JOLLY GOOD ALBUM!! (JOLLY LL.B 2 – Music Review)

Music Album Details
♪ Music by: Manj Musik, Nilesh Patel, Chirantan Bhatt, Meet Bros. & Vishal Khurana
♪ Lyrics by: Manj Musik, Raftaar, Junaid Wasi, Shabbir Ahmed & Earl Edgar
♪ Music Label: T-Series
♪ Music Released On: 13th January 2017
♪ Movie Releases On: 10th February 2017

Jolly LL.B 2 Album Cover

Jolly LL.B 2 Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Jolly LL.B 2 is an upcoming comedy courtroom drama starring Akshay Kumar, Annu Kapoor, Saurabh Shukla and Huma Qureshi in prominent roles. The film has been directed by Subhash Kapoor, who earlier directed ‘Phas Gaye Re Obama’, ‘Jolly LLB’ and ‘Guddu Rangeela’, and produced by Fox Star Studios. The film revolves around the story of a small-time lawyer Jagdishwar Mishra a.k.a. Jolly, who earns a living by fighting small cases. In his desires to become a full-fledged lawyer though, Jolly ends up committing a mistake that could just as well destroy his career as a lawyer. The film deals with how Jolly gets himself out of this predicament. The film is the sequel to 2013 sleeper hit ‘Jolly LLB’. While the earlier film had a music album which can hardly be counted as one of Krsna’s best works, or even good works, as it was as middling a fare as your everyday T-Series multicomposer album, the sequel has an album which is just that — your everyday T-Series multicomposer album. And as it almost always is, there is one song composed by one team of composers. Manj Musik, who has the full support of Akshay Kumar now, what with him composing for Akshay in ‘Gabbar is Back’ and ‘Singh is Bliing’ in 2015, gets the first song. Helping him is Nilesh Patel, who has been credited as “Co-Composer”! Expectations are not too high but not zero either, as he has given good songs in the past, but just messed up a couple of times, thus earning my anger. Next up is Chirrantan Bhatt, another composer whose Bollywood career is strongly backed by Akshay. He gave hits for Akshay in both ‘Boss’ (2013) and in ‘Gabbar is Back’ (2015). This time too, he is back to perhaps give yet another path breaking romantic song. Meet Bros. feature as the third composers on board, and their association with Akshay has started long ago in 2012 when they scored the beautiful ‘Mere Nishaan’ in ‘OMG – Oh My God!’ After that, they went on to score for Akshay in so many films like ‘Boss’ (2013), ‘Baby’ (2015) and ‘Singh is Bliing’ (2015). But that was when Anjjan too was a part of the team. After the split with Anjjan, this is Meet Bros’ first song for Akshay; hopefully, it is just as good. And lastly is one-album old, Vishal Khurana who debuted last February with the stellar album to ‘Neerja’. Thankful that he has got another project finally, (after like ages!) I hope he takes good advantage of it and gives a great song. So let’s see what this multicomposer assortment has in store for us! Because Akshay Kumar and multicomposer have this very nice relationship which more often than always, impresses me! (Take any of the albums mentioned above for example!)


1. Go Pagal

Singers ~ Raftaar & Nindy Kaur, Additional Vocals ~ Girish Nakod & Manj Musik, Music by ~ Manj Musik, Co-composed by ~ Nilesh Patel, Lyrics by ~ Raftaar & Manj Musik

(I didn’t find any lyrics worth mentioning here!)

