Music Album Details ♪ Music by: Sajid-Wajid, Olefonken & Bappi Lahiri ♪ Lyrics by: Danish Sabri, Prashant Ingole & Anjaan ♪ Music Label: T-Series ♪ Music Released On: 21st August 2017 ♪ Movie Releases On: 8th September 2017
Daddy Album Cover
To hear the full songs of this album on Saavn CLICK HERE
Daddy is an upcoming biographical crime film, starring Arjun Rampal, Aishwarya Rajesh, Anand Ingle and Nishikant Kamat. The film is directed by Ashim Ahluwalia, and produced by Arjun Rampal and Rutvij Patel. The film documents the life of gangster-turned-politician Arun Gawli. The film has music by Sajid-Wajid and a Norwegian DJ named Olenfonken, and I would expect something good from a movie about a gangster’s life. Let’s see how close to my expectations the composers deliver!
1. Eid Mubarak
Singers ~ Shabab Sabri & Tanvir Hussain, Music by ~ Sajid-Wajid, Lyrics by ~ Danish Sabri
Sajid-Wajid are usually great at Qawwali, and here they present a Qawaali as the first song. Well, the composition is the traditional Qawwali, and so it isn’t hooking right away, but if you’re the Qawwali lover, you would love it. As always, for a Sajid-Wajid song, they give it booming arrangements, making it worth listening to as a Qawwali. Harmonium, tablas, dholaks make the arrangements very rich and beautiful. As for the vocals, Shabab and Sa Re Ga Ma Pa 2016 contestant Tanvir Hussain (who’s exceptional with those aalaaps), handle them well. Lyrics are suitable too. A trademark Sajid-Wajid Qawwali.
2. Zindagi Meri Dance Dance
Singers ~ Alisha Chinai & Vijay Benedict, Original Composition by ~ Bappi Lahiri, Music Recreated by ~ Olefonken, Lyrics by ~ Anjaan
Now I know I’m breaking my own rules, but this song is so bad it calls for a long review. 😅 Get ready. So the song starts with a nice, retro beat (the beat from Bappi Lahiri’s old song “Zindagi Meri Dance Dance” from “Dance Dance”, the song which this song is a “remake” of). After that an emcee announces that we, the audience are now going to be taken to the moon, and asks us to look at a rocket, in which the whole audience will apparently fit, without any food supply, water supply or anything. Then he erases all our doubts and tells us that a particular Mehbooba and her Mehboob are going to climb out of this rocket, and dance, in the “pyaar ki masti“, on the moon. Then we get to hear the Mehbooba, who says “Hi Darling, I want to daaaaance with you. Daaaaance. Daaaance of love. Daaaaance on the moon.” It’s so cringeworthy you feel like stopping the song then and there, but you continue for the sake of it. Later we learn that the boy’s life is “Dense” (“Zindagi Meri Dense Dense“). Well of course bro, life is a dense jungle, you need to bear with it. Luckily for us, the girl pronounces “Dance” well enough. All throughout the song, a good composition is spoiled by various stupid interjections by the characters, and it is so irritating. Midway, the Mehboob decides he has the money and brains enough to take his Mehbooba to Venus. Now if I were him I would die before going to Venus, because I would anyway die on Venus. Someone please tell him he’s gonna die on Venus. His Mehbooba, stupid as she is, complies, and gets all happy about going to Venus, and even counts down! And then the stupid backing chorus sings “Venus! We Are Venus!” I don’t know if they know they’re speaking incorrect English or whether they think they are Venus. The Mehboob and Mehbooba further go on to romance on Venus! She says “Dekhe Jo Tu Aise Mujhe, Mere Kadam Dagmagayein!” Well, I bet that’s because of the poisonous gases, lady. But she doesn’t get the point, and keeps romancing him. Later she gets bored of Venus (Or maybe an alien is after them) so the lady very casually points out, “Darling, ChaloKisi Aur Duniya Mein Chalo” (Let’s go to another world.) And the smart Mehboob immediately says “Mars.” Ugh, idiot!! Thankfully they don’t romance on Mars, and the makers stop the song there, instead of going till Pluto. Still, the song ends at a staggering six and a half minutes! 😛 Olefonken has basically remixed the old song, but nobody will like it anyway. The only thing this is good for, is a hearty laugh.
3. Aala Re Aala Ganesha
Singers ~ Wajid & Ganesh Chandanshive, Music by ~ Sajid-Wajid, Lyrics by ~ Prashant Ingole
Where the first song was a Qawwali, the last song is a Ganesha song. And very badly composed too. Such a dark composition doesn’t suit a Ganpati song at all. It’s a typical Sajid-Wajid bad composition with no appeal at all. Those percussions are the same percussions they use everywhere, the dhol taashas, but that’s actually the best part of the song. The vocals are terrible, Wajid doing it himself. He is accompanied by Ganesh Chandanshive (‘Deewani Mastani’ fame) who disappoints as well. Lyrics are just so cringeworthy, like “Shambhu Cha Baal Kon?” (Who is Shankar’s son?). And then the chorus answers ‘Ganesha’. Another bad Ganesha song to release in the season, after the one from ‘Sniff’.
