OCTOBER 2017 ROUND-UP (CHEF, TU HAI MERA SUNDAY, RANCHI DIARIES, GOLMAAL AGAIN, JIA AUR JIA — Mini Music Reviews) + Important Announcement!!


The Important Announcement

Due to the scarcity of time, from now on, I will sum up the entire month’s reviews in a set of two articles each month, one usually around the 15th of the month and the other towards the end. Of course, certain albums that I feel need a separate post (either because they might have many songs, or be spectacular albums, or even if the movies are highly awaited ones) I will do so for those albums. I will reveal the chosen album for this month — it’ll be “Secret Superstar” — I don’t guarantee it’ll be rated very high, but because of the buzz surrounding it, it requires a separate post, I feel! Meanwhile, the usual monthly awards posts will sum everything up once again at the end of every month in the form of awards. I really hope this format helps me balance my schedule! And I can’t wait to return to my normal long posts — till then enjoy your luck of getting to read short reviews from my side!!


October 2017 Round-Up

So this post will cover the reviews for the all but two of October releases that have already released — ‘Chef’ by Raghu Dixit & Amaal Mallik, ‘Tu Hai Mera Sunday’ by Amartya Rahut (Bobo), ‘Ranchi Diaries’ by Nickk, Jeet Gannguli, Tony Kakkar & Bobby-Imran, ‘Golmaal Again’ by Amaal Mallik, Thaman S., Lijo George-DJ Chetas & Abhishek Arora, and ‘Jia Aur Jia’ by Sachin Gupta, Nisschal Zaveri & Sameer Nichani. There will be separate reviews for ‘Secret Superstar’ and ‘Rukh’, both by Amit Trivedi.



♦ A Delectable Treat For The Ears: CHEF Music Review

♪ Music by: Raghu Dixit & Amaal Mallik
♪ Lyrics by: Ankur Tewari & Rashmi-Virag
♪ Music Label: T-Series
♪ Music Released On: 26th September 2017
♪ Movie Released On: 6th October 2017

Listen to the songs: Saavn
Buy the songs: iTunes

Listen to ‘Tere Mere’: Saavn
Buy ‘Tere Mere’: iTunes


Raghu Dixit starts off the album with Shugal Laga Le, a song having a heavy folk influence from Kerala. The backing vocalists provide that freshness associated with Kerala, and Raghu’s characteristic voice makes it all the more intriguing to listen to. In his arrangements too, he adds a dash of everything, and especially those percussions are mind blowing, along with the banjo. Ankur’s lyrics made me acquainted with a new phrase “Shugal Laga Le” meaning “find a hobby, or find something to do”. The next song by him is also reliant on folk music, this time Celtic/Irish. Banjaara is steeped heavily on the beautiful flutes that characterise Irish music, with amazing percussion and backing vocals yet again. Vishal Dadlani does great justice to the sing with those power-packed vocals. The song is one of those many motivational songs that Vishal gets to sing in Bollywood, except that this time, it has a whole new style to it. The mellow Darmiyaan, exudes a positivity in spite of the fact that it is a sad song — mostly because of Raghu’s ebullience. A splendid guitar backdrop makes it simple and sweet, and Raghu’s diction has to be lauded. Raghu takes forth the melancholia in a more Bollywood-ish way in Khoya Khoya, which I rank as the best of the album — underrated Shahid Mallya taking charge of the vocals in a very beautiful way, and Dixit’s composition has that old-world-charm to it. The sarangi is quite impressive here! The alternative rock set up will make this one loveable to many! Raghu’s last song on the album is the effervescent Tan Tan, rendered with spunk by Nikhita Gandhi, the only female vocalist on the album. In her texture, she gives off vibes of Shalmali and Shefali. Guest composer Amaal Mallik, whose song Tere Mere was also removed from the album later, produces a song you can immediately tell is by him. That doesn’t make its richness diluted, though — it’s still wonderful, with the nice dholak rhythm accompanying Armaan Malik’s beautiful voice. Also, Rashmi-Virag’s lyrics are amazing!
All in all, Chef is one of the best albums of the year in that it is a clever mix of melancholia, inspiration and romance. Raghu Dixit must sign more and more Bollywood films — I firmly believe that this is his best Bollywood album yet!

