TANISHK-VAYU KI SHAANDAAR DAAVAT!! (SHUBH MANGAL SAAVDHAN – Music Review)

How clever, how innovative and how unconventional! In keeping with the unconventional theme of this movie, the music company Eros Music (who before this, have never disappointed me in releasing music on time!) have thought of a very innovative music release strategy i.e, to not release the album as a “full album” even after the movie has released! Wow!! How nice! One of the composers of the album, Vayu Srivastava, (@purevayu on Twitter) though was kind enough to assure me that this was the last song; so going ahead with the review!

UPDATE (5th September 2017): Eros Now has now released the full OST, and it does indeed, only have five songs.


Music Album Details
♪ Music by: Tanishk-Vayu
♪ Lyrics by: Tanishk-Vayu
♪ Music Label: Eros Music
♪ Music Released On: 5th September 2017
♪ Movie Released On: 1st September 2017

Shubh Mangal Saavdhan Album Cover

 

To hear the full songs of this album on ErosNow CLICK HERE

To buy this album on iTunes CLICK HERE


Shubh Mangal Saavdhan is a Bollywood film, starring Ayushmann Khurrana and Bhumi Pednekar in the lead roles, directed by debutant R.S. Prasanna and produced by Aanand L. Rai and Krishika Lulla. The film revolves around the film’s leading man, who suffers from ‘erectile dysfunction’, what he calls a ‘Gent’s Problem’. The madness and mayhem that follows in the already engaged to be married couple’s life is the premise of the story. (Because the adults have found out as well!) So the theme is quirky and the film has been getting RAVE reviews, but there was no sign of the music album, even after the film had released! Eros Music seems to be following a certain promotional strategy, and I must say, it’s the worst promotional strategy ever, where the promotion carries on even after film release! At least Sony Music releases the album 11-12 hours before the film, leaving the music lovers satisfied! This irresponsible type of music release where the music released after the movie, is just plain weird. Anyway, the music album happens to be fast-coming-to-the-top composer duo Tanishk-Vayu’s first solo album, in which they’ve composed all songs, and even written all the songs! And whatever I’ve heard of Tanishk-Vayu’s music, it is always quirky and zany, and a brilliant mix of Indian and Western sounds, so I’m sure that they would provide amazing music for this film, about the wedding of two people from small middle-class families in Delhi! Let’s dive in and see how sumptuous their wedding feast turns out to be!


1. Rocket Saiyyan

Singers ~ Ritu Pathak, Brijesh Shandilya & Tanishk Bagchi

“Duniya palat doonga, tu na lena tension,
Tere hi liye hai meri sagli attention,
Dekho na baby dil ki wire ke length ko,
Chhukar dekho pyaar waale current ko!
Baatein kare phenke gulaab, hamare saiyyan,
Aisi velocity janaab, phawware saiyyan,
Rocket hamare saiyyan!!”

Tanishk-Vayu start their first solo album, with a quirky romantic song, with the peppiness quotient very high. The song is a quirky take on the quintessential Indian Wedding songs, and the duo’s small experiments all throughout the song make it so appealing. The composition, for one, is so crazy and zany, it appeals instantly, to people who are open to loving weird stuff, and I’m one of them! Right from the beginning, the duo uses quirky sounds to catch the attention of the listener, and it works in a weird way. The actual composition is very simple, and in some places I could tell they’re just trying to be overtly crazy and weird, but it just works so well, you don’t have time to think about it. The song has a mukhda and an antara, the mukhda by the female singer, while the antara is by the male. Both have the same, crazy kind of tune, and the hookline is very catchy, as it should be. However, it might just be reduced to a “Comedy” song. There is a certain quality in the arrangements as well — the quirk creeps into the music too, and alongside the usual wedding percussion, we get funny sounds like babies crying, and other computerised noises, that just act as nice attractions throughout the short song. The use of the shehnaai (Seems digital) in the interlude produces quite a humorous effect. The vocals are good for the type of song it is — Ritu Pathak, returning to sing after a long, long time, manages it very well, and a bit off tune too, producing a good, imperfect effect that suits the song very well. Brijesh Shandilya, the composers’ favourite, also does an amazing job, but has a very little portion. The lyrics by the duo too, are funny and cute. A song that might irritate a lot of people, but the quirk is what you have to look out for!

Rating: 4/5

 

2. Kanha / Kanha (Unplugged)

Singers ~ Shashaa Tirupati / Ayushmann Khurrana

“Roke mohe, toke mohe, kaate re dagar o re Yamuna ke tatt ki,
Laaj nahi, kaaj nahi, maare jo kankariya, toh phoote mori matki,
Vaak chatur bharmaave, prem jaar arjhaave,
Jo bhi kare, kare sab quick, quick, quick, quick!
Kahun main piya ji thoda karlo sabar par na, maane na,
Kanha, maane na!”