The album starts with the song I was least excited to hear — a Holi song titled ‘Go Pagal’. Okay, so Manj Musik has given some pretty good songs in the past, but only sticking to one kind of songs — fast, update rap songs (with the exception of the awesome ‘Aaja Mahi’ from ‘Singh Is Bliing’) As such, all his songs sound almost the same and you can really predict what’s going to come next in each song. This song too falls into the same category, but it goes a bit too overboard with the craziness. The composition is a typical Manj composition, though there are some nice folksy lines in the middle, (‘Bheegi bheegi lage lovely lovely…‘) which I suspect are composed by the co-composer Nilesh Patel. Anyway, the composition is quite all round the place and it is kind of hard to grasp on to. And that hookline is just yuck! I was fine till it played. It was such an abrupt end to the flow of the song, that it spoiled all the fun, or whatever fun was there. Also, it is quite similar in sructure to ‘Let’s Nacho’ (Kapoor & Sons) where they ‘say’ the hookline, not sing it, and then some weird tune plays in some very annoyingly high digitized pitch. And what’s worse, the person who says ‘Go Pagal’ here (That’d be Raftaar, I guess) sounds like he’s burping it. It sounds eww. In some places, the composition resembles ‘Tamanche Pe Disco’ (Bullett Raja). The arrangements are very mediocre, though that nice rapid dholak beat is something for which I would listen to the song over and over again, despite everything. And that chipmunk voice that says ‘Goli Re’ in the mukhda is just so cute! Every other thing regarding arrangements is strictly banal. It sounds like it has been thrown out of 2013 and should’ve been in ‘Jolly LLB’, but it forecasted that Akshay Kumar would star in the sequel, which is why it is here for us to get troubled by it. The vocals sound like robots have done it. Raftaar tries to sing charmingly, but how can he? He has to carry the entire song on his shoulders, and though he does quite well, it just sounds very monotonous. And Nindy Kaur in her part initially sounds as if she’s so shy, she can’t sing at all. (She’s trying to sound naughty, but it sounds shy…) Her voice sounds as robotic as ever. The lyrics (Raftaar and Manj) are as banal as possible. A Holi song has never been so trashily written in the history of Bollywood, I guess. Okay, maybe ‘Ang Se Ang Lagana’ from ‘Darr’ is an exception, but in recent times they’ve all been very well-written and fun. Though the makers might think this is fun too, it isn’t. A mediocre start to the album, and a disappointment from Manj and his team.

Rating: 2.5/5

 

2. Bawara Mann

Singers ~ Jubin Nautiyal & Neeti Mohan, Aalap by ~ Rheek Chakraborty, Music by ~ Chirrantan Bhatt, Lyrics by ~ Junaid Wasi

“Bawra Mann raah taake tarse re, Naina bhi malhar banke barse re!
Aadhe se, adhoore se, bin tere hum huye, feeka lagey, mujhko saara jahaan!”

– Junaid Wasi

Chirrantan Bhatt, another composer that Akshay Kumar seems to be backing these days, enters the soundtrack, with his song. Usually, the composer impresses us with nice Bhatt-ish melodies. This time though, he follows the path of one of his earlier songs, ‘Coffee Peetey Peetey’ from ‘Gabbar Is Back’, and presents a breezy, feel-good melody that could not have sounded better. Previously, ‘Coffee Peetey Peetey’ was my favourite song by him, but now I have to say, that it is this one. The composition is, as I said before, very breezy and happy-go-lucky. And I just love it when such songs come out. The mukhda starts off right away with the hookline, a wonderful tune with a light touch to it. It’s as if Chirrantan is saying, “Want to cut down on fat in your musical diet? Well then, listen to this song, with 80% less musical fat than other songs out there!” The antara goes into a nice and soothing low scale, as opposed to the cute high pitch of the mukhda. The composition kind of reminded me of Pritam’s ‘I’m Sorry Par Tumse Pyaar Ho Gaya’ (Shaadi Ke Side/Effects), in that it is a toned down version of the peppy and breezy composition of that song. Arrangements are fantastic, with the ukulele (Shomu Seal) and guitars (Shomu Seal & Sanjoy Das) really winning your heart by the end of the song, and giving the song its quirkiness. Piano notes occasionally bring the sobriety to the song, while wonderrrrrrful harmonicas throughout the song provide that heavenly touch, accompanied by a wonderful vocal choir. The vocals by both singers are fabulous as well. Jubin, who has already sung so many songs this year, ranging from mediocre to beautiful, has emerged as the superstar of the beginning of the year with another fantabulous rendition from his side. Neeti, on the other hand, only strengthens her charming image by singing the second antara, with as much expertise as possible. Her characteristic feathery voice elevates her portions to other levels. Junaid Wasi, who returns to writing lyrics after like four-and-a-half years (His last was in Chirrantan Bhatt’s album ‘1920: Evil Returns’) writes a splendid poetry-like piece. Hindustani classical terminology meets modern romance in his writing, and it actually proves to be a nice and pleasant fusion. This is where the album starts, in my opinion!

Rating: 5/5

 

3. Jolly Good Fellow

Singers ~ Meet Brothers, Additional Vocals by ~ Purnima Solanki, Sanchita Sakat, Rap by ~ Shabbir Ahmed, English Rap by ~ Earl Edgar, Music by ~ Meet Bros., Lyrics by ~ Shabbir Ahmed, English Rap Written by ~ Earl Edgar

“Hello, how are you, mera Naam hai Jolly,
Manaane jashn nikli yaaron ki toli..
Bada colourful sa swag hai mera…
Karun jab use apni meethi si boli..
Nature mera hai cool, baaton mein banadoon fool,
Gopiyan bhi line mein hai karte Hi hello!
He’s a Jolly Good Fellow, He’s a Jolly Good Fellow,
Jai kanhaiyalaal ki, bolte chalo!”