Total Points Scored by This Album (in the order mentioned in the review): 4 + 5 + 4 + 5 + 4.5 + 4 = 26.5

Album Percentage: 88.3%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Banjaara = Khoya Khoya > Tan Tan > Tere Mere = Shugal Laga Le = Darmiyaan



♦ A Perfect Sunday Album: TU HAI MERA SUNDAY Music Review

♪ Music by: Amartya Rahut
♪ Lyrics by: Milind Dhaimade
♪ Music Label: Zee Music Company
♪ Music Released On: 29th September 2017
♪ Movie Released On: 6th October 2017

Listen to the songs: Saavn
Buy the songs: iTunes


Out of Arijit’s two songs, the classically-steeped sad song Dhundlo Tum fares better, with an addictive strings orchestra accompanying it, and it quickly steers away from the Bhatt-ish genre that it starts off with. Had that continued, it wouldn’t have been half as good. The digital Sitar is beautiful. His other song, Thodi Si Jagah, is also classical-based for some initial parts, before it turns into an upbeat number that loses itself halfway through the song. The rock backdrop ofthe hook line couldn’t have been more clichéd. Arijit’s vocal prowess is clearly showcased in the song though. It is Amartya’s violin solo that impresses though, with its distinct classical tune. The title song, Tu Hai Mera Sunday, takes a pleasant Christmassy turn, with soft jazz making your ears happy. Shalmali renders it with a familiarity that makes you feel amazing. The brass portions have been done really well here, as are the drums. The clarinet and piano is wonderful too. It is nothing more than the lyrics that make it sound even more personal though. Ash King’s Yeh Mera Man is a pleasant departure from his previous song ‘Bandook Meri Laila’ (A Gentleman) and brings him back to his comfort zone. Again, a jazzy tune gives the song a kind of spring, and that whistle portion is so pleasantly surprising and charming, it is hard to dislike. The guitars are impressive here. Yeh Jo Pyaar Hai, a clubbish number sung by Nandini Srikar, is probably the weakest of the album, where the tune and the arrangement are just mismatched; the hookline sounds like this song was pitched for the situation of ‘Aaj Ki Raat’ (Don) before ‘Aaj Ki Raat’ was finalised.
Amartya’s best album to date provides us with a nice mix of classical music, jazz music and a banal club number! This album will go highly underrated and unnoticed though!

 

Total Points Scored by This Album (in order mentioned in the review): 4.5 + 4 + 4 + 3.5 + 3 = 19

Album Percentage: 76%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Dhundhlo Tum > Thodi Si Jagah = Tu Hai Mera Sunday > Yeh Mera Man > Yeh Jo Pyaar Hai



♦ Uninteresting Diaries: RANCHI DIARIES Music Review

♪ Music by: Nickk, Jeet Gannguli, Tony Kakkar & Bobby-Imran
♪ Lyrics by: Nickk, Manoj Muntashir, Tony Kakkar & Sattwik Mohanty
♪ Music Label: T-Series
♪ Music Released On: 7th October 2017
♪ Movie Released On: 13th October 2017

