Music Album Details
♪ Music by: Tanishk Bagchi, Dr. Zeus & Viju Shah
♪ Lyrics by: Arafat Mehmood, Niket Pandey, Ikka, Mohammed Irfan, Jasmine Sandlas, Shabbir Ahmed & Late Anand Bakshi
♪ Music Label: T-Series
♪ Music Released On: 21st February 2017
♪ Movie Releases On: 17th March 2017
To hear the full songs of this album on Saavn CLICK HERE
To buy this album on iTunes CLICK HERE
Machine is an upcoming Bollywood romantic thriller starring Kiara Advani and Mustafa Burmawalla, who is the son of Abbas Burmawalla. The directors of the film are Abbas-Mustan themselves, and the movie has been produced by Jayantilal Gada, Haresh Patel, Pranay Chokshi, Abbas-Mustan Films productions, and Dhaval Jayantilal Gada. The film revolves around two racing enthusiasts who fall in love. Abbas-Mustan’a films are known as very massy thrillers, and this seems to be no exception. Music seems to play a very important part in their films, and they make it a point to promote their films’ albums heavily before the movie’s release. And they’ve worked quite well with whatever compoosed they’ve worked with in the past. With the exception of their latest movie before this, ‘Kis Kis Ko Pyaar Karoon’ which had quite a dull album (and it wasn’t a thriller), many of their albums have been hits. They’ve collaborated with Jatin-Lalit (‘Khiladi’), Anu Malik (‘Baazigar’, ‘Baadshaah’, ‘Soldier’, ‘Ajnabee’), Himesh Reshammiya (‘Humraaz’, ‘Taarzan: The Wonder Car’, ‘Aitraaz’, ’36 China Town’) and Pritam (‘Naqaab’, ‘Race’, ‘Players’, ‘Race 2’). All of these albums were quite popular. However, the album to ‘Kis Kis Ko Pyaar Karoon’ was below even that. And it was a multicomposer album! This time around, the duo try to change that by roping in a single composer for five songs of the album, and a guest composer for one song. The man behind most of the album here is Tanishk Bagchi, who is currently riding on the success of his two enjoyable songs from ‘Badrinath Ki Dulhania’. He has worked with the duo in ‘Kis Kis Ko Pyaar Karoon’, for one song (the best song of that album). The guest composer is Dr. Zeus, who also had a song in ‘Kis Kis Ko Pyaar Karoon’. I’m expecting quite a lot from Tanishk though, so let’s jump right in!
Singers ~ Yasser Desai & Shashaa Tirupati, Music by ~ Tanishk Bagchi, Lyrics by ~ Arafat Mehmood
(Can’t find any lyrics worth this space)
The soundtrack opens wih a romantic song filled with the Bhatts’ templated sound, but also paying “homage” to another old song, which, since it hasn’t been credited, has to be a “coincidence”. The song’s first line itself makes you instantly think of “Aakhir Tumhe Aana Hai” (Yalgaar), but all the coincidences flee at the end of that line, as composer Tanishk Bagchi sets the song to its very own composition that is quite catchy in itself. Now, Tanishk has never really given such a templated song before, at least not in the romance genre of songs, so it takes a little time to get accustomed to the fact that Tanishk has composed it. Till then, though, the song grows on you. The similarities in the first line of the mukhda notwithstanding, the rest of the song fares quite well as a romantic Bollywood song. Some places sound very heavily heard-before, but that doesn’t lessen the likeability in any way. The antara with its high notes sounds a bit uncomfortable to the ears at first, but sets in after a couple of listens. As a whole, it sounds like a song that the Bhatts had reserved but then never got a film to add it into. The English interlude by Shashaa Tirupati sounds very generic, but again, good enough. The arrangements are what makes the song even more likeable — the strings at the beginning are nice, and the digital beats are charming. Not to mention the cool twinkling sounds that Tanishk had added, which adds considerably to the ‘mechanical’ sound of the song, given that the name of the movie is “Machine”. Yasser Desai (who had dented last year with a couple of songs in ‘Beiimaan Love’ which I had no time to review) doesn’t quite fit in with the song, and his voice is kind of hard to digest; it sounds too robotic. Autotuned heavily, it is quite weird to listen to at first, but as everything else does, his voice also sets in later. Shashaa does her English interlude beautifully, but other than that, doesn’t have any other lines. Arafat Mehmood’s lyrics are quite laidback, not to mention that the conscious effort to add the “..aana hai” and other rhyming stuff at the end of every hookline sounds a bit too forced! An above average start to the soundtrack, but gets the “Machine” theme right, because of the great arrangements and accidentally mechanical vocals.
2. Chatur Naar
Singers ~ Nakash Aziz & Shashaa Tirupati & Ikka, Music by ~ Tanishk Bagchi, Lyrics by ~ Niket Pandey, Rap by ~ Ikka
(Utterly banal lyrics!)
