ANU NOT ZORDAAR! (INDU SARKAR – Music Review)

Music Album Details
♪ Music by: Anu Malik & Aziz Nazan
♪ Lyrics by: Puneet Sharma, Sanjay Chhel & Aziz Nazan
♪ Music Label: Saregama
♪ Music Released On: Not Yet Released as an album!
♪ Movie Released On: 21st July 2017

Indu Sarkar

 

To hear the full songs of this album on Saavn CLICK HERE


Indu Sarkar is a Bollywood historical / political thriller film, starring Kirti Kulhari, Neil Nitin Mukesh, Tota Roy Chowdhury and Anupam Kher. The film is directed by Madhur Bhandarkar and produced by Bharat Shah. It is set in the Emergency period in India, from 1975 to 1977. The film has opened to mixed reviews, and while some are praising the hard-hitting nature of the storyline, others are putting it down for its melodrama. Anyway, I, being a music reviewer, am spared from giving any views on the movie which I haven’t even watched, and don’t intend to either. I am focusing on the music. The most influential composer of the 90s, Mr. Anu Malik, has scored the soundtrack for the film. He did well in earlier this year’s ‘Begum Jaan’ so I’m expecting the same here as well! Saregama, the music company, after releasing four songs as singles, hasn’t released all songs in a single album, so I’m assuming this is the album, with four songs. Let’s see how Mr. Malik has composed for this!


1. Chadhta Sooraj Dheere Dheere

Singer ~ Mujtaba Aziz Naza, Composition & Lyrics by ~ Aziz Nazan, Music Recreated by ~ Anu Malik

Aziz Nazan’s famous Qawwali gets remade by Anu Malik, and sounds quite bleak and dull. The composition is good (no new composition by Malik) but the nine-minutes length makes it sound tedious. The vocals (by Aziz Nazan’s son) are good, and so are the lyrics. Anu remakes it with apt arrangements for a Qawwali, and also rock elements. Duration bogs this one down!
Rating: 2/5

 

2. Yeh Awaaz Hai

Singer ~ Monali Thakur, Lyrics by ~ Puneet Sharma

A sweet and sugary composition, evoking memories of ‘Lag Jaa Gale’ and ‘Salaam’ (from Anu Malik’s own ‘Umrao Jaan’ album), again too high in duration — eight minutes. Monali’s voice makes things sound bright, and the lyrics are beautiful and meaningful. The arrangements also resemble ‘Aazadiyan’ (Begum Jaan). A song resembling many other songs, but good in its place.
Rating: 3/5

 

3. Dilli Ki Raat

Singers ~ Bappi Lahiri & Anmol Malik, Lyrics by ~ Puneet Sharma

At first, I thought this was composed by Bappi, but the Panchamda vibe made me check again, and it was by Anu himself. The composition is terrible, and so are the vocals (especially Anmol’s), but the R.D. Burman vibe in the arrangements makes it bearable (only for a one time listen). The lyrics disappoint. SKIP!
Rating: 1/5

 

4. Yeh Pal

Singer ~ Amruta Fadnavis, Lyrics by ~ Sanjay Chhel

This song is slightly better in its composition; a soothing romantic waltzy song. The vocalist should’ve been Alka Yagnik or Asha Bhosle, but Amruta Fadnavis tries hard to do well. The arrangements are soothing, with the guitars and strings making it all the more soothing. The mandolin and accordion are outstanding too. The whistle makes it sound a lot like Anu’s trademark 90s songs. Sanjay’s lyrics portray love as a trap. A good song; but the vocals could have been better!
Rating: 3.5/5


Indu Sarkar is an album that Anu Malik seems to have scored very half-heartedly. Earlier this year, his fabulous score for “Begum Jaan” stunned me, and then this dull soundtrack after that, is very odd. The best song too, suffers of bad vocals. Anu Not zordaar!!

 

Total Points Scored by This Album: 2 + 3 + 1 + 3.5 = 9.5

Album Percentage: 47.5%

Final Rating for This Album: सा < रे < ग <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Yeh Pal > Yeh Awaaz Hai > Chadhta Sooraj Dheere Dheere > Dilli Ki Raat

 

Remake Counter:
No. Of Remakes: 21 (from previous albums) + 01 (from Indu Sarkar) = 22

 

Which is your favourite song from Indu Sarkar? Please vote for it below! Thanks! 🙂

NOT A VERY IMPORTANT ALBUM!! (VIP 2: LALKAR – HINDI VERSION – Music Review)

Music Album Details
♪ Music by: Sean Roldan
♪ Lyrics by: Raqueeb Alam
♪ Music Label: Divo Music / VMS Music / Publishing Sdn Bhd
♪ Music Released On: 26th June 2017
♪ Movie Releases On: 11th August 2017

VIP 2: Lalkar Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


VIP 2 (Lalkar) is an upcoming Tamil film that has been dubbed into Hindi, starring Dhanush and Kajol, directed by Soundarya Rajinikanth and produced by Dhanush and Kalaipuli S. Thanu. It is an action comedy, and a sequel to 2014’s ‘Vellailla Pattadhaari’. Knowing nothing about the first film or its music, except for the fact that it had been composed by talented young composer Anirudh, I’m diving into this album. It has been composed by Sean Roldan, another relatively new composer in the South, who I’ve heard has composed really good music for ‘Power Paandi’ earlier this year. Let’s hope he does the same for his first technically Hindi album!


1. Life Of Raghuvaran – Chal Re Raja

Singers ~ Rahul Nambiar & Yogi B, Backing Vocals ~ Shenbagaraj, Aravind, Deepak, Jithin Raj & Narayanan

Sean Roldan starts the album with a rock song that doesn’t quite impress. The composition is all over the place, very hard to grasp, and understand. The hookline too, is literally very odd and weird. It reminds me of a same kind of song from ‘Kabali’, which was mediocre as well. The pulsating arrangements at least provide some entertainment in the song. Sean Roldan manages to create an enticing and hard-hitting rock rhythm, and the electric guitars (Josh Mark Raj) and drums (Ramkumar Kanakarajan) especially have been played amazingly to ensure that followers of heavy metal would love this song. Sean fuses this with folk instruments like the thavil (Hariprasad). The vocals are not quite welcoming in the song either; they are very crude, and supposed-to-be full of attitude, but it comes across as fake. The English rap sounds like an unwanted interruption in the proceedings of the song. The antara is better; its tune has a kind of Carnatic touch to it, or so I felt. (“Phir Se…”) The lyrics, or at least those that were intelligible, seem to be an inspirational and motivational song slash title song. Not a very enticing rock song, but the arrangements are splendid!

Rating: 2.5/5

 

2. Angel Of Raghuvaran – Tu Mili Hai

Singers ~ Abhay Jodhpurkar & M.M. Manasi, Backing Vocals ~ Vasanth, Sean Roldan, Sudha & Ravi G. 