Listen to the songs: Saavn
Buy the songs: iTunes


Some newcomer Nickk is — he has just been made to make another ‘Baby Doll’, now that Meet Bros. just be refusing to do it. However, Fashion Queen has something in addition to the usual ‘Baby Doll’ sequels — an Arabic strings backdrop that just helps it as much as a car can help you fly. The new singer Raahi seems disillusioned with the ideals that it is okay to sing like Kanika Kapoor if you aren’t her. The composer’s rap is dumb. Helicopter‘s lyricist and composer Tony Kakkar uses the word ‘helicopter’ as a metaphor for ‘getting high’. 😶 Siblings Tony and Neha render it with as much mediocrity as they can muster. I can’t believe Tony is the same guy behind ‘Saawan Aaya Hai’ (Creature 3D) and ‘Khuda Bhi’ (Ek Paheli Leela), but then he has made ‘Ek Do Teen Chaar’ (Ek Paheli Leela) and ‘Do Peg Maar’ (One Night Stand). Jeet Gannguli’s Thoda Aur is the composer’s usual pathos-filled romantic number — you would think that after a year-long break, he would return with something pleasant. But it is the same old Arijit-Palak love story. And the irony is that this song sounds like ‘Saawan Aaya Hai’ (Creature 3D). So did Tony help him here instead of making his own song better? 😏 The last song is a banal Mika solo Godfather, composed by Pritam’s former assistants Bobby-Imran, which I couldn’t even finish once when I started to listen to it.
This is a Hodge-podge of the worst songs from the weirdest mix of composers ever.

 

Total Points Scored by This Album: 2 + 1.5 + 3 + 0.5 = 7

Album Percentage: 35%

Final Rating for This Album: सा < रे <  < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Thoda Aur > Fashion Queen > Helicopter > Godfather



♦ Amaal Ka Kamaal (Again): GOLMAAL AGAIN Music Review

♪ Music by: Amaal Mallik, Thaman S., Lijo George, DJ Chetas, Abhishek Arora, Anu Malik & Raamlaxman
♪ Lyrics by: Kumaar & Rahat Indori
♪ Music Label: T-Series [“Aate Jaate Hanste Gaate” on Saregama]
♪ Music Released On: 6th October 2017
♪ Movie Released On: 20th October 2017

Listen to the songs: Saavn
Buy the songs: iTunes

Listen to “Aate Jaate Hanste Gaate”: Saavn


The album to the much-awaited fourth instalment to the ‘Golmaal’ series starts with the Title Track, where South film composer Thaman S. is called in just to do that clichéd Kuthu rhythm we are all bored of. Brijesh Shandilya does well as the lead male singer, but Aditi Singh Sharma sounds utterly replaceable. She gets another song, Itna Sannata Kyun Hai, composed by Lijo George and DJ Chetas, where her part towers over her male co-singer Amit Mishra’s parts. The hookline is like a desperate scream in our ears, to make noise. The EDM after the hookline is so bad, I can’t describe it. Amaal Mallik, lead composer, gets two songs, where one is obviously a 90s remake. ‘Neend Churayi Meri’ (Ishq) is the privileged song, named by the company as Maine Tujhko Dekha. The song’s best part is that Neeraj Sridhar returns after a long time to sing a song that is tailor-made for his song. Sukriti Kakar complements him well, but the song is better as an individual song than it is as a remake. Had the hookline been original, it would have been amazing! Amaal’s second song happens to be the album’s best — Hum Nahi Sudhrenge gives those rays of positivity like ‘Apna Har Din’ did in ‘Golmaal 3’. Though the song is similar to Amaal’s other EDM numbers like “Sooraj Dooba Hai”, “Buddhu Sa Mann” and “Zindagi Aa Raha Hoon Main”, it works well because of its positivity and Armaan yet again sings charmingly! What Saregama holds of the album is an unplugged, slow-paced version of ‘Maine Pyaar Kiya’s Aate Jaate Hanste Gaate, sung very simply by Nikhil D’Souza and Anushka Manchanda, and arranged soothingly by Abhishek Arora (of Abhishek-Akshay) and Samyuktha Narendran. It doesn’t work too much though, in spite of not changing much from the old song.
The worst Golmaal album is held up solely by Amaal’s songs (or song).