Daddy is such a bad album, it is unbelievable. Two composers who used to be on the A-list of Bollywood composers once upon a time, now making this kind of music, is really sad. The guest “song” by Norwegian DJ Olefonken too, is dumb. Rather than “Daddy”, it should be called “Dead-y”!!
Total Points Scored by This Album: 3 + 1.5 + 1.5 = 6
Album Percentage: 40%
Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां
Note: The letter which is underlined is the final rating.
Recommended Listening Order: Eid Mubarak > Zindagi Meri Dance Dance= Aala Re Aala Ganesha
Music Album Details ♪ Music by: Rochak Kohli, Meet Bros. & Bappi Lahiri ♪ Lyrics by: Manoj Muntashir, Kumaar & Anjaan ♪ Music Label: T-Series ♪ Music Released On: 9th March 2017 ♪ Movie Releases On: 31st March 2017
Naam Shabana Album Cover
To hear the full songs of this album on Saavn CLICK HERE
P.S. The song ‘Dil Hua Besharam’ can be heard on Saavn, while its reprise ‘Baby Besharam’ can be heard on the YouTube audio jukebox. The Saavn link doesn’t have the latter whereas the YouTube jukebox doesn’t have the former. Thought it necessary to inform in case you get confused! 😀
Naam Shabana is a Bollywood thriller, starring Taapsee Pannu in the titular role, and Manoj Bajpayee, Prithviraj Sukumaran, Elli Avram and Taher Shabbir in supporting roles. The film has been directed by Shivam Nair, whose ‘Bhaag Johnny’ flopped in 2015. The film has been produced by Neeraj Pandey and Shital Bhatia. It is a spin-off to the 2015 super-hit film ‘Baby’, and shows the journey of Taapsee Pannu’s character Shabana from ‘Baby’, before she was roped in to be a part of the mission. The movie is definitely awaited, because of it being the first of its kind; Bollywood has been free of any spin-offs as such, and it is just wonderful that the first Bollywood spin-off is that of such a wonderful thriller. Anyway, let’s go over to the music, because we have a little more time to wait for the movie. We all remember that ‘Baby’ had been touted to be a songless film. Nevertheless, three songs had been included in its album — technically two, because one of the songs had a male and female version. Meet Bros. Anjjan had composed one promotional track, while M.M. Kreem, had composed the two-version track in question. The soundtrack was like an accessory to the film, and not something to cherish in your playlist for a long, long time. This movie seems to be different, in that it has four original tracks, with one having two versions, thus making it five songs. Rochak Kohli, who of late, just composed single additional songs that released after the albums of ‘M.S. Dhoni – The Untold Story’ and ‘Wazir’ released, comes back with a substantial chunk of an album after a long time. He last composed three songs out of the five-track ‘Welcome 2 Karachi’ (which were quite ignorable) and before that, three out of ten in ‘Hawaizaada’ (which I still listen to!) So I am not quite sure what he can give in this album, where he has three out of five songs. The other two songs are two versions of the same song, composed by Meet Bros, without Anjjan. Hopefully, they don’t give something too-hard-to-grasp like ‘Baby’s ‘Beparwah’. So let’s see what kind of music this album to a much-awaited thriller, holds in hand!
Singer ~ Shreya Ghoshal, Music by ~ Rochak Kohli, Lyrics by ~ Manoj Muntashir
“Inn aankhon se yeh bataa, kitna main dekhun tujhe, Reh jaati hai kuchh kami, jitna bhi dekhun tujhe, Rozana main, sochun yahi, Ki jee loongi main besaans bhi, Aise hi tu mujhe, milta rahe agar, rozana, rozana!”
– Manoj Muntashir
Rochak decided to start the album off with a mellow, soothing song that would be enough to transport us to dreamland. The first song in the album is a romantic song that has a very beautiful composition; Rochak gets everything right in that he composes this one with the perfect Bollywood ideals of ‘romance’. Each and every note hits your heart and hits hard. The mukhda gives a nice headstart to the song, and the hookline is one which doesn’t care much about imposing itself on you but grows on you like slow poison just as I like it. The antaras hold all the magic of the song; the very powerfully lilting tune of the antaras just leaves you spellbound. The arrangements are quite minimal, but Rochak gives an impressive strings backdrop for most of the song, especially the strings in the interlude are very impressive. Guitars and piano soothe your senses like nothing else can. And also, Rochak has employed a kind of Marching rhythm to the antara. I don’t know why that’s there, but it doesn’t hamper the song in any way. The arrangements provide for a nice nighttime lullabyish listen. And the vocals are by none other than the melody queen, Shreya Ghoshal. She handles each word with utmost care, and the whispery way in which she sings the song proves yet again how wonderful she is as a singer. Unnecessary bouts of loudness can never be found when she is behind the mic. The lyrics by Manoj Muntashir are mind blowing, especially the paragraph I’ve showcased above! A MINDBLOWING start to the album, and it will definitely consolidate Rochak’s career in Bollywood.
