Music Album Details ♪ Music by: Sameer Uddin & Shashwat Sachdev ♪ Lyrics by: Anvita Dutt & Akshay Verma ♪ Music Label: Zee Music Company ♪ Music Released On: 27th December 2017 ♪ Movie Releases On: 12th January 2018
Kaalakaandi is an upcoming Bollywood black comedy, directed by ‘Delhi Belly’s writer Akshat Verma, and starring an ensemble cast comprising Saif Ali Khan, Deepak Dobriyal, Kunaal Roy Kapur, Akshay Oberoi, Sobhita Dhuliphala, Isha Talvar, Amyra Dastur. The film’s music is expected to be in the same zany and wacky zone as that of ‘Delhi Belly’ was. This time though, Ram Sampath hasn’t been roped in. Sameer Uddin has been given charge of the songs of the album, and ‘Phillauri’ fame Shashwat Sachdev gets to compose the title song. Let’s dive right in!
Sameer Uddin composed the theme track ‘Badass Babua’, to Rajkummar Rao’s character in ‘Bareilly Ki Barfi’. Now, he returns with Swagpur Ka Chaudhary, a song that is just as full of attitude and spunk as was the former one. The song is a bit less catchy than ‘Badass Babua’, but it is still very fun to listen to, thanks to Akshay Verma’s energetic singing, and the fun Haryanvi lyrics and accent. Neha Bhasin’s Kaala Doreya is a funky recreation of the popular Punjabi folk song, but it isn’t as catchy as it could have been. Neha sings wonderfully though, and she seems to be getting hit song after hit song these days. My favourite from the album is Jive With Me, a nice retro-ish track with amazing brass instruments and a quirky trumpet loop. Abhishek Nailwal’s singing is top-notch, and so is Sameer’s composition. Aa Bhi Jaais a bit of an unconventionally dark and sensuous, but still zany song, almost in the ‘Aao Na’ (Haider) zone. What’s more, it is sung (rather, whispered) amazingly by Vishal Dadlani too! The vocal loop here is great. Nice how Sameer’s songs have this one particular loop that make them even more enjoyable!
Shashwat Sachdev’s guest composition, Kaalakaandi is an amazing fusion of folk instruments and techno sounds; the man shows his versatility in this track like he did when he could compose a ‘Naughty Billo’ and a ‘Dum Dum’ in the same album, ‘Phillauri’. The Carnatic style sarangi and dhols are welcome experiments, and unconventional too, as is the crank in tempo towards the end.
An unexpectedly enjoyable experimental album, which might not stick with us due to its tunes, but will be remembered for its distinct crazy sounds.
Total Points Scored by This Album: 7.5 + 6.5 + 8.5 + 7.5 + 8 = 38
Album Percentage: 76%
Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां
Note: The letter which is underlined is the final rating.
Recommended Listening Order: Jive With Me > Kaalakaandi > Swagpur Ka Chaudhary = Aa Bhi Jaa > Kaala Doreya
Which is your favourite song from Kaalakaandi? Please vote for it below! Thanks! 🙂
Music Album Details ♪ Music by: Tanishk Bagchi, Arko Pravo Mukherjee, Tanishk-Vayu, Samira Koppikar & Sameer Uddin ♪ Lyrics by: Shabbir Ahmed, Pravesh Mallick, Arko Pravo Mukherjee, Tanishk-Vayu, Puneet Sharma & Akshay Verma ♪ Music Label: Zee Music Company ♪ Music Released On: 11th August 2017 ♪ Movie Releases On: 18th August 2017
Bareilly Ki Barfi Album Cover
To hear the full songs of this album on Saavn CLICK HERE
Bareilly Ki Barfi is an upcoming Bollywood rom-com, starring Kriti Sanon, Ayushmann Khurrana, and Rajkummar Rao in lead roles. The film is directed by ‘Nil Battey Sannata’ fame Ashwiny Iyer Tiwari, and produced by Nitesh Tiwari and Shreyas Jain. The movie revolves around the Mishra family, who are in search for a suitable groom for their daughter, played by Sanon. The complexities and pressure of getting married is too much for Bitti, Sanon’s character, and she decides to run away. On the run, she finds a book, ‘Bareilly Ki Barfi’ at the train station, and picks it up, only to realise that the female protagonist thinks a lot like her! Thus she embarks on a quest to look for this someone who thinks so much like her. The story seems very content-driven, but that’s not to stop it from having some good music; in fact, most content-driven films have better music than others! Ashwiny Iyer Tiwari’s first film, ‘Nil Battey Sannata’, had an awesome album completely composed by a newcomer duo, Rohan-Vinayak. This time, the makers go for the multicomposer route. Tanishk Bagchi, Tanishk-Vayu, Arko Pravo Mukherjee, Samira Koppikar and Sameer Uddin are composing the music for this film. As I am expecting an overall good album, and since every name is a known name (even Sameer Uddin, who is the one who had done those remixes in ‘Bluffmaster’ long ago) I don’t think I need to say what I expect from each of them individually! So let’s help ourselves to this ‘Barfi’!
