NOVEMBER 2017 ROUND-UP #2 (QARIB QARIB SINGLLE, TUMHARI SULU, AKSAR 2 & DIL JO NA KEH SAKA – Mini Music Reviews)

NOVEMBER ROUND-UP #2

November 2017 Round-Up #2

This Round-Up covers the rest of the albums of the November 2017 releases. Due to ‘Padmavati’s withdrawal from the 1st December release date, ‘Firangi’ and ‘Tera Intezaar’, have moved their dates to 1st December, so they will be included in the December Round-Up. The albums featured in this post are:

1) Qarib Qarib Singlle – (Music: Vishal Mishra & Rochak Kohli)
2) Tumhari Sulu – (Music: Tanishk Bagchi, Guru Randhawa, Rajat Nagpal, Amartya Rahut & Santanu Ghatak)
3) Aksar 2 – (Music: Mithoon)
4) Dil Jo Na Keh Saka – (Music: Shail-Pritesh)



♦ Qarib Qarib Perrfect: QARIB QARIB SINGLLE Music Review

♪ Music by: Vishal Mishra, Rochak Kohli & Ali Merchant
♪ Lyrics by: Raj Shekhar & Hussain Haidry
♪ Music Label: Zee Music Company
♪ Music Released On: 10th November 2017
♪ Movie Released On: 10th November 2017

Listen to the songs: Saavn
Buy the songs: iTunes


Relative newcomer Vishal Mishra gets two songs in the film, and I must say, these two songs are definitely going to consolidate his place in the industry, even though I think it had been consolidated right from the moment he debuted (that spark that a good debutant possesses is always discernible). I say so because both his songs can be counted as his Bollywood career’s best music as yet. The opening track, Khatam Kahani, is outright hilarious, putting to great use the Nooran Sisters’ folksy voices to concoct a song with a strong Rajasthani folk element, and still having an amazing melody. Harmonium, khartals and dholaks provide us with the required expense to travel to the land of kings. Raj Shekhar’s comic lyrics enhance the listening experience, and they are quite comparable to the lyrics of ‘Haanikaarak Bapu’ (Dangal), when the lovers agree to kill each other. 😃 After the delightful and upbeat folksy number, Vishal puts in extra effort to create a sad song that is just as soulful as the first song is peppy. Jaane De, though nothing that we’ve not heard before — the seven-beat rhythm, on Atif’s sugar-sweet vocals — is a treat to listen to, mostly thanks to Mishra’s amazing composition, not to mention Raj Shekhar’s excellence that reflects in the lyrics. The words have such a poetic twinge to them, it just calms the soul. Arrangements are soulful too — the guitars and tabla being most prominently beautiful. A nice Spanish guitar interlude is a perfect interval from the melancholia.
Rochak Kohli also gets to present two songs, the first a journey-based one, again with amazing lyrics by Hussain Haidry. The unexpected twist midway through the song really puts one off guard, but it is really innovative. The composition of the rest is quite pleasant, with a nice and groovy lilt to it, and Rochak Kohli presents it with a nice drumbeat. {He is quite good with drum beats — ‘Rozana’ from ‘Naam Shabana’ earlier this year was another song where he presented great drum work!} Papon’s feathery voice is perfect for the song. Rochak’s second song Tanha Begum, is at the peak of experimentation, and is probably the most experimental song I’ve heard this year so far, which is at the same time so entertaining. It is a clever take on Nawab Wajid Ali Khan’s classical song, ‘Baabul Mora’, which was also remade earlier this year in ‘Poorna’ by Salim-Sulaiman. This time though, Hussain Haidry’s lyrics give it a modern twist. Actually, the modern lyrics are interspersed with some very old-school lyrics, and the contrast is brought out even better with Antara Mitra handling the old-school parts with an amazing imitation of Suraiya, while Neeti Mohan handles the modern portions with an amazing rock template supporting her. Rochak’s composition for the whole song is different, and quote innovative: only the lyrics of the hook from the Nawab’s old song have been taken.
Ali Merchant steps in last moment to make a hastily-made Qarib Qarib Singlle Mashup, which is probably the worst track on the album. Also, it is just a mashup of ‘Khatam Kahani’ and ‘Tanha Begum’. The beats are mismatching and don’t fit in with the folksy vibe of the songs. These two songs don’t even REQUIRE a remix!