– Shabbir Ahmed

What made me freak out even before starting the song was that the folk song ‘He’s A Jolly Good Fellow’ had been recreated! I mean if Bollywood can’t handle its own classics’ recreations, how will a British song be recreated well enough!! But then, the first note of the song played and all my worst doubts disappeared into thin air. The song starts with this uber-cool, smooth flute portion, played to the tune of the nursery rhyme! And from that moment on, you are hooked completely! The Meet Bros. have done an appreciable job in successfully recreating a Western song to suit the Indian music standards. A suitable “Chinta Ta Chita Chita” (Rowdy Rathore) based rhythm makes its way into the song and surprisingly provides an apt background beat for the English folk song. Of course, the duo has added their own composition for the mukhda and antara, and I can’t really say it is bad! The mukhda starts off the song well, showcasing the main character of the movie as a very sacrosanct person, and I must say, the tune is quite sanctimonious-sounding too. I mean, in Janmashtami, you will hear such tunes everywhere in India. The sound effects included by the duo are probably the most enjoyable I’ve heard in recent times. Yes, the sound of the song is very generic and heard-before. But I don’t really have any qualms in liking something that is likeable even though it has been heard before. The arrangements are booming and fun, with the aforementioned beats really infusing a lot of fun into the song. Different instruments, and especially the flute that plays occasionally, sound awesome. Whistles and the like make for nice “roadside attractions”. The vocals are good too,and the Meet Brothers sound at ease rendering the spunky song. The female backing vocalists provide nice entertainment with their cute inputs. Meanwhile the two rappers, (Shabbir Ahmed in Hindi and Earl Edgar in English) do not fare as well, with their commonplace rap. Shabbir, rapping to his own words, sounds confused. You can barely hear what he is saying. That being said, his lyrics are quite decent! It is a perfect character introduction song, and the incorporation of the “Jolly Good Fellow” phrase followed by “jai Kanhaiya laal ki, bolte chalo” is so interesting! It is a theme song that is quite entertaining. Might be irritating for some, but interesting for most!

Rating: 3/5

 

4. O Re Rangreza (Qawaali)

Singers ~ Sukhwinder Singh, Murtuza Mustafa & Qadir Mustafa, Music by ~ Vishal Khurana, Lyrics by ~ Junaid Wasi

{I do not know why T-Series is always so adamant on writing “Qawaali” in the title of their songs! I think this is like the third time they’ve done this, and once, the song wasn’t even a Qawwali! I think we are quite competent to make out whether a song is a Qawwali or not, and if they want to continue this, I advise them to write in brackets stuff like “Romantic Song” or “Dumb Party Song” too, why only Qawwali?}

“Rooh ne arzi lagaayi hai, Sahi kadam chala maula,
Mann ko ainth ke baati kar, tera charaag jala maula!”

– Junaid Wasi

Bollywood hasn’t churned out a single satisfying Qawwali as far as I can remember, after Tanishk Bagchi’s splendid rock-qawwali ‘Allah Hu Allah’s (Sarbjit). Now here comes another proper Qawwali, by which I mean a Qawwali without any unnecessary Bollywood elements. The young and talented composer Vishal Khurana (‘Neerja’ fame) has been roped in to compose this Qawwali, and going by the innovative work he did in ‘Neerja’, I was expecting a very, very impressive Qawwali. Unfortunately, I got quite a regular and ordinary one. The composition is good, and suits the situation (one of those situations that often arrive in Bollywood films where the protagonist has lost all hopes and has to leave it all up to God, and then a Qawwali or Bhajan plays) but goes awfully slow. It is not something that one would find themselves listening to too much. Because of these drawbacks, I expect the song to gain momentum only after the movie released, but the prospects of that are less too, because Qawwali isn’t a genre that finds many takers in today’s world. (Though I get fascinated and mesmerized by a good one, when it comes!) Anyway, that’s that in the composition. The “Mushkil kusha o re noor-e-khuda…” hook, though, is very beautifully composed, as are the antaras, slow speed notwithstanding. The arrangements follow a mesmerizing Roopak taal, with the tablas sounding spectacular, as does the Bulbultarang or Indian banjo. Vocals, thankfully, help the listener ignore the slow pace of the song, as Sukhwinder pours  his entire soul into the rendition, sounding very soulful in the process. Supported ably by the Mustafa brothers, he provides a nice, relaxing ambience with his voice. However, the main reason I would listen to this song again, even before the movie releases, is the spectacular writing by Junaid Wasi. He impressed in the romantic song and now impresses in a spiritual one as well. The line I’ve “showcased” is just one of the portions out of the many splendid lines in the song. A déjà-vu inducing Qawwali as far as the composition and arrangements go, but vocals and lyrics make this one an exemplary piece of art.

