EK COMPOSER, DO COMPOSER, TEEN COMPOSER!! (LUCKNOW CENTRAL – Music Review)

Music Album Details
♪ Music by: Arjunna Harjaie, Rochak Kohli, Tanishk Bagchi, Sukhwinder Singh & Mychael Danna
♪ Lyrics by: Kumaar, Adheesh Verma & Sukhwinder Singh
♪ Music Label: T-Series
♪ Music Released On: 18th August 2017
♪ Movie Releases On: 15th September 2017

Lucknow Central Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Lucknow Central is a Bollywood drama film, starring Farhan Akhtar, Gippy Grewal, Inaamulhaq, Deepak Dobriyal , Diana Penty, Rajesh Sharma and Ronit Roy. The film has been directed by Ranjit Tiwari, and produced by Viacom18 Motion Pictures, Monisha Advani, Madhu C. Bhojwani and Nikkhil Advani. The plotline of this film closely resembles that of recently released ‘Qaidi Band’, and it is obviously a coincidence of the worst case. There is a difference though. The music here, is done by multiple composers. Leading the way is youngster Arjunna Harjaie, with three songs, and after he impressed so much in ‘Titoo MBA’, I cant wait to hear what he did here. Tanishk Bagchi has two songs too, and one is a remake, because he is the remake specialist according to T-Series. Guest composer Rochak Kohli presents one song in the album. All three of these composers have proved their mettle in the past, and it goes without saying that when it is an Advani production, the film is bound to have good if not great music. Also, I think Farhan Akhtar himself looks into the music of his films, and so it is bound to be great. Comparisons between this film and ‘Qaidi Band’ are sure to happen, but I noticed ‘Qaidi Band’ relied much more on the music, and this will rely much more on plot points. It reflects even in the number of songs — that film had nine, while this one has five and one version. So let’s see if this album supports the film!


1. Kaavaan Kaavaan

Singer ~ Divya Kumar, Chorus ~ Shivek, Anubhav, Aditya, Shubham, Umesh, Veljon, Vishal and Sarthak From Asm Academy, Original Composition by ~ Sukhwinder Singh & Mychael Danna, Music Recreated by ~ Arjunna Harjaie, Original Lyrics by ~ Sukhwinder Singh, New Lyrics by ~ Kumaar

When Bollywood starts remaking songs from Hollywood movies (doesn’t matter that the song is Hindi, though) you would think things are finally messed up for real. However, it is a pleasant surprise when the remake actually turns out to be good, and quite innovative. Arjuna Harjai (now spelling his name as Arjunna Harjaie) returns after a year and a half, after the song from ‘Do Lafzon Ki Kahani’ last year, and gets the opportunity to recreate this quite popular Punjabi number ‘Ajj Mera Jee Karda’ (Monsoon Wedding). The original had been composed jointly by Sukhwinder Singh and the film’s composer Mychael Danna. Now this remake is quite a good one. The composition has been kept intact for most of the song, with Arjunna having composed a new prelude to the song, with a haunting tune that immediately gets you interested. The original composition is good, and the “Kaavaan Kaavaan” portions, which I found irritating in the original, actually sound good here. The thing that makes this remake worthwhile though, is the amazing music. Arjunna equips a booming dhol rhythm (Vishal Dande), that has the required effect on the listener, making him or her groove to it happily. The shehnaai gives a wonderful traditional feel to the song. Strings and dafli have been used occasionally to infuse a strain of pathos through the song, and especially the antara (incorporated from the original itself) is beautiful, both in tune and its arrangements. The numerous tempo changes would normally be very confusing to a listener, but here, Arjunna manages them so seamlessly, it is unbelievable. As for the vocals, Divya Kumar steps into Sukhwinder Singh’s shoes without a problem, but because he does so, it evokes memories of Divya’s own ‘Jee Karda’ (Badlapur) in the first line of the song. 😄 And then a layman can easily say, “Hey! It’s a copy!” Because he wouldn’t know that ‘Ajj Mera Jee Karda’ came before ‘Jee Karda’. But I commend the makers for firmly sticking with Divya’s voice anyway, since he has sung amazingly — the Punjabi-ness comes across beautifully through his voice, and he especially does the emotional portions very nicely. Kumaar’s additional lyrics are good too, adding on Sukhwinder’s original. An apt remake, with an amazing rhythm, and changes that do not disrupt the original song’s integrity.

