed in the same style (a haunting mukhda followed by a sweet antara). Jeet aces the arrangements, with those ever-so-loyal guitar and flutes of his stealing the show. The beats in the rest of the song are quite ordinary, but work in favour of the song. The assortment of flutes play this sweet, but haunting hook tune, which always makes you feel awesome when it plays. However, the star of the song has to be the singer this time. I know how many times I’ve joked about Arijit singing songs from the one-thousand-and-fofty-eighth installment of the ‘Raaz’ franchise, but I’ve got to give it to him; he sings these songs perfectly! His voice has the right mix of sweetness, innocence and instensity with which to render this composition. The way he sings my favourite line of the song (which I pointed out above), is fantastic! And the first line of the antara!! He sings that so wonderfully! No wonder the nation is crazy after him. The lyrics seem like they’re written with the very harsh intention of hurting somebody with the taunt that they don’t remember you, and neither do you remember them. 😂 It’s a perfect song to sing when you’re mad at someone and want to taunt them or vice versa. Jokes apart, Kausar (after a long time; last she wrote were some songs in ‘Laal Rang’, I believe) writes lyrics suitable to the dard-judaai-with-a-bhoot-interfering theme! 🙂 A perfect kick start to the album; something Jeet is known for, and he delivers it perfectly once again!! #5StarHotelSong!!
2. Raaz Aankhein Teri
Singer ~ Arijit Singh, Music by ~ Jeet Gannguli, Lyrics by ~ Rashmi-Virag
The title song comes up next, with the maestro of title songs, Jeet Gannguli, behind it. The composer goes to new lengths to make this composition worth listening on loop. Keeping the haunting theme of the movie in mind, this song is perfectly composed. The composition once again, is very typical and heard-before, yet we can’t help but develop a liking towards it. In fact, it is a remake of Jeet’s Bengali song ‘Ki Kore Bolbo Tomay’ (from the movie ‘Ki Kore Toke Bolbo’) Once again, Jeet takes the help of a haunting mukhda to attract the audience, while the antara calms things down with a very charming and calm tune. This song perfectly blends together the horror and romance in the movie. Though not as hooking and gripping as ‘Lo Maan Liya’, it still manages to grab your attention, and there is nothing missing as such in the composition. The arrangements are not extraordinary, yet appeal to the listener. The guitars play the main role in making this happen. They’ve been played in a very Latin/Spanish way and are very attractive. The song starts with the hookline playing on a violin, which is a perfect haunting start to the song. The violin comes back to amaze us in the first interlude, while the piano takes over in the second interlude, only to be followed by a whole orchestra of strings. But again, the guitar is the central focus throughout the song. Arijit sings this one with a more hoarse throat, probably to get that horrorific expression in the song. He sings this one with just as prowess as he did the first, though both songs are composed with different tones altogether. The lyrics by Rashmi-Virag are also good for the song and haunting, but nothing beyond that. Another stellar title song by Jeet Gannguli! However much I may be teasing such songs, I must admit I loved this one!! #5StarHotelSong!!
3. O Meri Jaan
Singer ~ K.K, Music by ~ Sangeet-Siddharth Haldipur, Lyrics by ~ Kausar Munir
Here come guest composers Sangeet-Siddharth with their only song on the soundtrack. The song starts off in a very heavenly, blissful way with flutes luring the listener in. The flutes are so beautiful, that you expect nothing but a wonderful song to ensue. Unfortunately, things don’t turn out quite so good. The composers try to concoct a composition that would enforce listeners to hear it repeatedly on loop, but fail miserably because of the pitiful commonplace treatment. The composition starts off well in the mukhda, but almost immediately loses its charm in the hookline, because the line before it (‘Tere bina aadhe bhi kya, tere bina adhoore kya’) evokes memories of the duo’s song ‘Mohabbat’ from ‘Love Games’, and this time the tune doesn’t work. The hookline itself isn’t hooking. The antara takes things uphill once again, but doesn’t manage to keep it there sadly. The irony here is that, this song doesn’t sound typical at all, but fresh (not like the usual Bhatt song), but the composer miss the opportunity to make it noteworthy and extraordinary. The arrangements are quite applause-worthy, with some very calming and charming sounds interspersed throughout the song, like those wonderful xylophonic sounds, and the entertaining guitar riffs. The flute, of course, remains the star of the song. The strings also help elevate the ordinary composition. The first interlude is a wonderful, dreamy one, played on the mandolin, I suppose. The vocals by K.K., will manage to attract listeners to an extent, but they don’t really go out of their way to impress you. The only reason he’s the perfect choice for this song is that soothing texture of his voice. Lastly, the lyrics by Kausar too, are nothing special, but very typical of romantic songs. A decent attempt to make a lilting, dreamy romantic song, but the composition turns out to be flat and dull. Sangeet-Siddharth fail to live up to the great expectations they created after ‘Love Games’.