Rating: 4/5


Jolly LL.B 2 turns out to be quite a good album, if you judge it as a multicomposer album, which it is. Akshay Kumar almost always impresses whenever his music albums are scored by multiple composers. (Glaring exception being ‘Housefull 3′) The six individuals (counting Nilesh Patel and two Meet Brothers) come together to make an album that is definitely not perfect, but functional as a feel-good (or shall I say feel-jolly?) album, that will propagate the buzz of the movie before release. Yes, Manj and Meet Brothers’ songs could’ve been better, but they are still partially enjoyable. And I must say, this album is better than the album by Krsna to the first instalment of the franchise! A jolly jolly album! 😛

 

Total Points Scored by This Album: 2.5 + 5 + 3 + 4 = 14.5

Album Percentage: 72.5%

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Bawara Mann > O Re Rangreza (Qawaali) > Jolly Good Fellow > Go Pagal

 

Remake Counter
No. of Remakes: 04 (from previous albums) + 00 = 04

 

Which is your favourite song from Jolly LL.B 2? Please vote for it below! Thanks!

FROM ACTION TO ROMANCE!! (GABBAR IS BACK – Music Review)

Music Album Details
♪ Music by: Chirantan Bhatt, Yo Yo Honey Singh &
Manj Musik
♪ Lyrics by: Manoj Yadav, Kumaar, Sahil Kaushal, Manj Musik, Raftaar & Big Dhillon
♪ Music Label: Zee Music Company
♪ Music Released On: 20th April 2015
♪ Movie Releases On: 1st May 2015

Gabbar Is Back Album Cover

Gabbar Is Back Album Cover

 

To hear the full songs of this album on Hungama CLICK HERE

To buy this album on iTunes CLICK HERE


Gabbar Is Back is an upcoming Bollywood action drama film, starring Akshay Kumar in the titular role of Gabbar. Along with superstar Akki, the film features Shruti Haasan, Suman Talwar, Sunil Grover and Jaideep Ahlawat. Kareena Kapoor Khan will be seen in a cameo appearance as Akshay’s wife in a song sequence and Chitrangada Singh is featuring in an item number in the film. The film is a remake of A.R. Murugadoss’ 2002 hit Tamil film ‘Ramanaa’, which has been already remade into Telugu and Kannada. The Hindi version, releasing this Friday, has been directed by Bollywood newcomer Krish and produced by Sanjay Leela Bhansali, Viacom 18 Motion Pictures and Shabinaa Khan. Akshay Kumar plays a common man known to the people as Gabbar, who tries to abolish corruption altogether from the society at all levels. For the music, the makers have turned to three people. Chirantan Bhatt, nowhere to be heard after his one song in ‘Ragini MMS 2’, gets two songs, whereas Punjabi rappers Yo Yo Honey Singh and Manjeet Ral (Manj Musik) get one song each. Looking at the names, one would expect something from Chirantan naturally, and also, for that matter, from Honey Singh, given his wonderful track record of hit songs for Akshay and Akshay’s productions. As for Manj, I don’t expect anything. So let’s see, with how much power Gabbar has returned! And whether he has a good music sense or not! 😉