Rating: 4/5

 

2. Meer-E-Kaarwaan

Singers ~ Amit Mishra & Neeti Mohan, Music by ~ Rochak Kohli, Lyrics by ~ Adheesh Verma

Rochak Kohli enters the soundtrack next, with his sole song, which happens to be a wonderful Sufi duet, with, again, a strain of pathos running through it. The composer doesn’t usually get to do such songs, but he did impress us with the amazingly soothing ‘Rozana’ (Naam Shabana) earlier this year, so it is no surprise that he ended up composing this one so well. The composition is so fresh, and quite like the Pritam school of alternative rock, it mixes Sufi sounds with a templated rock rhythm. Without the Sufi, the rock would’ve sounded incomplete, and vice versa. So it is like a beautiful combination that couldn’t be avoided. The antara is beautiful, and I must mention Neeti here, because she has sung her antara splendidly, and it is a delight to hear her in that whispery voice of hers. Her co-singer, Amit Mishra, builds on where Pritam left him off in ‘Bulleya’ (Ae Dil Hai Mushkil), and here, he makes an effort to remain soft and not as energetic as he was there, and the result is excellent. The arrangements are rich as well, the dholaks providing the authentic Sufi touch, while the amazing guitar work (Keba Jeremiah) and strokes (Tapas Roy) are one of the highlights of the song. The choruses at the end and in the second interlude, have been composed beautifully. Also, there’s a pause after the second interlude, where one thinks the song ends, but it seems Rochak has more to give us! The lyrics by Adheesh Verma are great too! A song that wonderfully mixes elements of Pritam and Shankar-Ehsaan-Loy styles of composition, and a beautiful Sufi-Rock arrangement!

Rating: 4.5/5

 

3. Teen Kabootar

Singers ~ Mohit Chauhan & Divya Kumar, Additional Vocals ~ Aflatunes, Music by ~ Arjunna Harjaie, Lyrics by ~ Kumaar, Rap Written & Performed by ~ Raftaar

Arjunna returns to the album with his second song, this time, a fun a cappella number full of onomatopoeia. The beginning itself gets your interest peaked and you listen closely right from the beginning, where the singers do an innovative sargam, that sounds excellent. The composition by Arjunna, yet again, resembles the style of a cappella that Shankar-Ehsaan-Loy are well-known for, and they have succeeded with it in songs like ‘Maston Ka Jhund’ (Bhaag Milkha Bhaag). The composition doesn’t appeal to you at once though. It is the various vocal rhythms and sound effects that help you to find it appealing. The vocalists do an amazing job. Mohit’s metallic voice is the perfect choice for the song, and when he goes seamlessly from low to high notes, it sounds wonderful! Divya usually takes the high octaves and does so here as well. These lead singers definitely do well, but the backing vocalists also provide a very fun element to the song! The interlude where they sing “Chaaku Chaaku Leke Jaa..” is so fun to listen to! Even Raftaar’s rap adds an element of fun to the song. About the arrangements, whatever I say will be less. Amazing percussions (Taufiq Qureshi’s Mumbai Stamp) and guitar work makes the song appealing to listen to, and as mentioned before, Arjunna’s amazing use of the a cappella style in a desi way makes this song sound very unconventional. Kumaar’s situational lyrics too are clever and serve the purpose well. This song might be Arjunna’s ticket to many more Bollywood films which need quirky music!!