This next song happens to be Tanishk-Vayu’s most straightforward song of their career, conforming the most to conventional standards than any of their other songs that have all been quirky! Of course, that was called for here, since they had to compose a thumri, and you can’t really mess with thumris. They have a particular fixed structure, and a way of making them. That being said, the duo does a wonderful job in making their first semi-classical song, and they win half the battle with the strong composition itself! The composition is so free-flowing, like so many of the Radha-Krishna songs of Bollywood. I can just predict that this will make its place in the list of Great Bollywood Krishna songs. The hookline is just so sweet, and instantly likeable, and the composition of the entire thumri has a very tangible Rahman touch to it; it is impossible to dislike that. It freshens your mind up instantly, as good Indian classical music always does. The song is presented to us in two versions — one by a professional, and a female version, as conventional thumris usually are. That version is sung by the awesome Shashaa Tirupati, who uses her sweet voice to melt your heart singing the thumri. She’s getting really good classical based numbers in the Rahman camp as well this year, and now she gets to sing this one, which almost sounds as if it’s a spawn of the Rahman songs. The duo give the female version a beautiful, traditional arrangement, with amazing tablas, sarod, and awe-inspiring flute solos. It is a delight to the ears, and the richness of the music just can’t be forgotten for a long time. It starts so richly too, with the background vocalists singing a nice vocal rhythm, alongside the playful combo of the santoor and flute! But even with all the conventional-ness of the arrangements, the duo tries something unconventional, and adds drumbeats every time before the hookline, and that’s what makes the song even more interesting! The second version is by the leading man of the film, Ayushmann Khurrana, who seems to be singing at least one song in every film of his nowadays. Of course, since he can sing so well, he aces the song, but I never knew he could sing classical this well. Of course, it doesn’t sound professional, but it is good enough! The duo decorate this one with a beautiful guitar riff (Tapas Roy) and a nice loop on the ukulele that’s so captivating! So while one version is completely semiclassical, the other one follows a more “Unplugged” (as it is named) route, with the guitar playing the lead role. Last but definitely not the least, the lyrics of both versions are beautiful. I commend the duo for using traditional words like “sakhi“, “laaj“, “panghat“, “badra“, and making it sound more rooted. And on the other hand, the duo uses English words, creating a fun contrast. The Radha-Krishna story has been kept intact, and the romance of the protagonists uses that as a backdrop, and it is so beautiful to listen to! Kudos to Tanishk-Vayu for a wholesome semiclassical number, in two delightful versions!!

Rating: 5/5 for Shashaa’s Version, 4.5/5 for Ayushmann’s Version

 

3. Laddoo

Singer ~ Mika Singh

“Boli aisi ke, tamatar bhi mangayein toh lage jaise mushaayaron mein
Baitha sunn raha hoon usko!
Aankhein aisi ke, milaayein jab nigaahein, ye nigaahein dagmagayein,
Kuch samajh mein bhi na aaye dil ko!
Ho, jab se mohabbat uthi, seene mein ghus gayi Gupti,
Iss dil ke laddoo bant gaye!”

The duo bring back the quirkiness and unconventional quality of the album with this song, a romantic song sung by Mika! Now, before we start complaining about how Mika isn’t suitable for romantic songs, I would like to remind you about “440 Volt” (Sultan) last year, which was a romantic song that wouldn’t have sounded half as good if Mika hadn’t sung it. This time, Tanishk-Vayu compose a very quirky number and rope Mika in to sing it. The composition is again, a very desi composition, that will appeal to your sense if you love traditional tunes with an innate quirk. The mukhda is amazing, the antaras make sure you don’t make your attention wander elsewhere, but the hookline is the best part — it is so short and simple, as if they’re stating an obvious fact, “Iss Dil Ke Laddoo Bant Gaye!” and it’s over as soon as it starts. That’s the best part of this hookline; it doesn’t hover around for long and waste your time. The arrangements are very beautiful — a very traditional beat of manjeeras and dholaks among rich guitar riffs sounds very interesting, and never before heard. The shehnaai-like sounds are also very fun to listen to. The manjeeras give the song a very unconventional and traditional rhythm, and that is what made me listen very closely to the arrangements in the first place! Towards the end we get a fun shehnaai portion, and it seems to be a sweet conclusion to the fun-filled romantic song. The vocals by Mika are surprisingly amazing; the duo seem to have done a good job in giving him the right brief, and so he doesn’t eat up many of his words here! The way he sings the hook is a way nobody else could’ve done it! Tanishk-Vayu’s lyrics are fun as well, and the comedy element is intact even in this song. The quirkiest romantic song I’ve heard in a while!!!