1. Teri Meri Kahaani
Singers ~ Arijit Singh & Palak Muchhal, Music by ~ Chirantan Bhatt, Lyrics by ~ Manoj Yadav

Success for an album these days can be calculated by a simple formula. If the number of Arijit Singh songs in the album is more, the success of the album is more. Thus proved that the number of Arijit Singh songs in an album and its success are directly proportional. 😝😝 Okay, enough with the jokes. This song is nothing to be joked about. Chirantan, returning after more than a year, after his scary lullaby in ‘Ragini MMS 2’ last year, this time gets something which is more like his cup of tea. A romantic song. Of course, the romantic guy of Bollywood, Arijit, would get to do the honours of crooning this one. He has worked with Chirantan before in ‘Uska Hi Banana’ (1920: Evil Returns), ‘Aye Dil Bata’ (Ishk Actually) and ‘Har Kisi Ko’ (Boss), all of which were impressive! And man, does he do justice to this song, too!! He uses his deep voice here, instead of his sweet and innocent one, and simply works wonders, nothing more and nothing less. Chirantan has composed a quite energetic, yet soulful composition, which also has the ability to make you nod your head along. The mukhda being very energetic, at the same time the antara starts off quite softly, and builds up in momentum as it progresses. Of course, it wouldn’t have been easy for any singer to ace the composition. But Arijit has done it perfectly. Since the composition is very typical Bhatt-ish, it won’t take time to grow on anyone. (Here’s a secret though: it took time to grow on me, strangely!) However, there is a plus point to the typicality of the composition here, and that is, the guaranteed success for it. It has already been making everyone crazy about itself. Palak complements Arijit very well, and after having been singing female versions of Arijit’s songs for Jeet Gannguli for so many times, I can imagine how happy she might be to sing an actual duet with him after so long. 😃 This time, she sounds not that Shreya-ish, and finally seems to have carved out a niche for herself in Bollywood, as the ‘kind-of like Shreya’ girl. Here, she sounds fantastic. Arrangements by Chirantan are not to miss, either! Those spunky guitar riffs that start the song do not leave except for some places in the song, and they sound awesome throughout. Drums, and electric guitars very adequately join wherever required, giving a good and substantial Bhatt feel. The rock romance genre, rarely heard done perfectly nowadays, has finally been proved accomplished by Chirantan Bhatt! Manoj Yadav’s lyrics are also full of romance, suit the composition, and have a catchy ring to them. The Bhatt effect, this time a positive effect! Sure to get Chirantan a lot more songs in Bollywood! #5StarHotelSong!!

 

2. Aao Raja
Singers ~ Neha Kakkar, Yo Yo Honey Singh & Teflon, Music by ~ Yo Yo Honey Singh, Lyrics by ~ Sahil Kaushal

Yes. I was desperately waiting for this song. No, not because there’s Chitrangada Singh in it as a special appearance. Neither because it is an item song. Here’s the reason. I was waiting for it because of the brilliant songs that Yo Yo has given for Akshay Kumar in films like ‘Fugly’ and the latest ‘The Shaukeens’. Also, whenever Yo Yo and Neha Kakkar have come together, it has always resulted in mind-blowing and innovative songs. ‘Sunny Sunny’ (Yaariyan) was a nice and youthful party number, whereas ‘Manali Trance’ (The Shaukeens) was the first trance track of Bollywood, with an addictive vibe to it. So naturally, I was eagerly awaiting this track, when I heard about it being composed by Honey Singh and sung by Neha. Well, it starts off very promisingly, with a techno tune and awesome percussion. Yo Yo’s rap, for the first time, I can admit that it actually sounded good, starting off the song. But then, Neha kicks in with some ridiculously bland lines, which don’t really keep up the listener’s interest in listening much more. The tune is nothing that can be called ‘addictive’. Moreover, she keeps repeating the same lines all throughout the song. Other parts are either Yo Yo’s rap, or English rap by somebody called Teflon. This guy really lives up to his name. 😂 As Teflon coating protects a cooking utensil, the same way, this guy protects this song, by giving listeners something good to hear at least. Yep, his rap is better, compared to Honey’s rap which comes sometime midway into the song. He’s a rapper from New York. And Yo Yo gave him hardly ten seconds of the song. LOL! Oh, and in case you’re wondering who is the mahaan hasti behind the lyrics, it is Sahil Kaushal urf Lil Golu. 😂😂😂 I guess he grew up and so Yo Yo wanted to showcase his talent to the world, so gave him this song to write, saying “Go my son. Show the world what you’re made of.” Well. I think he’s made of nothing special, in fact, I think he has a lower IQ than you and I. Yo Yo, however bad the rap and however dull the overall composition may be, has given great arrangements as always, which of course, guarantee at least one listen by every one of his followers and non-followers too. Because thereafter, only his followers might touch the song. Smart guy, I’ve got to say. 😝 Barring the arrangements and the English rap, there is NOTHING innovative about this track, nor anything catchy. Disappointing song from Yo Yo-Neha combo. Sajid-Wajid with Mamta can do better than this!