Rating: 4/5

 

4. Rangdaari

Singer ~ Arijit Singh, Backing Vocals by ~ Arjunna Harjaie, Music by ~ Arjunna Harjaie, Lyrics by ~ Kumaar

Arijit Singh has started to get songs in every film yet again; there was a kind of low phase intermittently. The only difference is that before, it used to appear right at the beginning of soundtracks. Now it has changed. And in this album too, we see an Arijit Singh song popping up as the fourth song on the soundtrack. The composition is amazingly beautiful. Arjunna Harjaie composes a wonderful Sufi tune, which is familiar to the ears, but soothing nonetheless. The hookline is something you’ve heard time and again, but still works its magic to soothe you down. Especially that line “tu laagey mujhe dushman si..” has been composed very beautifully. The antaras are beautiful, and the whole structure of the song reminds me of the recently released ‘Bairaagi’ (Bareilly Ki Barfi) which sadly, didn’t work for me as well as this. Arjunna decorates his magical composition with stellar musical instruments. First of all, he gives the genuine Sufi touch with the dholaks (Aanchal Goud), which sound wonderful and very earthy. But it is the interlude, in which he introduces a wonderful flute piece (Shubham Shirule), accompanied by a MIND-BLOWING sargam by Arijit (or is it Arjunna?). And it is then that the song gives off beautiful Rahmanish vibes, but also gets its own place in your heart. The Duff rhythms do sound too heard-before, but they’re ignorable due to the wonderful things Arjunna has added besides that. The ethnic strings sound amazing here, and as always, Tapas Roy has done magic with them. The vocals by Arijit are top-notch, but it is his everyday composition and he aces it as was expected. The lyrics are very impressive here as well. A beautiful Sufi song, with a familiar sound, but still impressed me because of its innocence!

Rating: 4.5/5

 

5. Kaavaan Kaavaan (Remix)

Singers ~ Sukhwinder Singh & Renesa, Original Music by ~ Sukhwinder Singh & Mychael Danna, Music Recreated by ~ Tanishk Bagchi, Original Lyrics by ~ Sukhwinder Singh, New Lyrics by ~ Kumaar

So ‘Kaavaan Kaavaan’, the opening track of the album, gets a ‘Remix’, or so T-Series calls it. But this isn’t the remix of Arjunna Harjaie’s song. It is the remix of the original song from ‘Monsoon Wedding’, done by Tanishk Bagchi, the third composer of the album. Also, I wouldn’t call it a remix at all, since it might just be another remake of the song by Tanishk, but Arjunna’s must have gotten chosen as the main version. This one is merely Tanishk’s original take on this song. That having been said, I can say Tanishk has worked very hard on this one. He tries to add digital beats wherever possible to make the song sound fresh, but some places it just doesn’t work, especially after the Indian arrangements that led the Arjunna version. Not that Tanishk hasn’t added dhols and all, but the emotion of the song doesn’t come across as well in this one. For a dance track though, this is better. Tanishk also ropes in Sukhwinder himself to re-dub the song, and that’s definitely a plus point. Renesa does the female portions of the song, and she sounds awesome. What bugged me was the hookline, where I found the backing vocalists too loud. A more zesty remake, but not more effective.

Rating: 3.5/5

 

6. Baaki Rab Pe Chhod De

Singers ~ Brijesh Shandilya, Vayu, Tanishk Bagchi & Arman Hasan, Music by ~ Tanishk Bagchi, Lyrics by ~ Kumaar

Tanishk’s second song serves as the caboose for this album, closing the album on a very lively and bright note. I say this because right from the beginning of the song, you know it is going to lift your spirits. It starts quite similarly to ‘Raula’ (Jab Harry Met Sejal), with lively plucked strings. The composition is fun to listen to, too, but gets slightly disjointed in the latter parts. It starts off brilliantly though, and the hookline is delightful. The arrangements here too, are mainly digital beats, but this time they succeed in remaking the song livelier. Tanishk’s trademark liveliness comes across well through this song, and it is a thing to wonder, why he spends time in doing some remakes. The singers do justice to the song, the lead singer, Brijesh doing an exceptionally good job. Little Arman Hasan, who we heard in ‘Kankad’ (Shubh Mangal Saavdhan), singing alongside his father Raja Hasan, does well too. Vayu has probably done some backing vocals, so I couldn’t really place him in the song! Kumaar’s lyrics, are amazing. He writes some amazingly positive lines in this one too, taking the support of various scientific inventors like Thomas Edison and Graham Bell. Lively song, but could’ve been slightly better!