Total Points Scored by This Album: 2.5 + 2.5 + 3.5 + 4 + 3.5 = 16

Album Percentage: 64%

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Hum Nahi Sudhrenge > Maine Tujhko Dekha = Aate Jaate Hanste Gaate > Itna Sannata Kyun Hai = Golmaal Again (Title Track)

 

Remake Counter:
No. Of Remakes: 35 (from previous albums) + 02 (from Golmaal Again) = 37


♦ Nisschal O Nisschal, Aur Compose Karo! : JIA AUR JIA Music Review

♪ Music by: Nisschal Zaveri, Sachin Gupta, Sameer Nichani & Shankar-Jaikishan
♪ Lyrics by: Mudassar Aziz, Raqueeb Alam, Vachaspati Mishra & Hasrat Jaipuri
♪ Music Label: Zee Music Company [“Jia O Jia Reprise” on Saregama]
♪ Music Released On: 17th October 2017
♪ Movie Releases On: 27th October 2017

Listen to the songs: Saavn
Buy the songs: iTunes

Listen to “Jia O Jia Reprise”: Saavn


The songs by Sachin Gupta start off the album, and though they do not impress you immediately, you do get attuned to them on hearing them for a couple of times. Na Shukre is a wild rock song about carefree girls, and Smita Malhotra makes a rocking debut with her vocals in this, the rock guitars played wonderfully. Shivani Bhayana’s Naach Basanti, on the other hand, is a bit too rowdy to go with its amazing club arrangements, but apparently by the lyrics, it is supposed to be some sort of an ode to “Sholay”. Many of the small additions by Gupta in this song happen to catch your attention, like the techno sounds at the beginning, and the folksy portion at the end.
The newcomer composer, Nisschal Zaveri, steps in for the rest of the songs (with lyrics) and I must say, he does quite an amazing job in his first album itself. His lullaby-ish, classical-based Na Jaa appears in two versions, one in Asees Kaur’s voice, with a stark resemblance to her singing in ‘Kaari Kaari’ (Dobaara), while the other is in Nandini Srikar’s voice. Obviously, Nandini’s version wins my heart because of her seasoned voice and more classically inclined singing. The Tabla in this song has to be mentioned, as do the strings, guitars and mandolin. The arrangements overpower the voice of Asees in her version, another drawback of that version. Nandini’s version has everything that the music buff longs for in a good song.
Zaveri’s other song, released by Saregama, is a reprise of Shankar-Jaikishan-Mohd. Rafi classic Jia O Jia, and is an apt remake of the song, with an upbeat clubbish sound, one of the freshest remakes I’ve heard this year. The song feels like a splash of water on your face — despite being a remake, Zaveri uses his creativity to make it a bit unconventional, without being bogged down by the thought of what’s popular these days. The synth has been used amazingly, and the backing chorus singing “Jia O” after every hook is just sweet! Jyotica sounds amazing in this song, the least she has sounded like Neha Kakkar ever! But Rashid Ali, being heard after a long time, falls flat due to the excessive programming done to his voice. The Latino turn of sound midway into the song takes time to get used to, but is awesome!
The background score composer for the film, Sameer Nichani, gets one of his instrumental pieces added to the album, and it is called Jia Aur Jia Theme, and is heavy on Spanish guitars, played in a very sensuous way. It is extremely short at one and a half minute, but soothes your senses for all its worth.
A hidden gem of an album, wherein we find a new composer who must get many, many more songs in Bollywood!! Zaveri scores higher than Gupta here.