Rating: 4.5/5

 

4. Kankad

Singers ~ Raja Hasan, Shashaa Tirupati, Rajnigandha Shekhawat & Arman Hasan

“Mere liye tu Ram na Ranjha, utna bahut hai, jitna sanjha,
Chhote bade sab tere, sapne hain mere abb,
Mere wale sapne toh, sach mein hain mere abb,
Tu jo rahega toh, saath dega toh, Rab se kya mangungi main,
Sab kuch toh paa lungi main,
Dil yeh kahin ladkhadaye agar toh thaam le na please!
Kankad bhi kabhi koi aa nahi sakta tere mere beech!!”

The duo wind up the album with a wedding song, but again, it is a very traditional wedding song, and full of emotion! The composition is very heavy on emotion as well; and it focuses on the emotion much more than it does on the enjoyment factor! At the end it basically just freshens your mind and makes you feel good. The makers had kept this song hidden until even after the movie was released, but I don’t understand why, because it was such a beautiful number!! The composition showcases Tanishk-Vayu’s versatility, and they prove that they can compose emotional numbers just as well as those upbeat comic numbers. The hookline especially is steeped with emotion — you can just feel the emotion through the earphones as it plays. The arrangements too, represent some of the duo’s most rich arrangements in terms of folk instruments and traditional sounds. The quintessential wedding chorus starts the song off, with a tumbi sound, and your interest is peaked right there. The dholaks, dafli, strings and a surprise element of the shehnaai in the interlude all provide an amazingly rich arrangement, at the same time keeping things very enjoyable and danceable on! The whole composition and arrangements have a very distinct Rahmanish touch to them! The vocals are beautiful, with Raja Hasan (after a long time, yo!) taking care of the male portions well, keeping the emotion intact. However, he could have been better in certain places.  The female singer, Shashaa Tirupati, has a very small part, but still manages to steal the lightning, as that part has been composed so thoughtfully by the composers, and it is full of tangible emotion. The various backing vocalists like the small child singing at the end, provide a nice “grand Indian wedding” feel to the song. But still, the lyrics which are so full of emotion, do not make you feel as if it is a conventional Bollywood wedding song; it is just too sweet for that! The lyrics are what make you realise the true meaning of the song, and I salute the makers for making this emotional song against the backdrop of the wedding. Last month we saw an emotional song against the backdrop of the Holi festival, ‘Gori Tu Latth Maar’ (Toilet: Ek Prem Katha), and this time, Tanishk-Vayu follow the same template, to make another beautiful wedding song full of love and emotion! A commendable job, to create an emotional wedding song! Not your everyday Bollywood Wedding song!! This ends the album on a very high note!!

Rating: 5/5


Shubh Mangal Saavdhan really proved how talented Tanishk-Vayu are. Usually, they appear in multicomposer albums where they hardly get enough scope to show their talent in composing for an entire movie, with a particular theme running throughout the movie. Here, when they get the chance finally, they make great use of the opportunity and provide us with an enjoyable album full of quirky music, and also some emotional music. Their method of fusing quirky sounds with traditional desi beats and tunes, really is the hallmark of their music, and it is what makes their music light, fluffy and a delectable treat to listen to! Thank you, Tanishk and Vayu, for treating us to such a delicious wedding feast of an album!!

 

Total Points Scored by This Album: 4 + 5 + 4.5 + 4.5 + 5 = 23

Album Percentage: 92%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Kanha = Kankad > Laddoo = Kanha (Unplugged) > Rocket Saiyyan

 

Which is your favourite song from Shubh Mangal Saavdhan? Please vote for it below! Thanks! 🙂

MULTICOMPOSERS KI KHATTI-MEETHI BARFI!! (BAREILLY KI BARFI – Music Review)

Music Album Details
♪ Music by: Tanishk Bagchi, Arko Pravo Mukherjee, Tanishk-Vayu, Samira Koppikar & Sameer Uddin
♪ Lyrics by: Shabbir Ahmed, Pravesh Mallick, Arko Pravo Mukherjee, Tanishk-Vayu, Puneet Sharma & Akshay Verma
♪ Music Label: Zee Music Company
♪ Music Released On: 11th August 2017
♪ Movie Releases On: 18th August 2017