Singer ~ Sunidhi Chauhan, Music by ~ Rochak Kohli, Lyrics by ~ Manoj Muntashir
“Ziddi raaston se paanv yeh, aaj bhi, jhagadna toh bhoole nahin, Haare hain kayi dafa toh kya, aaj bhi, hum ladna toh bhoole nahin, Aaj bhi dil baaghi hai, bas yehi kaafi hai, Zinda hoon abhi, baaki hoon abhi, Meri har saans mein thodi si zindagi hai abhi!”
– Manoj Muntashir
After the lulling romantic song, Rochak throws in a motivational kind of song next. This time, the composition is a bit weak. It sounds great in the first listen, but later on I found that it is quite typical and offers nothing new. The mukhda starts off the song on a slow pace, which only speeds up when the hookline arrives: the only portion of the song that remains with you after the song ends. Wonderfully composed on pensive sounding high notes, that part will definitely hook you on to the song and assure that you don’t leave it halfway. The antara that follows is also quite sombre, and doesn’t leave an impact on you, unless you hear it many times. On a whole, the song’s tune has nothing much to lap up. The arrangements also fail to offer anything different or innovative. The tune is already so laidback, but the arrangements refuse to make it more interesting, staying very minimal until, again, the hookline comes. Strings and guitars can be heard, but nothing stands out very boldly. Sunidhi Chauhan provides to the song, everything that the tune and arrangements could not. Her energy, though diffused in the song, manages to make the song repeat-listenable, even if only once or twice. Lately, she seems to have gotten stereotyped to these kind of songs. The lyrics by Muntashir, too, are good in their purpose of being motivational. A motivational song that fails to motivate a lot, but is functional to an extent.
3. Zubi Zubi
Singers ~ Sukriti Kakar & Rochak Kohli, Original Composition by ~ Bappi Lahiri, Music Recreated by ~ Rochak Kohli, Original Lyrics by ~ Anjaan, New Lyrics by ~ Manoj Muntashir
Next up we have Rochak’s final song for the album, and it happens to be an upbeat club number. This one is a remake, of Bappi Lahiri-composed ‘Zooby Zooby’ (Dance Dance), and it is quite a decent remake too, at that. The composition, though faltering at the beginning, turns out to be quite catchy. The mukhda is what I have a problem with — it seems forced and a bit childish. But right from the first time the hookline is sung, till the end of the song, it is an enjoyable track! The great thing is that, like it used to happen before, only the hookline of the original song has been taken, while the rest has been composed afresh. The antara is a nice continuation of the sensuous dance song, but then that line from the mukhda, “humko hai jaan se bhi pyaari aashiqmizajiyaan“, comes back to irritate. The arrangements are fantastic discoesque arrangements, recreating the Bappi Lahiri era in today’s style. Rochak has added groovy beats, and that amazing programming effect he has added to his own voice when he sings the hookline, keeps me waiting for his parts to come! It makes him sound like an awesome robot. 😀 Sukriti also, has sung well, except the mukhda. (Again!) She sounded a lot like a fake Shefali Alvares there, and I found it quite irritating, as I would have if Shefali herself had sung it. The rest of the song, she shines. Kumaar reworks around Anjaan’s original hookline, and pens down aptly enjoyable lyrics. A good remake, spoiled by a mediocre first stanza.
4. Baby Besharam / Dil Hua Besharam
Singers ~ Jasmine Sandlas & Meet Bros / Aditi Singh Sharma & Meet Bros, Music by ~ Meet Bros, Lyrics by ~ Kumaar
(Nothing to showcase, thanks to Kumaar’s lyrical masterpieces which you’ll read of later on in the passage)
The next song is yet another club song, this one by Meet Bros. The composition sticks quite close to Bollywood’s conventions of composing a ‘catchy’ club song. Right from the beginning Meet Bros “try” to get us caught on to the composition, which, unfortunately, is very staid. The mukhdais bad, and the hookline follows suit. The antara doesn’t provide much respite in this respect either. The arrangements are typical club beats, and it sounds like it should’ve released a year or two ago. Meet Bros have added this weird synthesiser tune, which sounds like the song is part of a comedy movie, an adult comedy to be precise. I wonder if this song was actually composed for some other movie before, and then moved over to ‘Naam Shabana’ Because it couldn’t find a place anywhere else. The vocals are what differentiate one version of the song from the other. It actually had released first in Jasmine’s voice, and that one is outright banal, sounding like it is trying to imitate ‘Yaar Na Miley’ (Kick). Aditi Singh Sharma, though not eligible to win a Best Singer prize or anything for her rendition, provides respite MERELY IN COMPARISON TO Jasmine Sandlas. At least her voice is more club-environment-friendly. Yes, she does spoil some lines with her unnecessarily stylish accent. Oh yeah, and she knows how to pronounce the “Baby” as “Bebe” (which you need to practise if you ever want to make it big in Bollywood as a club singer!), as opposed to Jasmine singing “Baby” as “Bebi”. The way they sing “beyyyyyysharam” is quite torturous. I guess it was first going to be included in ‘Besharam’ as the title track (that would explain the comedic arrangements), until Ishq Bector & Shree D saved us by stepping in. Kumaar’s lyrics feature lyrical masterpieces like “Rafaa dafaa sufi bandon ko karke nasha vasha karlo“, and “Thoda sa bigadne meinbolo na kya harz hai?“. *Slow claps*
Rating: 1/5 for Baby Besharam, 1.5/5 for Dil Hua Besharam
Naam Shabana is a decent album, but not great. Its predecessor had two songs, so it was okay that only one worked. This has four songs, out of which only one works perfectly, the others are decent, and one is bad. For a thriller, the album is apt, with a romantic song, a motivational song, and two situational club songs. However, it will have less of a connect with the audiences. Rochak has done a commendable job though! The only good thing I might remember about this album years later is that it has both Shreya and Sunidhi, modern stalwarts of the Bollywood music industry, lending their voices to the songs.