An enjoyable album from two young composers, where both of them bring out the best in them! The album is (barring the mashup) Qarib Qarib Perrfect!

 

Total Points Scored by This Album: 4.5 + 5 + 4 + 4.5 + 1 = 19

Album Percentage: 76%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Jaane De > Khatam Kahani = Tanha Begum > Tu Chale Toh > Qarib Qarib Singlle Mashup

 

Remake Counter:
No. Of Remakes: 40 (from previous albums) + 01 (from Qarib Qarib Singlle) = 41

{Will have to count ‘Tanha Begum’ as a remake since I had counted ‘Baabul Mora’ (Poorna) as one}



♦ Light-Hearted Album Where the Mellow Song Scores High! : TUMHARI SULU Music Review

♪ Music by: Tanishk Bagchi, Guru Randhawa, Rajat Nagpal, Amartya Rahut, Santanu Ghatak, Laxmikant-Pyarelal & Haji Springer
♪ Lyrics by: Guru Randhawa, Javed Akhtar, Vayu Srivastava, Siddhant Kaushal & Santanu Ghatak
♪ Music Label: T-Series
♪ Music Released On: 4th November 2017
♪ Movie Released On: 17th November 2017

Listen to the songs: Saavn
Buy the songs: iTunes


Remake specialist Tanishk Bagchi leads the album, with two out of the five songs. Since he is the currently in-demand remake specialist, it would be treason not to demand yet another rehash from him. This time, the song chosen is Mr. India’s ‘Hawa Hawai’, which has been named Hawa Hawai 2.0. If I’m not wrong though, this is Hawa Hawai 3.0 because Mikey McCleary remade it already in 2011. 😆 The song itself is peppy, and a perfect celebratory number. Kavita’s vocals being retained is the best part of the song, while I can’t figure out where Shashaa’s voice is. The composer plays around with technology and cleverly copies and pastes the gibberish bits into different parts in the song, creating an overall whimsical and enjoyable effect. His second song too, is, coincidentally, based on the metaphorical flying. Manva Likes To Fly is the standard Tanishk experimental song, where the composer plays around with technology to merge electronic sounds and Indian classical sounds. The classical instruments in particular here, sounds beautiful. Shalmali’s voice is perfect for the uplifting nature of the song, and Vayu Srivastava as usual writes positive lyrics that make you smile by default.
Next up is the much overrated, in my opinion, Ban Ja Rani, in which Guru Randhawa represents his pop song composed by Haji Springer, in a way that it doesn’t fit into the movie’s setting at all — but since when has that mattered? The whistling is the catchiest part in this song. Amartya Rahut too, in his song, Farrata, tries to create a nice and upbeat song complete with a children’s chorus (Adithyan leads and sounds very cute) and enjoyable ukuleles. However, the song fails to create an impact. Armaan Malik fails to make the song sound better, and the composition is many notches lower than what Amartya offered in the recent ‘Tu Hai Mera Sunday’.
What really grabbed my attention is newcomer Santanu Ghatak’s Rafu, a beautiful semiclassical number, which really gave me the goosebumps. Written as soulfully as it has been composed, and sung just as beautifully by Ronkini Gupta, who has sung previously in ‘Aankhon Dekhi’ under the music direction of Sagar Desai. She is a voice to counter Kaushiki Chakraborty’s classical singing prowess.


This blend of music directors manages to provide the film it’s required happy-go-lucky touch, although very superficial. It is ironically the most mellow song, by debutant Santanu, that steals the show.