Bareilly Ki Barfi Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Bareilly Ki Barfi is an upcoming Bollywood rom-com, starring Kriti Sanon, Ayushmann Khurrana, and Rajkummar Rao in lead roles. The film is directed by ‘Nil Battey Sannata’ fame Ashwiny Iyer Tiwari, and produced by Nitesh Tiwari and Shreyas Jain. The movie revolves around the Mishra family, who are in search for a suitable groom for their daughter, played by Sanon. The complexities and pressure of getting married is too much for Bitti, Sanon’s character, and she decides to run away. On the run, she finds a book, ‘Bareilly Ki Barfi’ at the train station, and picks it up, only to realise that the female protagonist thinks a lot like her! Thus she embarks on a quest to look for this someone who thinks so much like her. The story seems very content-driven, but that’s not to stop it from having some good music; in fact, most content-driven films have better music than others! Ashwiny Iyer Tiwari’s first film, ‘Nil Battey Sannata’, had an awesome album completely composed by a newcomer duo, Rohan-Vinayak. This time, the makers go for the multicomposer route. Tanishk Bagchi, Tanishk-Vayu, Arko Pravo Mukherjee, Samira Koppikar and Sameer Uddin are composing the music for this film. As I am expecting an overall good album, and since every name is a known name (even Sameer Uddin, who is the one who had done those remixes in ‘Bluffmaster’ long ago) I don’t think I need to say what I expect from each of them individually! So let’s help ourselves to this ‘Barfi’!


1. Sweety Tera Drama

Singers ~ Dev Negi, Pawni Pandey & Shraddha Pandit, Music by ~ Tanishk Bagchi, Lyrics by ~ Shabbir Ahmed, Rap Written and Performed by ~ Pravesh Mallick

An aptly U.P. flavoured start to the album, the first song is a fun and upbeat dance number, along the lines of ‘Badrinath Ki Dulhania’s title song. Coincidentally, the man behind it is Tanishk, the composer of that song. The composition is very fun and enjoyable, and the composer has kept it relevantly short; such songs are least enjoyable if they ramble on for four minutes and longer. The shortness gives it a crisp feel, and leaves you wanting more. There is one mukhda and one antara, both composed entertainingly. The arrangements too resemble those of ‘Badrinath Ki Dulhania’ title song, with the dholaks (Naveen Sharma), harmoniums and bulbultarang (Pradip Pandit) and quirky digital beats. The star music is amazing, especially that sarangi bit by Sangeet, that is so easy to miss! Tanishk adds very fun sound effects like that rap by Pravesh Mallick, then a random but funny “Myujik” that just plays anytime. His digital instrumentation is fun as well. The song has been sung by three singers and the rapper. The rapper, as stated before, brings out the U.P. flavour very well, and begins on a promising note. Dev Negi is his usual fun self, while Pawni and Shraddha, the two female vocalists, with two lines each, make a difference even with the little scope! Shabbir Ahmed’s lyrics are fun too! A fun dance number that strives to be simple but sweet!

Rating: 4/5

 

2. Nazm Nazm / Nazm Nazm (feat. Ayushmann Khurrana) / Nazm Nazm (feat. Sumedha Karmahe)

Singers ~ Arko Pravo Mukherjee / Ayushmann Khurrana / Sumedha Karmahe, Music by ~ Arko Pravo Mukherjee, Lyrics by ~ Arko Pravo Mukherjee

Arko steps forth to present his song, and as is the requisite whenever Arko composes for a multicomposer album nowadays, he gets to do the romantic song of the album. Well, since he is so good at making these, it seems logical. This song here, is yet another example of his romantic song composing skills. The composition is charming, but there is one small drawback, and that is that it takes a long time to grow. It consists of many twists and turns, and isn’t instantly hooking like most of his other songs. The second antara is particularly beautiful. The hookline manages to get the audience charmed. The lyrics though, are beautiful, and are another instance of how beautiful Arko himself writes!! The song appears in three versions, though, and one does feel that it is one too many. Arko doesn’t sing this song as well as he sang ‘Kaari Kaari’ (Dobaara), ‘Dariya’ (Baar Baar Dekho) or ‘Saathi Rey’ (Kapoor & Sons), and thus, his version comes across as slightly boring. The arrangements in this version also resemble ‘Tere Sang Yaara’ (Rustom) with those extra sugary Duff rhythms and synthesizer tune (Keys by Aditya Dev). It reduces the likability a bit. Ayushmann increases the ear-friendliness of the song with his trademark charming voice, and renders it with ease. His style of rounding the vowels makes the song sound so much like he has composed it himself. The variations he takes on many notes, which Arko had not, makes the song sound more layered. The arrangements too, get more Ayushmann-ish, with acoustic guitars (Krishna Pradhan), but the Arko-ness is retained with the amazing piano notes. Thankfully, the Duff rhythms are done away with. The last version happens to be a female version; a version I personally feel was least required. So Zee Music releases videos of singers singing covers of hit songs, and I almost know that this version will be used as that. Not to take it away from Sumedha though; she sings beautifully! Arko arranges this one with a soothing flute, but nothing else really stands out! A romantic song that features so many times, we have no choice but to love it!