1. Sweety Tera Drama
Singers ~ Dev Negi, Pawni Pandey & Shraddha Pandit, Music by ~ Tanishk Bagchi, Lyrics by ~ Shabbir Ahmed, Rap Written and Performed by ~ Pravesh Mallick
An aptly U.P. flavoured start to the album, the first song is a fun and upbeat dance number, along the lines of ‘Badrinath Ki Dulhania’s title song. Coincidentally, the man behind it is Tanishk, the composer of that song. The composition is very fun and enjoyable, and the composer has kept it relevantly short; such songs are least enjoyable if they ramble on for four minutes and longer. The shortness gives it a crisp feel, and leaves you wanting more. There is one mukhda and one antara, both composed entertainingly. The arrangements too resemble those of ‘Badrinath Ki Dulhania’ title song, with the dholaks (Naveen Sharma), harmoniums and bulbultarang (Pradip Pandit) and quirky digital beats. The star music is amazing, especially that sarangi bit by Sangeet, that is so easy to miss! Tanishk adds very fun sound effects like that rap by Pravesh Mallick, then a random but funny “Myujik” that just plays anytime. His digital instrumentation is fun as well. The song has been sung by three singers and the rapper. The rapper, as stated before, brings out the U.P. flavour very well, and begins on a promising note. Dev Negi is his usual fun self, while Pawni and Shraddha, the two female vocalists, with two lines each, make a difference even with the little scope! Shabbir Ahmed’s lyrics are fun too! A fun dance number that strives to be simple but sweet!
Singers ~ Arko Pravo Mukherjee / Ayushmann Khurrana / Sumedha Karmahe, Music by ~ Arko Pravo Mukherjee, Lyrics by ~ Arko Pravo Mukherjee
Arko steps forth to present his song, and as is the requisite whenever Arko composes for a multicomposer album nowadays, he gets to do the romantic song of the album. Well, since he is so good at making these, it seems logical. This song here, is yet another example of his romantic song composing skills. The composition is charming, but there is one small drawback, and that is that it takes a long time to grow. It consists of many twists and turns, and isn’t instantly hooking like most of his other songs. The second antara is particularly beautiful. The hookline manages to get the audience charmed. The lyrics though, are beautiful, and are another instance of how beautiful Arko himself writes!! The song appears in three versions, though, and one does feel that it is one too many. Arko doesn’t sing this song as well as he sang ‘Kaari Kaari’ (Dobaara), ‘Dariya’ (Baar Baar Dekho) or ‘Saathi Rey’ (Kapoor & Sons), and thus, his version comes across as slightly boring. The arrangements in this version also resemble ‘Tere Sang Yaara’ (Rustom) with those extra sugary Duff rhythms and synthesizer tune (Keys by Aditya Dev). It reduces the likability a bit. Ayushmann increases the ear-friendliness of the song with his trademark charming voice, and renders it with ease. His style of rounding the vowels makes the song sound so much like he has composed it himself. The variations he takes on many notes, which Arko had not, makes the song sound more layered. The arrangements too, get more Ayushmann-ish, with acoustic guitars (Krishna Pradhan), but the Arko-ness is retained with the amazing piano notes. Thankfully, the Duff rhythms are done away with. The last version happens to be a female version; a version I personally feel was least required. So Zee Music releases videos of singers singing covers of hit songs, and I almost know that this version will be used as that. Not to take it away from Sumedha though; she sings beautifully! Arko arranges this one with a soothing flute, but nothing else really stands out! A romantic song that features so many times, we have no choice but to love it!