As soon as this song starts, it reminds me so heavily of ‘Jadoo Rawan Rawan’ from ‘Kabali’. The composition is based on the same raag, I guess. The composition itself is that kind, which haunts you too, but doesn’t leave a lasting impact on your ears. As long as it plays, it sucks you in and you find it impressive, only to forget it right away after it is over. It still is a very good composition; it’s just that it sounds so heard-before, and way too heavy to hear again. I see that Roldan has tried to infuse a kind of Tango-like rhythm, to fuse it with the Carnatic composition, but it fails. The arrangements are heavenly; the strings (Macedonian Symphonic Orchestra) are ravishing, while the twinkly sounds are just marvellous. The flute (Vishnu Vijay) and the strings are what upholds the arrangement though. Drums (Ramkumar Kanakarajan) and trumpets (Jaigopi & Ben) increase the multidimensionality of the arrangements. The vocals are functional; Abhay Jodhpurkar does well as the male singer, but M.M. Manasi sounds kind of out of place here, with her thick voice. The lyrics are the same old romantic lyrics that we find in these songs. A good composition, but too many times heard-before!

Rating: 3.5/5

 

3. Torture of Raghuvaran – Main Ga Raha

Singer ~ K.G. Ranjith, Backing Vocals ~ Shenbagaraj, Aravind, Deepak, Jithin Raj & Narayanan

This song sounds interesting right from the beginning, where it starts off in a kind of humorous way, and right enough, it opens up into a hilarious song about men singing about not wanting to get married! The Carnatic backdrop of the song makes it all the more funny to listen to, and the composition too, seems to be Carnatic-based. The hookline is instantly likeable, and cute. The backing vocalists (Shenbagaraj, Aravind, Deepak, Jithin Raj & Narayanan) do well, and increase the comic value of the song. They complement the lead singer, K.G. Ranjith, who sounds a lot like Ayushmann Khurana, very well. The arrangements are fabulous. The traditional wedding brass band (Ben & Jaigopi) has been played against the backdrop of wonderfully rustic Carnatic folk music, complete with nadaswaram (D. Balasubramaniam), and the wonderful kuthu-style percussion (Two Man Army), which actually suits this song. I pity how Bollywood misuses and overuses that rhythm. The lyrics are extremely funny too. An enjoyable song!

Rating: 4/5

 

4. Raghuvaran Vs. Vasundhara – Doori Zara Banake

Singers ~ Benny Dayal & Shaktishree Gopalan, Backing Vocals ~ Maria Roe Vincent & Sudha

This song sounds like a face-off between men and women kind of like ‘Thug Le’ (Ladies Vs. Ricky Bahl). The composition starts off quite abruptly, and doesn’t actually suck you in until Benny’s lines come in. The arrangements are beautiful! It starts off like a retro funk song with trumpets/brass instruments, and nice digital sounds. It later escalates to a nice and beautiful violin-oriented song in the interlude, where the Macedonian Symphonic Orchestra shows its wonderful skills yet again. The Guitars by Sean Roldan are very impressive too. The composition after the interlude is still below par, and doesn’t really hook you still. The two vocalists do well, especially Benny Dayal, who is incidentally the only Bollywood singer on this soundtrack. The lyrics make the song sound like it is a kind of face off between the two lead characters. Good with its arrangements, but falls flat with the tune!

Rating: 3/5

 

5. Vasundhara – The Empress Arrives

(Instrumental)

This instrumental is quite a grand one, for the entry of Kajol’s character. The feel that strikes you right when the song starts with those trumpets is that she’s a villain from a 1970s Bollywood film, whose music is composed by R.D. Burman. But then those EDM beats arrive and make the song even more interesting. A mysterious ‘Pink Panther’-esque portion follows, which is hinged on just the trumpets (Jaigopi). There is nothing much to hear here, except the mysterious yet whimsical sound of it all.

Rating: 2.5/5


VIP 2 (Lalkar) is yet another dubbed album that we will hear and forget. Forget the dubbed aspect of it; I’m sure it won’t be a memorable album even down south in its original language! Sean Roldan, I’ve heard great things about, but sadly, my first encounter with his music was not all that great! Not a very important album! 

 

Total Points Scored by This Album: 2.5 + 3.5 + 4 + 3 + 2.5 = 15.5

Album Percentage: 62%

Final Rating for This Album: सा < रे < ग < म < < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Torture of Raghuvaran (Main Ga Raha) > Angel of Raghuvaran (Tu Mili Hai) > Raghuvaran Vs Vasundhara (Doori Zara Banake) > Life of Raghuvaran (Chal Re Raja) = Vasundhara (The Empress Arrives)

 

What is your favourite song from VIP 2 (Lalkar)? Please vote for it below! Thanks! 🙂

THE CASE OF THE INCOMPLETE ALBUM… (JAGGA JASOOS – Music Review)

Music Album Details
♪ Music by: Pritam Chakraborty
♪ Lyrics by: Amitabh Bhattacharya
♪ Music Label: T-Series
♪ Music Released On: 20th July 2017
♪ Movie Released On: 14th July 2017

Jagga Jasoos Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Jagga Jasoos is a Bollywood musical adventure film, starring Ranbir Kapoor And Katrina Kaif in lead roles. The film has been directed by Anurag Basu and produced by Siddharth Roy Kapur, Anurag Basu And Ranbir Kapoor. The film is a musical that revolves around the adventures of a teenage detective, Jagga. The musical format of the film makes it one-of-its-kind, and never before tried in Bollywood. After having watched the movie, I can only say that Anurag gets full marks just for trying the format and sucking us into this very innocent and beautiful world. Now, T-Series has bought the rights of only the full-length songs in the film, it seems, and so they’ve released a ‘full album’ comprising six songs. Pritam has done a wonderful job giving rhyme and tune to Jagga’s world. You might have already noticed that I haven’t written a rant about how late the album released — it is because I kind of expected the songs to release late just because they might give away the story of the film. Sadly, the deceitful makers only released six songs. So whatver, let’s just analyze the songs we all have been hearing for the past two months!


1. Ullu Ka Pattha

Singers ~ Arijit Singh & Nikhita Gandhi, Ulule Vocals by ~ Vivienne Pocha, Lyrics by ~ Amitabh Bhattacharya

“Hmm, confuse hai,
Dosti pe isse aitbaar aadha hai,
Rang mein dosti ke jo bhang ghol de,
Ishq ka bhoot sar pe savaar aadha hai!
Nigal sake nahin, ugal sake!
Sangemarmar ka bangla banaata hai,
Dil akbar ka pota hai!
Jaana na ho jahaan vahin jaata hai,
Dil ullu ka pattha hai!”

– Amitabh Bhattacharya

Pritam starts this colossal album with a song that jumps right into diversity, with a Spanish guitar wonderfully setting up a nice European flavour for us. And then Vivienne Pocha’s “ulule” vocals start and we are instantly hooked. Pritam’s composition is catchy, with a mellifluous sound. The rapid-paced portions are just amazing, and the way they drop into the smooth hookline is marvellous too. The “ulule” adds a tinge of craziness and zaniness to the song, giving something that children and adults alike can pick on to, as a kind of signature of the song. The antara has a beautiful composition, and keeps up with the Spanish feel of the song. The arrangements are just bewitching; the Spanish guitar as described earlier, is just a beautiful addition to the song; it transports you elsewhere. There’s a nice conclusion in yhe form of a Spanish guitar musical piece, and that part is something you ought not to miss, thinking that the vocals are over. Other instruments like drums and then digital beats provide a nice and groovy beat to the song. The vocalists do a great job; Arijit as always moulds himself into the required form and renders this quirky romantic song with ease, while Nikhita supports him well. Though I feel Shalmali would have suited better here! Anyway, that huskiness in Nikhita’s voice is what makes it sound amazing. I like the way how Pritam adds a welcoming drum portion before she enters; it sounds like it’s a welcome for her to come in the song! And of course, Vivienne, who gives the song a nice hookline in the form of her “ulule” backing vocals, does a fantastic job. Arijit’s vocals at the end of the song where he just experiments by making non-verbal sounds, sounds amazing. Amitabh Bhattacharya’s lyrics are super cute, describing the heart as many things nobody could ever think of, like Shah Jahan, A hundred rupees change, and whatnot. A crazy and fun romantic song to start off this album; it has already created waves across the nation!