Rating: 4/5 for Arko’s Version, 4.5/5 for Ayushmann’s Version, 3.5/5 for Sumedha’s Version

 

3. Twist Kamariya

Singers ~ Harshdeep Kaur, Yasser Desai, Tanishk Bagchi & Altamash, Music by ~ Tanishk-Vayu, Lyrics by ~ Tanishk-Vayu

The next song has Tanishk coming back together with his partner with which he debuted, Vayu. They keep coming back together occasionally, and it is quite fun. Though their last song ‘Beat It Bijuriya’ could’ve been better, this one is a real treat. The composition is very simple, and if it were not for the amazingly quirky beats and arrangements, the song would not have sounded half as good. Of course, a very templated dhol rhythm accompanies the song, but a very quirky digital sound also comes along with that and everything sounds so innovative. The interlude is amazing, with the dhols and shehnaai. Rock guitars are really electrifying in the antara. The hookline, the way it is sung, is so cool. The pause between ‘Twist’ and ‘Kamariya’ really makes the difference. Im probably hearing Harshdeep Kaur in this zany avatar for the first time. I mean, she has sung upbeat numbers, but not so crazily funny! Tanishk-Vayu’s lyrics are a clever mix of Bhojpuri and Hindi and English. A song that calls for loud whistles and cheers in the theatre! U.P. folk meets techno music!

Rating: 4/5

 

4. Bairaagi / Bairaagi (Samira Koppikar Version)

Singers ~ Arijit Singh / Samira Koppikar, Music by ~ Samira Koppikar,  Lyrics by ~ Puneet Sharma

Samira Koppikar, who really pleasantly surprised me with her song in ‘Dobaara’ earlier this year, jumps onto the album next, with a melancholic song that is sung by –obviously — Arijit! The song is good, I can’t take that away from it. But somewhere the composition evokes so many memories of previous Arijit songs that were composed on the same rock lounge-ish template. It actually sounds like a Pritam song when that beautiful backing chorus comes in, and that’s probably the best effect of the song. The composition too, is beautiful, and hits the heart straight. I just don’t think I would listen to it a lot. The vocals are, obviously spot-on. What can be expected when it is Arijit? Fortunately, there’s another version, possibly for the music lovers. Samira sings this one, and it starts with a heavenly chorus by her. She sings in beautifully, and is first of all supported by a wonderfully soothing folksy string instrument, evoking memories of ‘Sahiba’ (Phillauri). Later that Punjabi feel is increased, when a nice dholak-led rhythm sets in. This version is definitely better than Arijit’s. The lyrics by Puneet Sharma are aptly romantic and melancholic at the same time. The word ‘bairaag‘ is a word I don’t think I’ve heard in a Bollywood song after ‘Laal Ishq’ (Ram-Leela)! Beautiful song, but might not stay with me for long.

Rating: 3.5/5 for Arijit’s Version, 4/5 for Samira’s Version

 

5. Badass Babua

Singers ~ Abhishek Nailwal, Neha Bhasin & Sameer Uddin, Music by ~ Sameer Uddin, Lyrics by ~ Akshay Verma

A relatively newer addition to the album (as the composer Sameer Uddin wasn’t credited in the trailer or first poster of the film), this one is a funky “gangsta” song, probably made for Rajkummar’s character in the movie. The U.P. vagabond and rowdy feel is brought out with entertaining lyrics rendered with spunk by Abhishek Nailwal and the composer himself. The gangster feels are brought out by the rap, the techno beats and the overbearing sinister tone. The composition is catchy, but again, not a very lasting tune. The arrangements are more of what the song might be remembered for, if at all. The vocals are fine, and obviously the male singers have done an amazing job, or else, it wouldn’t have sounded so much like a gangster song full of attitude. Neha Bhasin is sidelined unfortunately, and reminds me of Ambili’s portions in ‘Hum Hain Bank Chor’ (Bank Chor). Entertaining, but not everlasting.

Rating: 3/5


Bareilly Ki Barfi is a relatively good multicomposer album. I think these days, the quality of multicomposer albums is definitely increasing, because makers now know the formula for it. You obviously need two upbeat numbers to increase the album’s hit status, and of course, a romantic song, a sad song (preferably by Arijit) and then a couple of versions. Zee seems to have mastered the formula, and they produce another album like ‘Behen Hogi Teri’, which is a mix of styles from different composers, yet comes together as a united album. With a mixed variety of songs, these multiple composers have come up with a nice, khatti-meethi Barfi!

