A TRIED-AND-TESTED MACHINE! (MACHINE – Music Review)

Music Album Details
♪ Music by: Tanishk Bagchi, Dr. Zeus & Viju Shah
♪ Lyrics by: Arafat Mehmood, Niket Pandey, Ikka, Mohammed Irfan, Jasmine Sandlas, Shabbir Ahmed & Late Anand Bakshi
♪ Music Label: T-Series
♪ Music Released On: 21st February 2017
♪ Movie Releases On: 17th March 2017

Machine Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Machine is an upcoming Bollywood romantic thriller starring Kiara Advani and Mustafa Burmawalla, who is the son of Abbas Burmawalla. The directors of the film are Abbas-Mustan themselves, and the movie has been produced by Jayantilal Gada, Haresh Patel, Pranay Chokshi, Abbas-Mustan Films productions, and Dhaval Jayantilal Gada. The film revolves around two racing enthusiasts who fall in love. Abbas-Mustan’a films are known as very massy thrillers, and this seems to be no exception. Music seems to play a very important part in their films, and they make it a point to promote their films’ albums heavily before the movie’s release. And they’ve worked quite well with whatever compoosed they’ve worked with in the past. With the exception of their latest movie before this, ‘Kis Kis Ko Pyaar Karoon’ which had quite a dull album (and it wasn’t a thriller), many of their albums have been hits. They’ve collaborated with Jatin-Lalit (‘Khiladi’), Anu Malik (‘Baazigar’, ‘Baadshaah’, ‘Soldier’, ‘Ajnabee’), Himesh Reshammiya (‘Humraaz’, ‘Taarzan: The Wonder Car’, ‘Aitraaz’, ’36 China Town’) and Pritam (‘Naqaab’, ‘Race’, ‘Players’, ‘Race 2’). All of these albums were quite popular. However, the album to ‘Kis Kis Ko Pyaar Karoon’ was below even that. And it was a multicomposer album! This time around, the duo try to change that by roping in a single composer for five songs of the album, and a guest composer for one song. The man behind most of the album here is Tanishk Bagchi, who is currently riding on the success of his two enjoyable songs from ‘Badrinath Ki Dulhania’. He has worked with the duo in ‘Kis Kis Ko Pyaar Karoon’, for one song (the best song of that album). The guest composer is Dr. Zeus, who also had a song in ‘Kis Kis Ko Pyaar Karoon’. I’m expecting quite a lot from Tanishk though, so let’s jump right in!


1.Itna Tumhe

Singers ~ Yasser Desai & Shashaa Tirupati, Music by ~ Tanishk Bagchi, Lyrics by ~ Arafat Mehmood

(Can’t find any lyrics worth this space)

The soundtrack opens wih a romantic song filled with the Bhatts’ templated sound, but also paying “homage” to another old song, which, since it hasn’t been credited, has to be a “coincidence”. The song’s first line itself makes you instantly think of “Aakhir Tumhe Aana Hai” (Yalgaar), but all the coincidences flee at the end of that line, as composer Tanishk Bagchi sets the song to its very own composition that is quite catchy in itself. Now, Tanishk has never really given such a templated song before, at least not in the romance genre of songs, so it takes a little time to get accustomed to the fact that Tanishk has composed it. Till then, though, the song grows on you. The similarities in the first line of the mukhda notwithstanding, the rest of the song fares quite well as a romantic Bollywood song. Some places sound very heavily heard-before, but that doesn’t lessen the likeability in any way. The antara with its high notes sounds a bit uncomfortable to the ears at first, but sets in after a couple of listens. As a whole, it sounds like a song that the Bhatts had reserved but then never got a film to add it into. The English interlude by Shashaa Tirupati sounds very generic, but again, good enough. The arrangements are what makes the song even more likeable — the strings at the beginning are nice, and the digital beats are charming. Not to mention the cool twinkling sounds that Tanishk had added, which adds considerably to the ‘mechanical’ sound of the song, given that the name of the movie is “Machine”. Yasser Desai (who had dented last year with a couple of songs in ‘Beiimaan Love’ which I had no time to review) doesn’t quite fit in with the song, and his voice is kind of hard to digest; it sounds too robotic. Autotuned heavily, it is quite weird to listen to at first, but as everything else does, his voice also sets in later. Shashaa does her English interlude beautifully, but other than that, doesn’t have any other lines. Arafat Mehmood’s lyrics are quite laidback, not to mention that the conscious effort to add the “..aana hai” and other rhyming stuff at the end of every hookline sounds a bit too forced! An above average start to the soundtrack, but gets the “Machine” theme right, because of the great arrangements and accidentally mechanical vocals.

Rating: 3/5

 

2. Chatur Naar

Singers ~ Nakash Aziz & Shashaa Tirupati & Ikka, Music by ~ Tanishk Bagchi, Lyrics by ~ Niket Pandey, Rap by ~ Ikka

(Utterly banal lyrics!)

Next up we get a party song, which is mandatory in every Abbas-Mustan film, so that they can show the actor driving up in a cool Lamborghini, and then the branded sunglasses of the actress. This time, without Pritam, they have to resort themselves to a quite low-standard party song (I believe that Pritam has given them the best party songs in the past) which tries to be a remake of the classic ‘Ek Chatur Naar’ (Padosan) but fails, because it sounds nothing like it except in bits and parts. And since they haven’t credited the old song’s musicians, I’m taking it to be a ‘spin-off’ like I did for ‘Mere Miyan Gaye England’ (Rangoon). The composition is upbeat and might (notice that I say MIGHT) get Gen Y dancing to its beats, which I still think are too loud for today’s music sensibilities. Though the composition is something I wouldn’t care to listen to again, the arrangements are quite youthful and lively. The beats really do make the song enjoyable, and Tanishk’s offbeat additions make the arrangements all the more weirdly likeable. Weird vocal tweaks added in the weirdest places are quite funny to hear. Otherwise, the composition is quite generic. The vocals are enjoyable as well. Nakash Aziz is enjoying himself in this party track, and his variations make the song worth listening. Shashaa Tirupati sings her lines like a typical club song singer, and she gets her voice programmed heavily as is the tradition in such songs. Ikka’s rap is very short thankfully, and it is not that great either. The other lyrics by Niket Pandey are another set of words more bent towards rhyming instead of making sense. Heard as a club song, it might work. But if you hear it thinking it is a remake, it will spoil the song.

Rating: 2/5

 

3. Brake’An Fail

Singers ~ Jasmine Sandlas, Rajveer Singh & Ikka, Music by ~ Dr. Zeus, Lyrics by ~ Jasmine Sandlas, Rap by ~ Ikka

“Teri Meri Kahaani, duniya yaad karegi soch le,
Brake’An ne mereya fail te sajjna, rok saki te rok le!”

– Jasmine Sandlas

Dr. Zeus enters the soundtrack with his guest composition, another club/party song. Abbas-Mustan seriously can’t go without adding at least two of these in their albums! The song surprisingly, shows no resemblance to previous Dr. Zeus songs, and I was really surprised when I couldn’t find any of those screeching ladies and that trademark Dr. Zeus shattering glass in the song! The composition is quite a melancholic one, considering that it is for a club song. I mean, if he removed the club beats, it could just as well go as an undercover agent and place itself in a Sanjay Leela Bhansali soundtrack as the melancholic track. (Okay, just kidding!) The hookline “teri meri kahaani…” is quite catchy, and the rest of the song too, isn’t bad at all. The composition is actually catchy for once. It is one of those Dr. Zeus songs (probably the only one?) that doesn’t irritate. The arrangements are suitable for the song, and this time, Dr. Zeus aptly replaces those screaming ladies (from ‘Happy New Year’s ‘Lovely’ and ‘Ek Paheli Leela’s ‘Desi Look’) with car brake sounds, according to the theme of the movie, car racing. Jasmine’s vocals suit the song well, and the song wouldn’t have had the same impact with somebody else singing it. Rajveer Singh has quite little to contribute but Ikka has an extra long rap in the middle somewhere, which we just have to wait for it to end. Jasmine herself writes the lyrics for this one, and they are completely in Punjabi, and they seem quite meaningless, considering that it is a Club song. A good song from Dr. Zeus after all those screaming ladies and all that shattering glass.

Rating: 3/5

 

4.Tu Hi Toh Mera

Singer ~ Yasser Desai, Music by ~ Tanishk Bagchi, Lyrics by ~ Arafat Mehmood

(Very staid lyrics!)

Tanishk re-enters wih the fourth track of the album and one can’t help but think of Disney Princesses when this track starts. The arrangements really increase the Disney feel of the song. The composition is quite likeable until that jarring Pakistani pop styled line comes up and the hookline that follows too, follows the same template. The parts where the tempo is slow and everything actually sounds like a ballroom dance, are the best parts of the song, while everything else sounds below average, straight out of a Bhatt movie. The arrangements too, excel in the ballroom portions of the song. The sparkling sounds, coupled with the extravagant strings, set very fantastic arrangements to the song, and especially the beginning of the song, which is very waltzy, sounds amazing. But again, the parts before and during the hookline, sound very laidback and clichéd. There is a nice Spanish interlude which is enjoyable as well. Again, Yasser tries to be Arijit desperately, and one can’t help but sit and point out parts where he sounds a LOT like Arijit, which is almost the entire song. It would’ve been better for the makers to have just called in Arijit. Arafat Mehmood’s lyrics here too, are very very heard-before and offer nothing new. A Bhatt-Disney fusion doesn’t work so well.

Rating: 2/5

 

5.Tera Junoon

Singer ~ Jubin Nautiyal, Music by ~ Tanishk Bagchi, Lyrics by ~ Arafat Mehmood & Mohammed Irfan

“Jeena muhaal hai abb, tera sawaal hai abb,
De bataa, tu zara, kya naam loon main tere pyaar ka!”