Total Points Scored by This Album: 5 + 3.5 + 3.5 + 1 + 1.5 = 14.5
Album Percentage: 58%
Final Rating for This Album: सा < रे < ग < म < प< ध < नी < सां
Note: The letter which is underlined is the final rating.
Recommended Listening Order: Rozana > Zubi Zubi = Zinda > Dil Hua Besharam > Baby Besharam
No. Of Remakes: 08 (from previous albums) + 01 (from Naam Shabana) = 09
Which is your favourite song from Naam Shabana? Please vote for it below! Thanks! 🙂
Music Album Details ♪ Music by: Rajesh Roshan & Gourov-Roshin ♪ Lyrics by: Nasir Faraaz, Manoj Muntashir, Anjaan, Anand Bakshi, Kumaar & Raftaar ♪ Music Label: T-Series ♪ Music Released On: 22nd December 2016 ♪ Movie Releases On: 26th January 2017
Kaabil Album Cover
To hear the full songs of this album on Saavn CLICK HERE
Kaabil is an upcoming Bollywood action/romantic film starring Hrithik Roshan, Yami Gautam and Ronit Roy. The movie is directed by Sanjay Gupta, and produced by Rakesh Roshan. The movie is about two blind people who fall in love (God knows how…). And then dishoom dishoom happens and then it probably ends happily. Moving on to the music. The music has been composed by yesteryear hitmaker Rajesh Roshan, who has given quite a number of great songs in the olden days, but seems to have lost his charm with his last outing, ‘Krrish 3’. I mean, I don’t even know how it is possible that his music in ‘Kites’ (2010) sounded so much with the music of the time, and so modern and all, while three years later in 2013, when ‘Krrish 3’ released, his music sounded dated. You would think that’s impossible! Well, all we can hope is that he has composed great tracks for this album. Again, as always, T-Series gives us a shock by adding a composer duo in the music directors panel for the album. The duo is Gourov-Roshin, the go-tos for remaking and spoiling old songs. This time they have been given charge of two of Rajesh Roshan’s hits from the 70s and 80s respectively — ‘Dil Kya Kare’ (Julie) and ‘Sara Zamaana’ (Yaarana). So technically, Rajesh Roshan has composed the songs. Smart. Expectations are a bit more than zero, and given that the songs to be remade are of such a high standing, the remakes have to be good or else T-Series wouldn’t have added them.. or at least that’s what I think.. 😛 Anyway, since I have such less expectations from the first album of 2017 to release, I’m just diving into it very cautiously and sceptically.
Note: Before you start off, you might want to check out the new rating scheme with effect from 2017..
1. Kaabil Hoon / Kaabil Hoon (Sad Version)
Singers ~ Jubin Nautiyal & Palak Muchhal / Jubin Nautiyal, Music by ~ Rajesh Roshan, Lyrics by ~ Nasir Faraaz
“Tere mere sapne sabhi, band aankhon ke taale mein hain, Chaabi kahaan dhoondhe bataa, woh Chaand ke pyaale mein hai, Phir bhi sapne kar dikhaaon Sach toh kehna bas yehi… Main tere kaabil hoon ya, tere kaabil nahi!”