Rating: 4/5


Lucknow Central is one of those rare multicomposer albums that is a delight to listen to. Well, I guess when each composer knows what he is best at, and delivers the best of whatever he is best at, with the proper supervision by the director and producer, the multicomposer album can also turn out well. Ek Composer, Do Composer, Teen Composer, But No Sign That This Album is Multicomposer!!

 

Total Points Scored by This Album: 4 + 4.5 + 4 + 4.5 + 3.5 + 4 = 24.5

Album Percentage: 81.67%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Rangdaari = Meer-E-Kaarwaan > Kaavaan Kaavaan = Baaki Rab Pe Chhod De = Teen Kabootar > Kaavaan Kaavaan (Remix)

 

Remake Counter:
No. Of Remakes: 31 (from previous albums) + 02 {counting both different takes on ‘Ajj Mera Jee Karda’} = 33

 

Which is your favourite song from Lucknow Central? Please vote for it below! Thanks! 🙂

Advertisements

PARTIAL MUSICAL ROBBERY!! (BANK CHOR – Music Review)

Music Album Details
♪ Music by: Rochak Kohli, Kailash Kher, Shamir Tandon, Baba Sehgal & Shrikanth Sriram
♪ Lyrics by: Adheesh Verma, Gautam Govind Sharma, Kailash Kher, Ambili Menon, Varun Likhate & Baba Sehgal
♪ Music Label: YRF Music
♪ Music Released On: 24th May 2017
♪ Movie Releases On: 16th June 2017

Bank Chor Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Bank Chor is an upcoming Bollywood crime comedy, starring Riteish Deshmukh, Vivek Oberoi, Bhuvan Arora, Sahil Vaid, Vikram Thapa and Rhea Chakraborty in lead roles. The film is directed by ‘Luv Ka The End’ fame Bumpy, and produced by Ashish Patil. The film is apparently a comic caper about someone who chooses the wrongest day possible, to rob a bank. Along with two sidekicks who do not know how to even pick a lock. It looks like a spoof on YRF’s own ‘Dhoom’ franchise, and it would be hilarious, I’m sure. The music album is another multicomposer album, as is the norm nowadays. Kailash Kher, Rochak Kohli, Shamir Tandon, Baba Sehgal and Shrikanth Sriram are behind the music. Kailash Kher knows how to compose for comedies, as he proved to us in ‘Chandni Chowk To China’s, so expecting something just as cool as ‘Phatte Chak Lein De’ which was in that film. Rochak Kohli takes the lead, as he has three songs in the album, and after his cool music for ‘Naam Shabana’, a thriller, it will be interesting to see how he moulds himself for a comedy. It’s not that he hasn’t composed for a comedy before, though — remember ‘Welcome 2 Karachi’? Hopefully his songs here are better than those. Shamir Tandon, who has barely impressed me ever before, gets one song, while rapper Baba Sehgal is back with this album, with a single song. Shrikanth Sriram has an instrumental piece to his credit. Hopefully these five men have put together an album that is catchy as well as humorous and sticking to the theme of the movie. Let’s see!


