IMPRESSIVE TEAMWORK!! (DAAS DEV – Music Review)

Music Album Details
♪ Music by: Sandesh Shandilya, Vipin Patwa, Arko Pravo Mukherjee, Anupama Raag & Shamir Tandon
♪ Lyrics by: Faiz Ahmed Faiz, Deepak Ramola, Dr. Sagar, Bulleh Shah, Arko Pravo Mukherjee, Munir Niazi, Gaurav Solanki & Sameer Anjaan
♪ Music Label: Zee Music Company
♪ Music Released On: 21st February 2018
♪ Movie Released On: 27th April 2018

Daas Dev Album Cover

 

Listen to the songs: Saavn

Buy the songs: iTunes


Daas Dev is a Bollywood political thriller starring Rahul Bhat, Aditi Rao Hydari and Richa Chadha in lead roles. The film is directed by Sudhir Mishra, and produced by Saptarishi Cinevision. The film has tanked as Such it Mishra’s weakest film, but we concern ourselves with the music, and let me tell you, this album is probably the dark horse album of the year! The music is composed by Sandesh Shandilya, Vipin Patwa, Arko Pravo Mukherjee, Anupama Raag and Shamir Tandon. Read on to find out why I call it the dark horse album of the year so far! 🙂


Sandesh Shandilya and Vipin Patwa are the lead composers for the film: both have two songs each while the other three composers present us with one song each. Let’s start with Vipin Patwa’s portion of the album, since he hasn’t been active for so long!
Sehmi Hai Dhadkan is a melancholic but intense romantic song, that really works opposite to how these songs usually work with me. I actually liked the song. The tune is gripping, the instrumentation deep and likeable, and Atif’s vocals strong. The cello and piano work together against the digital beats, and Vipin’s composition is really captivating, especially with the hook, and the line before it, where Atif performs an impeccable aalaap. Dr. Sagar’s lyrics are good, but run of the mill. Vipin’s other song, Tain To Uttey, is a nice reimagination of Bulleh Shah’s verse, set against an electrifying folksy-rock fusion. Javed Bashir performs in a way that equals his rendition of ‘Piya Tu Kaahe Rootha Re’ (Kahaani), and he sounds amazing in those aalaaps, and in the hookline, when the composer brings in amazing rock elements accompanied by nice classical music elements. The interlude with Javed’s SARGAM is unforgettable.
Sandesh Shandilya though, takes the album to a different plane, with clever folk-techno fusion in both his songs. The relatively weaker (in no means a bad song), Raat Youn Dil Mein Teri, is a sensual romantic song sung by Papon and newcomer Shraddha Mishra. Two of Faiz Ahmed Faiz’s poems get amalgamated into this song, where Papon delivers an amazing performance as always, and even newcomer Mishra supports him and does her part beautifully with her distinct voice. The composition stands out as sensuous and experimental, while the techno sounds give it an even more intense lounge-ish sound. It reminds me of ‘Behroopia’ (Bombay Velvet) with its soundscape. The composition of the antara is mind blowing and tough to not love!
Sandesh’s other song, my personal favourite of the album because of its quirkiness and happy-go-lucky sound, is Challa Chaap Chunariya. The composition is essentially that of a folksy dance song, and it gets really catchy in the hookline and the cross line before it, and even more captivating with Rekha Bhardwaj’s stylish vocals. But the real magic here is the fusion by Shandilya. It’s so surprising this is the same Shandilya who made songs like ‘Suraj Hua Maddham’ (Kabhi Khushi Kabhi Gham) and ‘Aaoge Jab Tum’ (Jab We Met) in the 2000s, but now he has reinvented his style so drastically! The sarangi pairs beautifully with the psychedelic sounds, and the quirky programming makes it even more addictive.
Arko Pravo Mukherjee also breaks out of his spree of composing sugary sweet romantic songs, to create a nice rock ballad. Rangdaari has all the elements of a catchy rock song. Navraj Hans gets a short prelude in Punjabi, that we wish lasted longer, or featured once more in the song, until Arko takes the mic and sings his addictive composition. The arrangements are just like any rock song you’d hear, but nevertheless, very likeable. The hookline has a catchy composition as well; I just wish some more established singer had sung it. The guitars in the interludes are amazing, and so are the romantic lyrics by Arko Pravo Mukherjee.
Debutante composer Anupama Raag presents Azaad Kar, a song composed on that oh-so-heart-warming seven beat rhythm that is so prevalent in Bollywood, mainly for sad songs. The Indian tune is beautiful, as are the arrangements, with one digital plucked instrument playing throughout, coupled with jingle bells and tablas later on. The choice of Swanand Kirkire for singing it is really perfect; kudos to Anupama for remembering him. Gaurav Solanki’s lyrics are good too.
The weakest song of the album comes from Shamir Tandon; he composes a very heavy pathos-filled rock song, Marne Ka Shauk, that does not connect at all, with cringeworthy vocals (surprisingly by Papon and not so surprisingly by Krishna Beura) and very cringeworthy lyrics (as expected from Sameer Anjaan by now). It’s probably what the Devdas in this retelling sings when he starts drinking. 😂


All in all, this album turns out to be a surprisingly great album from multiple composers, but each pitch in to do their best, as per the script of the movie.

 

Total Points Scored by This Album: 7.5 + 8 + 8.5 + 9 + 7.5 + 8 + 5.5 = 54

Album Percentage: 77.14%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Challa Chaap Chunariya > Raat Youn Dil Mein Teri >
Azaad Kar = Tain To Uttey > Sehmi Hai Dhadkan = Rangdaari > Marne Ka Shauk

Which is your favourite song from Daas Dev? Please vote for it below! Thanks! 🙂