 

Total Points Scored by This Album: 3.5 + 4 + 3 + 3 + 4.5 = 18

Album Percentage: 72%

Final Rating for This Album: सा < रे < ग < म < प < < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Rafu > Manva Likes To Fly > Hawa Hawai 2.0 > Ban Ja Rani = Farrata

 

Remake Counter:
No. Of Remakes: 41 (from previous albums) + 01 (from Tumhari Sulu) = 42


♦ Aksar Sune Huye Gaane: AKSAR 2 Music Review

♪ Music by: Mithoon
♪ Lyrics by: Sayeed Quadri
♪ Music Label: Tips Music
♪ Music Released On: 7th November 2017
♪ Movie Released On: 17th November 2017

Listen to the songs: Saavn
Buy the songs: iTunes


The only song from the album that stands out right away is Aaj Zid, a wonderful romantic song with a groovy techno rhythm. Mithoon proves he is not only able to just make addictive romantic songs, but also club numbers. Well we knew that if you remember ‘Woh Ajnabee’ from his earlier days. Arijit sings wonderfully, and it is all in all a very nice and upbeat song, without letting go of the sensuality that should be a part of such a film’s music. The other two songs are the usual pathos-filled Bhatt-ish songs I have started to get afraid of hearing nowadays. Jaana Ve is so crybaby-ish, it is sad, and Arijit’s voice being auto tuned in the hookline is sad too, because he is a singer who doesn’t need autotuning! The antara of the song gives signature Mithoon goosebumps though! About Tanhaiyaan, the lesser said, the better. Pakistani pop is one genre which composers never experiment with, and present it as it is every single time. Here too, the fake emotions fail to penetrate our eardrums and touch the heart. The album is not even magnificent lyrically, which I would usually expect from a Sayeed Quadri-written album! But he seems to have moulded in with the stereotypical Bhatt setting as well.


An album which we have ‘Aksar’ heard. Definitely not as good as Himesh’s album to the first film.

Total Points Scored by This Album: 4 + 3 + 2 = 9

Album Percentage: 60%

Final Rating for This Album: सा < रे < ग < म < < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Aaj Zid > Jaana Ve > Tanhaiyaan



♦ Shail-Pritesh Sarbjit Mein Jo Kar Sake, Yahaan Nahin Kar Sake!: DIL JO NA KEH SAKA Music Review

♪ Music by: Shail-Pritesh
♪ Lyrics by: A.M. Turaz, Devshi Khanduri & Sandeep Singh Kamboj
♪ Music Label: T-Series
♪ Music Released On: 7th November 2017
♪ Movie Released On: 17th November 2017

Listen to the songs: Saavn
Buy the songs: iTunes


With the title track of Dil Jo Na Keh Saka, I find that Shail Hada has lost that magic touch that used to be present in his voice until ‘Sarbjit’; he sounds terribly off tune in some places, while his co-singer, Shreya Ghoshal has been terribly miscast, and tries to fit into the mould of the song but fails. Shail-Pritesh’s composition is quite the typical 90s romantic song, and so fails to create much impact. However, the duo gets it amazingly right in the much more breezy and pleasant Bandh Khwabon Ki, in which Shail Hada thankfully returns to normal, barring some places. The composition here is thankfully, more contemporary and relatable. The finger snaps are really enjoyable, and the guitars are refreshing too.
Going to the retro portion of the album, Khwabon Ko Ankhon Mein is an enjoyable jazz number, and soulful too. The piano is splendid, as is the brass portion, because if the brass in jazz is bad, then it isn’t jazz. Aditi Paul sings beautifully too, touching the high notes effortlessly. The last romantic song on the album, Tanha Tanha Ghum Ke Dhunde Dil, is a pleasant and breezy love ballad, again, a bit more inclined towards the previous decade than the current. Nevertheless, it provides for a fun couple of listens, after which its beauty kind of wears off. Jubin handles the vocals well, and with the 90s-ish composition and his voice, it sounds like a runaway song from ‘Kaabil’. The guitars are good here too, and very simple. Aditi Paul has less to do here, so she pales in comparison to Jubin. Obviously.
Out of the upbeat songs, Band Viyah Da Baje, builds on Shail-Pritesh’s earlier ‘Tung Lak’ (Sarbjit), but still manages to turn out enjoyable — Divya Kumar & Pratibha Baghel with their energetic voices infuse life into the complicated composition — surprisingly the first really complicated tune on the album, and intricacy is the thing Shail-Pritesh and their mentor Sanjay Leela Bhansali are known for! The ‘Tung Lak’ hangover stays till the end though, especially in the female portions. The second upbeat song, Nadaniyan Kar Jaati Hai, is a youthful club song with a very avoidable composition and just as avoidable vocals. It turns out to be the worst on the album!