 

Total Points Scored by This Album: 4 + 4 + 4.5 + 3.5 + 4 + 3.5 + 4 + 3 = 31

Album Percentage: 76.25%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Nazm Nazm (Ayushmann Khurrana) > Twist Kamariya = Sweety Tera Drama = Nazm Nazm = Bairaagi (Samira Koppikar) > Bairaagi = Nazm Nazm (Sumedha Karmahe) > Badass Babua

 

Which is your favourite song from Bareilly Ki Barfi? Please vote for it below! Thanks! 🙂

MULTI-COMPOSERS KI OONCHI UDAAN!! (HAWAIZAADA – Music Review)

Greetings! I just thought that it would be sensible to post this review on Republic Day as the movie is about the achievement of an Indian, after all! So Happy Republic Day and enjoy the music review of Hawaizaada!


Music Album Details
♪ Music by: Rochak Kohli, Mangesh Dhakde, Ayushmann Khurrana & Vishal Bhardwaj
♪ Lyrics by: Vibhu Virender Puri & Mirza Ghalib (Dil-E-Nadaan)
♪ Music Label: T-Series
♪ Music Released On: 19th January 2015
♪ Movie Releases On: 30th January 2015

Hawaizaada Album Cover

Hawaizaada Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Hawaizaada is an upcoming Bollywood film which is the directorial debut of lyricist Vibhu Virender Puri (‘Guzaarish’, ‘Chor Chor Super Chor’), produced by Vishal Gurnani, Rajesh Banga & Reliance Entertainment and starring Ayushmann Khurrana, Pallavi Sharda & Mithun Chakraborty in key roles. The movie is based on the life of Shivkar Bapuji Talpade, who had allegedly invented a flying machine (the world’s first unmanned plane) here in India six years before the Wright Brothers did so in U.S.A. Since very little information is known about Talpade, Vibhu Puri decided to explore this topic further and make a film about it! The story really seems very interesting, and I just wish the movie also gets all the love and positivity from the audience when it releases on 30th January. Coming to the music, because this is a music review, it has been composed by four composers, thus making it a multi-composer album. The composers are a Marathi composer Mangesh Dhakde, who has composed a Hindi album in 2013 called ‘Chor Chor Super Chor’, Rochak Kohli, Ayushmann Khurrana and a guest composition by the one and only Vishal Bhardwaj! So you can see now why I am so excited about this album. And now, the time has come to review it! Let’s see exactly how high this plane flies! 😉


1. Hawaizaada Dil
Singer ~ Rochak Kohli, Music by ~ Rochak Kohli

The soundtrack is opened up by Rochak’s light and heartwarming rhythmic vocals (pbrooo-pbroo-pbru-pbru-pbru), after which the actual words start. Rochak sounds a lot like Mohit Chauhan, and sings the song in a very lively way. Western-styled guitar has a prominent role in the track; it makes sure the listeners do not get bored, and also keeps the track lively and also very quirky and different. The antaras have the charm in them which makes us groove to the tune and the guitars which Rochak has equipped in the background, also sound great in this composition. Lyrics by Vibhu Puri are also sweet. I also found ththough the composition does not instantly hook you, it grows with time and then it couldn’t be any better! I found myself humming it all day! 😀 Nice, lively opening to the album by Rochak! #5StarHotelSong!!

 

2. Daak Ticket
Singers ~ Mohit Chauhan & Javed Bashir, Music by ~ Rochak Kohli

So here, along comes the actual Mohit, after the first song sung by Rochak who sounded like Mohit. And as always, Mohit impresses and how! His metallic voice proves to be very effective for the song, and half the battle is won there itself. His voice is supported by Javed’s Sufi-esque vocals, which enhances the already great song even more. Going on to Rochak’s composition, I believe that it is one of the sweetest and most motivational songs of the year so far. A beautiful traditional melody mounted on a catchy tabla rhythm just makes you delighted when you hear it. Arrangements are fabulous and make great use of mostly traditional style of playing instruments like the tablas, daflis and flutes. Occassional trumpets and drumrolls give the British rule feel. Again, Vibhu Puri excels with the lyrics, which are so very motivational and radiate that unmistakable positivity. It’s all about the confidence Shivkar Talpade had in himself that he would surely make history. Full marks to Vibhu for the lyrics! A beautiful song, impossible to hate. Full marks for composition, lyrics, arrangements and vocals!! #5StarHotelSong!!!