 

3. Coffee Peetey Peetey
Singers ~ Dev Negi & Paroma Das Gupta, Music by ~ Chirantan Bhatt, Lyrics by ~ Kumaar

Chirantan re-enters, to treat us with yet another romantic song. This time, he steers clear of all conventions and tries to make something sweet and simple, that will nevertheless strike a chord with listeners. The result is in front of us, and I can tell that he has worked very hard to get something so effective as this song. Just as the name suggests, the song actually sounds like something that would play in a coffee shop, or soemthing that would play in the minds of two people, meeting over a cup of coffee. The very Pritam-ish ring it has, makes it something that instantly seems outstanding, and indeed, it is something unique in the name of a romantic song. Calming, soothing and groovy at the same time, is pretty rare. Dev Negi, earlier heard in ‘Ungli Pe Nachalein’ (Ungli) sounds drastically different from what he did in that song. The entire folksiness in his voices seems to have disappeared to reveal an urban side of his voice. Where he didn’t sound good at all trying to ape Mika and failing miserably in that song, he sounds awesome aping Sanam Puri in this song (😜) and actually gives a good impression to the listeners. His co-singer, Paroma Das Gupta, sounds good, as well, but also sounds as if she’s really trying to create a false aura of internationality around herself in the antara, where she sounds too over-stylish. 😝 The wonderful choruses of “Hey Ohh..” and “I’m in Love, He’s in love” and “Nasha hai ye pehle pyaar ka”, are really catchy, and as I always keep saying, serve their purpose of the hookline. 🙂 Kumaar’s lyrics are as sweet and simple as it can get. The lyrics being so simple, really make the song sound natural and not too dramatic like so many songs these days. The modern arrangements done by Chirantan increase the attractiveness of the song. Guitars — both acoustic and electric, sound awesome, along with nice soft piano notes. And those techno beats that carry the whole song forward, are just too irresistible. 😀 So ultimately, Chirantan aces both of his songs, and this one is a perfect sweet and simple song, sure to be loved by you! #5StarHotelSong!!

 

4. Warna Gabbar Aa Jayega
Singers ~ Manj Musik & Raftaar, Music by ~ Manj Musik, Lyrics by ~ Manj Musik, Raftaar & Big Dhillon

On the sight of this Manj’s name as one of the composers of this album, I was sure that he’s gonna continue his ‘Utter Stupid Song’ list with this too, and boy, was I right. I was expecting him to compose something Punjabi, but thank God he didn’t do that. Anyways, what he did do was nothing better than Punjabi rap that he always does. He gets the opportunity to compose the theme song for ‘Gabbar Is Back’, and how doe she utilize this opportunity? Very badly. It isn’t an understatement to say he wasted it completely. It seems to be a mishmash of dialogues of Gabbar Singh from ‘Sholay’ and some stupid rap by Raftaar. What he has actually “composed”, I don’t understand. He shouldn’t even be credited for composing anything. Whatever he calls the “tune”, is just one line, too insufficient. Arrangements are some of the most irritating I’ve heard recently. Kind of like what only Manj Musik can do, exclusively. 😝 Three people credited for lyrics, gives an impression of something huge having been done, but actually, what they’ve written is equivalent to zero. If you do not want to suffer, listen to me and skip this track. It’s utter torture!


Gabbar Is Back is an album, which already has an insufficient number of tracks at just four. I like it at least five or above. Anyways, you might argue that quality is more important than quantity. Okay. I agree. But here, the so-called quality is evident only in two tracks, that too, by the same man, Chirantan Bhatt. Honey and Manj contribute very little to the album, and I guess everything of that little also comes from Honey only. So ultimately, Manj has done zero, zilch, nada, nothing! Whatever the makers were thinking, by making this a multi-composer album, I guess they’ve learned their lesson. As for Akshay Kumar, I guess he’ll stick to Sajid-Wajid the next time he does a masala action film. So, with both of Chirantan’s love songs working well, I guess now people will think “Gabbar = Romance” instead of “Gabbar = Action”. 😝 A multi-composer album gone wrong, as they mostly do!!

 

Final Rating for This Album: सा < रे < ग <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Coffee Peetey Peetey > Teri Meri Kahaani > Aao Raja > Warna Gabbar Aa Jayega

 

Which is your favourite song from Gabbar Is Back? Please vote for it below! 🙂

 

Next “dish”: Bombay Velvet, Chefs: Mikey McCleary & Amit Trivedi

FULLTOO ENTERTAINMENT! (ENTERTAINMENT -Music Review)

Album Details:-
♪ Music by:- Sachin-Jigar & Chirantan Bhatt
♪ Lyrics by:- Mayur Puri, Priya Panchal, Ashish Pandit & Manoj Yadav
♪ Music Label:- Tips Music
♪ Music Released On:- 16th July 2014 (on Saavn) & 23rd July 2014 (on iTunes)
♪ Movie Releases On:- 8th August 2014