Shail-Pritesh can do much better than this, but I guess they are much, much better at those classical melodies like they presented in ‘Sarbjit’, and they must stick to that!

 

Total Points Scored by This Album: 2.5 + 3.5 + 3.5 + 3 + 3.5 + 1.5 = 17.5

Album Percentage: 58.33%

Final Rating for This Album: सा < रे < ग < म < < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Bandh Khwabon ki = Band Viyah Da Baje = Khwabon ko Aankhon Mein > Tanha Tanha Ghum Ke Dhundhe Dil > Dil Jo Na Keh Saka > Nadaniyan Kar Jaati Hai



So that’s it for November, stay tuned for the Monthly Awards, which will be up in a moment!

AMAAL’S SOLO CENTURY!!! (M.S. DHONI: THE UNTOLD STORY – Music Review)

Music Album Details
♪ Music by: Amaal Mallik
♪ Lyrics by: Manoj Muntashir
♪ Music Label: T-Series
♪ Music Released On: 5th September 2016
♪ Movie Releases On: 30th September 2016

M.S. Dhoni - The Untold Story Album Cover

M.S. Dhoni – The Untold Story Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


M.S. Dhoni: The Untold Story is an upcoming Bollywood sports biopic, based on the life of the current captain of the Indian cricket team, Mahendra Singh Dhoni. The movie stars Sushant Singh Rajput as Dhoni, Anupam Kher as Dhoni’s father, Bhumika Chawla as his sister, Disha Patani as his ex-girlfriend and Kiara Advani as Sakshi Dhoni, his wife. The movie has been directed by Neeraj Pandey, abd produced by Arun Pandey and Fox Star Studios. The movie, which releases tomorrow, chronicles the journey of M.S. Dhoni and how he became the successful man he is now. The music of the movie has been given by Amaal Mallik, and what’s special is, that after successfully spending two years in the industry, he has finally got his first full solo album to compose, wih nobody else interfering, and I’m glad because if not anybody else, he is the one person who really deserved that. So let’s see, whether Amaal can hit Dhoni’s famous helicopter shot with this album!!


