COMPLETELY REBELLIOUS!! (BAAGHI 2 – Music Review)

Music Album Details
♪ Music by: Sandeep Shirodkar, Arko Pravo Mukherjee, Mithoon, Gourov-Roshin, Pranay M. Rijia, Laxmikant-Pyarelal & Panjabi MC
♪ Lyrics by: Ginny Diwan, Javed Akhtar, Arko Pravo Mukherjee, Sayeed Quadri, Kumaar & Channi Khannewala
♪ Music Label: T-Series
♪ Music Released On: 20th March 2018
♪ Movie Released On: 30th March 2018

Baaghi 2 Album Cover

 

Listen to the songs: Saavn

Buy the songs: iTunes


Baaghi 2 is a Bollywood action film (read comedy) starring Tiger Shroff, Disha Patani, Manoj Bajpayee, Prateik Babbar, Darshan Kumar, Randeep Hooda and Deepak Dobriyal in crucial roles. The film is directed by popular dance choreographer Ahmed Khan, and produced by Sajid Nadiadwala. If you remember, the first film (which I hated) had a quite likeable album, by Meet Bros., Amaal Mallik and Manj Musik. A “bonus” song by Pranay Rijia was released later. For this album, the music composers of the first film are completely forgotten, and except for Pranaay, they have all been replaced, by Sandeep Shirodkar, Gourov-Roshin, Arko Pravo Mukherjee and Mithoon. Now, I basically know that there will be a horde of remakes in this album, just by looking at the composers’ names — Sandeep Shirodkar and Gourov-Roshin have basically just created almost only remakes ever since they debuted. Arko and Mithoon’s songs do pique my interest, but nothing like “Oh, I’m so excited, I’m dying of excitement”.. nothing of that level. Anyway, let’s see just how well this album upholds the reputation (or demolishes it) of its predecessor.


Just because he has two songs, both remakes, Sandeep Shirodkar becomes lead composer for Baaghi 2. (It was Meet Bros. in ‘Baaghi’). His first remake is Mundiyan, a remake of Labh Janjua’s ‘Mundiyan Toh Bachke Rahi’. I must say, though, the song is quite enjoyable. Sandeep gets the Bhangra vibe right, and that’s the most important in such songs. Navraj Hans and Palak Muchhal make for some interesting vocals — especially Palak, who explores such songs once (okay, maybe twice, but not more) in a blue moon. She even raps! Navraj Hans is a vocal powerhouse as it is; there’s no use writing that he’s done well (it was taken for granted that he would). The one place Sandeep does mess up though, is the uncountable vocal breaks, disturbing proceedings many times, slowing down the pace of the song.
He doesn’t fare as well in his second song Ek Do Teen, remake of the song with the same name from ‘Tezaab’. Now, this is a very iconic song, not so much for its composition and music, (which was quite clichéd, if I may say so) than for Madhuri’s iconic moves on the dance floor. But even then, the flak the song is receiving is quite unjustified. Maybe it’s because the dance moves have been slaughtered (they have), or maybe it’s because the remake trend has achieved this abominable level these days. But the song isn’t that bad. Shreya substituting for Alka is a great decision; she sounds okay in the mukhda but amazing in the antaras. At least we haven’t gotten somebody like Neha Kakkar in charge of this song. The music is functional at best, with nothing remarkable in Sandeep’s new arrangements, except the easy-to-miss electric guitar riffs, and the spunky Bappi-ish disco sounds. Also, why does she only count till 20 here! That’s destroying the point of the song! 😂
Mithoon’s Lo Safar is a better result of his composition sung by Jubin Nautiyal, than the last one, which was ‘Tum Mere Ho’ (Hate Story IV). Here, at least, the composition isn’t overly sensuous, and not even trying to be. It is just a humble typical Mithoon melancholic melody, supposed to be a romantic song but playing more like a sad song. Jubin sings it well, and Mithoon’s arrangements consisting of nice guitar riffs, an amazing rap on many drums at the same time, and a serene flute, work wonders. Sayeed Quadri’s lyrics are just not the kind of lyrics he’s known for. Having written so many beautiful lyrics (especially the amazing ‘Ji Huzoori’ from ‘Ki & Ka’) for Mithoon, this should have been much better.
Gourov-Roshin’s Soniye Dil Nayi is also a remake of some T-Series pop single, whose credits on YouTube are so vague, they don’t credit the original composer, even in the video for the original song! The only good thing about this song, is that it doesn’t let Ankit Tiwari’s lazy voice get too much control over the song, because Shruti Pathak arrives at the right times to save us, with amazing aalaaps. Her portions are amazing, but the composition both of these singers have to sing is lazy, boring, dull and any other negative adjective you can think of. The composers try their best to ape Ankit’s composing style, so that his lines always end with us expecting a “Sunn Raha Hai Na Tu..” or a “Teri galliyan..” to follow. Too much said about this song.
The only composer repeated from ‘Baaghi’ is Pranaay Rijia, whose song ‘Get Ready To Fight’ from ‘Baaghi’ I neither reviewed nor heard (except in the movie) because it released late as a single track. Here he comes back to present Get Ready To Fight Again a song which you should be ready to fight again. That’s about it. I won’t tell you about the horde of singers roped in to sing a worthless song, and I won’t tell you about the actionless arrangements, even though this is probably the background song for when Tiger Shroff is showing off his stunts. This time the song gets a more folksy vocal treatment, thanks to Jatinder Shah’s vocals. Benny Dayal in the original song sounded terrible. (Let’s just put that out there since I hadn’t reviewed that.)
The best song of the album, more out of helplessness, than actually on its merit, is Arko’s O Saathi, a romantic melody sung by Atif Aslam, which fits perfectly into the Arko template of romantic songs. It might be a rehash of ‘Nazm Nazm’ (Bareilly Ki Barfi) and ‘Tere Sang Yaara’ (Rustom), with the exact same duff rhythm, and strings, and everything else, but it nevertheless sticks with you, because it is charming in spite of being heard before. Payal Dev’s humming lends the song a serene quality. The antara of the song is amazing; it follows a really unconventional composition, at least unconventional for Arko’s music. Atif sings it impeccably, especially the “Allah Mujhe” line. The hookline’s tune seemed forcibly stretched to cover about fifteen seconds of runtime each time it plays.. that’s about a minute that could’ve been spent in adding another antara! But I must say, Arko’s lyrics are beautiful, especially the mukhda!


While I still listen to ‘Baaghi’s music album sometimes even now, when I’m bored, I doubt I’ll listen to this album even one month from now. While “‘Baaghi’s album had zero remakes, this has four. While “‘Baaghi’s album was not a ‘BAAGHI’ (rebel) at all, this one totally is!

 

Total Points Scored by This Album: 7.5 + 6.5 + 7.5 + 5.5 + 4 + 8 =

Album Percentage: 65%

Final Rating for This Album: सा < रे < ग < म < प < < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: O Saathi > Lo Safar = Mundiyan > Ek Do Teen > Soniye Dil Nayi > Get Ready To Fight Again

 

Which is your favourite song from Baaghi 2? Please vote for it below! Thanks! 🙂

Remake Counter:
No. Of Remakes: 06 (from previous albums) + 04 (from Baaghi 2) = 10