Entertainment Album Cover

Entertainment Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Entertainment is an upcoming Bollywood comedy film starring Akshay Kumar and Tamannaah Bhatia and Junior in the lead roles, and Mithun Chakraborty, Johnny Lever, Krushna Abhishek, Sonu Sood and Prakash Raj in supporting roles. For those of you who are wondering who Junior is, he is the dog in the film playing the role of “Entertainment” (That’s his name in the film 😛 ). The film is the directorial debut of scriptwriters Sajid-Farhad who have written for films like ‘Golmaal Returns’, ‘Singham’, ‘Housefull 2’, ‘Bol Bachchan’, ‘Chennai Express’ to name a few. It has been produced by Ramesh Taurani under the banner of Tips Industries Ltd. Tips films are known for their good if not great music, but never disastrous, so of course, some nice music is expected from this film as well. Sachin-Jigar have composed the majority of the songs in the album, and Chirantan Bhatt has composed a bonus track. So let’s have a look at how good this latest album from Tips is!


First the review for the original soundtrack by Sachin-Jigar:

1. Veerey Di Wedding:- Singer ~ Mika Singh, Lyrics by ~ Mayur Puri

The first song in the album is a dance track sung by the one and only (because nobody else sings like him 😛 ) Mika paaji. Unlike other Mika songs released in recent times, this one I instantly loved, and mentally gave it a “SUPERHIT” tag. It starts with a very catchy techno tune, the specialty of Sachin-Jigar. As soon as the actual song with words starts, you can’t help but to listen to nothing else but the song. The composition is brilliant, and Sachin-Jigar have made it very interesting by adding small elements here and there to ensure that nobody loses interest while listening to the song. One such fascinating element is the chorus that supports Mika. The ‘o ho ho’s and bulwaado waado’s are genius additions by Sachin-Jigar. Mayur Puri’s lyrics are also very innovative and funny as well. His lyrics shape the song into the wedding song that it is, else the composition could have very well been that of a regular dance song or even club song, if the required arrangements were added. Lines like ‘Twitter pe hai trending’ and ‘Long time se pending’ are very intelligently placed in the song. He excels in the antaras, with lyrics that are even more funny. Mika is perfect for this song, and his energy is the prime reason that I liked it so much. I’m sure you will too! A song that is topping charts currently, and a perfectly written, arranged, composed and sung! #5StarHotelSong!

 

2. Tera Naam Doon:- Singers ~ Atif Aslam & Shalmali Kholgade, Lyrics by ~ Priya Panchal

A romantic tune beautifully blended together with a Sufiyaana touch, and with Tips’ favourite, Atif behind the mic, is sure to attract many listeners. What’s more, with the promising Shalmali Kholgade supporting him, and beautiful lyrics by Priya Panchal, what could possibly go wrong? But it unfortunately did go wrong. The romantic tune, is nothing fresh, and has very less innovative touches, except maybe the Sufiyaana touch, which might appeal for some time. Atif sings the song good, but Shalmali’s talent has been wasted. Instead, a singer with a softer and more melodious voice could’ve done the trick, perhaps Shreya Ghoshal or even Priya Panchal herself. Speaking of Priya Panchal, she has written mind-blowing lyrics! The characters are blaming each other for falling in each other’s love! Brilliant! The main hook would roughly translate to ‘if someone asks, I’ll tell them your name’ as in, you are the one to blame. 😀 Hats off to Priya for thinking of that concept! Though the tune is average and heard-before, the arrangements help to fix that up, and cover up the flaws (or missing stuff) in the tune. The flute loop especially is very sweet. Sahin-Jigar have come up with a very typical tune, but the magic lies in the lyrics!

 

3. Johnny Johnny:- Singers ~ Jigar, Priya Panchal & Madhav Krishna, Lyrics by ~ Mayur Puri

The next song is one that has already found many, many fans. Sachin-Jigar enter ‘Yo Yo Honey Singh Mode’ for this song, and no, I’m not saying that because it’s about alcohol, which Honey Singh HAS to mention in every song of his. I’m saying that because the composition style is exactly like Honey Singh’s style — repetition of the verses over and over. Who ever thought that Honey Singh would influence other composers?! 😛 However, the song isn’t as atrocious as Honey Singh’s songs, on the contrary, it’s pretty good! It starts with a very catchy techno tune, and as the song progresses, it just keeps on getting catchier and catchier! Especially the part sung by Priya Panchal, sounds really great! The way she says ‘no no no maine pee naii ae’ is totally worth hearing! Sachin-Jigar have again added some very interesting elements, like the small child’s voice, saying ‘haanji’ and ‘naaji’ and ‘hawwji’. The arrangements are fabulous, because the song again falls under the genre at which Sachin-Jigar are best and they have done terrific techno arrangements. The tune of this song is very different from what we get to hear these days, and has a slightly dark tone. Mayur Puri has written lyrics perfectly, and half the credit for the success of the song definitely would go to lyrics! I guess the intelligent idea of transforming nursery rhyme, ‘Johny Johny’ into a modern party song was his. Great idea! Whatever faults Sachin-Jigar had made in the previous song, are covered up by this song! You must have already heard it many times, someplace or the other, so all I will say is:- #5StarHotelSong!

