SARVAGUNA SAM’POORNA’!!! (POORNA – Music Review)

Music Album Details
♪ Music by: Salim-Sulaiman
♪ Lyrics by: Amitabh Bhattacharya
♪ Music Label: Zee Music Company
♪ Music Released On: 3rd March 2017
♪ Movie Releases On: 31st March 2017

Poorna Album Cover

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Poorna is an upcoming Bollywood biopic, starring Aditi Inamdar and Rahul Bose, and the film is directed by Rahul Bose, and produced by the director along with Amit Patni. The film is a biopic on Malavath Poorna, who, at 13 years and 11 months, became the youngest girl to have scaled the highest peak on Mt. Everest on May 25th, 2014. The film is an inspirational one, and I’m sure it will win many hearts once it opens in theatres tomorrow. I mean, the indian cricket team has seen it and loved it, so aren’t we bound to, too? The music of the film has been composed by Salim-Sulaiman. The duo has been absent for quite a long time. There was a time when Salim-Sulaiman composing for a film had to mean it was 90% a rom-com. But their last five Bollywood projects have been ‘Jai Gangaajal’ (2016; an action flick), ‘Wedding Pullav’ (2015; a rom-com), one song from ‘Ungli’ (2014; a political satire), the song from ‘Mardaani’ (2014; an action film), and two songs from ‘Kaanchi’ (a political thriller). Out of five films over three years, they seem to have been consciously trying not to choose rom-coms, as they signed only one! Now they sign this movie which definitely isn’t a rom-com. And they give us three songs, one of which has a second version. Hopefully, like another three-song-wonder, Amit Trivedi’s ‘Kai Po Che’ (which is the epitome of ‘Quality over Quantity’) this one too has an amazing soundtrack. So let’s see how this short album turns out to be! 🙂


1. Kuch Parbat Hilaayein / Kuch Parbat Hilaayein (Intimate)

Singers ~ Arijit Singh / Salim MerchantBacking Vocalists in First Version ~ Raj Pandit, Crystal Sequeira & Gwen Dias

“Woh toofan kya, chattanein jisko mod de,
Woh udaan kya jo, unchaai pe dum tod de,
Khudpe hai bharosa rakhna tujhe,
Jeete jee nahi hai rukna tujhe!
Itihaas hai likhna tujhe!
Kuch parbat hilaayein, toh baat hai!”

The first song comes to us in two versions, so we will focus on each separately. The track is a wonderful motivational song, composed marvellously by Salim-Sulaiman. The tune does tread on familiar territory, and you can easily tell that it is Salim-Sulaiman’s composition. The mukhda is simple and sweet; though it sounds heard before, it doesn’t disappoint in its intention of being a motivational tune. Yes, in some parts the composition sounds a bit dreary, but everything can be excused when that liveliest hookline arrives, and takes away your breath. The first antara follows the same tune as the mukhda, while the second takes on a more pensive form, and aptly, given the motivational theme of the song, just like so many Bollywood motivational songs do. They all go serious for some reason, midway. But no complaints. Salim-Sulaiman have wrapped it up quite nicely by bridging it to the hookline in a grand way, making great use of the percussion. That brings us to the arrangements. The Northeast Indian arrangements are audible for like the first minute or so, and then later on they somehow get dissipated amongst a lively show of drums (Darshan Doshi) and guitars (Nyzel D’Lima). The percussion is amazing though, with Sulaiman’s trademark djembe. The backing vocalists (Raj Pandit, Crystal Sequeira, Gwen Dias) are amazing with their Northeastern inputs, and their little rhyme which they sing at the end is adorable. Arijit’s vocals are good, but I felt he could’ve used his lively voice here, instead of his droning voice. (If you have been following me since the inception of my blog, you will know the difference between the two Arijit voices.) Some places he gets very lively, while others, he falls flat, like that mukhda. On a whole though, it is enjoyable hearing him singing a non-romantic song! The “Intimate” version fares well in its own place, trying to be a mellowed-down version of the original, and succeeding. This time, the composition has been backed by wonderful acoustic guitars and occasional piano — providing the required intimate sound. Salim’s vocals are a good substitute because they are soothing and calm; Arijit’s were more suited to the first one. Again, the backing vocalists, in trademark Salim-Sulaiman style, provide a nice and majestic backing chorus. Amitabh Bhattacharya’s lyrics are just magically motivational. A good start to this motivational album! 