Rating: 4/5 for Arko’s Version, 4.5/5 for Ayushmann’s Version, 3.5/5 for Sumedha’s Version
3. Twist Kamariya
Singers ~ Harshdeep Kaur, Yasser Desai, Tanishk Bagchi & Altamash, Music by ~ Tanishk-Vayu, Lyrics by ~ Tanishk-Vayu
The next song has Tanishk coming back together with his partner with which he debuted, Vayu. They keep coming back together occasionally, and it is quite fun. Though their last song ‘Beat It Bijuriya’ could’ve been better, this one is a real treat. The composition is very simple, and if it were not for the amazingly quirky beats and arrangements, the song would not have sounded half as good. Of course, a very templated dhol rhythm accompanies the song, but a very quirky digital sound also comes along with that and everything sounds so innovative. The interlude is amazing, with the dhols and shehnaai. Rock guitars are really electrifying in the antara. The hookline, the way it is sung, is so cool. The pause between ‘Twist’ and ‘Kamariya’ really makes the difference. Im probably hearing Harshdeep Kaur in this zany avatar for the first time. I mean, she has sung upbeat numbers, but not so crazily funny! Tanishk-Vayu’s lyrics are a clever mix of Bhojpuri and Hindi and English. A song that calls for loud whistles and cheers in the theatre! U.P. folk meets techno music!
4. Bairaagi / Bairaagi (Samira Koppikar Version)
Singers ~ Arijit Singh / Samira Koppikar, Music by ~ Samira Koppikar, Lyrics by ~ Puneet Sharma
Samira Koppikar, who really pleasantly surprised me with her song in ‘Dobaara’ earlier this year, jumps onto the album next, with a melancholic song that is sung by –obviously — Arijit! The song is good, I can’t take that away from it. But somewhere the composition evokes so many memories of previous Arijit songs that were composed on the same rock lounge-ish template. It actually sounds like a Pritam song when that beautiful backing chorus comes in, and that’s probably the best effect of the song. The composition too, is beautiful, and hits the heart straight. I just don’t think I would listen to it a lot. The vocals are, obviously spot-on. What can be expected when it is Arijit? Fortunately, there’s another version, possibly for the music lovers. Samira sings this one, and it starts with a heavenly chorus by her. She sings in beautifully, and is first of all supported by a wonderfully soothing folksy string instrument, evoking memories of ‘Sahiba’ (Phillauri). Later that Punjabi feel is increased, when a nice dholak-led rhythm sets in. This version is definitely better than Arijit’s. The lyrics by Puneet Sharma are aptly romantic and melancholic at the same time. The word ‘bairaag‘ is a word I don’t think I’ve heard in a Bollywood song after ‘Laal Ishq’ (Ram-Leela)! Beautiful song, but might not stay with me for long.
Rating: 3.5/5 for Arijit’s Version, 4/5 for Samira’s Version
5. Badass Babua
Singers ~ Abhishek Nailwal, Neha Bhasin & Sameer Uddin, Music by ~ Sameer Uddin, Lyrics by ~ Akshay Verma
A relatively newer addition to the album (as the composer Sameer Uddin wasn’t credited in the trailer or first poster of the film), this one is a funky “gangsta” song, probably made for Rajkummar’s character in the movie. The U.P. vagabond and rowdy feel is brought out with entertaining lyrics rendered with spunk by Abhishek Nailwal and the composer himself. The gangster feels are brought out by the rap, the techno beats and the overbearing sinister tone. The composition is catchy, but again, not a very lasting tune. The arrangements are more of what the song might be remembered for, if at all. The vocals are fine, and obviously the male singers have done an amazing job, or else, it wouldn’t have sounded so much like a gangster song full of attitude. Neha Bhasin is sidelined unfortunately, and reminds me of Ambili’s portions in ‘Hum Hain Bank Chor’ (Bank Chor). Entertaining, but not everlasting.
