JOLLY GOOD ALBUM!! (JOLLY LL.B 2 – Music Review)

Music Album Details
♪ Music by: Manj Musik, Nilesh Patel, Chirantan Bhatt, Meet Bros. & Vishal Khurana
♪ Lyrics by: Manj Musik, Raftaar, Junaid Wasi, Shabbir Ahmed & Earl Edgar
♪ Music Label: T-Series
♪ Music Released On: 13th January 2017
♪ Movie Releases On: 10th February 2017

Jolly LL.B 2 Album Cover

Jolly LL.B 2 Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Jolly LL.B 2 is an upcoming comedy courtroom drama starring Akshay Kumar, Annu Kapoor, Saurabh Shukla and Huma Qureshi in prominent roles. The film has been directed by Subhash Kapoor, who earlier directed ‘Phas Gaye Re Obama’, ‘Jolly LLB’ and ‘Guddu Rangeela’, and produced by Fox Star Studios. The film revolves around the story of a small-time lawyer Jagdishwar Mishra a.k.a. Jolly, who earns a living by fighting small cases. In his desires to become a full-fledged lawyer though, Jolly ends up committing a mistake that could just as well destroy his career as a lawyer. The film deals with how Jolly gets himself out of this predicament. The film is the sequel to 2013 sleeper hit ‘Jolly LLB’. While the earlier film had a music album which can hardly be counted as one of Krsna’s best works, or even good works, as it was as middling a fare as your everyday T-Series multicomposer album, the sequel has an album which is just that — your everyday T-Series multicomposer album. And as it almost always is, there is one song composed by one team of composers. Manj Musik, who has the full support of Akshay Kumar now, what with him composing for Akshay in ‘Gabbar is Back’ and ‘Singh is Bliing’ in 2015, gets the first song. Helping him is Nilesh Patel, who has been credited as “Co-Composer”! Expectations are not too high but not zero either, as he has given good songs in the past, but just messed up a couple of times, thus earning my anger. Next up is Chirrantan Bhatt, another composer whose Bollywood career is strongly backed by Akshay. He gave hits for Akshay in both ‘Boss’ (2013) and in ‘Gabbar is Back’ (2015). This time too, he is back to perhaps give yet another path breaking romantic song. Meet Bros. feature as the third composers on board, and their association with Akshay has started long ago in 2012 when they scored the beautiful ‘Mere Nishaan’ in ‘OMG – Oh My God!’ After that, they went on to score for Akshay in so many films like ‘Boss’ (2013), ‘Baby’ (2015) and ‘Singh is Bliing’ (2015). But that was when Anjjan too was a part of the team. After the split with Anjjan, this is Meet Bros’ first song for Akshay; hopefully, it is just as good. And lastly is one-album old, Vishal Khurana who debuted last February with the stellar album to ‘Neerja’. Thankful that he has got another project finally, (after like ages!) I hope he takes good advantage of it and gives a great song. So let’s see what this multicomposer assortment has in store for us! Because Akshay Kumar and multicomposer have this very nice relationship which more often than always, impresses me! (Take any of the albums mentioned above for example!)


1. Go Pagal

Singers ~ Raftaar & Nindy Kaur, Additional Vocals ~ Girish Nakod & Manj Musik, Music by ~ Manj Musik, Co-composed by ~ Nilesh Patel, Lyrics by ~ Raftaar & Manj Musik

(I didn’t find any lyrics worth mentioning here!)

The album starts with the song I was least excited to hear — a Holi song titled ‘Go Pagal’. Okay, so Manj Musik has given some pretty good songs in the past, but only sticking to one kind of songs — fast, update rap songs (with the exception of the awesome ‘Aaja Mahi’ from ‘Singh Is Bliing’) As such, all his songs sound almost the same and you can really predict what’s going to come next in each song. This song too falls into the same category, but it goes a bit too overboard with the craziness. The composition is a typical Manj composition, though there are some nice folksy lines in the middle, (‘Bheegi bheegi lage lovely lovely…‘) which I suspect are composed by the co-composer Nilesh Patel. Anyway, the composition is quite all round the place and it is kind of hard to grasp on to. And that hookline is just yuck! I was fine till it played. It was such an abrupt end to the flow of the song, that it spoiled all the fun, or whatever fun was there. Also, it is quite similar in sructure to ‘Let’s Nacho’ (Kapoor & Sons) where they ‘say’ the hookline, not sing it, and then some weird tune plays in some very annoyingly high digitized pitch. And what’s worse, the person who says ‘Go Pagal’ here (That’d be Raftaar, I guess) sounds like he’s burping it. It sounds eww. In some places, the composition resembles ‘Tamanche Pe Disco’ (Bullett Raja). The arrangements are very mediocre, though that nice rapid dholak beat is something for which I would listen to the song over and over again, despite everything. And that chipmunk voice that says ‘Goli Re’ in the mukhda is just so cute! Every other thing regarding arrangements is strictly banal. It sounds like it has been thrown out of 2013 and should’ve been in ‘Jolly LLB’, but it forecasted that Akshay Kumar would star in the sequel, which is why it is here for us to get troubled by it. The vocals sound like robots have done it. Raftaar tries to sing charmingly, but how can he? He has to carry the entire song on his shoulders, and though he does quite well, it just sounds very monotonous. And Nindy Kaur in her part initially sounds as if she’s so shy, she can’t sing at all. (She’s trying to sound naughty, but it sounds shy…) Her voice sounds as robotic as ever. The lyrics (Raftaar and Manj) are as banal as possible. A Holi song has never been so trashily written in the history of Bollywood, I guess. Okay, maybe ‘Ang Se Ang Lagana’ from ‘Darr’ is an exception, but in recent times they’ve all been very well-written and fun. Though the makers might think this is fun too, it isn’t. A mediocre start to the album, and a disappointment from Manj and his team.