– Arafat Mehmood & Mohammed Irfan

Finally, here comes what I was expecting from Tanishk after he showed us his versatility in ‘Badrinath Ki Dulhania’. The composer takes his much-used desert-nomadic styled arrangements (he used it before in ‘Rabba’ from ‘Sarbjit’) and weaves a wonderful melody through it. The composition is just so melodious, it hooks you right away. It is one of those songs that you end up loving even though they are so ordinary, simple and heard-before. However, what made me love this one in spite of all these factors, was the simplicity of the composition, the fact that the déjà vu in the composition didn’t matter to the makers, and they just presented this song with a very simple coating. The arrangements are fascinating, with the mandolin rising high above everything else, even the strings. The claps give wonderful beats that are the highlight of the song. The overlying Arabic flavour works wonderfully in favour of the song. And the vocals are beautiful! Jubin sings in a way I’ve never heard him sing before, so much so that I hardly recognized him the first time I heard the song, until I read the credits! Well, it just goes to show his versatility. Arafat Mehmood is joined by Mohammed Irfan the singer to write this one, and I must say, the composition saved the lyrics, which resort to weird-sounding words to make it work. A great song hidden in an album of songs that are concentrated more in the “average” zone!

Rating: 4.5/5

 

6. Cheez Badi

Singers ~ Udit Narayan & Neha Kakkar, Original Composition by ~ Viju Shah, Music Recreated by ~ Tanishk Bagchi, Original Lyrics by ~ Late Anand Bakshi, New Lyrics by ~ Shabbir Ahmed

“Tu Cheez Badi hai mast mast, tu cheez badi hai mast!”

– Late Anand Bakshi

The last song of the album was a later addition in that it released much later than the other five tracks did. And since I’m always so late in writing reviews, I get the advantage of adding such latecomer songs in my reviews. 😉 Anyway, about the song. As you might already have gauged by reading the name, the song is a remake (this time an official one) of the 1994 super-duper hit track by Viju Shah (who was one of the most innovative young composers of the time) ‘Tu Cheez Badi Hai Mast Mast’ (Mohra). And the man who has been churning out one remake after another, Tanishk Bagchi, is in charge of this one. It was a relief to see him remaking it, instead of T-Series’ other go-to’s for remakes these days, Gourov-Roshin. So after two great 90s songs remade, Tanishk remakes this one with the club theme in mind. It starts off like an ordinary club song, but then that trademark “Pa ni saaaa…” from the old song comes in to indicate that it is a remake of that song. The composition contains almost nothing new except for a short line that Udit Narayan sings (he has redubbed everything for this song; his voice clipping hasn’t been retained from the old song). And yes, that line sounds quite odd in the song. It doesn’t gel in well with the rest of the song. The previous two remakes by Tanishk of course, had the old song’s tune retained, so this one is an odd one out that way. I liked the way he brought the old song’s antara’s tune to become the mukhda and then the antara too, of this version. The arrangements disappoint, with very everyday club beats. The mandolin playing the hookline’s tune provides respite, and so do the electronic tabla beats, but otherwise, the EDM is quite heavy, and too loud as well. The interludes both consist of very heavy EDM that is tough to digest with one of your favourite old songs. I enjoyed the small portion where Tanishk incorporated the old song though, in the second interlude. Vocals by Udit Narayan are awesome; he always manages to sound young! Neha Kakkar too, sings her parts well, without adding unnecessary nuances anywhere. Shabbir Ahmed’s additions to Anand Bakshi’s original lyrics are not any more crazy than the original, and the part which goes “zabardast dast” really calls for a cringe. Not one of Tanishk’s best remakes, but I would say it isn’t his “dosh dosh” as new lyrics have been added, unlike his other remakes (with the exception of the “Badrinath” title song).

Rating: 3/5


Machine seems to be an album miserably bowing down to supposed public demands. There’s a remake, three club songs, three Bhatt-ish romantic songs (of which one excels). Tanishk’s songs range from one sode of the spectrum to the other. If some are utterly boring, some are just as beautiful. Dr. Zeus gets it right with his sole song, but it won’t be something on my playlist for long. A tried-and-tested machine!

 

Total Points Scored by This Album: 3 + 2 + 3.5 + 2 + 4.5 + 3 = 18

Album Percentage: 60%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Tera Junoon > Brake’An Fail > Itna Tumhe = Cheez Badi > Tu Hi Toh Mera = Chatur Naar

 

Remake Counter:
No. Of Remakes: 07 (from previous albums) + 01 (from Machine) = 08

 

Which is your favourite song from Machine? Please vote for it below! Thanks! 🙂

EK PAHELI DR. ZEUS!! (EK PAHELI LEELA – Music Review)

Music Album Details
♪ Music by: Dr. Zeus, Uzair Jaswal, Amaal Mallik, Tony Kakkar & Meet Bros. Anjjan
♪ Lyrics by: Kumaar, Manoj Muntashir & Tony Kakkar
♪ Music Label: T-Series
♪ Music Released On: 10th March 2015
♪ Movie Releases On: 10th April 2015

Ek Paheli Leela Album Cover

Ek Paheli Leela Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Ek Paheli Leela is an upcoming Bollywood musical thriller film, directed by debutant director Bobby Khan and produced by Bhushan Kumar, Krishan Kumar, Ahmed Khan & Shaira Khan. The film stars Sunny Leone in the lead role(s) — she has a triple role. Actors supporting her in the film are Jay Bhanushali, Rajniesh Duggal, Rahul Dev and Mohit Ahlawat. The music of this film has been composed by T-Series’ favourite — Oh yeah, they don’t have any favourite. Their favourite is multi-composer!! 😂 Yup, it’s yet another multi-composer album from T-Series’ side, and again, expectations are low from a multi-composer album! But in this case, Amaal Mallik’s presence does increase some interest, and other songs have been done by Punjabi rapper Dr. Zeus, T-Series regulars Meet Bros. Anjjan, and overnight fame Tony Kakkar (‘Sawan Aaya Hai’ from ‘Creature 3D’) So let’s take a look at how great this album is, right away! (Since I’ve already delayed the review so much 😂)


1. Desi Look
Singer ~ Kanika Kapoor, Music by ~ Dr. Zeus, Lyrics by ~ Kumaar

To kick-start this album, we have Dr. Zeus, who seems to have won over Bhushan Kumar’s heart with his “lovely” music, (get it, get it?? 😛 ) so he’s getting one song after the other this year in T-Series albums. He comes back with Kanika Kapoor, who herself has been giving back-to-back hits this year. What a coincidence. And not a surprise that both of them, when come together, produce a sequel to ‘Lovely’ from ‘Happy New Year’. Yup, if ‘Tipsy Hogai’ was similar to ‘Lovely’, you have got to admit that ‘Desi Look’ has been made with an intention to make a follow-up to ‘Lovely’! To start with, we have the same singer and music composer, and the same overall sound of the song. The glasses shattering, the chudail’s wailing, and the bell ringing, all have been taken from ‘Lovely’! Dr. Zeus seems to have run out of ideas, or he must have been too blown away by the success of ‘Lovely’, that he decides to try and impress us with an exactly similar-sounding song that goes along the same lines, but fails miserably to arouse any interest in the listener! Kanika doesn’t sing in her usual high-pitched voice, but uses some monotonous low-pitched voice, which really makes you doubt whether she wants to sing and make you dance, or haunt you. 😝 Dr. Zeus’ rap after the mukhda resembles ‘Let The Music Play’ by Shamur a lot. And also, it’s not that attractive either, what with the guy burping at his own pleasure. :\ Irritating! In the antaras, two tracks of Kanika, one, the predominant low voice, and the other, a higher-than-usual voice, have been kept, and they sound very bad. The guitar riff in the hookline, though, is very catchy. Arrangements-wise, it is nothing exceptional, but they manage to attract listeners when the composition and vocals do not. Kumaar’s lyrics are the usual girl-trying-to-show-off kind, which has gotten pretty boring by now! So, a very bland opening to this very-much hyped-about album, ticking us off from the beginning! Dr. Zeus, please go get a doctorate in music direction and come back!

 

2. Tere Bin Nahi Laage (Male) / Tere Bin Nahi Laage
Singers ~ Uzair Jaswal / Tulsi Kumar, Aishwarya Majmudar, Alam Gir Khan & Daboo Malik, Music by ~ Uzair Jaswal, Music Recreated, Arranged & Produced by ~ Amaal Mallik, Lyrics by ~ Kumaar

After that dull start to the album, we move ahead, hoping for something innovative and refreshing. This next song, is a Pakistani song, originally composed by Uzair Jaswal in 2012. Amaal Mallik, the rising star of Bollywood, who has started his journey in Bollywood with Salman Khan’s ‘Jai Ho’, and has been impressing us ever since, has recreated, rearranged and produced the music on it, and boy, what a wonderful job he has done! Last we heard him was ‘Sooraj Dooba Hain’ in ‘Roy’, and we were impressed at how expertly he composed a club track. Now he returns to the genre he started off with i.e, romantic songs. Uzair’s original composition has just been retained in the form of the mukhda, and it is a great, soulful start to the song. First up, we’ll talk about the male version. Uzair’s unpolished, but sweet voice, suits the composition, but one feels the absence of Armaan Malik here, and that he would’ve done better justice to the composition, though it is Uzair’s composition. The antaras, composed by Amaal, continue the soulfulness of the song, and take it to a new level. Arrangements have been done wonderfully, yet again, and the rock guitars are what stand out the most. Of course, the acoustic guitars follow closely, and the drums provide a nice, catchy beat for our heads to sway to. It just sounds splendid to the ears, and is something that would lift up your mood anytime. Moving on to the other version (Which of course can’t be called the female version, can it? It has men singing in it too! I guess people from T-Series finally read some of my last criticisms about their weird names of versions 😛 ), you might get frightened when you read Tulsi’s name as the singer, but let me assure you, that the way Amaal has equipped her in the song, you might not even feel that it is the same Tulsi who has earlier tortured us in ‘Roy’ and ‘Yaariyan’,  that Tulsi who won over our hearts in ‘Once Upon A Time In Mumbaai’ and ‘Ready’! She has tried to do her best, and succeeds. Though it is not pitch-perfect, her rendition, still it manages to make you smile. This version is definitely better than the Male version, because of various reasons. First of all, Aishwarya and Tulsi together make a perfect combo, and Aishwarya with her traditional Rajasthani lines, just sounds so cute! Especially the Kesariya Baalama inculcation comes as a huge surprise! Also, the backing vocals by Alam Khan and Daboo Malik, are efficiently placed, giving a rustic traditional Rajasthani folk touch to the song. It is definitely calmer, thanks to the wonderful semiclassical and traditional arrangements — Sarangi, dholaks, whatnot! And Amaal excels in that, as well! He really proves his versatility yet again with this version of the song. Kumaar writes efficient, suited to the theme of the song, and soulful lyrics. Before you get bored reading my essay, I would advise you to just go ahead and listen to this song, both versions! You won’t regret it at all! Amaal rocks yet again, this time proving his excellence in traditional folk music! Go for both the versions, which drastically differ in their styles! #5StarHotelSong!!