– Nasir Faraaz
So this was the first song of 2017 to release, releasing in early December or so. You’d think that the makers had some reason behind releasing the song so early, but after hearing the song, you understand that the only reason was to get the songs released and aside, so the makers can concentrate on other ‘important’ stuff, like getting bad reviews. Veteran Rajesh Roshan offers nothing new in terms of composition. One might argue that he just tried to compose in his trademark style, and I agree, but it just doesn’t suit in today’s times. The mukhda is quite bland, but you start liking it after you hear the dreary hookline. And what’s more, it plays four times throughout the song! (Not the hookline, but the WHOLE mukhda!) The antaras are two very ear-splittingly high-pitched stanzas that irritate more than pacify. Look Mr. Roshan (and I hope you aren’t reading this..), we really appreciate you bringing forth the music of yore, but at least modernize it like Vishal Bhardwaj & Sanjay Leela Bhansali do! Yes, after a few listens, it gets listenable, but that’s only because we are so much rooted to our beautiful 90s music. 🙂 The arrangements are as typical and predictable as typicality and predictability can get. I don’t know if music programmer Abhijit Vaghani has chosen the beats (or maybe arranger Dhrubajit Gogoi), but whatever it is, it sounds like a desperate attempt to modernize the stale composition, by adding beats similar to Major Lazer and Justin Bieber’s pop single ‘Cold Water’. The dafli makes the arrangements sound sooooooo old-school. And whoever has arranged the song, has put in a mishmash of synth sounds as if his life depended on it, and horns wherever they shouldn’t have been. That guitar riff which the song starts off with resembles that hook tune of the aforementioned ‘Cold Water’ so much. And same with the trumpet. And the first time Jubin sings “Chaabi kahaan dhoondhe bataa…”, there is an unexpected outburst of noise that wasn’t required. However, in the first antara’s beginning, there is a nice trademark Rajesh Roshan percussion, which pleases the ears. The composer ditches his recent regulars for such songs, Sonu Nigam and Shreya Ghoshal, to bring in two supposedly ‘modern’ voices, Jubin Nautiyal & Palak Muchhal, but Mr. Roshan! Songs don’t sound modern because of singers! You need a modern tune for that…! Jubin sounds suppressed for some reason, and drawls out the lines like he’s bored, making you miss Arijit’s voice for once. And Palak is hands down off tune. Everything she sings is way too high-pitched for her to carry off perfectly, and her voice comes across as cheap. Especially when she sings the hookline after the first antara. And both of their voices have been kept raw, as they were recorded, making it sound more like a scratch version of the song. And at the end, the singers are made to sing “la la la…” and “hey hey hey...”, as if they are from the 80s! Nasir Faraaz’s lyrics ooze of the 90s! What is “Tere Naam ko hi pukaarke, khanakengi meri choodiyaan“??? I highly doubt she’s wearing bangles in the song.. unless the second antara is shot at their wedding. In the sad version, Rajesh Roshan slows down the pace so much that it is tough to discern that it is the same song. Not that it sounds any better though. The arrangements there are minimal except for some strings. And it is just one and a half minutes long, so it is clearly made only for the background score. The lyrics have been tweaked too, with no better result. A song that would’ve created waves, had it been included in ‘Krrish’! Heck, even the ‘Krrish’ album sounds better!
Ratings: 2/5 for Original Version, 1.5/5 for Sad Version
2. Haseeno Ka Deewana
Singer ~ Payal Dev, Rap By ~ Raftaar, Original Composition by ~ Rajesh Roshan, Music Recreated by ~ Gourov-Roshin, Original Lyrics by ~ Anjaan, New Lyrics by ~ Kumaar, Rap Written by ~ Raftaar
“Sara zamaana, haseeno ka deewana, Zamaana kahe phir kyun, bura hai dil lagaana!”
Before the song released, I was having a tough time wondering how Rajesh Roshan would remake his own old song! And then it hit me, and my worst fears came true. T-Series had conveniently handed over Rajesh Roshan’s two old songs in the album to Gourov-Roshin! Unfortunately, there was no choice for us listeners but to hope the song would be remade well. The result, however, is atrocious. Gourov-Roshin follow the path they paved for themselves when they remade ‘Kaate Nahin Katte’ (Mr. India) in ‘Force 2’. They spoil this song, ‘Sara Zamaana’ (Yaarana) as well and present in front of us a bad mix of noises and horrendous singing. The mukhda and antara have been recomposed, and they sound horrible, nothing else. Even the original hook, which could’ve been the best part of the song, is spoiled by singing which is supposed to sound cool. The arrangements are nothing but a lot of unbearable noises, supposed to be club sounds. I don’t know if they want the clubbers to enjoy or die of some undiscovered ear disease. Random techno sounds grace the whole song, and it just sounds BAD! Payal Dev sings in her ‘Veerappan’ voice — an extremely harsh, cutting voice that does nothing but grate your eardrums. I don’t know what she’s up to.. on one side she sings gems like ‘Ab Tohe Jaane Na Dungi’ (Bajirao Mastani) and on the other hand, bleats out songs like this. She also mauls the hookline, the hookline that anybody raised in a Bollywoodish background has grown up listening. And the last straw is when she sings the antara. (“Yeh kaaauuuuun keh raha hai..”) Raftaar, after his successful stint in ‘Dangal’s ‘Dhaakad’, reverts to his original form, and delivers a rap that proves that it was a mistake that he bagged ‘Dhaakad’. The lyrics by Kumaar are just your normal Bollywood item song fare, with the lady praising her flaws. And the boy agrees, somehow. Now that everyone must have heard it, I can’t even tell you to skip it. A horrific remake.
Rating: 1/5 (and that’s being generous)
3. Kuch Din
Singer ~ Jubin Nautiyal, Music by ~ Rajesh Roshan, Lyrics by ~ Manoj Muntashir
“Aksar ataa pataa mera, rehta nahin, rehta nahin, Koi nishaan mera kahin milta nahin, milta nahin, Dhoondha gaya, jab bhi mujhe, tere gali mein mila.. Kuch din, se mujhe, teri aadat ho gayi hai, Kuch din se meri, tu zaroorat ho gayi hai!”