Next up we get a party song, which is mandatory in every Abbas-Mustan film, so that they can show the actor driving up in a cool Lamborghini, and then the branded sunglasses of the actress. This time, without Pritam, they have to resort themselves to a quite low-standard party song (I believe that Pritam has given them the best party songs in the past) which tries to be a remake of the classic ‘Ek Chatur Naar’ (Padosan) but fails, because it sounds nothing like it except in bits and parts. And since they haven’t credited the old song’s musicians, I’m taking it to be a ‘spin-off’ like I did for ‘Mere Miyan Gaye England’ (Rangoon). The composition is upbeat and might (notice that I say MIGHT) get Gen Y dancing to its beats, which I still think are too loud for today’s music sensibilities. Though the composition is something I wouldn’t care to listen to again, the arrangements are quite youthful and lively. The beats really do make the song enjoyable, and Tanishk’s offbeat additions make the arrangements all the more weirdly likeable. Weird vocal tweaks added in the weirdest places are quite funny to hear. Otherwise, the composition is quite generic. The vocals are enjoyable as well. Nakash Aziz is enjoying himself in this party track, and his variations make the song worth listening. Shashaa Tirupati sings her lines like a typical club song singer, and she gets her voice programmed heavily as is the tradition in such songs. Ikka’s rap is very short thankfully, and it is not that great either. The other lyrics by Niket Pandey are another set of words more bent towards rhyming instead of making sense. Heard as a club song, it might work. But if you hear it thinking it is a remake, it will spoil the song.
3. Brake’An Fail
Singers ~ Jasmine Sandlas, Rajveer Singh & Ikka, Music by ~ Dr. Zeus, Lyrics by ~ Jasmine Sandlas, Rap by ~ Ikka
“Teri Meri Kahaani, duniya yaad karegi soch le,
Brake’An ne mereya fail te sajjna, rok saki te rok le!”
– Jasmine Sandlas
Dr. Zeus enters the soundtrack with his guest composition, another club/party song. Abbas-Mustan seriously can’t go without adding at least two of these in their albums! The song surprisingly, shows no resemblance to previous Dr. Zeus songs, and I was really surprised when I couldn’t find any of those screeching ladies and that trademark Dr. Zeus shattering glass in the song! The composition is quite a melancholic one, considering that it is for a club song. I mean, if he removed the club beats, it could just as well go as an undercover agent and place itself in a Sanjay Leela Bhansali soundtrack as the melancholic track. (Okay, just kidding!) The hookline “teri meri kahaani…” is quite catchy, and the rest of the song too, isn’t bad at all. The composition is actually catchy for once. It is one of those Dr. Zeus songs (probably the only one?) that doesn’t irritate. The arrangements are suitable for the song, and this time, Dr. Zeus aptly replaces those screaming ladies (from ‘Happy New Year’s ‘Lovely’ and ‘Ek Paheli Leela’s ‘Desi Look’) with car brake sounds, according to the theme of the movie, car racing. Jasmine’s vocals suit the song well, and the song wouldn’t have had the same impact with somebody else singing it. Rajveer Singh has quite little to contribute but Ikka has an extra long rap in the middle somewhere, which we just have to wait for it to end. Jasmine herself writes the lyrics for this one, and they are completely in Punjabi, and they seem quite meaningless, considering that it is a Club song. A good song from Dr. Zeus after all those screaming ladies and all that shattering glass.
4.Tu Hi Toh Mera
Singer ~ Yasser Desai, Music by ~ Tanishk Bagchi, Lyrics by ~ Arafat Mehmood
(Very staid lyrics!)
Tanishk re-enters wih the fourth track of the album and one can’t help but think of Disney Princesses when this track starts. The arrangements really increase the Disney feel of the song. The composition is quite likeable until that jarring Pakistani pop styled line comes up and the hookline that follows too, follows the same template. The parts where the tempo is slow and everything actually sounds like a ballroom dance, are the best parts of the song, while everything else sounds below average, straight out of a Bhatt movie. The arrangements too, excel in the ballroom portions of the song. The sparkling sounds, coupled with the extravagant strings, set very fantastic arrangements to the song, and especially the beginning of the song, which is very waltzy, sounds amazing. But again, the parts before and during the hookline, sound very laidback and clichéd. There is a nice Spanish interlude which is enjoyable as well. Again, Yasser tries to be Arijit desperately, and one can’t help but sit and point out parts where he sounds a LOT like Arijit, which is almost the entire song. It would’ve been better for the makers to have just called in Arijit. Arafat Mehmood’s lyrics here too, are very very heard-before and offer nothing new. A Bhatt-Disney fusion doesn’t work so well.