1. Besabriyaan
Singer ~ Armaan Malik

Amaal starts off his first solo album with a soothing motivational song, sung by none other than Armaan. The song starts off with a wonderful piano solo, followed by guitar strums that will tell you that you’re in for something very calm. And sure enough, Amaal fulfills your desire by making the rest of the song live up to the starting. The composition is perfect for that of an inspirational song, depicting M.S. Dhoni’s years of training and hard work. The mukhda gives the song a perfect start, with a tune that instantly grabs the listeners’ attention. The way Amaal puts that high-pitched line in the mukhda, right before the hookline, is beautiful! That line makes a difference, and it is then when you realize how much you’re really going to enjoy the song. The hookline is wonderfully composed, though comprising only one word, and again, that is something commendable. The antara keeps the soulfulness going, and again, the high-pitched line comes to captivate you and also brings with it a lot of gooseflesh. 😀 Amaal uses various common instruments, but the way he uses them just goes to remind you how great a musician he is. The guitars (Ankur Mukherjee & Meghdeep Bose) are amazing as usual, but it is the violins (CMA Musicians, Mumbai; Conducted by Suresh Lalvani) that grab most of your attention throughout the song. The interludes are wonderfully graced by the sound of the violins, and they sound extraordinary in the song. There are also flutes (Tejas Vinchurkar) which leave you mesmerized. The electric guitar too, plays in the interlude and the acoustic guitar leaves you awestruck in the hookline of the song. There is a beautiful piano piece in the second interlude, very easy to miss, sandwiched between the guitars and the violins, but do go back and notice it and how extravagantly it has been played. Coming to the vocals, Armaan sings the song with utmost ease and elegance, bringing out the calmness as well as the inspirational touch very well. Again, it is because of him, that the high-pitched notes that Amaal had thought of, work out so well. The way he glides from one note to the other in the hookline, is enough to make anyone fall in love with his voice, yet again! Even Amaal, for that matter! 😀 Manoj Muntashir’s lyrics are apt for the situation, and very meaningful as well. They do a good job in making the song sound good, and if it weren’t for this man’s lyrics, the tune by Amaal could just as well have gone to some romantic song in another film! Thank God though, that it didn’t happen! 😀 An awe-inspiring and otherwise inspiring start to the album! after hearing this one, my besabriyaan (impatience) to hear the rest of the songs increases! #5StarHotelSong!!

 

2. Kaun Tujhe
Singer ~ Palak Muchhal

The mellow notes of the piano welcome you to the next song, a melancholic love song from the point of view of the girl. The song is a gem, in that it is a beautiful, and perfect blend of emotions, soulfulness and beautiful music that you can relax to. Amaal seems to have put his entire soul into making this song, as is evident from what is in front of us. The composition is something that haunts you even after you hear it only one time, and you instantly fall in love with it. We heard a similar song to this just last month, which was ‘Jab Tum Hote Ho’ (Rustom), a sad love song from the female point of view, but this one seems to surpass that as well. Amaal’s composition is a very matured one, and doesn’t seem overdramatic at all. The mukhda itself is something that gets you attuned to what is going to follow; it is a wonderful line with haunting notes played in a very beautiful sequence. The hookline has the notes going a bit higher, and it seems as though it is a part of the mukhda itself. It is actually the vocals that make the hookline sound outstanding, and makes us see it as an independent part of the song. What excel in the composition by Amaal though, are the brilliant antaras. The melancfoly of it all is concentrated in these parts of the song, and this is when it actually hits you very strongly. The line just before the antara ends, “meri nigaahein, hain teri nigaahon pe, tujhe khabar kya, bekhabar” is something I would love to listen to over and over and over and over and over again, and I mean it!! The brilliant humming by Palak after the hookline is something you find yourself waiting for after each time the hookline plays! The arrangements are graceful, with strings leading the song, and digital beats beautifully providing the mellowed-down atmosphere of the song. Guitars (Ankur Mukherjee & Meghdeep Bose) are audible in the hookline, and they are wonderful. There is a beautiful flute (Tejas Vinchurkar) and strings interlude after the first antara, and that is something to hear on loop. And then, the vocals. Palak has done an outstanding job, with probably the best performance in her entire career. She sings both the low and high portions with ease, and also, she doesn’t try to copy Shreya Ghoshal here!! 😀 Her voice too, seems to have matured a lot, and maybe it must be a miracle brought about by Amaal’s programming, but either way, I’m up for more songs like this by her!! Manoj’s lyrics perfectly describe the feelings of a girl in love, and are cute as well as emotional, especially when we come to know that this song is going to be picturtised on Dhoni’s first girlfriend, who had passed away in an accident. Amaal has outdone himself with this one; a beautiful love ballad from the female point of view! #5StarHotelSong!!