– Manoj Muntashir
The next song is a romantic song, with a lulling melody. It starts off well enough, with dreamy music on the piano and something like a church organ. But then Jubin starts singing and you realise the blaring problem in the song — Bad recording. The vocals might be good, but bad recording and mixing help to steal all credit from Jubin. The voice is all muffled; even songs recorded in the 1970s sound better! The composition is better this time, because of that lilt in the melody. Again, it is a signature Roshan tune, and reminds you of the beautiful music of ‘Kaho Naa Pyaar Hai’. The mukhda plunges right into the hookline, and succeeds in the mission of soothing you. The antaras are a nice extension to the already nice tune. At least it pleases the ears. The high notes in the composition are pleasant this time, and the composition as a whole is hummable. Arrangements are nice and soothing, but muffled due to that flawed recording. Strings and brass instruments bring a nice 90s flavour to the song. Again, Roshan takes the help of techno beats, but this time it is a bit toned down, and hence doesn’t bother much. The second interlude has a nice guitar portion, which sounds good in spite of being a bit dated. Jubin, as mentioned before, sings well here, adhering to Roshan’s tune loyally, and evoking memory of Abhijeet’s songs with Shah Rukh Khan, at places. As mentioned above, that recording spoils the feel. Manoj Muntashir’s lyrics are good, but nothing extraordinary. He sticks to the 90s style of lyrics-writing. A good, pleasant melody, with good vocals and arrangements, is spoiled by the bad recording and sound mixing!
4. Mon Amour
Singer ~ Vishal Dadlani, Music by ~ Rajesh Roshan, Lyrics by ~ Manoj Muntashir
“Kadam se kadam jo miley, toh phir saath hum tum chale, Chale saath hum tum jahaan, wahi pe baney qaafiley! Mon Amour!!”
– Manoj Muntashir
Rajesh Roshan’s last song on the album takes the form of an upbeat Latino-flavoured song, that’ll surely get you up and dancing. The song starts off with a nice intro, taking the one of the repeating lines from the song having Vishal Dadlani sing it in a slow tempo, and it serves as a good buildup for the upbeat song that follows. The composition by Roshan this time too, is enjoyable. The hookline starts off the song, when the intro is over, and gets you ready for a nice dance song. The mukhda is what Vishal had sung in the intro, and it has a nice Spanish flavour to it, carried out very efficiently by Roshan. The antaras are as enjoyable as can be. They don’t seem like antaras, more like continuations of the mukhda, giving the effect that the whole song is a single stanza. All I can say is that they have been composed wonderfully. In the process, Rajesh Roshan tries to make a ‘Senorita’ (Zindagi Na Milegi Dobara) for this album, and succeeds to an extent. The arrangements remain loyal to the Latino flavour of the song, with guitars leading the way for some time, before handing over first command to the trumpets, which infuse life into the song after that short introduction is over. Percussion is topnotch, and it gives the Salsa feel very nicely. The xylophone that comes in the antara’s last line is so playfully awesome! I like how the title of the song stands alone in the song, with nothing to support it. It makes the song progress seamlessly from line to line. Vishal’s energy seems a bit diluted here, but nevertheless, the song sounds quite energetic still. Recording seems a problem here too, but it is ignorable because of the song being good. Manoj Muntashir’s lyrics here, are probably the only moderate lyrics on the album — not too old-fashioned (‘Kaabil Hoon’ and ‘Kuch Din’) and not toooooo modern (‘Haseeno Ka Deewana’). They are enjoyable though, making use of sounds like ‘Da ra di da ra’ and ‘Baila baila’ to make it sound more Latino-flavoured! A nice upbeat number, but I’m not sure whether it will be promoted enough to create an impact on the public!
5. Kisi Se Pyar Ho Jaye
Singer ~ Jubin Nautiyal, Original Composition by ~ Rajesh Roshan, Muusic Recreated by ~ Gourov-Roshin, Original Lyrics by ~ Anand Bakshi, New Lyrics by ~ Kumaar
“Oonchi oonchi deewaron si, iss duniya ki rasmein, Na kuchh tere bas mein jaana, na kuchh mere bas mein!”