 

Total Points Scored by This Album: 3.5 + 3 + 4 + 5 + 4 + 4 = 23.5

Album Percentage: 78.33%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Na Jaa By Nandini > Jia O Jia Reprise = Na Jaa = Jia Aur Jia Theme > Na Shukre > Naach Basanti

 

Remake Counter:
No. Of Remakes: 37 (from previous albums) + 01 (from Jia Aur Jia) = 38


I hope that wasn’t too long (though I know it was) but this is what I’m going to have to do until I am a bit more free. I personally liked this method of reviewing and don’t mind continuing it forever too! So maybe, just maybe, you might get the “Secret Superstar” and “Rukh” reviews in this format too, but in separate posts and not clubbed together! Lets see! Till then, enjoy music! 😉

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AZHAR NE KIYA HAI ISHAARA, AMAAL KA HAI KHEL SAARA!! (AZHAR – Music Review)

Music Album Details
♪ Music by: Amaal Mallik, Pritam Chakraborty, DJ Chetas & Kalyanji-Anandji
♪ Lyrics by: Kumaar, Manoj Yadav, Rashmi-Virag & Anand Bakshi
♪ Music Label: T-Series
♪ Music Released On: 19th April 2016
♪ Movie Releases On: 13th May 2016

Azhar Album Cover

Azhar Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Azhar is an upcoming Bollywood biopic, based on Indian cricket team’s former captain, Mohammad Azharuddin. The movie stars Emraan Hashmi as Azharuddin, Prachi Desai as Naureen, his first wife, and Nargis Fakhri as Sangeeta Bijlani, his second wife. Supporting cast includes Lara Dutta, Gautam Gulati and Kunaal Roy Kapur. The film is directed by Tony D’Souza, and produced by Shobha Kapoor, Ekta Kapoor and Sony Pictures Networks. The movie highlights the famous and well-known events in the cricketer’s life, which resulted in his downfall and debacle. I wasn’t expecting some huge number of songs for this movie, but at 5, the number meets my expectations, being neither too less nor too much. What’s more, though the album was previously supposed to be composed solely by hit-machine Pritam Chakraborty, due to some health issues Pritam had, the task of matching up to his level and completing some unfinished business had to be handed over to none other than Amaal Mallik, who I regard as ‘Junior Pritam’, what with his consistent hits coming even after such a short time of being a composer. So here too, he’s expected to make Pritam (whose assistant he was before) proud. However, Pritam’s one song has been retained in the album. There is a remake of two of Kalyanji-Anandji‘s superhit tracks from the movie ‘Tridev’, done by DJ Chetas, but that’s like a bonus for me, as I wasn’t interested in it from the beginning itself after I read DJ Chetas’ name. With T-Series producing the album, hits are guaranteed, but there is still lots of curiosity and hopes that Amaal performs well on stepping into his master’s shoes. 🙂 So… Gajar ne kiya hai ishaara… It’s time to read my review! 😀


1. Bol Do Na Zara
Singer ~ Armaan Malik, Music by ~ Amaal Mallik, Lyrics by ~ Rashmi Virag

Amaal kickstarts this album, with a soft and mellow romantic song. Piano notes that will blow your mind away open up the song, and continue to fascinate you until Armaan with his soft and innocent voice starts singing in a lovely manner, which is sure to touch your heart. He has taken care of the whole song very responsibly and half of the magic of the song lies in his vocals, and I’m glad he hasn’t imitated Arijit in this one. Amaal is the star behind this greatness in the song. Besides choosing the right singer, he has woven up a beautiful song with notes that are pure and instantly likable when heard together. Instrumentation is subtle and minimal, but fascinating nonetheless. The aforementioned piano is there, guitars do play a role, electric and acoustic both. Strings can also be heard occasionally. Other digital beats complete the song wherever it seems incomplete. Armaan and his aalaaps in the beginning and end of the song are marvellous. The mukhda itself has the power to attract numbers of listeners and hook them all the way through the song. Imagine how good it must be, to be doing that! Rashmi-Virag’s lyrics are perfect for the theme of the song, not too over romantic, but stilll have the right measure of Bollywood romance in them. One thing i liked about Amaal’s composition is that it ranges greatly from low notes to high, and how seamlessly! Kudos to him for that. A wonderful synthesizer interlude will impress you a lot! With this one, Amaal starts off the album on a PERFECT note! #5StarHotelSong!!