Rating: 4.5/5

 

2. Galti Se Mistake

Singers ~ Amit Mishra & Arijit Singh, Lyrics by ~ Amitabh Bhattacharya

“Chal muscle phulaana, thodi body banaana,
Tere chikne gaalon pe stubble ki fasal ugaana,
Arererereee, abey aye,
Chal beta shuru ho jaa guru,
Bagal uthaake thoda deo lagaana,
Kisi bagal waali ko mardaani khushboo sunghaana,
Chal upar ke do button dheele karke bataana,
Baalon wala seena dikhaana, baalon wala seena dikhaana!”

– Amitabh Bhattacharya

Pritam switches modes from European music to Indian music in the next song. Indian music itself is so diverse; here he picks a wonderful style of music to back the next song, and that is Assam’s Bihu Dance music. The fun Assamese percussion and wind instruments start off the song, until it takes a digital turn and the song starts. It is essentially a fun song being sung in the boys’ hostel, and that craziness reflects in the composition. The way the composition makes abrupt stops and starts, and turns unexpectedly, shows the same. I loved how Pritam infused the Bihu Dance theme into this kind of a song, that has no relation whatsoever to Bihu. The wonderful folk instruments they’ve used, against the backdrop of digitally produced sounds and a crazy composition, provides for a fun listen. The composition itself takes time to grow, because the song is so situation-oriented. The hookline is just so cute, you can’t get it out of your head. The antara is amazing, but what makes it more amazing is Amit Mishra’s stupendous rendition of it. He brings a very harsh quality to his voice, probably to be shown as the rowdiness of the boys in the hostel. Arijit joins only in the hookline, and the voice quality gets smoother, so you know he is singing. Amit sings the rest of the song brilliantly though! After the antara, Pritam introduces an almost one-minute-long folk interlude, after which the hookline just plays again. I feel that could’ve been shortened in length as that portion is just a mix of all the instrumental pieces we heard at the beginning of the song. Amitabh’s lyrics are again, hilarious. The antara is superbly funny! A fun song, whose composition takes a little time to grow, but till then, the arrangements and vocals help you love it!

Rating: 4/5

 

3. Jhumritalaiyya

Singer ~ Arijit Singh, Lyrics by ~ Neelesh Misra

“Duniya yeh thodi thodi hai behtar lagey,
Dil ke naukar-o-chaakar lagey,
Jhuk ke pooche kya hai aarzoo!”

– Neelesh Misra

This soft romantic song is featured on the album next, and it is a song that made me love it right from the moment I first heard it. Pritam brings in an evident Coke Studio treatment for this song, which is tangible in the arrangements and unconventionally sweet composition. The composition is instantly likeable, only because of its amazing cuteness. The hook, ‘duniya yeh..’ has a distinct Coke Studio feel; it goes suddenly high-pitched in the otherwise low-pitched and calm composition. The “Ah-ha-haa” sounds so cute as well! The composition is what makes the song sound fit for a Disney movie. The antara has the same tune as the mukhda, with Arijit providing a bit of pleasant variation. There is a short conclusion line after a long interlude after the antara, which brings in the trademark Pritam touch to the song, and ends it on that very Pritam-ish note. The arrangements are complete with acoustic guitars, rock guitars, and drums, but all of this only increases the calmness of the song, making it a kind of peculiarly soothing alternative rock song. And that’s why I immediately linked it to Coke Studio. The backing chorus provides even more of that oh-so-tangible Pritam touch. The mukhda that is arranged solely on acoustic guitars and the groovy drum beats, sounds amazing and grips the listener right away. There is a nice banjo-like instrument portion in the hookline, which sounds amazing, giving the song a kind of folksy vibe. The second interlude is what showcases the most important part of the song, at least musically. It is here that we are served a wonderful rock guitar and drums combo that works so well, and then when the backing chorus joins in later on, you can’t help but sway with the vocals, as the wonderful drum beats accompany you. Arijit’s vocals are the perfect choice here; he exudes simplicity and charm, and renders the song spot-on. His vocal prowess is showcased in the song, especially in that short portion at the very end where his raw voice without any instruments behind it is exposed. And in the antara, the way he sings “rakh jaaunga“, is spectacular! A slight confusion is that Mohan Kanan could be heard in the song promo of this song on YouTube; but nowhere to be heard in this audio version. 😐😐 Neelesh Misra, who writes so infrequently, hits the bull’s-eye yet again, and some of the lines are funny in a cute way, while the others are very thought-provoking, like the one I’ve showcased up there below the credits of the song. A pleasant, breezy romantic song!

Rating: 5/5

 

4. Phir Wahi

Singer ~ Arijit Singh, Lyrics by ~ Amitabh Bhattacharya

“Phir wahi, phir wahi, saundhi yaadein puraani, phir wahi,
Phir wahi, phir wahi, bisri bhooli kahaani, phir wahi,
Phir wahi, phir wahi, jhootha vaada,
Aasmaan ka mere, chanda, aadha,
Dil kyun joda agar dil dukhaana tha?
Aaye kyun thhe agar tumko jaana tha?
Jaate jaate labon pe bahaana tha, phir wahi!”

– Amitabh Bhattacharya

After all those happy-go-lucky songs, it is time for a pathos-filled, heart-rending, sad song. And let me tell you, this one is a masterpiece! The composition takes the route of many former Bhatt-Pritam sad songs, but still has a sound of its own, thanks to Pritam’s wonderful arrangements. If the had arranged it just like his old Bhatt-ish songs, it might not have appealed so much at all. The composition is wonderful. It starts very slowly, and might not hook you at once, but right from the first instance of the phrase “Phir Wahi” in the song, it gets better. The emotion is almost tangible, and Arijit’s singing makes it even more so. I personally loved the tunes of the lines “dil kyun joda agar dil dukhaana tha..” and all other variants of it. The song has nothing more than the mukhda repeated twice, but its essence lies in that. It is emotional without having an overtly complex and twisting composition. The straightforward notes hit your heart instantly. The hookline is really emotional. And the song is actually about a son yearning for his father to come back, making it so much more layered than the usual boy missing girl Bollywood sad song. More on that when we speak about the lyrics. The arrangements are beautiful as well. There is a wonderful guitar played throughout the song. The way they stop-and-resume the guitar strums in the “aansoon pochhe hi kyun…” line of the antara, is just mind blowing!!! But even more spectacular than the guitar, there is also a WONDERFUL piano portion that starts the song. The interlude is a wonderful Coke Studio-esque portion, with amazing soft rock sounds of the drums, which continues for the rest of the song. The piano chords throughout the song are amazing. Backing vocals are beautiful wherever they can be heard. The alternative rock that features in the song after the mukhda is the trademark Pritam sound, which we heard in songs like ‘Kabira’ (Yeh Jawaani Hai Deewani), ‘Saware’ (Phantom), ‘Daayre’ (Dilwale) and the recent ‘Main Agar’ (Tubelight). Towards the end, a wonderful saxophone enters that steals the show before the song ends. And again, that splendid piano loop that started the song, ends the song too. Amitabh’s lyrics just tug at your heartstrings. The love of the song for his father is beautifully reflected in the lines he’s written, with a bit of frustration on the son’s part for his father leaving him like that, and evident love in that frustration as well. A sad song unlike the Bollywood sad songs of these days.