– Anand Bakshi
Another remake. Once again, a Rajesh Roshan melody of the golden era, and again, remade by Gourov-Roshin. This time, Roshan’s beautiful melody from ‘Julie’, ‘Dil Kya Kare’. Expectations were zero, and maybe that’s why I was pleasantly surprised by this one! The main reason I liked it was that the composers have tried to retain the flavour of the original, and not tried to change everything. The mukhda has been changed, and that’s about it. This tracks starts with a nice modern touch, similar to so many (good) English songs you hear nowadays, to such an extent that that person singing ‘Woah’ or whatever at the beginning sounds like Justin Bieber. Is this soundtrack inspired by Bieber or what? Anyway, the new mukhda is a nice addition to the song, it just takes time to get used to it. The hookline follows the new mukhda, and the mukhda of the old song (“Oonchi oonchi deewaron si…”) takes the form of the first antara, as it is (except the ‘Nakuchh mere bas mein Julie‘ is changed to ‘Na kuchh mere bas mein jaana‘) and the hookline returns, bridged to the antara by one of the lines of the new mukhda. The first antara of the old song appears as the second antara in this track, and it sounds good in Jubin’s voice! And this time, the programming is good too! The duo’s arrangements are pleasant, surprisingly, and they don’t bombard the ears with a fusillade of unwanted noises. Instead, they’re quite calm club beats. Now these are club beats! Piano graces the second interlude with its presence, to a great effect. The finger snaps are intriguing throughout the song. However, what I missed is that drum which Rajesh Roshan had added in the background of the old song (which he has also used in the title track of this album, if I’m right). Jubin perfectly takes over from Kishore Kumar, but of course the original always is better. Now that we have to deal with it though, I must say Jubin has done a good job. He sings the “oonchi oonchi..” part exceptionally well. I don’t know whether it is autotune or not, but here, his high notes sound good. At least it doesn’t sound like a scratch version. The additional lyrics are quite functional, if not great. I’m still in love with the original ones! 😍 A pleasant redux. That’s a remake for you. I think Gourov-Roshin are better at romantic songs (except ‘Maahi Ve’ from ‘Wajah Tum Ho’) than idiotic item numbers that are remakes.
In Kaabil, Rajesh Roshan actually delivers better than his last ‘Krrish 3’. Out of three songs, two are pleasant and sound much better than what he had offered in his last album. Gourov-Roshin with their two remakes of his old songs, do a mediocre job in one, and better in the second. However, as a whole, the albums seems extremely dated and behind its time. Had the album released somewhere around 2005 or so, the songs might’ve gained more momentum and more hearts. But now, it just seems like another average album. A middling start to 2017!
Total Points of the Album: 2 + 1.5 + 1 + 3 + 3.5 + 3.5 = 14.5
Album Percentage: 48.33%
Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां
Note: The letter which is underlines is the final rating.
Recommended Listening Order: Mon Amour = Kisi Se Pyar Ho Jaye > Kuch Din > Kaabil Hoon > Kaabil Hoon (Sad Version) > Haseeno Ka Deewana
ALERT! ANOTHER NEW SECTION!
Here is a remake counter, counting the number of remakes this year. :p Just for fun. 😉
Number of Remakes: 02
Which is your favourite song from Kaabil? Please vote for it below! Thanks! 🙂
Music Album Details ♪ Music by:- Krsna, Ikka Singh, Intense, Arko Pravo Mukherjee & R.D. Burman ♪ Lyrics by:- Puneet Sharma, Ikka Singh, Krsna, Arko Pravo Mukherjee & Anjaan ♪ Music Label:- Zee Music Company ♪ Music Released On:- 29th September 2014 ♪ Movie Released On:- 10th October 2014
Tamanchey Album Cover
To hear the full songs of this album on Hungama CLICK HERE
Tamanchey is a Bollywood romantic crime film, that released on 10th October 2014. It stars newcomer Nikhil Dwivedi and Richa Chadda in the lead roles. The film has been directed by Navneet Behal, and produced by Suryaveer Singh Bhullar. The music of the film is composed by three people, with Krsna having two songs, Ikka Singh and Arko Pravo Mukherjee with one song each. Krsna had impressed in his debut album, ‘Tanu Weds Manu’, but didn’t impress as much in his second album, ‘Jolly LLB’. Anyways, I was expecting pretty good stuff from him. Ikka I didn’t know about at all, so the question of whether I had any expectations from him doesn’t arise at all. Whereas Arko, well, let’s just say I was expecting tremendously good music from this guy, who has been impressing since his debut in ‘Jism 2’. So let’s see how fruitful the hard work of these three composers was in order to create a ‘lethal’ (killer 😛 ) soundtrack!
1. Pyaar Mein Dil Pe Maar De Goli Singers ~ Bappi Lahiri, Kishore Kumar, Asha Bhosle & Luv O’ Trigger, Music by ~ Original Music by R.D. Burman, New Music by Krsna, Lyrics by ~ Original Lyrics by Anjaan , New Lyrics by Puneet Sharma
The classic dance song (and one of my favourites too) from ‘Mahaan’ gets a makeover in this song, and I have to say, it has been remade quite well! The song has even been used as the tagline of the film. The song kicks off with the original song, and then takes a sudden turn, quite abruptly changing into the new composition by Krsna. At first it seems a bit weird (the tune) but that’s probably just because we’re so familiar with the old song. With subsequent listens, it keeps growing more and more. Bappi Lahiri has used his famous and unique voice to give a very nice 80s effect, and more than him, Krsna has to be applauded for his wonderful composition around the hookline of the old song. The disco sounds which he has kept in the song have given it a characteristic 80s feel, though the old song is clearly 70s, and no wonder Krsna has chosen Bappida to do the singing honours. The song is like a mixture of R.D. Burman and Bappi Lahiri style of composition! The trumpets and guitars make the song very energetic and lively, and so do the bongos, giving it the required R.D. Burman feel. The rap (which hardly lasts for ten seconds) by Luv O’ Trigger wasn’t quite required, and is just average. Krsna has come up with a catchy, energetic remake of the classic hit! But more credit to Panchamda for making the original song in the first place! It has to be a#5StarHotelSong!!