 

2. Itni Si Baat Hain
Singers ~ Arijit Singh & Antara Mitra, Music by ~ Pritam Chakraborty, Lyrics by ~ Manoj Yadav

Pritam continues the magic in the album with something I believe he’s the best at. Romantic songs. Guitar plucks start off the song, and Arijit kicks in. For me, this song didn’t start off as well as the first, but instead, the magic lies in the latter part of this song. The tune with which Arijit starts off the song, did remind me a bit of ‘Wafa Ne Bewafai’ (Teraa Surroor), but only for a very very small time, after which it becomes totally different. The magic in the composition lies completely in its simplicity, something Pritam hasn’t done for a while, as he was giving us all those experimental romantic songs. However, this one is out-and-out simple and innocent, not trying really hard to impress and win hearts, but doing so anyways! Arijit carries forth the mukhda and first antara of the song beautifully, both having the same tune and structure. Antara takes over with the second antara, (Pun unintended, so please… 😒😂) continuing ever-so-gracefully. It’s something I never understand how she sounds so different in each song, and it is commendable, but she should carve out a niche for herself in the industry nevertheless. Here, she sounds sugar-sweet, but I can’t help but miss Neeti Mohan for this one. Anyways, Pritam has composed the best part of the song for Antara, and she does justice to it, being all sweet and goody-goody. Arrangements, too, are minimal. The song’s base is a digital rhythm that plays throughout. On top of that, Pritam has added beautiful sarod (Prateek Srivastav) and tablas (Jitu Shankar). Guitars (Pawan Rasaily) are a prominent part of the song. Towards the end of Antara’s part, both Arijit and Antara harmonize together wonderfully, reminding me somehow of Rahman in the 2000s. Manoj Yadav’s lyrics are sweet and simple too, but could’ve been better, too. A song that takes time to grow, but when it grows, nothing could be better! It all lies in its subtlety and simplicity! #5StarHotelSong!! 

 

3. Oye Oye
Singers ~ Aditi Singh Sharma & Armaan Malik, Music by ~ Kalyanji-Anandji, Recreated and Remixed by ~ DJ Chetas, Lyrics by ~ Anand Bakshi

Next up is the song I was least excited for — a remake/remix of the superhit ‘Gajar Ne Kiya Hai Ishaara’ (Tridev) by none other than the Mashup King of recent times, DJ Chetas. Where Sadhana Sargam, Alka Yagnik and Sapna Mukherjee led the old song, this one is led by a sole female singer, Aditi Singh Sharma, the one who is the best choice for club songs these days. Armaan does join, but later on. The surprise is that the whole song isn’t ‘Gajar Ne Kiya Hai Ishaara’, but Chetas has included the hookline of ‘Gali Gali Mein Phirta Hai’ (Tridev) as well, into the remake. That part is when Armaan gets his only line in the song. When it is a DJ remaking an old classic, all we can do is place our foreheads in our palms out of shame. Apart from Aditi adding unnecessarily stylish nuances to the vocals, DJ Chetas adds nothing but beats, that help in places but lower the song’s quality in other places. Armaan is the best thing that happened to the song, extracting an extremely different voice from what we usually hear him singing with. Lyrics are the exact same as the old song, and so is the composition. Though the song is groovy, due to the beats, Aditi’s singing isn’t really what I would’ve liked in the remake to this song. Also, it adds to the looooooonnnnnnnnngggggggg list of ‘Bollywood Classics Spoiled By Being Remade’. Had Amaal or Pritam remade it, it might’ve been better, and if they could’ve been made to compose an original club disco song with this theme, there would’ve been nothing like it. My favorite part of the song, if I had to choose, would definitely be the ‘Gali Gali Mein Phirta Hai’ lines by Armaan. Perfect song for clubs.