{Excuse me for the essay, but it was too difficult to write something concise for this wonderful song with two versions!}

 

3. Saiyaan Superstar
Singer ~ Tulsi Kumar, Music by ~ Amaal Mallik, Lyrics by ~ Kumaar

Amaal’s second sing is a typical wedding dhol-baaja song sung by someone who you would never, ever expect to sing it — Tulsi Kumar! And she does so, with so much gusto and spunk, that you can hardly believe your ears. These type of songs suit her way more than all those songs where she sings reprise versions of romantic songs (of course, ‘Tere Bin Nahi Laage’ is an exception) where it looks like she has been singing just because she’s been told to. But here, she actually seems to be enjoying herself, and thanks to Amaal Mallik for discovering this side of her! Now it’s a request to all music directors, to try to use Tulsi in such a way. Anyways, back to the song. Amaal’s composition is again, very Pritam-ish, and catchy too. His arrangements are fabulous as well, with the trumpets, dhols and other techno sounds sounding awesome. The nuances Tulsi has done not to sound exactly urban, but slightly rural, like rolling her R’s in all the words, and pronouncing some words as someone in rural areas would (like “Parrpose” for “propose” and “Suparrstarr” for “superstar”) , are really great. The second interlude by Amaal, with the guitars in a pretty Spanish way, is something worth hearing. Kumaar’s lyrics are also entertaining, and keep you listening. All in all, an excellent song, sure to be liked by the masses and classes alike! Way to go Amaal, and thanks for reinventing Tulsi! #5StarHotelSong!!

 

4. Khuda Bhi
Singer ~ Mohit Chauhan, Music by ~ Tony Kakkar, Lyrics by ~ Manoj Muntashir

A soft and mellow flute tune welcomes us into the next song, promising something awesome right at the beginning. So when Mohit enters with his metallic and melodious voice, you can’t help but get goosebumps. Tony’s melody sounds like a typical Bhatt-ish melody, but other than that, it is also a very touching, full-of-emotions, romantic song, which you are surely gonna love. When the part “Itni anmol cheez de di kaise, sochta hoga..” comes, it is sure to induce goosebumps on your body, and the way Mohit sings it, just helps in doing so. Mohit’s vocals are the best choice for this song, and he puts in the right expressions wherever needed. Tony has decorated his beautiful composition, with even more beautiful arrangements, which enhance the composition manifold. First of all, the beautiful flute which had welcomed us into the song, continues to play throughout the song to ensure we do not get bored. In the aforementioned line, Tony has placed beautiful electronic tablas, giving the song the required classical, traditional sound. Sitar in the first interlude, and a beautiful flute solo in the second, keep the listener attached even in the interludes. And the magic of the antara is just indescribable. The high notes, when Mohit touches, instantly appeals to the ears, before going back to the hookline, which is already so beautiful. Manoj Muntashir’s lyrics are fantastic as well. Thry give the soul to the song, and really make you want to hear it again and again just for the words. They’re that beautiful! This song is miles from where Tony left us last year with ‘Sawan Aaya Hai’ from ‘Creature 3D’. He seems to have evolved between these two songs, both in composition and arrangements. And thank God, that he didn’t choose Arijit to sing this one, which might not have made it as magical as when Mohit sang it. A heart-touching song, with beautiful vocals, soothing arrangements and lovely lyrics!! Yet another #5StarHotelSong!!!

 

5. Glamorous Ankhiyaan
Singers ~ Krishna Beura, Meet Bros. Anjjan, Music by ~ Meet Bros. Anjjan, Lyrics by ~ Kumaar

This song starts with the alien-spaceship-like sound of an electronic tanpura. It surprises you for a moment, till that familiar Rajasthani folk sound dominates, along with awesome bass effect. Krishna steps in to win over our hearts with his rendition, as he has done many times before this. Meet Bros. Anjjan have tried to combine Sufi, Rajasthani folk and modern techno sounds here, and they succeed in it, too! The composition is based on Rajasthani folk with shades of Sufi, and every line is as captivating as the one that follows. The whole song is so catchy, that the listener won’t want to stop listening. One of the most innovative compositions of Meet Bros. Anjjan, it is when they come up with something like this when you wonder why they also do those typical Punjabi rap songs sometimes, which everyone might have gotten bored to hearing by now. This song also has shades of Himesh Reshammiya’s compositions in the 2006-2008 era. Krishna handles each and every note, be it high or low, with ease and flows through the song, sounding very folk-sy as he does. His voice was a great choice for this song. Coming to the arrangements, Meet Bros. Anshan impress here, as well. The sound-effects they have placed all over the song, cannot be described here, but have to be heard to believe. Instruments like flute, electronic tabla, chimes, etc have been used very efficiently. Also, the techno sounds give the effect of a fashion show, which is pretty much where this song would be played in the movie. Krishna’s “Oh oh oh oh..” keep you listening and is so catchy! Kumaar again writes entertaining lyrics, a blend of folk-sy words and English words. The title itself gives a sneak peek of what you can expect in the lyrics! 😀 One of Meet Bros. Anjjan’s most innovative and captivating compositions! Has to be applauded! #5StarHotelSong!!

 

6. Main Hoon Deewana Tera
Singers ~ Arijit Singh, Meet Bros. Anjjan, Backing Vocals by ~ Ved, Ambresh & Ashish, Music by ~ Meet Bros. Anjjan, Original Composition by ~ Sajid-Wajid, Lyrics by ~ Kumaar, Original Lyrics by ~ Faiz Anwar

The next song by Meet Bros. Anjjan is a remake of the 1999 hit track ‘Deewana Tera’ from Sonu Nigam’s album ‘Deewana’, which had been composed by Sajid-Wajid. Now let me tell you before you think anything, that there is no way this song is better than the original, but if seen as a song by itself, it sounds great. Comparisons with the original will always happen, but let’s not do that here, except for say that Arijit hasn’t managed to pull it off as awesome as Sonu had. Okay, so now, let’s see it as a whole new song. The basic tune of the mukhda has been kept the same, so it is a proper remake, but the arrangements, lyrics and vocals have been altered. Meet Bros. Anjjan have put many techno elements into the song, making you wonder whether their intention was to make it a club song! Arijit shines in both low and high notes, and under Meet Bros. Anjjan’s direction, sounds sweet and innocent. The tune of the antaras has been changed, and this tune also is likable, which Arijit sings with ease. The rock guitars, techno sounds really make the originally calm song sound more lively than it should. But I kind of liked that too. The strings which have been played the second time the hookline comes, keep you listening. Interludes, one rock, the other Church choir-like, are attractive too! Lyrics by Kumaar are the same usual romantic lyrics, with just the hookline retained from what Faiz Anwar had written. After hearing this redux of such a great 90s song, I have very mixed feelings as I love Sonu’s original version, but this one sounds great as well, as a standalone song, if not compared to where it is remade from. Arijit didn’t shine like Sonu, but it still sounded great thanks to Meet Bros. Anjjan trying to match the level of their song with the original. Though it didn’t work, the result is appreciable! #5StarHotelSong!!

 

7. Dhol Baaje
Singers ~ Monali Thakur, Meet Bros. Anjjan, Music by ~ Meet Bros. Anjjan, Original Composition by ~ Ismail Darbar, Lyrics by ~ Kumaar, Original Lyrics by ~ Mehboob

Another remake, again done by Meet Bros. Anjjan. This time, the hit track ‘Dholi Taaro Dhol Baaje’ from 1999 movie, ‘Hum Dil De Chuke Sanam’ has been targeted. However, this remake fares much better than ‘Deewana Tera”s because and just because of a strong composition. It starts strong with dhols and dholaks playing energetically, after which a very catchy loop of a Rajasthani folk instrument plays. When Monali enters, she makes you smile very broadly, and sounds very sweet and cute! Meet Bros. Anjjan have beautified this song with fully traditional instruments, with just a few techno sounds here and there. The hookline has been broken in a pretty weird way, which might appeal to some, but may be hated by others. I liked it. Nothing else is similar to the original song. The antaras are the best parts of the whole song. Monali sings all the small nuances and variations brilliantly, making you say Waah! Her voice is so crystal clear that you cannot imagine anyone other than her who could’ve done so much justice to the song and sung with so much expression and energy. Kumaar’s new lyrics make the dance song sound like some item song where the girl is just yapping on about herself, but the composition being mild, doesn’t make them seem all that item-ish either. So the great composition balances the mediocre lyrics. Arrangements, as always with Meet Bros. Anjjan’s songs, impress to the core. The beats make you groove along to the rhythm. Especially the electronic tablas are very, very attractive. Of course nowhere near the original, but enjoyable! Very great effort to remake this song, and it succeeds, mostly thanks to the great vocals by Monali! #5StarHotelSong!!