 

3. Jab Tak / Jab Tak (Redux)
Singers ~ Armaan Malik / Armaan Malik

Amaal brings the next song in two versions, and this is yet another love ballad, this time, picturized on Dhoni and his now-wife, Sakshi. This song follows a more cheerful composition, and is more dreamy in the sense that there is absolutely no melancholy kicking in. The composition is again, very matured, and Amaal has done a good job in making it very appealing. The mukhda starts with the song title itself, and it is a line that you will never forget once you hear it. It has that instant magically appealing effect on the ears. Though it starts off a bit slow, you will start falling in love with it after the hookline starts — “mere paas tum raho, jaane ki baat na karo“. The line makes you feel free and transports you in a different world altogether. And Armaan’s humming after the line, is hauntingly, magically, mesmerizing! And just then Amaal comes up with another beautiful antara, but it ends so soon, you fond yourself craving for more. “Well, no worries”, says Amaal, “I’m here with a redux too!” The redux has the same basic composition, but a faster tempo to it, and where the first version would be a matured romantic song, the redux would probably be one made for a more lighter situation, or maybe even just for the delight of the listeners. The main point is that, the song is longer due to longer interludes, and this one too, doesn’t leave you. Well, Armaan sounds mesmerizing in the first version, while he seems to be enjoying himself a lot in the redux, much to the delight of the listeners. Amaal’s arrangements in both versions are spot-on. While the first version has a mellowed-down, very dulcet atmosphere around it, and makes you feel very light, as if you’re flying, the second version has a more Amaal-ish instrumentation, with peppy guitars (Ankur Mukherjee), both rock and acoustic, and even drums. The first version accomplishes its dulcet nature with strings (played by the CMA Musicians and conducted by Suresh Lalwani) that really make you shiver at their grandeur. (That’s a compliment. Sorry if it doesn’t look or sound like one, but everything isn’t what it seems! 😉 ) The highlight of the first version’s arrangements though, are intensely grand trumpets, that steal your breath away whenever they play, much to your surprise, because this kind of a symphonic arrangement is rare in Bollywood, though Pritam, Ajay-Atul and A.R. Rahman (and maybe others) have tried it previously. The lyrics by Manoj Muntashir are beautiful in both versions, and are one of the reasons the song stands out – because of its simplicity. Something that will be on my playlist forever!! #5StarHotelSong!!

 

4. Phir Kabhi
Singer ~ Arijit Singh

And of course, the next song is what all the so-called music lovers that show themselves on Twitter and Facebook before the release of every album, asking composers if the album has any song by Arijit Singh, were waiting for. It is yet another romantic song (God, is Dhoni even gonna play anything in this movie?????) This time too, Amaal gives the song a nice, pleasant and breezy touch, and it appeals to the listeners’ ears immediately. The composition, though treading very familiar territory, instantly stands out. Amaal tunes the mukhda beautifully, the high notes working well as usual. The hookline has a nice, breezy feel and can be heard on loop. The antara too, is very soft to the ears, and very simple. Amaal excels in the arrangements; having gone to great lengths to arrange the instruments in a beautiful manner. This song is the most extensively arranged song on the album in my opinion, with guitars doing a great job in making it seem so. The ukelele played by Ankur Mukherjee really adds a beautiful oriental touch to the whole song. African ethnic vocals in one of the interludes made me think M.S. Dhoni somehow got transported to Ashutosh Gowariker and A.R. Rahman’s Mohenjo Daro. :p They sound awesome nonetheless! And harmonicas wonderfully steal the show in their charming portions. Arijit is the perfect choice for the vocals, and he handles the composition very gracefully. Those fans on social media aren’t idiots after all, are they? Manoj’s innocent lyrics really help the listeners connect to the song very well, and help the song reach heights. This song stands out in that it is so simplistic and innocently heard-before, that I loved it!! #5StarHotelSong!!