 

3. Maazaa My Lord
Singers ~ Mohit Chauhan & Neeti Mohan, Portuguese Vocals ~ Thomson Andrews & Gwen Dias, Music by ~ Mangesh Dhakde

The next composer Mangesh steps in with yet another song drenched in brilliance. Mangesh Dhakde had composed a very retro-style tune, one which reminds you instantly of the 50s era of Bollywood music. Mohit and Neeti’s fabulous singing reminds you of the classic Rafi-Asha duets of the time. Right from the beautiful prelude which the song opens up with, wonderfully sung by Mohit Chauhan, you can sense something different and unique about the song. The accordions and Spanish guitars are the main attractions of the song, and they have been equipped mastermindedly by Mangesh. The Latin feel has been brought out awesomely because of the unique composition and music. Neeti sounds a class apart in the song even though she has a comparatively smaller part than Mohit. Her part in the antara is just too lovely. One of the interludes, has a splendid Portuguese chorus which takes your breath away. This song has a very distinct Victorian feel to it. Lyrics are even better in this song, comparing the whole love process to a court case. Unique concept! Words like “my lord”, “vakaalat”, “hukumat”, “kachehri”, “daleel”, “mukaddama”, “binaah” and many more make the song sound more sophisticated. Finally, Neeti’s grand conclusion to the song leaves you wanting more even after 5 and a half minutes! Everything about this song is truly stupendous, and Mangesh very impressively gets his big break in the Bollywood industry! #5StarHotelSong!!

 

4. Dil-E-Nadaan / Dil-E-Nadaan (Reprise)
Singers ~ Ayushmann Khurrana / Ayushmann Khurrana & Shweta Subram, Music by ~ Ayushmann Khurrana, Poetry by ~ Mirza Ghalib

Ayushmann gets his first credit as a music composer in a Bollywood film with this film, and what he has given us, really proves that he deserves this honour! Actually, this should’ve happened ages before, is what we think! Mirza Ghalib’s immortal poetry, which has already been recreated many times before, gets yet another variation to it. Ayushmann has composed a completely different tune to the poem, and it is one which will give you goosebumps, literally! The use of tablas really enhances the composition throughout, and a lot! Santoor notes each time in the hookline, really give a calming effect. Guitars have not been used as prominently as in other Ayushmann songs, but this time the classical instruments have overshadowed it. Violins and a sitar interlude also impress greatly, not to mention waterdrop sounds in the second antara. Ayushmann’s performance is awesome, with his usual sweet sounding variations. The reprise version takes the classical song to rock level, giving it an altogether different feel. Do watch out for the twist in the second antara in this version. Shweta Subram, newcomer, starts off wonderfully with the couplets of Jigar Modarabaadi’s “Aag Ka Dariya Doob Ke Jaana”. She sounds awesome! Though it is rock song, it still sounds very soothing somehow! Hats-off to Ayushmann for giving such a beautiful composition!!! #5StarHotelSong!!

 

5. Udd Jayega
Singers ~ Sukhwinder Singh & Ranadeep Bhasker, Backing Vocals ~ Rahul Mukherjee, Ranadeep Bhasker, Aanandi Joshi & Moumeeta Choudhury, Music by ~ Mangesh Dhakde

A folksy string instrument welcomes us into the nest song with Sukhwinder’s unique rustic vocals following. The song is another motivational and inspirational one, feeling even more so because of the energetic composition by Mangesh. Actually, the composition reminded me a lot of A.R. Rahman’s songs from ‘Lagaan’. Awesome job by Mangesh to accomplish something like this. His arrangements are also outstanding. The wind instruments and Daflis placed each time the hookline comes, makes you get hooked to the song instantly. The lyrics by Vibhu enhance the inspirational feeling even more. He has compared the plane (which is being designed by the scientist in the film) to a swan or hans. What a great comparison! Of course, we can also take it to mean that the hans is the scientist, who will accomplish his dream of building a flying machine and fly to the heights (as in, get famous). That has been left to us to decode. 😃 The vocals by Sukhwinder, are as always great, and Ranadeep’s short recitation from the Bhagavad Geeta has been wonderfully incorporated into the song. The backing vocalists also do a brief but great job. Catchy arrangements enhance the composition to levels which are unbelievable! Kudos to Mangesh! Yet another #5StarHotelSong!!!

 

6. Dil Todne Ki Masheen
Singer ~ Rekha Bhardwaj, Music by ~ Vishal Bhardwaj

The senior to all the other composers, and a musical genius according to me, Vishal Bhardwaj, finally enters this till-now superb album, to add some magic of his own to it. And what he presents in front of us, is something very amazing and stunning. For a female item or dance number, what better choice has he than to take his own better half, Rekha Bhardwaj? And she renders his awesome, catchy composition with ease and expertise. Here, he has composed a very traditional Maharashtrian folk song, a Lavani, in a very professional way, as if he himself is a Maharashtrian. The introduction to the song itself assures you that the song will definitely have something incredible to offer you. The contrast between the mukhda, which is very raunchy and masaaledaar, and the antaras, which are a bit milder and have a easier-to-the-ears tune, has been balanced expertly. Traditional lavani instruments like lezim and dholkis have been used by Vishal to make the song sound like a genuine lavani. Both the male and female backing vocals appointed by Vishal have done great to take the song to another level. The unusual Spanish guitars in the lavani also work in favourite of the song! That was an interesting fusion! Vibhu’s lyrics also go with the theme of the song. 😃 Vishal gives us one of the most dhamaakedaar item/dance numbers of late! Finally a song for the masses in this classy album! Not that the classes won’t appreciate it, though! #5StarHotelSong!!