2. In Da Club Singer ~ Ikka Singh, Music by ~ Ikka Singh & Intense, Lyrics by ~ Ikka Singh
A club song, which has the characteristics of a folkish dance song. Seriously, the makers have added a club song which has been sung in a very folkish accent! Ikka Singh seems to be a long-lost brother of Yo Yo Honey Singh. 😛 The same cheapness is evident in this song as was there in Honey Singh’s party songs. The arrangements are nothing special, in fact, I would say they are too loud. The hookline is supposedly ‘catchy’, but I would only call it catchy if catchy here means ‘to catch you and half-kill you’. 😛 The rap is cheap, the lyrics are cheap, the vocals are cheap and above all, the composition is the king of cheap! Even though it is just 3 minutes odd long, it seems way longer than that, because infinite number of such songs have released and all have the same cheapness quotient in them! Thumbs down!!
3. Dildara / Dildara (Reprise) Singers ~ Sonu Nigam / Arko Pravo Mukherjee, Music by ~ Arko Pravo Mukherjee, Lyrics by ~ Arko Pravo Mukherjee
Arko has been on a roll these days. After ‘Jism 2’, he gave us a wonderful and memorable song ‘Allah Waariyan’ in ‘Yaariyan’, then an addictive song ‘Aaj Phir’ in ‘Hate Story 2’. So when I saw his name in the credits, and Sonu’s name as the singer, I got very excited. The result is something very cute, sweet and beautiful. The composition is a very cute one and Sonu’s vocals are a cherry on top. The composition takes many twists and turns, all very unexpected, but all very beautiful. The tune itself is so catchy, that the lyrics are learnt very quickly. Once you start listening to the song, I guarantee you would listen to it again and again! The lyrics by Arko are also very nice. It seems as if the song was made for Sonu. Such a sweet composition needs a mellifluous voice to sing it. The instrumentation, mainly of guitars, is also very nice. The percussion created is also very effective and gives a catchy groove to the song. The trumpets also give a royal and grand feel to the song. Arko, in his version, however does not sound half as good as Sonu Nigam. His voice just doesn’t do justice to the beautiful composition, which is ironically, by himself. 😛 His voice is too rough and husky for the melodious composition. Better you listen to only Sonu’s version only, because it is a#5StarHotelSong!!
4. Khamakha (Mohit Version) / Khamakha (Krsna Version) / Khamakha (Reprise) Singers ~ Mohit Chauhan / Krsna / Krsna, Music by ~ Krsna, Lyrics by ~ Krsna
As soon as it started, I got attracted towards the song because of the smooth, metallic voice of Mohit Chauhan humming a catchy tune. The tune is retro and complete with the snaps and guitar plucks. As ‘Dildara’ was made for Sonu Nigam, this one is definitely made for Mohit, as his attractive voice makes everything sound great. Not that the composition is bad! The composition is a catchy, sweet one, that has the capacity to be on everyone’s playlists for quite some time. The lyrics are perfect for the type of song that it is, where the boy is behind the girl to pay some attention to him. 😛 The harmonica interlude is something worth listening, and so are the whistle parts. With awesome singing, lyrics and composition, this song is a clear winner. Krsna’s version is also equally beautiful, minus the metallicness of Mohit. I had no idea that this guy could sing so well. Arijit would have done it great, but Krsna has done it good as well! Everything else is the same as Mohit’s version. The reprise fairs poorly, however, as it has the same lively song at a pace that is way too slow to enjoy anything that the song offers. It gets boring and will not interest you at all. Go for the two versions by Mohit and Krsna, but do not even try the reprise if you liked the originals! With great vocals, composition and lyrics, the original versions are#5StarHotelSong!!
Tamanchey surprisingly has some great songs! Whatever I didn’t expect, this album has it all! A romantic song by Sonu Nigam, another by Mohit and a great remake of an old classic hit! Barring ‘In Da Club’, all of the songs have repeat value, and even the calm songs are catchy in this album. Though some of the versions of the songs might bore you, the originals are great, and that’s what I’m mostly concerned about here! Tamanchey is an album from which I was expected nothing means ZERO and I got a pleasant surprise when this killer ‘lethal’ soundtrack came my way!!
Final Rating for This Album:- सा < रे < ग < म < प < ध< नी < सां
Note:- The letter which is underlined is the final rating.
Which is your favorite song from Tamanchey? Please vote for it below! 🙂
Next “dish”:- Sonali Cable, Chefs:- Mikey McCleary, Amjad-Nadeem, Daniel B. George & Raghav Sachar AND Super Nani, Chefs:- Harshit Saxena & Sanjeev-Darshan