 

5. Parwah Nahin
Singer ~ Siddharth Basrur

The next song is a rock song, very heavy in its treatment, and something that I believe Amaal is doing for the very first time. As a first attempt, the song has turned out to sound exceptionally good. The composition is something you can conveniently groove to and tap your feet to. The song starts with whispers that have been sung in a grungy voice. This part isn’t something that would instantly grab your attention, but it is the rock guitars that arrive next, that make you listen ahead. The mukhda, is quite nicely composed, with a nice catchiness to it. The hookline is something that could’ve been composed better, though. The antara as well, is a typical rock composition, and is good as a whole. Amaal has put in many efforts as is evident. The arrangements are electrifying, with the mandatory electric guitars (Jeenti Dutta, Keshav Dhar & Armaan Malik), and drums (Jai Row Kavi) infusing the spunk into the song. The interludes have wonderful, elevating portions of rock, with the electric guitars playing wonderful tunes. Whoever has played the electric guitar in the second interlude, kudos to him! Siddharth Basrur, an otherwise very efficient singer, doesn’t really seem at comfort in this song though. Though he gets the grunge and huskiness into the song, it all just doesn’t work as a whole. Manoj Muntashir, again, writes a great song, with a good inspirational and motivational message to it. A song that will work in the film, but not as an audio song.

 

6. Padhoge Likhoge
Singers ~ Ananya Nanda & Adithyan A. Prithviraj

A very out-of-place dappankuthu rhythm starts the last song on this album, and it isn’t until you understand what the song is actually about, when you start loving it with all your heart. The song is a peppy, fun number, probably picturized on the lead character as small kids. It sounds like Dhoni’s sister is lecturing him about how he should study, but the smart kid that Dhoni was, argues in a very fun manner, and in the bargain, we get a wonderful song from Amaal. 😛 The composition is enjoyable, the hookline in particular being the peak point in the song. Though invoking memories of Amaal’s own ‘Chaarr Shanivaar’ (All Is Well), the song manages to appeal. The mukhda gives a good headstart to the song, while the antara dwindles a bit, but soon comes back to the catchiness of the other parts. The line before the hookline, sung in a very cute way by the little boy, is something very well composed by Amaal as well. The arrangements are enjoyable as well, especially the percussions (Dipesh Verma, Omkar Salunkhe & Keyur Barve; Arranged by Dipesh Verma & Daboo Malik) which are definitely the highlight of the music. And then there’s that shehnaai (Omkar Salunkhe) in the interlude and antara which grabs your attention. The peppy way in which all this falls into place, is worth hearing. And now, to talk about the singers. Ananya Nanda, winner of ‘Indian Idol Junior Season 2’ (yet another singer from the season debuting this month, after Nahid did in ‘Rajj Rajj Ke’ from ‘Akira’) plays the role of elder sister well, and her voice sounds mature and pleasant to listen to, while it is the cute and innocent voice of Adithyan A. Prithviraj, which steals the show. What a cute Dhoni he plays. And the words given to him make him sound even cute, thanks to Manoj Muntashir. He makes the two singers sing lyrics that are so funny at parts, especially when Adithyan sings against studies. 😀 OUTSTANDING! A fabulous end to the album! #5StarHotelSong!!


M.S. Dhoni: The Untold Story turns out just as expected. Amaal hits that helicopter shot and wins to his credit an album that would be remembered in the list of his greatest works. Though the filmmaker seems to have concentrated on Dhoni’s love story a lot more than his sports career, Amaal caters to his vision and cooks up a great album with six songs that will bring the story forward. Amaal scores a century in his first solo album!!

 

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Jab Tak > Kaun Tujhe > Besabriyaan > Jab Tak (Redux) > Phir Kabhi > Padhoge Likhoge > Parwah Nahin

 

Which is your favorite song from M.S. Dhoni: The Untold Story? Please vote for it below! Thanks! 🙂