Rating: 5/5

 

5. Musafir

Singer ~ Tushar Joshi, Lyrics by ~ Amitabh Bhattacharya

“Ho kahaani meri, tarjumaa ho tera,
Ho duaayein teri, sar jhuka ho mera,
Raaz mein bhi tere, sach chhupa ho mera,
Main kamaai jodun, karz adaa ho tera,
Yahaan mera tere siva, hai dooja nahin koi re,
Akela mujhe chhodke, na jaana yun nirmohi re!”

– Amitabh Bhattacharya

Pritam finally brings in another singer to sing the entire song, this time, a debutant! It’s really exciting when Pritam introduces new singers to us, because we know he doesn’t leave them for a long time, and keeps giving them opportunities to shine in his later albums. Tushar Joshi, who did sing a couple of backing vocal portions in Pritam albums prior to this, gets to enter Bollywood as a lead singer, and how! The song he gets is plain out of this world. A composition that is a trademark Pritam composition, yet invokes such pathos and emotion, this song grows on you in no time! The mukhda is wonderful; it repeats twice in this song too; I think that’s the norm nowadays — maybe composers don’t have the time to compose a new tune for antaras! Anyway, the composition is beautiful. After each stanza, a wonderful “Aye-aye-aye-aye” portion really gives you the goosebumps. The high-pitched line in the song, “yahaan mera tere siva...” is just too good! Pritam’s arrangements do not stray from his usual style of arranging such songs; a loud but soothing rock template backs the solid composition, with wonderful instances of piano, acoustic guitar and the necessary drums and electric guitars. Towards the end, a ravishing background chorus sings for about the last one and a half minute or so, coupled with an amazing guitar solo! At the beginning a nice and soothing piano loop plays, and quite like the previous song, ‘Phir Wahi’, it sucks you in completely! Tushar’s voice sounds very similar to Arijit’s in the high notes, but otherwise, it is sort of a cleaned version of Arijit’s voice, without the rough texture. Amitabh’s lyrics are yet another instance of his bravissimo; the man is a complete genius when it comes to such philosophical-slash-romantic songs! A beautiful composition evoking memories of songs like ‘Kabira’ (Yeh Jawaani Hai Deewani)!

Rating: 5/5

 

6. Khaana Khaake

Singers ~ Pritam Chakraborty, Amitabh Bhattacharya, Tushar Joshi, Geet Sagar, June Banerjee, Antara Mitra, Amit Mishra, Ashwin Kulkarni, Aaroh Velankar & Sunny MR, Lyrics by ~ Amitabh Bhattacharya

“Life ki simple si philosophy, yeh jaan lo,
Hum yahaan do din ke mehmaan hai, yeh maan lo,
Non-stop ek party hai, jahaan sabko aana hai,
Aur khaana khaake, daaru peeke, chale jaana hai!
Jeena toh unhi ka jeena kehlaaya,
Jo bhi bina chu cha, karke, khaake peeke chale gaye, chale gaye!”

– Amitabh Bhattacharya

The next and final (😏😏) song on the album, is a laugh riot, whether you hear it on-screen or off. If you’ve watched the video, there’s an entertaining video to couple with the random and quirky song. But if you hear just the audio too, it doesn’t take away from the comic appeal of the song. The hook itself is a crazy, zany and wacky line, that by itself, helps us gather more interest to listen on. The composition is very simple, and has nothing much like a proper structure. All I know is that it has the hookline repeated thousands of times. The only thing that can pass as an antara, is Tushar Joshi’s portion in the middle, which has been composed and even sung, beautifully. But it has been written even more beautifully. Bhattacharya sees life as a party, where everyone has to eat, drink, and then leave! What an imagination! So can we say, “All the world’s a party. And all the men and women merely eaters and drinkers”? 😄😄 The song provides a lot of entertainment for the ears, for instance, there’s a nice haunting line in the form of the “khaali ghar mein chaaron aur sannata” line and its variants, and the entertaining lyrics, and to top it all, one of the female vocalists emulates a saxophone and succeeds in adding to the whimsicality of the song. Tushar Joshi in his portion, playback singing for Ranbir’s character, cleverly incorporates a bit of Jagga’s stammer before starting his line! That’s a nice effect! The simple digital metronomish beat that backs the song serves as almost the only instrumentation, besides the weird quirky sounds like a spoon clinking against a glass, and other zany sounds. Of course, this song tilts a little on the “Less Repeat Value” side! Welcome to a madhouse!

Rating: 4/5


Jagga Jasoos is an amazing album, full of variety, innovation and catchy music. Pritam and Anurag Basu recreate the magic of “‘Barfi!”, though in a slightly different and more massy way. The music has worked already and should work even more. My only regret is that, for a film that’s a musical and has such amazing songs in it, and had such hard work gone into it by all persons involved, the small songs haven’t released with the full album! Let’s hope they’ll release and we will get to relive Pritam’s and Basu’s magic of the big screen, on our phones! And let me assure you, these six songs are NOTHING compared to those! Anyway, this six-song album is a good showcase of Pritam’s range and versatility!

 

Total Points Scored by This Album: 4.5 + 4 + 5 + 5 + 5 + 4 = 27.5

Album Percentage: 91% {This is not the final rating; when the OST releases, I will review it average it out}

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: From start to finish in the same order.

 

Which is your favourite song from Jagga JasoosPlease vote for it below! Thanks! 🙂

A LIPSTICK WITH SHADES OF WOMEN EMPOWERMENT!! (LIPSTICK UNDER MY BURKHA – Music Review)

Music Album Details
♪ Music by: Zebunnisa Bangash (Zeb)
♪ Lyrics by: Anvita Dutt
♪ Music Label: T-Series
♪ Music Released On: 14th July 2017
♪ Movie Releases On: 21st July 2017

Lipstick Under My Burkha Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Lipstick Under My Burkha is an upcoming Bollywood film starring Konkona Sen Sharma, Ratna Pathak Shah, Aahana Kumra, Plabita Borthakur, Sushant Singh, Vikrant Massey, Shashank Arora and Vaibhav Tatwavaadi. The film has been directed by Alankrita Srivastava, and produced by Prakash Jha. I don’t think it is necessary to introduce the film to you; you’ve probably heard  lot about it, thanks to our beloved Mr. Nihalani. Without further ado, I’ll veer towards the music. The simple and short three-song album is composed by Zebunnisa Bangash (Zeb), who we have all heard singing many times before in Bollywood. But this is (I believe) her composing debut in Bollywood. So let’s give it up for her, and see what she has to offer in this women-uplifting soundtrack!