Bareilly Ki Barfi is a relatively good multicomposer album. I think these days, the quality of multicomposer albums is definitely increasing, because makers now know the formula for it. You obviously need two upbeat numbers to increase the album’s hit status, and of course, a romantic song, a sad song (preferably by Arijit) and then a couple of versions. Zee seems to have mastered the formula, and they produce another album like ‘Behen Hogi Teri’, which is a mix of styles from different composers, yet comes together as a united album. With a mixed variety of songs, these multiple composers have come up with a nice, khatti-meethi Barfi!
Total Points Scored by This Album: 4 + 4 + 4.5 + 3.5 + 4 + 3.5 + 4 + 3 = 31
Album Percentage: 76.25%
Final Rating for This Album: सा< रे < ग < म < प < ध <नी< सां
Note: The letter which is underlined is the final rating.
Bangistan is an upcoming Bollywood comedy satire film, directed by debutant director Karan Anshuman and produced by Ritesh Sidhwani and Farhan Akhtar. The film stars Riteish Deshmukh and Pulkit Samrat in lead roles, with Jacqueline Fernandez appearing in a cameo. The film is about two terrorists who have set out to change the world. The music of the film has been scored by Ram Sampath, who is composing for a satirical film, for the second time in a row after ‘Ekkees Toppon Ki Salaami’. That was a political satire, whereas this is more of a religious satire. He hadn’t really delivered a soundtrack which was expected from him in that movie, and had underwhelmed me with that album. So, I hope he makes up for it with this album, even though I know that even this one doesn’t have much scope for music! Anyways, I’m keeping my fingers crossed and hoping he delivers a mind-blowing album. Let’s find out whether he has or not!
1. Ishq Karenge / Ishq Karenge (EDM Version) Singers ~ Sona Mohapatra, Abhishek Nailwal & Shadab Faridi
The album starts off with something that would immediately increase the rate of your heartbeat, and make you really excited for what’s next on the album. No, your heartbeat won’t increase because of the fact that you got scared of what Ram has given us in this song, and so you want to check out the others right away! But, it will increase because what Ram has given is enough to make you love the song immediately and make you so excited that you cannot wait to hear the other songs right away! An outright pacy and cheerful song, is what Ram Sampath has placed in front of you. As it starts with the aalaap by Shadab Faridi and Sonali Mohapatra, you can’t help but guess that something brilliant is on the way. And as the actual song starts after the aalaap, things get really fun. Though the song is arranged mainly on the Qawwali template, modern arrangements also make a place for themselves in it thanks to Ram. Those rock guitars entering occasionally, would make the new generation love the song too. At the same time, harmonium and tablas give the classic Qawwali touch. With three melodious antaras, the song is a real treat to hear. Of course, the composition has a distinct and easily identifiable Ram Sampath-trademark stamp on it, but that just makes it all the more enjoyable. In some places, it sounds like the Amazon India advertisement song, ‘Aur Dikhao’, also composed by Ram. The trio of singers really do their best in making it sound lively, and they don’t fail at all. Sona’s rustic voice is perfect for the nuances that make it sound more Qawwali-esque, and so is Shadab’s. Abhishek sounds a lot like Ram himself, and his voice brings in the contrast to the song, as it isn’t rustic at all. Puneet Krishna’s lyrics are quirky and do sound very weird at places, but perfect for a Bollywod Qawwali as this. The other version, called the EDM version, is not different at all, except in arrangements, as is evident from the title. Electronic Dance Music — EDM — touch has been wonderfully given, and ensures that this version would appeal more to the youngsters. In the antaras, wonderful electronic tablas have been added here, which made me love this version more. 😂😂 😀 Everything else, the same as the former version. A Bollywood Qawwali following the Bollywood norms, with a groovy tune, massy Hinglish lyrics, and wonderful arrangements!#5StarHotelSong!!