 

8. Ek Do Teen Chaar
Singers ~ Neha Kakkar, Tony Kakkar, Music by ~ Tony Kakkar, Lyrics by ~ Tony Kakkar

This last track does the job of breaking this great run of awesome songs from this album. A club song, frankly not needed in this movie, and an utterly atrocious one too, at that. It has all you need to make an unsuccessful party track — Neha Kakkar trying to show off, Tony Kakkar getting too overconfident with his other song ‘Khuda Bhi’ that he decided to make a club song as well, and failed at it miserably. It doesn’t even have a catchy hook like ‘Desi Look’, neither does it have any appreciable arrangements. In fact, the arrangements are way too loud and unbearable. Lyrics do not even deserve to be discussed. Tony has just written a mixture of words, only for the sake of rhyming them. Whether they make any sense or not, I guess he forgot to check. :/ For me, the album ends at ‘Dhol Baaje’ itself! Skip this one!


Ek Paheli Leela is another multi-composer album, which fares quite well compared to other multi-composer albums we have encountered last year. With only two disappointing songs, one by Dr. Zeus (I’ve actually never expected anything from him anyways, so its alright with me.) and the other by Tony Kakkar (Yes, this was shocking. He could’ve worked way harder on this one.) the album doesn’t exactly disappoint and stays true to its marketing as a musical.

 

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Tere Bin Nahi Laage > Khuda Bhi > Glamorous Ankhiyaan > Saiyaan Superstar > Dhol Baaje > Main Hoon Deewana Tera > Desi Look > Ek Do Teen Chaar

 

Which is your favourite song from Ek Paheli Leela? Please vote for it below! 🙂

 

Next “dish”: Dharam Sankat Mein, Chefs: Sachin Gupta, Jatinder Shah, Meet Bros. Anjjan & Shamir Tandon

BOLLYWOOD KE ZAALIM RAPPERS!! (DILLIWAALI ZAALIM GIRLFRIEND – Music Review)

Music Album Details
♪ Music by: Yo Yo Honey Singh, Dr. Zeus, Tigerstyle, Indeep Bakshi, Jatinder Shah, Meet Bros. Anjjan, Milind Gaba & Jassi Katyal
♪ Lyrics by: Alfaaz, Zora Randhawa, Mavi Bains, Indeep Bakshi, Bunty Bains, Kumaar & Milind Gaba
♪ Music Label: T-Series
♪ Music Released On: 9th March 2015
♪ Movie Releases On: 20th March 2015

Dilliwaali Zaalim Girlfriend Album Cover

Dilliwaali Zaalim Girlfriend Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Dilliwaali Zaalim Girlfriend is an upcoming Bollywood romantic comedy film, starring Divyendu Sharma, Prachi Mishra & Ira Dubey. The film also stars Jackie Shroff in a negative role. The film has been directed by a female director, Japinder Kaur, and it’s her first feature film, making it a very ambitious project for her. It has been produced by Tarnpreet Singh & Manjeet Kaur under the banner of ‘JAP Films’. Moving on to the music aspect of the film, there were next to zero expectations from this album, looking at the number of music directors it has, and that most are those rappers from Punjab, who have been constantly trying to ruin the Bollywood music industry (no offense, but the whole culture of Bollywood has vanished due to their entry). The people that make up this long list of composers for this film are, Yo Yo Honey Singh, Dr. Zeus, Tigerstyle, Indeep Bakshi, Jatinder Shah, Meet Bros. Anjjan, Milind Gaba & Jassi Katyal. Of course, since there are so many composers, it is obvious that each of them has only one song. And also, there are chances that some would deliver good things, as well. So, here’s what I thought about the music! 


1. Birthday Bash
Singers ~ Yo Yo Honey Singh & Alfaaz, Music by ~ Yo Yo Honey Singh, Lyrics by ~ Alfaaz

So finally, after five months of bedrest (according to rumours..) Aapka apna Yo Yo Honey Singhaaaa is back! (At least it might seem like ‘finally’ for his followers and fans… Not that much for me 😝) After giving us two appreciable songs — compared to his others — in ‘The Shaukeens’ last year, he is back with one song in this relatively small film. One expected him to have gotten some sense after being ill for five months, but it doesn’t look like it, going by the sing he gave us. Naturally, it’s a party song, situated at the birthday party of a girl in the movie. Techno beats “welcome” us into the song, rather loudly too, for that matter. But they manage to grab our attention, so no qualms about them. Later on, Alfaaz joins in, singing some atrocious lines he wrote. Yo Yo seems to have used another male singer besides him, for the first time, in this song. However, it doesn’t make much difference, because Alfaaz also sings with the same level of atrocity. The hookline, though, is really captivating, and it must be the main reason for this song getting so many listeners. Honey’s rap is the same old stuff — trying-to-be-cool, but failing in that miserably. About the lyrics, the lesser said is better. So, the guy tries to impress the girl on her birthday by getting for her various stuff like ‘LV ka bag’, ‘Gucci’ but she doesn’t get impressed and does ‘nakhre’. I mean, what an osiginal idea!! These lyrics should win..win… a MIRCHI MUSIC AWARD!! :\ Something that is worth hearing in the song, though, are the arrangements and the beats. As I said earlier, they are really captivating and give one reason to hear this song, but not on loop. The composition being a typical Yo Yo Honey Singh composition, it will mostly appeal to his fans. Honey Singh opens his accpunt this year on an average note, with a typical party track.

 

2. Tipsy Hogai
Singers ~ Miss Pooja & Rajveer Singh, Music by ~ Dr. Zeus, Lyrics by ~ Zora Randhawa & Mavi Bains

Dr. Zeus enters the album with his sole composition, another clubbish track, but this time with female vocals. And to do the honours for those female vocals, is the ‘Second Hand Jawaani’ fame, Miss Pooja. While she might have sounded good in that song, (because her voice was not differentiable from Neha Kakkar’s over there) she sounds utterly annoying in this song, what with that screeching, high-pitched voice. The composition is good, and catchy too, but she spoils it all. Dr. Zeus uses some of his “lovely” sound effects from ‘Lovely’ (Happy New Year) in this track, like those ear-piercing screams of random ladies and that shattering glass. Whatever it be, the composition and arrangements at least provide some relief from the weird voice of that female singer. The line “munda mere vaal vekhe, main vi ohde vaal vekhan”, is weirdly addictive. Dr. Zeus also uses some tune from the song, ‘Let The Music Play’, which was a composition by Shamur. Rajveer Singh gets to sing these lines, and does it very inexpressively. The antaras resemble ‘Lovely’ a lot! And therefore, sound good, but it just increases the doubt that Dr. Zeus can’t get over ‘Lovely’. Lyrics are nothing to be mentioned specially, either and I don’t see how it needed two people to write it! A sequel to ‘Lovely’, in a slower pace, and in an irritating voice. Dr. Zeus, next time, bring something new if you can!

 

3. Zaalim Dilli
Singers ~ Jazzy B & Hard Kaur, Music by ~ Tigerstyle, Lyrics by ~ Bunty Bains

This one is full of the Punjabi factor, and jazzy B’s unique vocals help in making it sound more Punjabi. Hard Kaur gets to start, with her rap, not that impressive. When Jazzy B enters, the condition does improve a bit, and the song sounds more catchy. However, barring Jazzy B’s vocals, nothing stands out much in the song. The arrangements are the regular techno arrangements, with a dubstep touch, which become a bit dull and boring after a certain time. The lyrics are nothing great in this song either, or maybe I didn’t understand them because I don’t understand the Punjabi language. 😅 The composition is catchy, but nothing that would secure a good long shelf life for the song. Tigerstyle, who I’ve heard about for the first time, has composed a very ordinary track, that might attract you at first, but then wear off in successive listens! Nothing new, and mildly attractive!

 

4. Tere Liye
Singers ~ Indeep Bakshi & Soni B, Music by ~ Indeep Bakshi, Lyrics by ~ Indeep Bakshi

Subtle piano notes start the song off on a pretty cool and calm note, enhanced by Indeep’s humming. When he starts singing, you might feel that he sounds a little weird, as the music is louder than his voice. However, it is nevertheless a very likable song, despite the fact that his voice has been overshadowed by the music. After ‘Saturday Saturday’, who ever expected Indeep to surprise us with such a beautiful sad, romantic track? Yet, he succeeds in his attempt, and manages to churn out a soulful number, thanks to the arrangements, mostly. Beautiful flute, piano and even tablas act as attractions in the song. At places, Indeep sounds a lot like Himesh Reshammiya, with the nasal twang in his voice. Soni B gets a beautiful, melodious part to sing, which leaves a smile on your face even though it is very short. She shines in that small duration as well. Though the lyrics might not be that great, the soulful composition and arrangements make up for it. Indeep surprises with this romantic angle, and he also gives us the first #5StarHotelSong!!! of the album!