1. Jigi Jigi

Singer ~ Malini Awasthi

A ladies sangeet kind of song starts off the album, but of course, it has apt folksy vibes, considering that Zeb Bangash has composed it. It is actually an adaptation of a folk song by Haji Saifuddin, which Zeb had performed at the Sandaraa music concert in New York in 2015, a concert that was fronted by Zeb along with Brooklyn’s clarinet virtuoso Michael Winograd, which was a musical collaboration exploring a vast repertoire of South Asian musical traditions blended with the sounds and sensibilities of Eastern Europe, the Balkans and New York, according to the YouTube video that Michael Winograd has posted of this song. The Balkan flavour still appears prominent in Zeb’s Bollywood recreation of the song, but all the musician credits have changed, that is, she’s reworked the arrangements. First of all, the composition is a raunchy and catchy one, kind of like the songs from earlier this year’s ‘Anaarkali of Aarah’. The ‘Jigi Jigi’ hook seems like gibberish, or it could be something in Afghani, who knows, but it is catchy nevertheless. The composition traverses the sinister line of notes, and in befitting in such a strong film, which Anvita Dutt makes clear through her lyrics. What impresses me even more are the arrangements. The wonderful folksy sound that the rabaab (Siddiq Sameer), dholaks (Sharafat) and harmonium (Ankur Mukherjee) collectively exude, makes the song sound even more raunchy. The tambourine (Sharafat) gives a very unconventional rhythm throughout the song. There is a brief brass band (Shyam Raj & Friends) interlude that sounds like the only Bollywoodish cliché in the song, besides the harmonium, but still sounds great. The simple dholak-led rhythm is wonderful though. Malini is her usual folksy and raunchy self, and delivers the song with zest and zeal. A nice and folksy start to the album!!

Rating: 4/5

 

2. Ishquiya

Singer ~ Neeti Mohan

The next song in the album happens to be the only song which hasn’t been adapted from any other song like both of the other songs on the album. It takes the form of a retro, disco funk kind of song, a genre which really has seemed to have taken off quite abruptly in the past month or so, what with “Munna Michael” trying, and ‘Beech Beech Mein’ (Jab Harry Met Sejal) succeeding. This one is sung solely by Neeti Mohan, and that makes it all the more interesting somehow. Zeb’s arrangement is really sprightly, and light and frothy, something that instantly lightens up the ambience and mood. The composition is a lilting one, but perfect for the electrifying  music. There are crescendo notes all over the composition, and they make the song sound all the better, not making it he everyday retro funk song. Zeb makes the antara a bit more mysterious and suspense-holding, and sensuous. The drums and disco sounds have been done perfectly. You can’t really ask for a better done track. The backing vocalists help increase the intriguing feel of the song. The trumpets, guitars and occasional strings (what a surprise!) are amazing. The amazing arrangements are complemented very well by Neeti’s whispery voice, and she sets free of all inhibitions to render a no-holds-barred performance. Anvita Dutt’s lyrics seem situational, but they are functional nonetheless. A nice throwback to the REAL disco era, and not the Bappi Lahiri disco era!

Rating: 4/5

 

3. Le Li Jaan

Singer ~ Zebunnisa Bangash

For the finishing act, Zeb reprises yet another of her previous performances, this time, ‘Laili Jaan’ which she had sung at Coke Studio. The song was itself an adaptation of an Afghani folk song, and this one has the same composition, decorated with Hindi lyrics. The way it starts, you are instantly thrown back to the 1940s-1950s, the Charlie Chaplin era. And that effect is produced by Michael Winograd’s amazing clarinet. But Zeb retains the Afghani flavour by employing a wonderful rabaab (Siddiq Sameer) and accordion (Patrick Ferrel), making it sound a lot like the Balkan style of music, something that is so underdone and awfully underrated in Bollywood! More wonderful guitars and ethnic strings (Ankur Mukherjee), coupled with the drums (Kami Paul), throw in a modern touch. The composition itself is a sugar-coated raunchy one, exuding the folk feel as no other song ever did. It kind of reminds me of a couple of Vishal Bhardwaj’s songs from ‘Saat Khoon Maaf’. The hookline literally takes away your life, as Zeb sings “Le li le li le li jaan”, which means “You took my life!” 😍 The antaras are beautifully composed, reminding one of the wonderful 50s, when even Bollywood was heavily influenced by this kind of music, and it reflected in O.P. Nayyar’s music very highly. The treatment given to the song too, is highly unconventional, but it really wins your heart by the time it is over! Another clarinet portion ends the song on a bright and lively note for us. Anvita’s lyrics are cute and simple! A song that should serve as an example of how Balkan music must be done in Bollywood!

Rating: 4.5/5


Lipstick Under My Burkha is a short and sweet folk-oriented album that we hardly get to hear these days in Bollywood. Getting on board a composer from Pakistan herself was a great move, in order to get that folksy touch. The variety in the album is still so ranged, even though two out of three songs sprout from the same folk music. A disco funk song stands out among these folk songs as well, and all of them are unconventional in their approach. What’s most important, all the songs have been sung by women, and composed by a woman, which is so apt for the film. So the album is like a lipstick with different shades of women empowerment!

 

Total Points Scored by This Album: 4 + 4 + 4.5 = 12.5

Album Percentage: 83.34%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Le Li Jaan > Ishquiya = Jigi Jigi

 

Which is your favourite song from Lipstick Under My Burkha? Please vote for it below! Thanks! 🙂

MUBARAKAN! A FLOP ALBUM HAS BEEN BORN! (MUBARAKAN – Music Review)

Music Album Details
♪ Music by: Gourov-Roshin, Hassan Jahangir, Amaal Mallik, Rishi Rich, Yash Anand & R.D. Burman
♪ Lyrics by: Kumaar, Badshah & Hassan Jahangir
♪ Music Label: T-Series
♪ Music Released On: 6th July 2017
♪ Movie Releases On: 28th July 2017

Mubarakan Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Mubarakan is an upcoming Bollywood romantic comedy of errors starring Arjun Kapoor, Arjun Kapoor, Anil Kapoor, Ileana D’Cruz, Athiya Shetty and Ratna Pathak Shah in the lead roles. The film is directed by the only director in Bollywood who still insists on doing comedies with a cast larger than a herd of cows, Anees Bazmee and produced by Ashwin Varde, Murad Khetani and Balwinder Singh Janjua. The film’s plot consists of such never-before-tried aspects like — double roles, a love quadrangle, a huge Punjabi family and Punjabi dance numbers. It is going to redefine Bollywood, I’m sure of it. 😏 If you didn’t get that sarcasm, moving on. The music is by T-Series, and that means multiple composers. Thankfully, one name out of the three composers, is a relief, it being the name of Amaal Mallik, the young composer proving his mettle out there. He gets two, upbeat dance tracks, so I hope those are catchy! The next two composers are Gourov-Roshin, returning after treating us to a small break from their remakes, and sadly they have three songs, and Rishi Rich with Yash Anand, who have composed the title song of the film. Let’s just get this over with, eh?