1. Hum Hain Bank Chor

Singers ~ Kailash Kher & Ambili Menon, Music by ~ Kailash Kher, Lyrics by ~ Kailash Kher, Rap Written by ~ Ambili Menon

Kailash Kher, known for his legendary Sufi songs, kicks off the album with its title track, a song that banks on repetitive shouts of the movie’s “clever” title, to propel it forward. Sure enough, the continuous repetition of the title of the film in the way Kailash does it, manages to elicit a few guilty laughs from the audience. The tune as such is very, very artificial and generic, something that wouldn’t have got even one listener if it hadn’t been for the repetitive gag that is the repetition of the “hook”. And I must specify one thing: if you come across this song and you’re like “Oh, how nice, Kailash Kher is back at composing! Let’s give this a go, maybe it’s a Sufi fusion track!”, I’m sorry to tell you that you will be disappointed, so it’s better not to dive into this one with those outrageous expectations, because you know this is a comedy film. And anyway, he has done music for another comedy film in the past, “Chandni Chowk To China”, in which his songs were quite enjoyable too! Looking at it from that point of view, the song is quite enjoyable. The only fun part in the actual composition is the “Jab chori kar loon, chor ke ghar chori, chori karke khoob karoon munhjori!” That line in the antara is the only catchy part of the tune. The arrangements are quite cool, too, by the way. The saxophone is just amazing, and some comedic sound effects entertain the listeners throughout. Kailash’s husky, high-pitched voice is perfect for the song, and he manages to at least sing his faulty composition right. And yeah, since “Bank chor” doesn’t really sound like what he clearly intends it to sound like, he pronounces “Bank” as “Bhank” so that it does. His companion, Ambili, raps something somewhere in the middle that really doesn’t go well with the rest of the song. Kailash pens down the lyrics himself, and I must admit, some of the lyrics are just as hilarious as a song’s lyrics can be. {Which isn’t much; I mean, how loud can you laugh out because of a song!!} An apt song for the film, but not a repeat-listen song! 

Rating: 3/5

 

2. Tashreef / Tashreef Unplugged (Cups Version)

Singer ~ Rochak Kohli / Rochak Kohli, Music by ~ Rochak Kohli, Lyrics by ~ Adheesh Verma

Rochak Kohli steps in now, with his first song out of the two he has composed for the film. And this song, is one of the most innovative stuff we have got from a comedy film of late. If only the makers of ‘Housefull 3’ had roped in Rochak. Anyway, the song is a breezy, feel-good song, about the protagonist who is clearly not feeling very good. The composition is highly innovative and creative, with a country flavour that I’ve lately noticed Rochak uses a lot, like he did in most of his songs from “Hawaizaada”. The composition sounds odd at first, but later, it grows on you amazingly. The arrangements really stand out right away. The guitars are what bring in a nice Goan flavour, similar to that “Crazy Mode” of Pritam’s songs, like ‘Agal Bagal’ (Phata Poster Nikhla Hero), and ‘Chicken Kuk-Do-Koo’ (Bajrangi Bhaijaan). The very weird additions of noises like “Toing toing toing” and other hen and pigeon sounds make the song sound lovely in a very different way. And also cute! The ukulele also sounds beautiful, and makes the arrangements sound very creative. Rochak sings in various different noises, as told earlier, but even when he’s singing in the normal way, it sounds very different from how he usually sings, and it is amazing! He keeps the pitch low, and it makes the song even more effective in bringing out the stress of the protagonist. An unplugged version is actually true to its name (sounds a lot like an unrefined cover version), and the cups that were used in the original too, are more prominent here, due to it being unplugged. It has less of a repeat value though. Adheesh Verma’s lyrics are very impressive, because they’re actually funny in an intellectual way. A highly creative song from a composer who has always meddled around with this kind of arrangement, but never gone up to this level. And now I doubt whether he can outdo himself after this!!