Singer ~ Jubin Nautiyal, Music by ~ Tanishk Bagchi, Lyrics by ~ Arafat Mehmood & Mohammed Irfan
“Jeena muhaal hai abb, tera sawaal hai abb,
De bataa, tu zara, kya naam loon main tere pyaar ka!”
– Arafat Mehmood & Mohammed Irfan
Finally, here comes what I was expecting from Tanishk after he showed us his versatility in ‘Badrinath Ki Dulhania’. The composer takes his much-used desert-nomadic styled arrangements (he used it before in ‘Rabba’ from ‘Sarbjit’) and weaves a wonderful melody through it. The composition is just so melodious, it hooks you right away. It is one of those songs that you end up loving even though they are so ordinary, simple and heard-before. However, what made me love this one in spite of all these factors, was the simplicity of the composition, the fact that the déjà vu in the composition didn’t matter to the makers, and they just presented this song with a very simple coating. The arrangements are fascinating, with the mandolin rising high above everything else, even the strings. The claps give wonderful beats that are the highlight of the song. The overlying Arabic flavour works wonderfully in favour of the song. And the vocals are beautiful! Jubin sings in a way I’ve never heard him sing before, so much so that I hardly recognized him the first time I heard the song, until I read the credits! Well, it just goes to show his versatility. Arafat Mehmood is joined by Mohammed Irfan the singer to write this one, and I must say, the composition saved the lyrics, which resort to weird-sounding words to make it work. A great song hidden in an album of songs that are concentrated more in the “average” zone!
6. Cheez Badi
Singers ~ Udit Narayan & Neha Kakkar, Original Composition by ~ Viju Shah, Music Recreated by ~ Tanishk Bagchi, Original Lyrics by ~ Late Anand Bakshi, New Lyrics by ~ Shabbir Ahmed
“Tu Cheez Badi hai mast mast, tu cheez badi hai mast!”
– Late Anand Bakshi
The last song of the album was a later addition in that it released much later than the other five tracks did. And since I’m always so late in writing reviews, I get the advantage of adding such latecomer songs in my reviews. 😉 Anyway, about the song. As you might already have gauged by reading the name, the song is a remake (this time an official one) of the 1994 super-duper hit track by Viju Shah (who was one of the most innovative young composers of the time) ‘Tu Cheez Badi Hai Mast Mast’ (Mohra). And the man who has been churning out one remake after another, Tanishk Bagchi, is in charge of this one. It was a relief to see him remaking it, instead of T-Series’ other go-to’s for remakes these days, Gourov-Roshin. So after two great 90s songs remade, Tanishk remakes this one with the club theme in mind. It starts off like an ordinary club song, but then that trademark “Pa ni saaaa…” from the old song comes in to indicate that it is a remake of that song. The composition contains almost nothing new except for a short line that Udit Narayan sings (he has redubbed everything for this song; his voice clipping hasn’t been retained from the old song). And yes, that line sounds quite odd in the song. It doesn’t gel in well with the rest of the song. The previous two remakes by Tanishk of course, had the old song’s tune retained, so this one is an odd one out that way. I liked the way he brought the old song’s antara’s tune to become the mukhda and then the antara too, of this version. The arrangements disappoint, with very everyday club beats. The mandolin playing the hookline’s tune provides respite, and so do the electronic tabla beats, but otherwise, the EDM is quite heavy, and too loud as well. The interludes both consist of very heavy EDM that is tough to digest with one of your favourite old songs. I enjoyed the small portion where Tanishk incorporated the old song though, in the second interlude. Vocals by Udit Narayan are awesome; he always manages to sound young! Neha Kakkar too, sings her parts well, without adding unnecessary nuances anywhere. Shabbir Ahmed’s additions to Anand Bakshi’s original lyrics are not any more crazy than the original, and the part which goes “zabardast dast” really calls for a cringe. Not one of Tanishk’s best remakes, but I would say it isn’t his “dosh dosh” as new lyrics have been added, unlike his other remakes (with the exception of the “Badrinath” title song).
Machine seems to be an album miserably bowing down to supposed public demands. There’s a remake, three club songs, three Bhatt-ish romantic songs (of which one excels). Tanishk’s songs range from one sode of the spectrum to the other. If some are utterly boring, some are just as beautiful. Dr. Zeus gets it right with his sole song, but it won’t be something on my playlist for long. A tried-and-tested machine!
Total Points Scored by This Album: 3 + 2 + 3.5 + 2 + 4.5 + 3 = 18
Album Percentage: 60%
Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां
Note: The letter which is underlined is the final rating.
Recommended Listening Order: Tera Junoon > Brake’An Fail > Itna Tumhe = Cheez Badi > Tu Hi Toh Mera = Chatur Naar
No. Of Remakes: 07 (from previous albums) + 01 (from Machine) = 08
Which is your favourite song from Machine? Please vote for it below! Thanks! 🙂