1. The Goggle Song

Singers ~ Sonu Nigam, Armaan Malik, Neeti Mohan, Tulsi Kumar & Amaal Mallik, Music by ~ Amaal Mallik, Lyrics by ~ Kumaar

A wedding song to start the album, this one is an enjoyable tune from Amaal. Not the best he can do for sure, but it still makes you groove to the beat. The beat itself is infectious, with the composer adding quirky sound effects making it sound better. The ensemble of singers does really well for a wedding song, and for once, Tulsi sounds better than Neeti. The lyrics are mediocre, but hilarious at times. A good wedding track, but not very innovative.
Rating: 3.5/5

 

2. Mubarakan (Title Track)

Singers ~ Yash Narvekar, Juggy D, Sukriti Kakar & Badshah, Music by ~ Rishi Rich & Yash Anand, Lyrics by ~ Kumaar, Rap by ~ Badshah, Yamma Yamma Credits: Music by ~ R.D. Burman

“This is the Rishi Rich beat.” The song starts with this obvious statement, and an unexpected incorporation of some portions ‘Yamma Yamma’ (Shaan). The actual composition falls flat, but it is saved by R.D. Burman’s old song, which plays throughout, and its addition was quite creative. Vocals are horrible. Lyrics are horrible. Rap is horrible. Arrangements are not so horrible. (Mostly, it is the awesome oud from the old song). In short, a horrible song, but for the arrangements and the old song’s portions.
P.S. I wouldn’t call this a Remake as such.
Rating: 2.5/5 (0.5 bonus for using that old song wisely)

 

3. Jatt Jaguar

Singers ~ Vishal Dadlani, Navraj Hans & Apeksha Dandekar, Music by ~ Amaal Mallik, Lyrics by ~ Kumaar

Another typical Punjabi song, the Punjabi flavour accentuated even more by a mediocre composition that barely manages to grasp your attention, except at the hook. Even Vishal doesn’t sound as energetic as always, but Navraj does. Lyrics are typical. Arrangements are typical, but there are traces Amaal’s digital quirks. At many places the tune seems like some old song I can’t recall! 😥 Not the best Amaal can do.
Rating: 2.5/5

 

4. Haathon Mein Thhe Haath

Singers ~ Papon, Altamash Faridi, Aditi Singh Sharma & Arpita Mukherjee, Backing Vocals by ~ Rinku Giri, Music by ~ Gourov-Roshin, Lyrics by ~ Kumaar

A typical Pakistani pop-esque song follows, and it immediately strikes me as Papon’s worst song after a long, long time. The composition is staid and clichéd, his vocals do not help at all. Aditi sounds over stylish as usual. Those typical digital beats add to the melancholia. Backing vocalists add to the staleness, especially the Sufi one. Lyrics are something you won’t even notice. A song that clearly doesn’t know where it belongs.
Rating: 2.5/5

 

5. Hawa Hawa

Singers ~ Mika Singh & Prakriti Kakar, Original Composition by ~ Hassan Jahangir, Music Recreated by ~ Gourov-Roshin, Lyrics by ~ Kumaar

The hit Pakistani pop song remade, with a typppppical kuthu beat and rhythm! Mika singing increases the headache, and the new composition is just unbearable. The hookline is good, but the other parts fall flat. The female vocals by Prakriti sound good though. Lyrics belong to a Sajid-Wajid soundtrack. Why????
Rating: 2.5/5

 

6. Dil Dhadke Louder Louder

Singers ~ Rinku Giri & Puja Basnet, Original Composition Traditional, Music Recreated by ~ Gourov-Roshin, Lyrics by ~ Kumaar

Another Punjabi folksy song ends the album, this time a mélange of two Punjabi folk songs, ‘Kala Doriya’ and ‘Baari Barsi’. The composition doesn’t hook you at all; in fact it sounds like ‘Jatt Jaguar Part 2’. The new singer Rinku Giri is the typical Punjabi male singer affair, he sounds like Diljit Dosanjh. Arrangements are “louder louder”. Lyrics are typical. A song that relies on folk songs to propel it, but fails.
Rating: 2/5


Mubarakan is yet another feather in Bollywood’s cap of Punjabi albums. All of the songs are very staid, heard-before ones, that don’t really help generate any interest. Amaal does okayish in one song, but showcases his quirk in the other. The others perform subpar, with the exception of Rishi Rich, who has made quite a catchy song. But even with its catchiness I couldn’t rate it higher than 2.5. So, for anyone counting, Mubarakan! Another flop album has been born! 

 

Total Points Scored by This Album: 3.5 + 2.5 + 2.5 + 2.5 + 2.5 + 2 = 15.5

Album Percentage: 51.67%

Final Rating for This Album: सा < रे < ग < म < < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: The Goggle Song > Mubarakan = Jatt Jaguar = Haathon Mein Thhe Haath = Hawa Hawa > Dil Dhadke Louder Louder

 

Remake Counter:
No. Of Remakes: 18 (from previous albums) + 02 (from Mubarakan) = 20

 

Which is your favourite song from Mubarakan? Please vote for it below! Thanks! 🙂

MULTICOMPOSERS GIVE A HUGE, BUT NANHA-MUNNA ALBUM!! (MUNNA MICHAEL – Music Review)

Music Album Details
♪ Music by: Tanishk Bagchi, Javed-Mohsin, Vishal Mishra, Pranay M. Rijia, Gourov-Roshin, Meet Bros. & Tanishk-Vayu
♪ Lyrics by: Kumaar, Danish Sabri, Sabbir Khan & Tanishk-Vayu
♪ Music Label: Eros Music
♪ Music Released On: 21st June 2017
♪ Movie Releases On: 21st July 2017

Munna Michael Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Munna Michael is an upcoming Bollywood dance/action film starring Tiger Shroff, Nidhhi Agerwal and Nawazuddin Siddiqui in central roles. The film is directed by Sabbir Khan, and produced by Viki Rajani and Eros International. The film revolves around a dance competition, in which a vagabond played by Shroff decides to participate, until he is entangled into teaching the local villain how to dance, and they both fall in love with the same girl. So, the typical *yaaaaaawwwwwwwnnn* Bollywood plot. The music is by multiple composers, featuring songs by Tanishk Bagchi, Javed-Mohsin, Vishal Mishra, Pranay M. Rijia, Gourov-Roshin, Meet Bros. & Tanishk-Vayu. I’m not excited about anybody’s song particularly, except maybe Tanishk’s solo song and Tanishk’s song with his ex-co-composer Vayu, who he partnered up with again for this song after 2015’s smashing debut for them, ‘Banno’ (Tanu Weds Manu Returns), so let’s just see what the album is about and we might just get surprised!


1. Main Hoon

Singer ~ Siddharth Mahadevan, Music by ~ Tanishk Bagchi, Lyrics by ~ Kumaar

This is a tribute to Michael Jackson, since the film is a dance film and the main character is probably an MJ fan, if we can deduce anything from his name. Tanishk’s composition is bland. Hookline is oddly-placed, but the Antara has a bearable tune. Arrangement and mixing are chaotic, as if Tanishk was adamant on using all techno sounds there are. The impactful vocals dont help either. Lyrics worth avoiding. When an oddly placed hook spoils almost the entire song!

Rating: 2/5

 

2. Ding Dang

Singers ~ Amit Mishra & Antara Mitra, Rap by ~ Parry G, Shivi & Danish Sabri, Music by ~ Javed-Mohsin, Lyrics by ~ Danish Sabri & Sabbir Khan

A tribute to Jackie Shroff (atleast lyrically). The generic composition leaves you unflinched. Typical tapori arrangements with random backing vocals of “Aah-aah”. Both vocalists fail to make the song better, and the rappers fail miserably. Lyrics are cheap, trying-to-be-funny but failing miserably again. The hook lyrics make you go, “Sorry, what???” Ding dung?