 

4. Tu Hi Na Jaane
Singers ~ Sonu Nigam & Prakriti Kakar, Music by ~ Amaal Mallik, Lyrics by ~ Kumaar

After that bombardment to the ears, here’s Amaal to the rescue, with a soft, soothing, lovable, calming and any-other-good-adjective-you-can-think-of type of song. Further, it’s Amaal’s first song with Sonu Nigam, the legend! It is a huge leap for him and a milestone in his career. The song starts off so calmly, it is a huge refreshment from the loudness of ‘Oye Oye’. And when Sonu starts off, it is heavenly! A beautiful composition is the strength of the song, and the song is perfect for Sonu Nigam, with the intense heartbroken nature of the lyrics, which he’s best at. Prakriti also, is a great choice for the song. Her Punjabi parts are so melodious and fascinating, that they have made a place for themselves in my mind and heart. Amaal’s arrangements are beautiful, the rock plus classical combination heard many times before, but seldom done as good as this. Electric guitars, drums on one side perfectly complement the tablas, flutes and a wonderful sarangi interlude. The soul of the song lies in the composition and vocals, while the arrangements hold the both together as one. Kumaar’s lyrics are out of this world! Once you hear them, you would fall in love with them yourself, and Sonu and Prakriti do a fantabulous job expressing the pain in the lyrics. Though it is a sad song, it doesn’t go over the top with melodrama nor does it fall short of emotions. It strikes the right emotions in you and might bring you to are as well! Oh, the magic! The antaras have been well divided between Sonu and Prakriti, each getting one. I can even imagine what situation this song would appear in the film, and it is pretty obvious too. Keeping it in mind, the song is perfect! A song that will make you speechless! 😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍😍 One of the best songs of 2016, and welcome back FOR REAL, Sonu Nigam! Extremely well done Amaal!! #5StarHotelSong!!

 

5. Jeetne Ke Liye
Singer ~ K.K., Music by ~ Amaal Mallik, Lyrics by ~ Kumaar

The finale to the album brings K.K. and Amaal together once again after an unforgettable ‘Tu Bhoola Jise’ (Airlift). This time, a motivational song has been crafted by Amaal, and K.K. has sung it in his trademark style. The song is also tailor-made for him, being a rock song with an emotional touch. Amaal’s arrangements are very cool, with the electric guitars blaring and drums providing the rhythm to move our heads to. Acoustic guitars appear in the relatively calm antaras until the energetic, almost hard rock hookline comes. Strings too make a short appearance in the song. Amaal has composed the song quite well, and it suits the theme — a person who has lost hopes motivating himself to fight on and on and finally win the fight against bad situations. Kumaar’s lyrics perfectly explain it. Amaal’s composition is something that doesn’t appeal much at first, but when heard again and again, and when lyrics are taken into consideration, it sounds awesome! The impactful hookline is all that is needed to touch one’s heart. The finale to the album is indeed grand! K.K. at his best after a LONG time! #5StarHotelSong!!


Azhar is an album in which I was not expecting three out of five songs to be romantic. Azhar is an album which I was waiting for since last summer, because Pritam was going to compose for it. Azhar is an album in which the once-assistant of Pritam, Amaal Mallik, composes alongside his guru. Azhar is an album in which disciple overtakes the teacher, making the teacher extremely proud. Azhar is an album in which Amaal showed to the world that he can compose such beautiful stuff in such a short notice of two to three weeks! Incredible and fantastic. I would say, barring DJ Chetas’ song, Azhar is an album for a film in which such great music was never expected. Last but not the least, I would say that Amaal is the star of ‘Azhar’!!

 

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Tu Hi Na Jaane > Bol Do Na Zara > Itni Si Baat Hain > Jeetne Ke Liye > Oye Oye

 

What is your favourite song from Azhar? Please vote for it below! Thanks! 🙂

 

Next “dish”: Sairat (Marathi Album), Chefs: Ajay-Atul