 

5. Janib (Duet Version) / Janib (Female Version)
Singers ~ Arijit Singh & Sunidhi Chauhan / Sunidhi Chauhan, Music by ~ Jatinder Shah, Lyrics by ~ Kumaar

This next song, is by a composer who’s been making it big in the Punjabi industry for quite some time now, Jatinder Shah. So he makes his entry into Bollywood with this song, and I must say, what a PERFECT debut! This is one of those songs that makes you feel that you’ve never had enough of it, and keep listening to it repeatedly, without getting bored even once! Let me explain. First of all, the composition itself is so sweet, romantic and soothing, that it transports you mentally to Punjab in its purest sense. These rappers who’ve been trying to uphold Punjab’s glory nowadays in Bollywood, have not done even half as much as Jatinder does here with just one song. I don’t know why, because it doesn’t have that Punjabi rustic feel or anything, but yet it seems so Punjabi-flavoured on hearing it. Both the versions of the song are equally beautiful and attractive, with that sweet tune not letting you leave it ever, till it ends! Arijit in the duet version, of course, is a cherry on the cake, because Sunidhi has much less verses as compared to him in that one. His Punjabi aalaap in Punjabi is breathtaking! However, at the same time, you’ve got to admit that Sunidhi, in her solo version, has done wonderfully, and yet again broken all stereotypes people seem to have enforced upon her that she can only sing upbeat songs (even though she keeps proving her versatility). How well she manages the high notes while at the same time, keeping great control over her voice in the low parts. In the duet, the beats are lively, pleasant and soothing. Excellent use of strings, electronic tablas, water drop sounds, matka, enhances the shine of the song. The female version has pretty much the same arrangements, with no instantly observable amendments. Lyrics are also praiseworthy. Kumaar’s use of words like ‘janib’ and ‘wajib’ in this context sounds great. Composition, arrangements, lyrics and vocals, all being perfect, this song surely becomes the best song of this album! I’ve written way too much; too further witness this beauty, stop whatever you’re doing and hear it! #5StarHotelSong!!

 

6. Meri Marzi Teri Raza
Singer ~ K. Mohan, Music by ~ Meet Bros. Anjjan, Lyrics by ~ Kumaar

Meet Bros. Anjjan enter the soundtrack with their contribution, a soulful rock song, sung beautifully by Agnee’s K. Mohan. It starts off with an awesome dotara and guitar riff, which captivates you right from the beginning. When that divine sarangi joins in to increase our interest in the song, it just becomes a hundred times better. The song seems like an out-and-out inspirational and motivational song, going by its tune, and lyrics. K. Mohan’s unique deep voice gives the song a whole new depth, and this depth transports the song to its peak. 😀 His vocals are really very intriguing, and throughout the entire six-odd minute duration of the song, they make you keep listening, and you never know where those six minutes went. The composition by Meet Bros. Anjjan really comes across as one of their career’s best, and given the type of songs they have made themselves known for composing these days, I really have to applaud them on their successful effort at composing an inspirational track like this one. Arrangements are great as well, with rock guitars, drums, and whatever string instrument that is in the first interlude, is just mind blowing. Of course, Meet Bros. Anjjan also treat us with more of the sarangi throughout the song. The backing chorus singing “Ooohh khuda”, sounds brilliant and has been very effectively appointed. Once again, Kumaar gives appreciable lyrics, and describes well the situation of somebody who is irritated with his life, and asking God “Why?!” All-in-all, a very impressive song by Meet Bros. Anjjan, and a successful attempt at trying something different. #5StarHotelSong!

 

7. Saddi Dilli
Singer ~ Milind Gaba, Music by ~ Milind Gaba, Lyrics by ~ Milind Gaba

So, after a short relief of some beautiful, mind blowing songs, here comes another rapper, ready to make his mark in the album, in his own small way. Okay, if you’re on of those people who likes club beats, I’m with you on that. The beats in this song are really catchy, but I would warn you not to get lured by that. These beats trapped me, and might try you as well. The song sounds decent and nothing intolerable, until Milind starts doing a wannabe Honey Singh rap, which just seems cheap. However, let’s have a round of applause for him, because if he was supposed to mimic Honey Singh with this song, he has succeeded and passed with full marks!! When he started the rap, I doubted whether it was really someone other than Honey. Listen for yourself and come back to me if it doesn’t sound like Honey. Whatever. I hope you guys get sarcasm. Moving on, some more irritating things are left to discuss, such as the creaking of that chair. :\ Lyrics are supposed to describe Delhi, I guess, but more than that, it talks about youngsters partying in Delhi at night, and wasting their time singing some idiotic rap. If you want an account of what happened in and after the party, then hear the song, because this rapper has been kind enough to tell us that, too, as if it’s an Akbar-Birbal story! How “generous” of him! :\ You get the point, man. Skip the song.

 

8. Maa De Dandeya
Singer ~ Jassi Katyal, Music by ~ Jassi Katyal, Lyrics by ~ Kumaar

I guess the sound of a conch shell, the bell of a temple, the drone of the tanpura, is supposed to mean that something divine and utterly religious is supposed to follow. That too, in the traditional Hindu style. But who was expecting a maata ka jaagran, which is just so irritating, and too Punjabi to even sound like a song!? I get that it is intentionally supposed to be like that, but with this song, the makers have gone and taken it too far. I mean, seriously? A Punjabi rap and maata ka jaagran do not work well together!! The “Jai Mata Di” chants just do not sound well in this song. Kumaar’s lyrics might be comical and satirical, but it would’ve been better, had they been given to a better composed song, which was catchier. Vocals don’t matter in such a song anyways, because of most of it being just something you and me can go and speak in a mic in front of two-thousand people. This song sounds like something that should have been a background piece in a movie like ‘PK’ or ‘OMG’. Weird, and not at all catchy.


Dilliwaali Zaalim Girlfriend. An album with eight songs and eight music composers. Eight different styles and moods. So, there you have variety. But before you think that I’m praising it, let me tell you, that this isn’t praiseworthy, but in this album, the same variety which I usually praise for other albums, turns out to be a curse for this album. Each of the composers, trying to contribute to the album in their own particular way doesn’t exactly assure a superhit album — or a musically rich one either. Out of those that do impress, Jatinder Shah is the one we’ll be expecting more and more from in the coming days. In deep tried something new with a romantic track, whereas Meet Bros. Anjjan surprised as always. (Because I don’t really expect from them, but still get the results). So this album full of some really “zaalim” rappers, turns out to be a waste of our time except for a few stupendous tracks!

 

Final Rating for This Album: सा < रे <  < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Janib (Duet) > Janib (Female) > Meri Marzi Teri Raza > Tere Liye > Birthday Bash > Zaalim Dilli > Tipsy Hogai > Maa De Dandeya > Saddi Dilli

 

Which is your favourite song from Dilliwaali Zaalim Girlfriend? Please vote for it below! 🙂

 

Next: 11th Music Mastani Monthly Awards (March 2015)

THE GOOD, THE BAD AND THE UGLY! (ALONE – Music Review)

Music Album Details
♪ Music by: Ankit Tiwari, Mithoon, Jeet Gannguli, Raghav Sachar & Dr. Zeus
♪ Lyrics by: Abhendra Kumar Upadhyay, Mithoon, Sandeep Nath, Kumaar, L. Joseph, A. Hunjan, L. Reim, G. Abbasi, K. Roma, V. Nayar, Dr. Zeus
♪ Music Label: T-Series
♪ Music Released On: 30th December 2014
♪ Movie Released On: 16th January 2015

Alone

Alone

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Alone is a horror film that released this Friday, starring the queen of Bollywood Horror Movies, Bipasha Basu and debutant Karan Singh Grover (Zee TV’s ‘Qubool Hai’ fame) The film has been directed by Bhushan Patel and produced by Kumar Mangat Pathak, Abhishek Pathak, Pradeep Agarwal & Prashant Sharma. It is a remake of the Thai film of the same name, and is the story of two conjoined twins (played by Bipasha) who fall in love with the same guy (played by Karan Singh Grover) When they are separated by an operation one of the twins dies. Naturally, she comes and haunts her twin sister later on! I mean, I could never guess this could happen in a movie! :/ Anyways, considering the genre of the movie, it was clear that the music would be the kind that engages you even though it is typical. Seeing the music composers, Ankit Tiwari, Mithoon, Jeet Gannguli & Raghav Sachar, my doubt just got more secured. So I was expecting pretty much from the music, but at the same time knew it would not break any records or give anything fresh. So let’s have a look at how the music of this latest horror movie is!


1. Katra Katra
Singers ~ Ankit Tiwari & Prakriti Kakar, Music by ~ Ankit Tiwari, Lyrics by ~ Abhendra Kumar Upadhyay

Ankit Tiwari gets to open up the album, and he does so with a boom. A slow, intoxicating song which will instantly be lived by all, is what he offers. With guitars and a bit of folkish backing vocals, he kicks off the track very beautifully, gaining more momentum yet, as the song progresses, with Prakriti’s awesome prelude sung very attractively. Ankit himself repeats the whole auto-tune business, but here, as he presents the composition in a different way than always, it suits. This composition is one of his better ones recently since ‘Galliyan’ from ‘Ek Villain’. The song which stands at a long duration (for today’s times) of 6 minutes 21 seconds, may seem monotonous because of the extremely slow pace, but I felt nothing of the sort. Guitars have been used predominantly, and of course, Ankit’s favourite, which he never fails to incorporate some way or the other in to his songs — the flute! And in this slow, sensuous and a bit dark song, it sounds beautiful! The musical piece at the end which plays for about a whole minute, will just steal your heart. And did I mention the snaps? Those are just so attractive! Lyrics by Abhendra suit the composition (or maybe vice versa) and work in favour of it and both singers do well in making them come alive in the song. Finally, a big break for Prakriti, and in a beautiful composition by Ankit! Must-listen! #5StarHotelSong!!