Rating: 4.5/5 for the Original Version, 5/5 for the Intimate Version

 

2. Poori Qaaynaat

Singers ~ Raj Pandit & Vishal Dadlani

“Chaahe talaashe, gehraaiyaan samandaron ki saari,
Chaand sitaaron, sooraj ki chaahe naap aaye doori,
Par Kabhi dhoondhein tere bhi andar toh jaane!
Hai poori qaaynaat tujhmein kahin,
Sawaalon ka javaab khud hai tu hi!”

For the next song, Salim-Sulaiman recycle their song “Chheene Re Mora Chain” from Coke Studio @ MTV Season 3, resulting in a makeover of a romantic semiclassical song, to a motivational one, again, so apt for the situation of the film. The composition is an amazing one, especially the hookline, which constitutes about 75% of the song! But since it is a semiclassical song, that is expected, just as phrases are repeated a thousand times in classical songs. The fusion is amazing, and I always like me a little rock with classical (Remember ‘Piya Tu Kaahe Rootha Re’ from ‘Kahaani’ by Vishal-Shekhar?) Here, too, Salim-Sulaiman ace it by interweaving the rock portions nicely in between two chunks of the classical parts. There is one antara, also falling into the classical part of the song, and it makes the ambience of the song a shade darker than the rest; the composition is already quite haunting in the way that classical songs always haunt you, pleasantly. The arrangements are ravishing! The rock guitars (Nyzel D’Lima) and drums (Darshan Doshi) do not leave the song even in classical parts, and that’s what makes it even more appealing to the senses. To bring a classical touch to the song, the duo has incorporated a wonderful sitar(Chirag Katti) loop that just blows your mind. In the interlude, a wonderful strings-tablas combination sounds amazing, and even part of the antara is backed by only wonderful tablas. The arrangements are very upbeat on a whole, and won’t leave you dissatisfied. The vocals are beautiful; Raj Pandit carries out the aalaaps effortlessly, and Vishal Dadlani, with his booming voice, aces the rock portions. The lyrics by Amitabh Bhattacharya, are motivational yet again, and save for the fact that they repeat many times, I enjoyed them! A scintillating fusion! 🙂

Rating: 5/5

 

3. Baabul Mora

Singer ~ Arijit Singh

“Baabul mora, mora, naihar chhooto hi jaye,
Din ka chola peeche chhoda,
Raat ki chadar odha chali,
Baabul more teri muniya,
Teri duniya chhod chali”

To call it an end to the album, Salim-Sulaiman present a very sombre, pensive classical song. It is a composition which is quite heavy to the ears, unless you really love classical music, which I do! The song starts with a heart-rending high-pitched part sung by Arijit beautifully. The composition that follows might bore some, but it will be a treat for, as I said before, classical music lovers. It is not a song you would hear on loop, but while it lasts, you would cherish it. The small nuances in the composition have been very well-rendered by Arijit. His voice goes straight out to touch the heart, and leaves an impact on you. The arrangements are minimal, with a constant beat going on in the background, intensifying it manifold. Arijit handles the aalaaps and nuances very carefully, and it results in a cherishable sad song. The lyrics are adapted by Amitabh Bhattacharya from Nawab Wajid Ali Shah’s thumri of the same name. The rest of the lyrics are new, and that makes it a non-remake in my eyes. Anyway, the song seems to be in a situation where the girl in the movie misses her home. A beautiful classical melody to end the album, but not something to listen to on loop.

Rating: 4/5


Poorna is a short and sweet album. All three songs and the one version are amazing and contribute something to the movie. They could be played at different situations in the movie, and fit well in with the narration. There are two motivational songs, one sad song, and one happy and pleasant one. Variety shows itself through just four songs. Salim-Sulaiman have done a great job, and though the number of albums they’re doing is diminishing, the quality seems to be increasing and increasing year by year. The duo has long since thrown off their rom-com stereotype, and has started achieving great musical feats, by climbing up the mountain of endless rom-coms, and choosing content-oriented films after reaching the peak! A short but wholesome album: in Hindi, ‘Sarvaguna Sam’POORNA’!!

 

Total Points Scored by This Album: 4.5 + 5 + 5 + 4 = 18.5

Album Percentage: 92.5% {That makes it the top-scoring album of the year so far! 🙂 }

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Poori Qaaynaat = Kuch Parbat Hilaayein (Intimate) > Kuch Parbat Hilaayein > Baabul Mora

 

Remake Counter:
No. Of Remakes: 08 (from previous albums) + 00 (from Poorna) = 08

 

Which is your favourite song from Poorna? Please vote for it below! Thanks! 🙂

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2 thoughts on “SARVAGUNA SAM’POORNA’!!! (POORNA – Music Review)

  1. Amazing analysis of a small yet effective album. May you too scale heights with ur writing like the lead protagonist of this film Poorna does. Way To Go 😃👌👍

    Like

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