4. Yaad Hai Na / Yaad Hai Na (Unplugged)
Singers ~ Arijit Singh / Jubin Nautiyal, Music by ~ Jeet Gannguli, Lyrics by ~ Kausar Munir
A haunting, yet sweet piano loop starts off Jeet’s next song, and before you know it, you are sucked into a whirlpool of Jeet’s lilting and dreamy composition. Now this song is something very, very innovative from the composer. Being the last original song on the album, it definitely wins the race in being the best song of the album right away. Once you hear the composition, you would never forget it for quite some time. Jeet once again builds the hookline into the mukhda itself, so that the hookline starts the song. And this line is what sucks you into this dreamy experience. The antara, too, is something that calms you down as well as haunts you in a very unusually pleasant way! The real magic is in the arrangements, and the vast difference between the two versions of the song. In the first version, Arijit sings along very Celtic arrangements, complete with the claps and strings (played in a very Celtic-sounding tune). Jeet orchestrates the strings so well, that it seems to have been taken right out of some classical European song! And those claps!! All throughout the song, claps infuse that pleasant quality into the song; quite an innovative beat, if you ask me. The flute in the second interlude has been played oh-so-wonderfully, again in a Celtic manner. Arijit himself excels in the song, and though it is his third song in the very same album, I am not as much frustrated as I am awestruck at his voice! This time, pure romance displays itself in his voice. In the also-very-innovative unplugged version, Jubin gets to sing along the backdrop of a very, very weirdly attractive guitar arrangement. When you hear this arrangement of this song, you’ll be shocked that Jeet could have thought of such a thing! The way the guitars constantly keep the beat, but go off tune once in a while so randomly, is so unconventional. While hearing this song, I could see a cowboy sitting on a stack of hay on a lazy Sunday with his banjo, and singing this song! 😀 Jubin, too, sings wonderfully, and the humorous arrangements complement him well. Kausar excels in her writing here. The lyrics are simple, but sweet and heart-touching. Some very innovative stuff from Jeet, Arijit, Jubin & Kausar! Both versions are fabulous, and will definitely get you swaying to the beat. Both versions are #5StarHotelSongs!!
5. Hummein Tummein Jo Tha
Singers ~ Papon & Palak Muchhal, Music by ~ Jeet Gannguli, Lyrics by ~ Rashmi-Virag
The next song is a short reprise of the title track; this time meant as an aftermath-of-separation song. The composition is exactly the same as the title track, which was very impressive, keeping the horror theme in mind. Here too, it suits as a judaai
song, but other things aren’t in place here. This time, Arijit is replaced by Papon, who sings the melody with emotion, but just doesn’t suit here as much as Arijit did in the original. He is complemented by Palak, who takes charge of the antara, and sings it beautifully, surprisingly. 😀 The arrangements too, are the same as those of the original. However, the lyrics have been changed to suit a sad romantic theme, and everything goes haywire. The lyrics are too simple to be appreciated, and also sound too melodramatic. A reprise of the title track which just doesn’t work as well!
6. The Sound Of Raaz
Singer ~ Jubin Nautiyal, Music by ~ Jeet Gannguli, Lyrics by ~ Rashmi-Virag
The album ends with a song perfectly suiting the horror theme of the movie. This song is also a reprise of the title track, and it takes the mukhda of the song in a very slow pace, making it suit the horror theme even more. The arrangements are nothing but haunting sounds like the wind blowing very creepily. Jubin’s voice is perfect for the song, as he sings each note with this heavy, haunting air. There’s pretty much nothing else to say about this one except that it is such a good background music piece and also a #5StarHotelSong!!
Raaz Reboot surprisingly turns out to be an album which doesn’t bore even though it follows the typical clichés of a Bhatt album. Jeet comes up with a good compilation of his songs for this movie, while the guest duo Sangeet-Siddharth doesn’t really live up to expectations. All in all, the album is enjoyable and cherishable, and not just something to be used for publicity, as it would live on longer than that. After years of observation, I finally believe that the raaz (secret) to the Bhatts’ success, is recycling the bhoot! (Ghost) And this reboot works by recycling the bhoot!
Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां
Note: The letter which is underlined is the final rating.
Recommended Listening Order: Yaad Hai Na > Lo Maan Liya > Yaad Hai Na (Unplugged) > Raaz Aankhein Teri > The Sound Of Raaz > O Meri Jaan > Hummein Tummein Jo Tha
Which is your favourite song from Raaz Reboot? Please vote for it below! Thanks! 🙂
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