 

2. Awaara
Singers ~ Altamash Faridi & Saim Bhatt, Music & Lyrics by ~ Mithoon

Saim opens up this song with his Mithoon-ish voice (I’m kinda doubting it WAS Mithoon?) followed by typical Mithoon piano notes, soothing to the ears. When Altamash enters, though, the song gets transformed to something totally different and heavenly and unexplainable-in-common-words! The hook of the song takes it to yet a higher level, and you instantly fall in love with the song. Again, Mithoon succeeds to steal our hearts with the same stuff! And again, I’m awestruck at exactly how he manages to do so everytime! The guitar strums fall into place, both acoustic and rock here. Rock guitars in the interludes, and acoustic in the background while the singers are singing, provides a beautiful contrast. Atamash literally sounds a lot like Rahat Fateh Ali Khan at places. The antaras are composed brilliantly, but one line in the mukhda is enough to make you fall in love with the whole song: “Paas laaya mere, yun sataaya mujhe, phir tere lite majboor kiya, majboor kiya”. It just provides a heavenly build-up to the surreal hookline. And lyrics by Mithoon as always, are simple and universally understandable. No use of unnecessary big and sophisticated words, instead, simple, everyday words have been used. Kudos to him for that. A soothing, romantic song that has the power to pull you towards itself and then force you to fall into its trap! As I call it, Mithoon Magic! #5StarHotelSong!

 

3. Chand Aasmano Se Laapata
Singer ~ Bhaven Dhanak, Music by ~ Jeet Gannguli, Lyrics by ~ Sandeep Nath

Jeet enters with another romantic track, this one a bit more emotional. He breaks the stereotype of making Arijit sing these kind of songs, and ropes in a not-so-famous singer, Bhaven Dhanak, to do the honors of singing the song. Bhaven sang two songs in Bollywood (at least, I only know of two) in the movies ‘Jai Ho’ and ‘Youngistaan’ last year. Teey were both club songs. This year, he gets a pleasant romantic track composed very well in the 90s style by Jeet. The melody surely has the power to grasp your attention, though not instantly. The singer might seem odd for some people, because we all are so much used to Arijit in these songs by now, that we refuse to accept anyone else in his place and his territory. (That includes me, because at first I didn’t like the song much because of the singer. But then his voice also grew on me.) Jeet’s arrangements are simple. The beautiful synthesizer hook is very attractive. It doesn’t really sound like an actual instrument being played, so I guess its an electronic sound. Anyways, its beautiful. Guitars and finger snaps accentuate the composition even more. Lyrics are good and pleasant too, and work for the song. Another pleasant song; Jeet, Bhaven and Sandeep have churned up a likeable song! #5StarHotelSong!!

 

4. Touch My Body
Singer ~ Aditi Singh Sharma, Music by ~ Dr. Zeus, Music Recreated for the Album by ~ Raghav Sachar, Lyrics by ~ Kumaar, Original Lyrics by ~ L. Joseph, A. Hunjan, L. Reim, G. Abbasi, K. Roma, V. Nayar, Dr. Zeus

Raghav, a last-minute addition to the album, because his name wasn’t in any poster or the trailer, ends the album with his song, which is a recreation of the Pop song ‘Don’t Be Shy’ originally composed by Dr. Zeus, which itself was a remake of his famous song ‘Kangna Tera Ni’! Almost everything from Dr. Zeus’ song has been revived into this one, but I don’t see why they made it done from someone as talented as Raghav. He could just as well have composed a dance track of his own, if that was what they wanted. The flute part (which is also pretty much the same as that in the original) is one of the only catchy parts in the song. Aditi’s voice proves to be another reason to hear it, otherwise you would just plain waste your time by hearing it. The long list of lyricists of the original song hasn’t done much of a good job with whatever they came up with together (Now I get where the saying “Too many cooks spoil the broth” comes from!) And Kumaar hasn’t written anything genius either. Overall, a tiring affair! Do not ho for this one!


Alone has three out of four of its songs simply reaching out to your heart and instantly lovable. The fourth one, though, makes you hate it a lot. 😂 Ankit, Jeet and Mithoon (The Aashiqui 2 team, you can say) have churned out great tracks and they turn out to be the ‘good’ parts of the album. Raghav has made himself look like an idiot by agreeing to recreate this track, which just came out boring, and he comprises the ‘bad’ part of the album. As for the ‘ugly’ part, that’s just something fun for the people who are gonna watch this movie in the theaters, because that ghost is gonna be real ugly! 😂😂 Overall, an album with the typical romantic songs that horror movies usually have, but which will stay with you for a long time — plus a song that tries to be dofferent but fails miserably! 😂

 

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order:

Awaara > Katra Katra > Chand Aasmano Se Laapata > Touch My Body

 

Which is your favorite song from Alone? Please vote for it below! 🙂

 

Next “dish”: Baby, Chefs: Meet Bros. Anjjan & M.M. Kreem

KHAN-daani DANCE ALBUM! (HAPPY NEW YEAR – Music Review)

Music Album Details:-
♪ Music by:- Vishal-Shekhar, Dr. Zeus, Manj Musik & John Stewart Eduri
♪ Lyrics by:- Irshad Kamil, Jiwan Mann, Kumaar, Farah Khan, Vishal Dadlani & Shekhar Ravjiani
♪ Music Label:- T-Series
♪ Music Released On:- 15th September 2014
♪ Movie Releases On:- 24th October 2014

Happy New Year Album Cover

Happy New Year Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Happy New Year is an upcoming comedy film directed by Farah Khan, and starring Shahrukh Khan, Deepika Padukone, Abhishek Bachchan, Boman Irani, Sonu Sood and Vivaan Shah. The story is about six losers, who compete in a ‘World Dance Championship’ and end up on a quest to pull of the biggest diamond heist ever. So, that story doesn’t seem all that new and fresh, but I’m sure Farah has something in mind to make it interesting and intriguing. Anyways, the Shahrukh-Deepika-Farah trio is back together after ‘Om Shanti Om’, and the same magic that was created that time is expected to be created once again now, so let’s just cross our fingers and hope Farah doesn’t go her brother’s way, by putting in too much (and by too much, I mean TOO MUCH) of cheap slapstick humour, and instead gives us a cute little comedy, which could be watched again and again. 🙂 Talking about the music, we have Vishal-Shekhar in charge of the majority of the album, with Dr. Zeus collaborating with them for one song and composing another song by himself. Manj Musik has also collaborated with Vishal-Shekhar for another song. John Stewart Eduri composing an instrumental track. What’s more, the total number of tracks is eleven! Hopes were naturally high, as they always are for a Shahrukh Khan film, and with Vishal-Shekhar working with Farah, then the hopes become tripled, and so the resulting expectations are pretty humongous! Let’s see whether they have met those expectations, exceeded them, or let us down!


1. India Waale / India Waale (Electronic)
Singers ~ Vishal Dadlani, K.K., Shankar Mahadevan & Neeti Mohan (Both Versions), Music by ~ Vishal-Shekhar, Lyrics by ~ Irshad Kamil

The song which we had heard in the trailer, and on which many people were placing bets that it would be the best track of the album, and it would be a mind-blowing, super hot, superhit track, opens up this massive album. Imagine this: you keep on waiting for your birthday, or any special day, for that matter, and when that day comes, you find yourself getting very bored, as your expectations haven’t quite been satisfied. Either whatever you wished to happen hadn’t happened, or whatever you wanted to do, you couldn’t. You must have felt like this at least once in your lifetime? Well, recall that feeling you felt, and now read the review for this song. It came across as a very, very ordinary song, because a) these kind of songs have been heard innumerable times from Vishal-Shekhar, b) The audience was expecting something new, innovative and brilliant from the song, which would surpass the craziness of ‘Deewangi Deewangi’ from ‘Om Shanti Om’, and c) Even such an awesome lineup of singers has failed to save the song from its fate. Unfortunately, what we have got is something less than a chartbuster, and it can never surpass ‘Deewangi Deewangi’ ever in its life (playlist life), and, well, it’s just too heard-before! They had promised something BIG by saying Indiawaale aa rahe hain… But actually nothing came, neither interest to hear the song on repeat, nor a feeling from the heart saying, Waah! Kya khoob gaana banaaya hai! 😛 Instead, I felt like the song is full of fake desh-prem. :/ Not so impressive! By now, you must have got that the tune is ordinary, so get this, too: the lyrics are nothing special either, and the only elements left are vocals and arrangements. Arrangements, thankfully, have been done very well, and the techno sounds have been used efficiently. The arrangements sound like 80s disco songs, and what Vishal-Shekhar did in ‘The Dirty Picture’ songs. The vocals are also powerful, and Neeti Mohan stands out in her part, and she also sounds beautiful when she sings behind the three male singers. Vishal also stands out, whereas Shankar and K.K. are mostly singing in the chorus, so they don’t have much scope to stand out as such. The electronic version is the same ordinary composition on different arrangements. Those are not of the must-listen types, but there is certainly no harm to hear it, as you’re going to hear this song all throughout Diwali. 😛 Ordinary stuff from Vishal-Shekhar and Irshad Kamil. They say old is gold, but this one is already sold!

 

2. Manwa Laage
Singers ~ Shreya Ghoshal & Arijit Singh, Music by ~ Vishal-Shekhar, Lyrics by ~ Irshad Kamil

When I heard ‘India Waale’, I was ready for the second song to be a just as ordinary, just as heard-before, just as disappointing one, but oh, was I wrong! The second song turned out to be a soulful, cute and melodious romantic song, sung by two ever-so-wonderful and talented artists, Shreya Ghoshal, and Arijit Singh. Vishal-Shekhar have woven together a beautiful melody, with hints of the 90s, and have managed to create a tune that will make sure your attention doesn’t go haywire while listening to the song. Instead, the magic of the song will grasp you and your attention, and it will make you start dol-ing to the beats. The enticing accordion tune will be the first thing to grab your attention. After that, comes the even more beautiful dafli beats, providing the catchiness and beat for you to dol as well! 😀 I guarantee that you would dol after hearing them, they are so attractive and catchy! Shreya is awesome as always, but sorry guys, this time Arijit simply stole the show! He has given his career best performance in this song. His voice never appealed to me as much as it did in this song! So it turns out that Vishal-Shekhar have finally given Arijit a filmi and a fully commercial romantic duet, whereas his other romantic duets were probably not as filmi as this, and if you do find one, by any chance, then it would surely not be as beautiful as this! The tune of his lines also attracts you so much, that it instantly becomes your favourite part in the song. Plus, the arrangements in his parts are spellbinding, and it leaves you wanting more and more each time it comes. For that matter, I would have no problem at all, if they made a separate male version of this song, just for the Arijit fans. 😀 (Which I’m not, by the way, nor his hater) Enough of Arijit, let’s move on to Irshad Kamil. He has written such beautiful and innocent lyrics here, that I can’t help but forgive him for what he wrote in ‘India Waale’. Take this line: ‘Musafir hoon main door ka, Deewana hoon main dhoop ka, mujhe na bhaaye, na bhaaye, na bhaaye, chhaanv re!’ Such beauty lies in the lines. Another one: ‘Ho.. Kisika toh hoga hi tu, kyun na tujhe main hee jeetun?’ The sheer innocence which lies in the line! Beautiful! Vishal-Shekhar, as I have said many times, have composed a very, very divine tune, which immediately sets on your tongue and literally becomes a part of your tongue, what I mean to say is that you will always have this song on the tip of your tongue, it is that beautiful! Anyways, there are many more songs, so I’ll wrap up with this song’s infinite praise now, saying Definitely one of the best songs of the year, and it easily joins the list of Vishal-Shekhar’s best romantic melodies! A must-listen and an undoubted #5StarHotelSong!!