Rating: 2.5/5

 

2. Bawara Mann

Singers ~ Jubin Nautiyal & Neeti Mohan, Aalap by ~ Rheek Chakraborty, Music by ~ Chirrantan Bhatt, Lyrics by ~ Junaid Wasi

“Bawra Mann raah taake tarse re, Naina bhi malhar banke barse re!
Aadhe se, adhoore se, bin tere hum huye, feeka lagey, mujhko saara jahaan!”

– Junaid Wasi

Chirrantan Bhatt, another composer that Akshay Kumar seems to be backing these days, enters the soundtrack, with his song. Usually, the composer impresses us with nice Bhatt-ish melodies. This time though, he follows the path of one of his earlier songs, ‘Coffee Peetey Peetey’ from ‘Gabbar Is Back’, and presents a breezy, feel-good melody that could not have sounded better. Previously, ‘Coffee Peetey Peetey’ was my favourite song by him, but now I have to say, that it is this one. The composition is, as I said before, very breezy and happy-go-lucky. And I just love it when such songs come out. The mukhda starts off right away with the hookline, a wonderful tune with a light touch to it. It’s as if Chirrantan is saying, “Want to cut down on fat in your musical diet? Well then, listen to this song, with 80% less musical fat than other songs out there!” The antara goes into a nice and soothing low scale, as opposed to the cute high pitch of the mukhda. The composition kind of reminded me of Pritam’s ‘I’m Sorry Par Tumse Pyaar Ho Gaya’ (Shaadi Ke Side/Effects), in that it is a toned down version of the peppy and breezy composition of that song. Arrangements are fantastic, with the ukulele (Shomu Seal) and guitars (Shomu Seal & Sanjoy Das) really winning your heart by the end of the song, and giving the song its quirkiness. Piano notes occasionally bring the sobriety to the song, while wonderrrrrrful harmonicas throughout the song provide that heavenly touch, accompanied by a wonderful vocal choir. The vocals by both singers are fabulous as well. Jubin, who has already sung so many songs this year, ranging from mediocre to beautiful, has emerged as the superstar of the beginning of the year with another fantabulous rendition from his side. Neeti, on the other hand, only strengthens her charming image by singing the second antara, with as much expertise as possible. Her characteristic feathery voice elevates her portions to other levels. Junaid Wasi, who returns to writing lyrics after like four-and-a-half years (His last was in Chirrantan Bhatt’s album ‘1920: Evil Returns’) writes a splendid poetry-like piece. Hindustani classical terminology meets modern romance in his writing, and it actually proves to be a nice and pleasant fusion. This is where the album starts, in my opinion!

Rating: 5/5

 

3. Jolly Good Fellow

Singers ~ Meet Brothers, Additional Vocals by ~ Purnima Solanki, Sanchita Sakat, Rap by ~ Shabbir Ahmed, English Rap by ~ Earl Edgar, Music by ~ Meet Bros., Lyrics by ~ Shabbir Ahmed, English Rap Written by ~ Earl Edgar

“Hello, how are you, mera Naam hai Jolly,
Manaane jashn nikli yaaron ki toli..
Bada colourful sa swag hai mera…
Karun jab use apni meethi si boli..
Nature mera hai cool, baaton mein banadoon fool,
Gopiyan bhi line mein hai karte Hi hello!
He’s a Jolly Good Fellow, He’s a Jolly Good Fellow,
Jai kanhaiyalaal ki, bolte chalo!”