 

4. Teri Mahima Aprampaar:- Singers ~ Anushka Manchanda & Udit Narayan, Lyrics by ~ Ashish Pandit

This song starts with a tune played on a banjo-like instrument, and some ridiculous rap by some uncredited people (most probably Sachin-Jigar themselves?). Anushka kicks in with some typical item-ish lines, and Udit Narayan’s entry just adds to the ridiculousness of the song. It sounds like some illiterate guy is trying to sing in English. This song also has a line from the nursery rhyme ‘Twinkle Twinkle’ — ‘How I wonder what you are’. But instead of that, the way Udit Narayan says it, it sounds like ‘Haau I vhunder vhaatt you aar’. 😂 The song will entertain for a limited period of time, and it will sound like a great dance song, but after that limited period is over, you wouldn’t think of playing it at all. Lyrics are nothing great, and neither are the arrangements, which Sachin-Jigar haven’t kept as interesting as the other sings in the album. The tune is the only attractive part, but that too to a certain extent. The unknown rapper people make re-entries throughout the song, with an annoying line that sounds like ‘oh bandi chhote!’. Well whatever it is, that line is so annoying! This song stands nowhere in front of the others, but make the most of its enjoyability till you get bored of it in subsequent listens.

 

5. Nahin Woh Saamne:- Singer ~ Atif Aslam, Lyrics by ~ Priya Panchal

This track is a sad version of ‘Tera Naam Doon’, and has nothing much to offer except a chance to finally hear what the lowest level of Atif’s besurapan is. In many places he has lost his tune and has sung like an amateur. Priya’s lyrics are good in this version too, and it might be the only reason to hear the song. Sachin-Jigar have kept the arrangements very low, with only guitar strums and chimes supporting Atif. It is only one minute and 48 seconds, so it won’t make much of a difference if you hear it or not. Hear it for Priya’s lyrics.

 

And now the bonus song composed by Chirantan Bhatt:-

Hear it on YouTube:-

 

♪ Extra Song:-

♪ Maange Entertainment:- Singer ~ Akshay Kumar, Music by ~ Chirantan Bhatt, Lyrics by ~ Manoj Yadav

After Aamir Khan, Alia Bhatt, Shraddha Kapoor and Salman Khan, now even Akshay Kumar has picked up the trend of these days, to sing in a film in which he stars. It’s not the first time — he had sung for ‘Special 26’ last year — but this time, it isn’t a romantic song, but an entertaining song. Chirantan Bhatt has composed this song as a title track for the movie. It is crazy, zany, whacky — call it whatever you want. Akshay Kumar sounds well in the song, but most probably his voice has been autotuned. Techno elements have been very efficiently used by Chirantan, and he has delivered a song very different from what is known as his comfort zone i.e, romantic songs. It is entertaining, with weird but entertaining lyrics, and the tune is also pretty good, though not a superhit tune. Pretty Entertaining so try it out!


Entertainment actually does have songs that provide wholesome entertainment, be it ‘Johnny Johnny’ or ‘Veerey Di Wedding’ or ‘Tera Naam Doon’, they entertain. Though a few songs have a typical tune, they manage to entertain for some time at least. Sachin-Jigar have totally made up for the disappointing songs they had given in ‘Humpty Sharma Ki Dulhania’, and Chirantan also entertains with his sole bonus song. The album is true to its name and it will definitely entertain you for a month or so if not for a very long time. The musical flaws, stated at the concerned places, also cannot be ignored however, hence the rating. This album truly provides fulltoo entertainment, and though it has some flaws here and there, it will be able to do justice to the film and even might give the film a slightly higher opening than it would have had! 

 

Final Rating for This Album:- सा < रे < ग < म <  < ध < नी

Note:- The letter which is underlined is the final rating.

 

Which is your favourite song from Entertainment? Please vote for it below! 😊

 

Next “dish”:- Raja Natwarlal, Chef:- Yuvan Shankar Raja