 

3. Satakli
Singers ~ Sukhwinder Singh, Music by ~ Vishal-Shekhar, Lyrics by ~ Irshad Kamil

The team who had given us the big hit, ‘Dard-e-Disco’ is back, with just the lyricist replaced. Another huge hit was expected, but sadly, this one too, falls way below expectations. It starts with some Sajid-Wajid type music, then comes the ‘Radhe Radhe bolo jai Kanhaiyalal ki’ part which was heard in the trailer. That part excels, but unfortunately, it is the only gripping part of the song. The rest is just something which has been composed by the confused Vishal & Shekhar. Confused because, they have placed the right groovy beats required for such a song, but the tune lacks any appeal! It doesn’t stand out and make you want to hear it again and again, because it is (very frankly) NOT CATCHY! The lyrics are nothing great, either, so the only saviour for the track is Sukhwinder Singh’s unique voice texture and energy and the great arrangements. The tabla and dholak beats which come in between, sound awesome. The track proves as a great dance track or festival-type track, but it does not prove its worth as a song which you can repeatedly listen to, or even listen to many times — not in loop, because you will get bored after a while. So, a track with perfect groovy beats, and a singer with immense talent and energy, has been degraded in quality because of the ordinary composition which it is. The hookline might come across as catchy for some, but for me it is also heard many times before from Vishal-Shekhar. An ordinary composition can spoil everything no matter how good the arrangements or the vocals are! Good for dancing and festivals, though!

 

4. Lovely
Singers ~ Kanika Kapoor, Ravindra Upadhyay, Fateh & Miraya Varma, Music by ~ Dr. Zeus with Vishal-Shekhar, Lyrics by ~ Kumaar, Additional Lyrics by ~ Jiwan Mann

This can probably be the most meaningless song in the world (I mean, what can this even mean:- Main lovely ho gayiaan naam tera padhke?) It makes no sense at all. Yet, it might also be the first song which makes no sense lyrically, but which I have liked so much musically! Kanika Kapoor is back with her unique and addictive voice after making the whole country crazy with ‘Baby Doll’, and she does the same magic in this song as well! Her voice is so different but awesome, that it instantly makes your ears go in attention mode. Then whatever be the words, whatever be the tune, whatever be the arrangements, the song will still sound great. Singing for a Shahrukh Khan movie in just her second song, is a huge accomplishment for her! She has taken full advantage of the wonderful opportunity and sings well. The composition is a collaboration between Dr. Zeus and Vishal-Shekhar. They have recreated a Punjabi folk tune (and also somewhat made a darker and sultrier sequel to ‘Baby Doll’ 😛 ) very well! The beats are the exact same as ‘Baby Doll’, so the composers lose some points there, but the tune is very addictive and attractive as well. The other singers don’t have much work, but Miraya sounds good in her Arabic parts, Habibi, aashiqui, hayati, asibi. The song overall is a great item song, with something other than the typical Desi rhythm of Bollywood item songs. The upbeat portion towards the end with the dhols and percussion is awesome! The tempo shift makes the climax interesting. Doesn’t make sense, but makes for a very fun and addictive listen! Great collaboration by Dr. Zeus and Vishal-Shekhar! Since I enjoyed it, it’s a #5StarHotelSong!

 

5. World Dance Medley
Singers ~ Vishal Dadlani, Neeti Mohan, Sukhwinder Singh, Shahrukh Khan, Shankar Mahadevan, K.K. , Music by ~ Vishal-Shekhar, Lyrics by ~ Irshad Kamil

This song is just what it says it is, the title is self-explanatory. They have made a medley by playing the first three songs (the ones by Vishal-Shekhar). Neeti opens with a brilliant rendition on ‘Manwa Laage’, with awesome variation, followed by Sukhwinder, who comes in to sing his energetic song, ‘Satakli’, after which the Badshah Shahrukh himself comes to say a few lines about the patriotism in every Indian’s heart (Really, SRK? Was this needed? Well maybe it was for their Dance competition, so let’s let it be. 😛 ) Vishal-Shekhar cannot get through a song without putting in some or the other surprise element, so here comes Vishal with some amazing patriotic lines, which he sings just as awesomely. Then the India Waale return, to sing ‘India Waale’, and thankfully, wrap up this summarizing song (because it has a summary of all the comparatively better songs by Vishal-Shekhar in the album. Believe me, the worst are yet to come! With some exceptions, of course.) This song is perfect for the situation, the dance competition, so all the better songs of the album are placed here, and I would suggest only to listen to the album up till this medley and not to forget one song which I have liked which is unfortunately after the medley, (and I think the makers had also sensed this, because usually medleys are kept at the end, so they’re seemingly giving a warning — DANGER LIETH AHEAD! 😛 But they have very smartly placed a good song in between the bad songs, so as to make us hear everything at least the first time we hear the album 😛 ) And you’ll get to know which that good song is later. First you have to read about the bad song which comes next! What lies ahead might make you go loony. 😛 Anyways, this track is perfect for school annual functions which have a theme of ‘OUR GREAT COUNTRY: INDIA’! 😀

 

6. Nonsense Ki Night
Singer ~ Mika Singh, Music by ~ Vishal-Shekhar, Lyrics by ~ Farah Khan, Vishal Dadlani & Shekhar Ravjiani

Mika is up to no good these days, singing cheap and irritating songs, so when I heard this song in the trailer, the first thought that came to my mind was, “When will this guy understand?! Why doesn’t he sing something good for once?” However, I still had at least some hopes from the full song, because I do appreciate Vishal-Shekhar’s works. Then the whole song released and I felt as if Vishal-Shekhar have betrayed me by giving me some boring, uninteresting and utterly NONSENSE composition. Then I realized that I must not be the only one thinking this way, and more people must be feeling betrayed by Vishal-Shekhar and Farah Khan because and JUST BECAUSE the lyrics of the song are horrible. They must be thinking “Oh it’ll be awesome if we literally translate Hindi Proverbs into English”. But it turned out to spoil the whole song. It starts with weird noises and what follows is even worse and weirder. The techno sounds are used good, and the dafli sounds awesome. The antaras have been composed very, very amateurishly and I really can’t believe that Vishal-Shekhar have made them. The tune is something I wouldn’t even call a tune! The beats might be catchy like ‘Satakli’ but the cheapness of the lyrics just spoils it all. Mika and his illiterate rendition makes it sound even cheaper. Height of cheapness! Now decide for yourself whether you want to listen to it or not! And if you choose to hear it, decide for yourself whether you like it or not! One of the worst works of Vishal-Shekhar!

 

7. Dance Like A Chammiya
Singers ~ Sunidhi Chauhan & Vishal Dadlani, Music by ~ Vishal-Shekhar, Lyrics by ~ Irshad Kamil

The groovy tune and beats at the starting played, and I instantly got hooked to this song. After that BAD song, this one is a great refreshment! Sunidhi, unlike Mika, is just singing better and better songs nowadays. As if she’s challenging him, “Hey Mikkka paaji, I bet you can’t give so many back to back hits like me!” Well, he has given back to back hits many times in the past, but now I’m fed up of him. Back to the song, it is a typical Vishal-Shekhar item-ish song, and it instantly reminded me of ‘Sheila Ki Jawani’ from ‘Tees Maar Khan’ and ‘Chhaliya’ from ‘Tashan’. The music and the composition is for a similar type, and Vishal-Shekhar have rocked it, even though it is a very heard-before composition. So, where they lost their points in ‘India Waale’, they have recovered them with this song. Sunidhi is the undoubted queen of such energetic and naughty songs, and she proves it once again, with her flawless rendition. Again, she sounds angelic like she did in ‘Daawat-e-Ishq Title Track’, in the line ‘subah subah dardon se baaton ho badan ki’ . It is composed awesomely, and Sunidhi makes it sound even better! Vishal’s energetic interruptions are worth hearing as well. The arrangements are awesome and groovy as well, especially those tabla beats that are placed so wonderfully throughout the song. Lyrics are nothing to pay attention to, this one is just for dancing!! Overall, a superhit and super hot dance track!! Not boring at all even though it is the same old typical Vishal-Shekhar composition! #5StarHotelSong!!