Rating: 2/5

 

3. Pyar Ho

Singers ~ Vishal Mishra & Sunidhi Chauhan, Music by ~ Vishal Mishra, Lyrics by ~ Kumaar

A very soothing romantic composition but quite heard-before, and the arrangements too remind of some songs heard in the past. The strings, guitars and digital arrangement still win your heart, though. The composer himself has sung as if he wanted Arijit to have sung it and Arijit would have been apt. Sunidhi is her usual perfect self while Neeti Mohan seems to have done backing vocals, but hasn’t been credited! Lyrics are very staid and nothing new. Best of the album but nothing creative.

Rating: 3.5/5

 

4. Swag

Singers ~ Brijesh Shandilya & Pranay M. Rijia, Music by ~ Pranay M. Rijia, Lyrics by ~ Kumaar & Sabbir Khan

A very situational song for a performance of Nawazuddin’s character. And they have tried to make it sound so-called “cool”, but it doesn’t work much. That instrumental loop that keeps repeating throughout the song is catchy, and the digital beats are cool, but sound very similar to an English song that I can’t recall. Brijesh’s vocals are the fun part of the song, but Pranay’s interruptions could have been avoided. Lyrics are bad, again. Except for Brijesh and that instrumental loop, a forgettable song.

Rating: 2.5/5

 

5. Beparwah

Singers ~ Siddharth Basrur & Nandini Deb, Music by ~ Gourov-Roshin, Lyrics by ~ Kumaar

This is one of Gourov-Roshin’s rare songs that are not recreations, and surprisingly, it starts off quite promisingly, in a retro-sounding prelude. The composition is still good, but a duration of six minutes is way too far-fetched, because the song is also very repetitive, and after one antara the song gets too boring. Arrangements are the same techno sounds that featured in the other songs, and many times in the past too. A rock interlude somewhere in the middle makes your ears bleed. Siddharth Basrur does a good job, but his cosinger, Nandini Deb, doesn’t impress. Again, lyrics are unimpressive. It is a song Hrithik Roshan should have got in 1999. 

Rating: 2.5/5

 

6. Shake Karaan

Singers ~ Kanika Kapoor & Meet Bros., Music by ~ Meet Bros., Lyrics by ~ Kumaar

I see the credits for this song.. and I prepare myself for another ‘Baby Doll’. And sure enough, those pop sounds and ladies shrieking feature in this song. I admit that the composition is catchy but not as much as previous Meet Bros-Kanika songs. The sound is a welcome change from the overpowering disco theme of the rest of the songs. Kanika’s voice is enjoyable as always. Lyrics continue to be the sloppiest they can be! A welcome change from the overbearing techno sounds of the album, but not innovative at all! 

Rating: 2.5/5

 

7. Feel The Rhythm

Singer ~ Rahul Pandey, Music by ~ Pranay M. Rijia, Lyrics by ~ Pranay M. Rijia & Sabbir Khan

Pranay’s next song is actually quite impressive. The composition is a perfect example of a catchy MJ-ish tune, complete with glitzy arrangements that Pranay aces. The techno sounds here and the techno sounds in the other songs differ so much in the freshness quotient. This one is on the lines of ‘Iss Tarah’ (Meri Pyaari Bindu) and that’s how it impressed me. Rahul Pandey sings a bit like Yash Narvekar and Benny Dayal, and sings impressively too. Again, the lyrics are the usual. A nice and fresh-sounding dance song!

Rating: 3.5/5

 

8. Beat It Bijuriya

Singers ~ Asees Kaur & Renesa Baadchi, Music by ~ Tanishk-Vayu, Lyrics by ~ Tanishk-Vayu

Tanishk-Vayu return after two years (‘Banno’; ‘Tanu Weds Manu Returns’) with another folksy song, this time with a techno twist, obviously. The song has a very superficial tune, and hard to grip. Also it sounds inspired from Tanishk’s own ‘Badrinath Ki Dulhania’ Title track. The arrangements match those of their first song; folksy harmonium, dhols and other techno sounds make for an entertaining listen. There’s an amazing fiddle interlude. Asees sings like never before, with a grunge in her voice in the hookline. The lyrics are a kind of funny Hinglish that I couldn’t grasp at once. Entertaining but limitedly.

Rating: 2.5/5

 

9. Pyar Ho (Redux)

Singer ~ Sunidhi Chauhan, Music by ~ Vishal Mishra, Lyrics by ~ Kumaar

Sunidhi sings this Redux of ‘Pyar Ho’ solo. It has a melancholic arrangement, with those slow and mellow piano notes, that gets quite boring to hear after some time. The strings are good enough though. Sunidhi’s solo rendition though, is a treat to the ears. The composition is the same, and the lyrics have been tweaked to make it sound sad. Not something I’d like to listen to often.

Rating: 2.5/5

 

10. Swag (Rebirth)

Singer ~ Pranay M. Rijia, Music by ~ Pranay M. Rijia, Lyrics by ~ Kumaar & Sabbir Khan

‘Swag’ had apparently died while the rest of the songs were playing, so its ‘Rebirth’ appears now. Now, whatever little elements ‘Swag’ had going for it, are all removed in this Rebirth. It has even been stripped of all melody (whatever little it had) and now sounds like a funky instrumental that makes you cringe because of the way Pranay chants those lines creepily. The arrangements are fresh here, but there’s nothing like a good tune or good vocals to accompany it. So that’s a wasted opportunity. I prefer the song in its last life.

Rating: 1.5/5


Munna Michael sounds like a very badly done ‘ABCD’ album. Then again, if ‘ABCD’ would’ve had such music, we wouldn’t have had a sequel. The overdose of (badly done) techno music really sounds useless. One song gets it right, but no others impress. When you can groove to only one song in a dance film’s album, the album’s got problems. Also, when a director or producer asks for “Give me one Kanika song, one tribute to Jackie Shroff, one to Michael Jackson, one funky Hinglish song, many wannabe retro songs”, the results are bound to be bad. ‘Munna’ is a name usually used for small kids. So may I say that these Munna Multicomposers failed miserably? 

 

Total Points Scored by This Album:  2 + 2 + 3.5 + 2.5 + 2.5+ 2.5 + 3.5 + 2.5 + 2.5 + 1.5 = 25

Album Percentage: 50%

Final Rating for This Album: सा < रे < ग  <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Pyar Ho = Feel The Rhythm > Swag = Beparwah = Shake Karaan = Beat It Bijuriya = Pyar Ho (Redux) > Main Hoon = Ding Dang > Swag (Rebirth)

 

Which is your favourite song from Munna Michael? Please vote for it below! Thanks! 🙂

UNWANTED GUEST GENRES!! (GUEST IIN LONDON – Music Review)

Music Album Details
♪ Music by: Raghav Sachar, Stereo Nation & Amit Mishra
♪ Lyrics by: Kumaar, T.S. Jarnail, Arya Acharya, Navendu Tripathi & Saint Shah Hussain
♪ Music Label: T-Series
♪ Music Released On: 2nd June 2017
♪ Movie Releases On: 7th July 2017

Guest Iin London Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Guest Iin London is an upcoming Bollywood comedy starring Paresh Rawal, Kartik Aaryan, Tanvi Azmi and Kriti Kharbanda. The film has been directed by Ashwni Dhir and produced by Kumar Mangat Pathak and Abhishek Pathak. The movie is not the sequel to 2010’s sleeper hit, ‘Atithi Tum Kab Jaoge?’, but it is along the same lines, with a different guest (though portrayed by Rawal again), visiting a different family, and this time with his wife! If the funny quotient of ‘Atithi…’ is anything to go by, this film too would leave me in splits, and the trailer actually has already made me laugh and watch it over and over again. The only weak thing about that movie was its music — full of situational songs that don’t really make for listening outside of the movie. While it was Pritam and Amit Mishra (not the new singer, but a composer named the same) in that film, here we get Raghav Sachar and the same Amit Mishra composing. Raghav was last heard composing for ‘Rustom’, its title track. He rarely disappoints, and when he does, disappoints highly. Let’s hope he can bring some life into the album, because I have no hopes from Mishra!