– Shabbir Ahmed

What made me freak out even before starting the song was that the folk song ‘He’s A Jolly Good Fellow’ had been recreated! I mean if Bollywood can’t handle its own classics’ recreations, how will a British song be recreated well enough!! But then, the first note of the song played and all my worst doubts disappeared into thin air. The song starts with this uber-cool, smooth flute portion, played to the tune of the nursery rhyme! And from that moment on, you are hooked completely! The Meet Bros. have done an appreciable job in successfully recreating a Western song to suit the Indian music standards. A suitable “Chinta Ta Chita Chita” (Rowdy Rathore) based rhythm makes its way into the song and surprisingly provides an apt background beat for the English folk song. Of course, the duo has added their own composition for the mukhda and antara, and I can’t really say it is bad! The mukhda starts off the song well, showcasing the main character of the movie as a very sacrosanct person, and I must say, the tune is quite sanctimonious-sounding too. I mean, in Janmashtami, you will hear such tunes everywhere in India. The sound effects included by the duo are probably the most enjoyable I’ve heard in recent times. Yes, the sound of the song is very generic and heard-before. But I don’t really have any qualms in liking something that is likeable even though it has been heard before. The arrangements are booming and fun, with the aforementioned beats really infusing a lot of fun into the song. Different instruments, and especially the flute that plays occasionally, sound awesome. Whistles and the like make for nice “roadside attractions”. The vocals are good too,and the Meet Brothers sound at ease rendering the spunky song. The female backing vocalists provide nice entertainment with their cute inputs. Meanwhile the two rappers, (Shabbir Ahmed in Hindi and Earl Edgar in English) do not fare as well, with their commonplace rap. Shabbir, rapping to his own words, sounds confused. You can barely hear what he is saying. That being said, his lyrics are quite decent! It is a perfect character introduction song, and the incorporation of the “Jolly Good Fellow” phrase followed by “jai Kanhaiya laal ki, bolte chalo” is so interesting! It is a theme song that is quite entertaining. Might be irritating for some, but interesting for most!

Rating: 3/5

 

4. O Re Rangreza (Qawaali)

Singers ~ Sukhwinder Singh, Murtuza Mustafa & Qadir Mustafa, Music by ~ Vishal Khurana, Lyrics by ~ Junaid Wasi

{I do not know why T-Series is always so adamant on writing “Qawaali” in the title of their songs! I think this is like the third time they’ve done this, and once, the song wasn’t even a Qawwali! I think we are quite competent to make out whether a song is a Qawwali or not, and if they want to continue this, I advise them to write in brackets stuff like “Romantic Song” or “Dumb Party Song” too, why only Qawwali?}

“Rooh ne arzi lagaayi hai, Sahi kadam chala maula,
Mann ko ainth ke baati kar, tera charaag jala maula!”

– Junaid Wasi

Bollywood hasn’t churned out a single satisfying Qawwali as far as I can remember, after Tanishk Bagchi’s splendid rock-qawwali ‘Allah Hu Allah’s (Sarbjit). Now here comes another proper Qawwali, by which I mean a Qawwali without any unnecessary Bollywood elements. The young and talented composer Vishal Khurana (‘Neerja’ fame) has been roped in to compose this Qawwali, and going by the innovative work he did in ‘Neerja’, I was expecting a very, very impressive Qawwali. Unfortunately, I got quite a regular and ordinary one. The composition is good, and suits the situation (one of those situations that often arrive in Bollywood films where the protagonist has lost all hopes and has to leave it all up to God, and then a Qawwali or Bhajan plays) but goes awfully slow. It is not something that one would find themselves listening to too much. Because of these drawbacks, I expect the song to gain momentum only after the movie released, but the prospects of that are less too, because Qawwali isn’t a genre that finds many takers in today’s world. (Though I get fascinated and mesmerized by a good one, when it comes!) Anyway, that’s that in the composition. The “Mushkil kusha o re noor-e-khuda…” hook, though, is very beautifully composed, as are the antaras, slow speed notwithstanding. The arrangements follow a mesmerizing Roopak taal, with the tablas sounding spectacular, as does the Bulbultarang or Indian banjo. Vocals, thankfully, help the listener ignore the slow pace of the song, as Sukhwinder pours  his entire soul into the rendition, sounding very soulful in the process. Supported ably by the Mustafa brothers, he provides a nice, relaxing ambience with his voice. However, the main reason I would listen to this song again, even before the movie releases, is the spectacular writing by Junaid Wasi. He impressed in the romantic song and now impresses in a spiritual one as well. The line I’ve “showcased” is just one of the portions out of the many splendid lines in the song. A déjà-vu inducing Qawwali as far as the composition and arrangements go, but vocals and lyrics make this one an exemplary piece of art.

Rating: 4/5


Jolly LL.B 2 turns out to be quite a good album, if you judge it as a multicomposer album, which it is. Akshay Kumar almost always impresses whenever his music albums are scored by multiple composers. (Glaring exception being ‘Housefull 3′) The six individuals (counting Nilesh Patel and two Meet Brothers) come together to make an album that is definitely not perfect, but functional as a feel-good (or shall I say feel-jolly?) album, that will propagate the buzz of the movie before release. Yes, Manj and Meet Brothers’ songs could’ve been better, but they are still partially enjoyable. And I must say, this album is better than the album by Krsna to the first instalment of the franchise! A jolly jolly album! 😛

 

Total Points Scored by This Album: 2.5 + 5 + 3 + 4 = 14.5

Album Percentage: 72.5%

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Bawara Mann > O Re Rangreza (Qawaali) > Jolly Good Fellow > Go Pagal

 

Remake Counter
No. of Remakes: 04 (from previous albums) + 00 = 04

 

Which is your favourite song from Jolly LL.B 2? Please vote for it below! Thanks!

Advertisements

4 thoughts on “JOLLY GOOD ALBUM!! (JOLLY LL.B 2 – Music Review)

Leave A Comment...

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s