 

8. Sharabi
Singers ~ Manj Musik, Nindy Kaur, Vishal Dadlani & Shekhar Ravjiani, Music by ~ Manj Musik with Vishal-Shekhar, Lyrics by Kumaar, Vishal Dadlani & Shekhar Ravjiani

The previous song was just a temporary painkiller. 😛 The atrocity of the album has returned in the form of this song, which just seems like a mishmash of Punjabi words and techno beats, but no strong base, and so it fails to impress. The singers are Manjeet and Nindy, so one would think that the song is composed by Manj only, and not a collboration between Manj and Vishal-Shekhar. Seems that Vishal-Shekhar haven’t tried to take any step forward to improve Manj’s composition, so i dont know why they have been credited! The so-called addictive song has nothing addictive whatsoever to it, and it just barely succeeds in giving a little (very little) comic effect, so it has to be placed at the right place in the movie, so as to make it famous. Or else, they can just leave it as a promotional song, and keep it at the end of the movie when the credits roll — that would be better. Lyrics by Kumaar and Vishal-Shekhar are again, not that impressive. The voices of the lead singers have been altered a lot, and Nindy’s is as annoying as always, but a bit more annoying than that. Manj sounds okay. The beats are mostly techno Punjabi beats and don’t impress at all. While the collaboration with Dr. Zeus impressed, this one with Manj Musik is a plain bore!

 

9. The Heist (Instrumental)
Instrumental by John Stewart Eduri

John Stewart Eduri, who has done the background score of the film, gets a compulsory but unwanted instrumental track in the album, and he creates a two-minute-long track which lacks any sort of punch whatsoever. It has tried to be a thriller background piece, but interest in it is lost in a very short time. The guitars are played energetically but still don’t manage to hook you to this instrumental track. One-time listen! John has not quite made great use of the opportunity of composing background music for a Shahrukh Khan film! Amateur attempt!

 

10. Kamlee
Singers ~ Kanika Kapoor, Ravindra Upadhyay, Fateh & Miraya Varma, Music by ~ Dr. Zeus, Lyrics by ~ Jiwan Mann

This song is like a reprise version of ‘Lovely’ but it has been composed solely by Dr. Zeus. So, naturally, the antaras, which were my favourite parts of ‘Lovely’ are different. This time, they aren’t interesting and catchy and I didn’t like them as much. Kanika has also sung this version as if she had a fever while singing it, very slowly and a bit stretchedly. The way she says ‘Naam tera padhke’ sounds as if she thinks that shes doing a favour on us by singing the song again. 😀 The arrangements are mostly the same, but this one has more of those female ghost sounds. Also, some string arrangements have been added. Many lines have been added like those in the interlude — ‘Akhiyaan vichcho…’ and the antaras as I said before. This version has more rap, as well. All this, but it doesn’t fare as well as its other version. Not as addictive as ‘Lovely’, but if you liked ‘Lovely’, you might like this one as well.


Happy New Year — Okay, I won’t bore you any further, because I’m sure you must be already knowing what I think of the album, by now. I would just want to say that Farah Khan might have had hopes of repeating the success of the ‘Om Shanti Om’, and even we did, but unfortunately, this album misses by a long distance! Vishal-Shekhar have tried their best, but haven’t performed as good as they did with their other two albums this year. The album isn’t bad, but definitely not very good either. I would call it above average, hence the rating. However, the songs are perfect for dancing, and functions and since it’s always important to enjoy whatever you hear, the album gets more marks there too. 😀 But most of the songs are strictly NOT for music lovers like me. For Farah — Quality is always better than Quantity! 

 

Final Rating for This Album:- सा < रे < ग < म <  < ध < नी < सां

Note:- The letter which is underlined is the final rating.

 

Which is your favourite song from Happy New Year? Please vote for it below! 🙂

 

Next “dish”:- Jigariyaa, Chefs:- Agnel Roman – Faizan Hussain & Raj – Prakash

THE MUSIC WILL GIVE YOU A ‘BUKHAR’! (MAD ABOUT DANCE – Music Review)

Album Details:-
♪ Music by:- Vidyadhar Bhave, Sangeet-Siddharth, Saahil Prem & Dr. Zeus
♪ Lyrics by:- Vidyadhar Bhave, Sangeet-Siddharth, Manoj Yadav & Vijay Singh Shekhawat
♪ Music Label:- T-Series
♪ Music Released On:- 25th July 2014
♪ Movie Releases On:- 22nd August 2014

Mad About Dance Album Cover

Mad About Dance Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Mad About Dance is an upcoming Bollywood dance film. Saahil Prem,  has directed, written and acted in it. 😛 The film has been produced by Paanch Rupaiya Barah Ana Productions. The film stars Amrit Maghera opposite the director, and others like international hip-hop star Salah Benlemqawanssa. The film, being a dance film should be strong in the music department. T-Series is the music company, and again they have produced a multi-composer album. :/ Seeing the music composer’s names, I doubted that. The music is composed by Vidyadhar Bhave, Sangeet-Siddharth, Saahil Prem 😛 and Dr. Zeus. So let’s see whether these mediocre composers managed to create a strong soundtrack for the film.


1. Ishq Da Bukhar:- Singers ~ Krishna Beura & Amrit Maghera, Music by ~ Vidyadhar Bhave, Lyrics by ~ Vidyadhar Bhave

The first song gives an impressive kick start to the soundtrack. Mild piano notes open up and make way for Krishna Beura’s soulful rendition of the Punjabi lyrics written by Vidyadhar Bhave. Vidyadhar has managed to create an engaging tune as well. The arrangements are mostly techno arrangements. The piano and dhol interlude is worth a hear. Amrit Maghera also makes an entry with some English lyrics, and she sings those very well. The songs makes for a great listen, a good romantic song with the perfect beats to make it go with the theme of the movie, dance. Vidyadhar has shown his versatility in the song, mixing in the same tune with the Punjabi as well as English lyrics. Both singers manage to impress as well. Their voices work a lot for this song. Though the song won’t be noticed much, it definitely is great! Perfect start for the album! #5StarHotelSong!

 

2. Party Is Going Mad:- Singers ~ Sangeet-Siddharth, Divya Kumar & Vidydhar Bhavr, Music by ~ Sangeet-Siddharth, Lyrics by ~ Sangeet-Siddharth

When I read the name of the song, I immediately understood it would be a club/party number, and then when I read the singer’s name, I wasn’t sure whether Divya Kumar would be able to convey the required energy for a club song. Sangeet-Siddharth have managed to create a composition which is engaging in most parts, but they have highly overused the techno beats. I understand it’s a club song, but that doesn’t mean you should put loud and earsplitting techno sounds wherever you want to. My doubt about Divya Kumar was proved wrong, and he actually has given just the right amount of energy needed for this song. His voice suits the composition very well. The other singers support him well, but he is the star here. Lyrics are not anything to boast about. After all, it is a club song. Sangeet-Siddharth haven’t placed any so-called interesting elements in the song. Well, they have tried to, but it doesn’t impress. Nothing new here, but worth a listen for Divya Kumar.

 

3. Kahan Hai Khuda:- Singers ~ Subhash Pradhan (Original Version), Vidyadhar Bhave (Dubstep Version), Music by ~ Saahil Prem, Lyrics by ~ Manoj Yadav

Apart from being the director and actor in the movie, I guess Saahil Prem wanted to comopose for the film as well. The song starts with guitar strums. Then Subhash Pradhan enters with a voice that reminds you of Mohd. Irfan for a while, but then he starts singing in a different voice.  The song is a soulful song, but has nothing new to offer. It is a sad composition, composed decently by Saahil, and the arrangements are mainly made of both acoustic and rock guitars. The composition is pretty engaging in parts, but boring at others. The star of the song is undoubtedly Subhash Pradhan, because of his touching rendition. Saahil’s composition doesn’t impress a lot, but is passable. Again, the song won’t be noticed much, but that shouldn’t stop you from hearing it! The dubstep version starts with a slightly haunting techno tune. Vidyadhar Bhave enters with a rough and deep voice. This song relies mainly on the dubstep, I guess mostly to satisfy the need of the film to make an efficient dance track. But there is not that efficient about the dubstep here. The song has been made from sad, to sad as well as haunting in this version. First version was fairly engaging, while the second version didn’t impress as much.

 

4. Punjabi Mundeya:- Singers ~ Ravindra Upadhyay & Lil’ Shorty, Music by ~ Dr. Zeus, Lyrics by ~ Vijay Singh Shekhawat

Lil’ Shorty starts with some weird rap, which sounds very ridiculous. I suggest you guys edit that part out and then listen to the song, because then you will unnecessarily listen to one minute and fifteen seconds of stupid rap which is not required. The second singer, Ravindra Upadhyay, is a great replacement for Sukhwinder Singh, and just like Palak is taken when makers don’t have enough money to rope in Shreya, same applies here. The inky thing is that Ravindra sounds exactly like Sukhwinder, whereas Palak barely sounds like Shreya. 😛 Since over one minute is wasted in the ridiculous ‘rap’ by Lil’ Shorty, Ravindra gets just over two minutes to do his part. Dr. Zeus has come up with a Punjabi club song, with good beats but an unimpressive and uninteresting tune. Lyrics are again below average. In fact, the song doesn’t rely that much on lyrics. The song is the kind that you should listen once, and then only listen again if you liked it, but if you didn’t, then no need to listen to it once more. A below average tune supported by groovy beats, and good vocals by Ravindra, but fails to impress! Same old thing!


Mad About Dance is just another typical average T-Series album, with four composers composing one song each. Out of four, only Vidyadhar Bhave managed to impress with his song, while others didn’t offer anything fresh. In a dance film, four songs, and out of that, only one impressing, is not expected at all! Some more songs were expected, which might have helped the film a lot more than only four songs. The album is a volatile album, the kind that will fly away in no time, and you will forget about it very quickly. Another bad multi-composer album from T-Series. Had the makers gone MAD while finalizing just four songs?? 😀

 

Final Rating for This Album:- सा < रे <  < म < प < ध < नी

Note:- The letter which is underlined is the final rating.

 

Which is your favourite song from Mad About Dance? Please vote below! 🙂

 

Next:- 4th Music Mastani Monthly Awards (August 2014)