P.S. Henceforth, for albums securing a score ‘Pa’ and below, I won’t be writing my extensive, long, trademark style review. It will be shorter.

P.P.S. This review is a bit longer in spite of the album not scoring above ‘Pa’, because I’m still not too used to condensing my matter. Will get the hang of it by the time I do some two-three albums!


1. Frankly Tu Sona Nachdi

Singers ~ Raghav Sachar & Tarannum Malik, Music by ~ Raghav Sachar, Lyrics by ~ Kumaar

Raghav starts off the album with a very templated Punjabi number that barely hooks you the first time you listen to it, but gets better after a couple of times. The composition is something that would fit in the 2007-2008 era, and Raghav tries to jazz it up with his saxophone, but to no avail; it just makes the song sound forced. The hookline is the only thing that is catchy as such. The antaras have a very clichéd tune. The arrangements are, as I said, forced. You can’t put modern sounds on a Punjabi track to try to sound cool; it has to fit seamlessly, which it doesn’t in this song. The lack of proper percussion makes the song sound very lacklustre. The vocals are horrendous. Raghav’s autotuned voice is not something I’d want to hear everyday. Tarannum sounds like a robotic version of Sunidhi Chauhan. Kumaar’s lyrics are again, clichéd. He writes about earrings from Bareilly, so you can actually make out which era the song is from. Lacklustre Punjabi track that works slightly only because of its hookline.

Rating: 2.5/5

 

2. Dil Mera

Singers ~ Ash King, Prakriti Kakar & Shahid Mallya, Music by ~ Raghav Sachar, Lyrics by ~ Kumaar

Raghav follows it up with another very iffy romantic song. The composition sounds good; it reminds you of the 2006-2007 period again, but this time, it’s more of a pleasant reminder. It sounds like Himesh’s compositions of that time. The hookline is just a desperate repetition in hopes of people catching on to it. The arrangements are cool, with a techno base. The portion that sounds very oddly placed is Shahid Mallya’s “jaaniyaaa ve jaaniyaaa” portion; there’s no need to cram Sufi lines in every romantic song, because it doesn’t sound good. The goodness of the composition stays only till the mukhda, and in the antara, the song completely falls apart. Ash King sings well, but I have no idea what Raghav was thinking when he programmed Prakriti to sound like that. It sounds terrible. Kumaar’s lyrics are typical romantic song lyrics. We get stuff like “Meri saansein na chalengi bin tere, raatein na katengi bin tere.Another lacklustre song, with only the mukhda and Ash King working in its favour.

Rating: 2.5/5

 

3. Daru Vich Pyaar

Singer ~ Taz, Original Composition by ~ Stereo Nation, Music Recreated by ~ Raghav Sachar, Lyrics by ~ T.S. Jarnail, Rap Written & Performed by ~ Arya Acharya

Another “Tum Bin” song gets remade with this; this time it’s a club song. ‘Daru Vich Pyaar’ from ‘Tum Bin’ gets a disco-esque rehash, thanks to Raghav. This is Raghav’s comfort zone, and it is immediately evident in the song. He doesn’t spoil the song anymore than it was already bad. In fact, he adds the disco flavour and makes it a bit more likeable. The “O saajnaaa” could have been avoided though. Arya Acharya’s rap too, is better than the likes of Badshah and Honey Singh and Raftaar. Raghav’s saxophone too adds to the fun quotient of the song. The line “Meri ankhiyaan di pyaas bujhade”, is my favourite part of the song! The vocals and lyrics have been retained from the original. You can’t spoil an already not-so-good song, but you can cleverly tweak it to appeal to world music lovers, by adding disco and jazz elements.

(P.S. I hated this song when it released like a month ago, and only started liking it now while reviewing, seeing how mediocre the first two songs sound now!)

Rating: 3/5

 

4. Guest In London

Singers ~ Navendu Tripathi & Amit Mishra, Music by ~ Amit Mishra, Lyrics by ~ Navendu Tripathi & Amit Mishra

Amit Mishra now steps in, with a kind of rehash of his ‘Atithi Tum Kab Jaoge’ title song, with the same kind of bhajan-ish touch, and irritating nasal twang in the singing and annoying dialogues in between. The composition sounds like ‘Joote De Do Paise Le Lo’ (Hum Aapke Hain Koun), in places, and like the ‘Atithi Tum Kab Jaoge’ title song in others, of course. The vocals are irritating. If the composition can’t hold your attention, why would some irritating vocals do the same? The only fun part of the song is the “Udam udam” part, and the lyrics, but just this much. It was funny once; not anymore. 

Rating: 1.5/5

 

5. Rabba Meray Haal Da Mehram Tu

Singers ~ Sumeet Anand & Amit Mishra, Music by ~ Amit Mishra, Lyrics by ~ Saint Shah Hussain

The next song is a seven plus minute sad song, probably a traditional Punjabi devotional song. But no element of the song sounds appealing, and I’ve heard very appealing Punjabi folk songs. The song starts as if Ankit Tiwari is singing. And that asynchronous “harmonization” they do when they sing “Hussain”, just sounds horrible! The composition doesn’t help to gather your attention, and you would not even listen to it completely, as it is the same repetitive and dull stuff over and over again for seven minutes! 😑 SKIP!

 

Rating: 0.5/5


Guest Iin London is a horrible album, and that’s that. At least Raghav Sachar tries to bring some life into the album, as I forecasted, but his songs too, seem flimsy and do not stay with us for very long. And with a remake being the best song (according to me) you can see where the album lies compared to its contemporaries. I just have one doubt.. if the couple is only busy dancing at Punjabi weddings, singing romantic songs and going to clubs, why should they be so troubled by the arrival of a guest?? That’s three songs out of five that go out of sync with the main theme, and the other two are just bad. 😄 In fact, I would say this album is full of unnecessary, unwanted “Guest Genres” that weren’t called for by the script. 

 

Total Points Scored by This Album: 2.5 + 2.5 + 3 + 1.5 + 0.5 = 10

Album Percentage: 40%

Final Rating for This Album: सा < रे < ग <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order:  Daru Vich Pyaar > Dil Mera = Frankly Tu Sona Nachdi > Guest In London > Rabba Meray Haal Da Mehram Tu

 

Remake Counter:
No. Of Remakes: 17 (from previous albums) + 01 (from Guest Iin London) = 18

 

Which is your favourite song from Guest Iin London? Please vote for it below! Thanks! 🙂