A march-past rhythm starting off a Bollywood song, surely leaves you astonished, and wondering whether you’ve not somehow traveled back in time to your school days! And that is just how this next song on the album starts. With an attention-grasping whistle, and that same rhythm that you used to hear every time you used to practice for the parade in your schooldays, the song instantly makes you concentrate on itself and only itself. The composition is very well composed around a patriotic theme, and set on a patriotic-sounding rhythm as well. Using some lines from the famous patriotic song ‘Hum Honge Kamyaab’, both the lyricist Puneet Krishna and composer Ram Sampath, prove their versatility and expertise in all things experimental. We already know how good Ram is at experimenting, and that quality of himself just magnifies itself after we hear this song. The parade feel is prominent in the first two stanzas, while the third stanza makes way for a rustic feel in the lyrics, but the arrangements are awesome with the ukelele used in a brilliant manner, and after which the tempo is increased and the song prepares for a grand ending with fiddles and ukelele. The percussions of the song are also awesomely done. Puneet’s lyrics are really creative in the sense that he’s spoofing a really famous patriotic song, and the whole theme of the song lies in the basic idea of the protagonist trying to convince himself and other people around him that he will become a ‘successful’ terrorist. The lines he’s written make you laugh out loud, and paired with Ram’s creative and catchy music, it makes for an entertaining listen for the whole three short minutes that it plays for, leaving the listener seem really unsatisfied when it ends, wanting more. Ram and Abhishek’s vocals appeal to the ear, and though it is really difficult to distinguish between both their voices, if you listen carefully you’ll manage to figure it out. Ram has the major part to sing, while Abhishek joins in at places. All in all, an excellent spoof! The magic lies in the lyrics, and composition!#5StarHotelSong!!
3. Saturday Night Singers ~ Aditi Singh Sharma, Benny Dayal, Neeraj Shridhar & Janusz Krucinski
Guitar riffs welcome the listener into the next song of the album, with a lively bagpipe melody following it, and the two experts or may I say, prime consultants when it comes to club songs nowadays, Benny and Aditi start the actual song, which has a jolly, and swingy rhythm to it, that will surely make you get up to your feet and groove along to the beats. And when the hookline punches in with that awesomely composed and sung “Fullll tight..”, you can’t help but keep listening and grooving. Ram composes a club song, that will definitely grasp the attention of today’s youth, and chooses all the right singers to execute his awesome composition. The composition has the right European (mainly Irish) feel to it, complete with the yodels and all. The mukhda starts the song off so brilliantly , that the antaras sound catchy by default. The singers Aditi, Benny, Neeraj and Janusz do well. Aditi leads along with Benny, while the other two stay mainly in the background. There are some places when you can hear Neeraj quite distinctly, and it feels very delighting to hear him again after a long time. (Of course, I’m not taking his negligible part in ‘Gangster Baby’ from ‘Action Jackson’ into consideration.) Aditi sounds pretty different here, and is the only singer whose diction isn’t perfect, resulting in a hodgepodge of words that are not easy to make out. All the others do their parts well, though, and cover up for her. Ram’s EDM arrangements make the scene really lively, yet give the song a distinct ‘night song’ stamp, as in, it sounds better when heard at night. The Irish touch with bagpipes, harmonicas etc. gives it an interesting experimentation angle too. Puneet’s lyrics are perfect club song lyrics, but again, they’re killed in places by Aditi, when we can’t really figure out what they are! An enjoyable club song, almost perfect in all fields, but definitely doesn’t fail to serve its purpose!!#5StarHotelSong!!
4. Maula Singers ~ Ram Sampath & Rituraj Mohanty
All that loud and enjoyable and fast-paced music, must’ve made listeners exhausted from dancing, and so the makers play a smart move by including a calm song after three of the fast ones. This one is on the lines of religious tolerance. The message of secularism is very well conveyed to listeners through the lyrics that talk about this very theme in a very clichéd, yet entertaining manner. Many people have tried their hand at writing such songs before, and Puneet in his debut album itself, tries it out, and succeeds. What makes it even more lovable, is Ram’s twisting and turning composition and his awesome arrangements. Composed on a beautiful Keherwa rhythm, which steals your heart, the song becomes likable right from the starting beats of electronic tablas. The tune is something that you would not expect in a mainstream Bollywood movie, and the very, very unexpected turn which it takes at 2:10, the very awe-inspiring Qawwali touch, leaves the listener shocked, but at the same time, mesmerized. The Qawwali instruments very beautifully grace this part, and actual tablas (not electronic) have been used for this magical part along with the quintessential harmonium. After some time, the song gets back to its original tempo and rhythm. The hookline “Allah hoo, Allah hoo, hey Ram, Ram, Ram” has a nice ring to it, and appeals to the ears too. The secular message is so prominent in this line itself, so imagine what a great job Puneet must’ve done in the rest of the song! He has just outdone himself with every line. Each line wins over the previous line. Lastly, the vocals. The wonderful vocals. Ram has made Rituraj sing ‘Sahib’ in ‘Bhoothnath Returns’ previously, and they repeat the same magic with each other. Rituraj sings the song with such finesse and grace, complemented by Ram himself in places, that the listener has to get goosebumps due to his touching rendition. The vocals are a cherry on top of the delicious cake that this song is, whose every piece is to be cherished slowly, and thoughtfully. A strong message of secularism in the lyrics, brilliantly conveyed, a soothing composition and just as soothing vocals, beautiful arrangements, what else could you ask for!! This song is just a treat for music lovers!#5StarHotelSong!!