Rating: 4/5 for the Original, 3/5 for Unplugged Version

 

3. BC Rap Knockout: Mumbai Vs Delhi

Singers ~ Naezy & Pardhaan, Music by ~ Shamir Tandon, Lyrics by ~ Varun Likhate

Next up we get something, which at least I have only seen in YouTube videos till now. And it is a Rap Battle. Yes, it is perfectly alright to add the word ‘Epic’ in there, because the song is really an epic showdown between a resident of Mumbai and one of Delhi. There’s no composition as such, as the whole song is a Rap Battle. The arrangements by Shamir Tandon are cool as the backdrop of the battle, and they’re completely digital. What is actually worth hearing the song for, though, are the two amazing rappers behind it. Naezy stands for Mumbai, and Pardhaan for Delhi, and then we get to hear a hilarious competition about which city is the best. The whole attitude which the two rappers carry about themselves is what hooks the listeners to the song, even if it is merely on audio (as of now). Some of the lines they throw at each other are so outlandish, you end up laughing out loud, or at least smiling. And all the credit for that goes to the Lyricist, Varun Likhate. He has penned down an efficient rap battle, and it really sounds very genuine. A nice rap battle.

Rating: 3.5/5

 

4. Jai Baba Bank Chor

Singer ~ Nakash Aziz, Music by ~ Rochak Kohli, Lyrics by ~ Gautam Govind Sharma

This song is the second song by Rochak Kohli on the soundtrack, and after the very creative song, ‘Tashreef’, I bet nobody would have qualms in saying that this one disappoints big-time. The composition is very mediocre, and something we have heard many times. On top of that, Rochak equips a very stale Mumbaiya rhythm to act as the arrangements. Very loud arrangements, and not programmed well enough, makes it sound even more irritating. Nakash’s singing is as usual, energetic and full-hearted. Sadly, the composition doesn’t support him. Gautam Govind Sharma’s lyrics are sad to hear too. A disappointment from Rochak Kohli.

Rating: 1.5/5

 

5. Bae, Baba Aur Bank Chor

Singer ~ Baba Sehgal, Music by ~ Baba Sehgal, Lyrics by ~ Baba Sehgal

This song starts with beats making it sound as if it is a song from an English zombie film. Baba Sehgal is back in Bollywood after quite some time, and he has made this rap song. That makes it the second complete rap song in the soundtrack. This one grips you from the beginning just because of that Zombie-ish background. The rap isn’t too impressive, but you manage to keep listening just because of that background sounds. There is a nice rap in the interlude where Baba Sehgal sings random Spanish names. There isn’t much more by way of arrangements, either, other than that Zombie-ish background, and random sounds of people shouting, lions roaring and whatnot. This time, the shouts of ‘Bank chor!’ aren’t as effective as they were in Kailash Kher’s song. Baba Sehgal raps fine, but the lyrics are very boring. Another stale track, relying on a tune in the background and Baba Sehgal’s name to make it work.

Rating: 2/5

 

6. Mela – The Bank Chor Theme

(Instrumental), Music by ~ Shrikanth Sriram

Someone called Shrikanth Sriram produces this instrumental piece which is so boring, you will be surprised. It is basically the same sounds playing over and over again for five and a half minutes. There is a weird trumpet-like sound playing the main part, and cool percussion in the background, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, … You get the point.

Rating: 1/5


Bank Chor‘s music album starts off quite promisingly, but then just diffuses into a typical, monotonous and trying-to-be-funny kind of zone. I must salute Rochak Kohli though, for his creativity in ‘Tashreef’, and Kailash Kher for his versatility in the title song. The other songs, barring the rap battle by Shamir Tandon, are easily forgettable. An album that only partially manages to steal your heart

Total Points Scored by This Album:  3 + 4 + 3 + 3.5 + 1.5 + 2 + 1

Album Percentage: 51.43%

Final Rating for This Album: सा < रे < ग < म < < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Tashreef > BC Rap Knockout: Mumbai Vs Delhi > Hum Hain Bank Chor = Tashreef Unplugged (Cups Version) > Bae, Baba Aur Bank Chor > Jai Baba Bank Chor > Mela – The Bank Chor Theme

 

Which is your favourite song from Bank Chor? Please vote for it below! Thanks! 🙂