 

7. Yaadien Gatthri Mein
Singer ~ Harshdeep Kaur, Music by ~ Mangesh Dhakde

Mangesh returns with a shorter and more soothing version of ‘Udd Jayega’, this one sung peacefully by the Sufi queen of today, Harshdeep Kaur. Though she has very little lines to sing, she does present them with extreme serenity and showcases her immense talent even in these one and a half minutes. Mangesh supports her with beautiful backing orchestrations consisting of violins and flutes. Short and sweet, sure to bring a smile on your face! Nevertheless, it is definitely a #5StarHotelSong!!

 

8. Turram Khan
Singers ~ Papon, Ayushmann Khurrana & Monali Thakur, Music by ~ Rochak Kohli

Rochak returns towards the end of the soundtrack after his two brilliant opening songs, bringing back with him, his quirk and individuality. Ordinary, soft, contemporary guitar riffs kick off the song, composed mostly on the country template. An abrupt and unexpected tempo switch not too far into the song, surprises, but also makes you smile. Lively arrangements made up of impressive banjos and whistles, have been awesomely managed by Rochak. The hookline with the rhythmic “Tu Tu Tu Tu turru Tu..” also sound great. Lyrics by Vibhu Puri give a clear insight as to what situation this song must have been placed in the film, with the scientist’s peers not quite believing in him, and dismissing his dream as nonsense. Of course, since the song is situational, it might not impress all at once, but the vocalists and energetic tune take care of that. Ayushmann and Monali, do not have very big parts as compared to Papon, who does very well, but even they impress in their short portions. A wonderful glimpse of country music is displayed in this song, with awesome vocals, lyrics and quirky music! #5StarHotelSong!!

 

9. Teri Dua
Singers ~ Wadali Brothers, Lakhwinder Singh, Harshdeep Kaur, Ravindra Sathe, Backing Vocals ~ Ranadeep Bhasker, Rahul Mukherjee, Aanandi Joshi & Moumeeta Choudhury, Music by ~ Mangesh Dhakde

‘Udd Jayega’ once again gets a makeover, and this time, with a divine Qawwali and Bhajan touch. The Wadali Brothers, Lakhwinder and Harshdeep bring in the beautiful Sufi touch required and Mangesh does a brilliant job in giving a Qawwali twist to the already magnificent composition. A wonderful Bhajan touch has also been given towards the middle of the song. Qawwali instruments like harmonium, tablas, pakhawaj make the composition sound even more angelic. Vibhu’s altered lyrics, in my opinion, are the best lyrics of any song in the album! Again, the song radiates a lot of positive and supreme energy. Backing vocals have been equipped and managed expertly in this song as well. In the Bhajan portion, sacred manjeeras and bells do the job of grasping our attention very well, before giving way again to the Qawwali. All the singers have been aptly chosen and do an outstanding to provide a memorable ending to the album! The best version of ‘Udd Jayega’ in my opinion, solely for the Qawwali-Bhajan fusion and the vibrant arrnagemnts and vocals! Brilliant ending to this fabulous album! #5StarHotelSong!!


As you can see, Hawaizaada can easily be called a #5StarHotelAlbum, as all songs in it are #5StarHotelSongs! With the numerous multi-composer albums releasing nowadays, which didn’t quite impress, Hawaizaada is the first in months that we actually had faith in to break the stereotype and prove that, of well-managed, even a multi-composer album can do wonders! Director and lyricist Vibhu Puri has done a great job in selecting apt songs for all the situations which would sound great with the narration as well as sound great when heard individually! Hawaizaada turns out to be a special case, in the sense that it is the first multi-composer album in which all the songs impress, and all the composers seem to be complementing each other very well, unlike others in which the composers seem to be conflicting in musical style and genres! The multi-composers have shown their ability to embark on a flight to the musical heights!!

 

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: No order as such, as all the songs are gems, but make sure you do not miss even a single one!

 

Which is your favourite song from Hawaizaada? Please vote for it below! 🙂

 

Next “dish”: Khamoshiyan, Chefs: Jeet Gannguli, Bobby-Imran, Naved Zafar & Ankit Tiwari