5. Meri Zidd Singers ~ Ram Sampath & Siddharth Basrur
The next song also starts off like a very calm song. Mild piano notes open it up, and then Ram sings two lines very calmly, preparing the listener for another soft song. However, the next line brings the unexpected twist to the song. When I first heard it, I was completely shocked as it was something I wasn’t expecting at all. The song turns into an out-and-out rock song, though not metal either. I personally hate the rock genre, but I couldn’t help but love this song! Ram’s implementation of the rock elements into the song is perfectly done, and even the composition doesn’t lack appeal at all. It is a kind of composition that you cannot forget after you’ve heard it. It just makes a home in your mind. Drums, electric guitars, the usual rock stuff constitute the arrangements here, and sound really well with Ram’s composition. Siddhartha’s vocals are spot-on, and bringing that grungy texture into his voice as is required for rock songs, he sings the song really well and it seems, effortlessly too! Ram joins in at parts, serves mostly as only the backing vocalist and also sings two lines at the beginning, nothing more. The song ends rather abruptly, and the listeners do get an incomplete feeling, but had it been longer, it wouldn’t have kept the listeners hooked onto it that much. Puneet has written lyrics that perfectly capture the emotions of a person who is guilty of the bad things he’s done in life, and is ready to live more, in order to wash away his sins. All of the aspects together, make for a song which is really interesting to hear! Ram succeeds in giving us a cool rock song with an interesting theme!#5StarHotelSong!!
6. Is Duniya Se Ladna Hai Singers ~ Suraj Jagan & Abhishek Nailwal
Suraj Jagan and Abhishek Nailwal join together behind the mic for the last song on the soundtrack. As soon as it starts, the dappankuthu sets in, and you brace yourself for something entertaining. However, unfortunately, things aren’t what they were expected to be, and the song proves to be an utter disappointment. The 6/8 rhythm infused with rock elements fails to light any fire of interest inside the listener, and comes across as pretty bland and dull. The lyrics are fine, but the composition that supports them doesn’t live up to the expectations. Arrangements are not anything special or unique, and are very much heard-before. Suraj, who very rarely impresses me, probably because he almost only sings rock songs, which don’t appeal to me that much. Abhishek has sung his parts well, but again, the composition doesn’t support him throughout the song. A very disappointing ending to an otherwise awesome album!!!
Bangistan is an album in which Ram has tried to show immense creativity and he has experimented wherever he got an opportunity to do so. Except one, all the songs have a different feel to them, and each of them impresses in its own way. The album doesn’t lack variety at all, and that is why it should’ve helped in bringing people to the cinemas for this movie, but I guess bad promotion of the music, except for two songs ‘Ishq Karenge’ and ‘Saturday Night’, prevented this from happening and resulted in the movie being wiped out quite soon. Whatever be the verdict on the movie, the fact remains that Ram has composed one of his most experimental albums, and has jumped back into the scene after a bland album ‘Ekkees Toppon Ki Salaami’, with a huge BANG!!
Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां
Note: The letter which is underlined is the final rating.
Recommended Listening Order: Maula > Hogi Kranti > Ishq Karenge (EDM Version) > Saturday Night > Ishq Karenge > Meri Zidd > Is Duniya Se Ladna Hai
Which is your favourite song from Bangistan? Please vote for it below! 🙂