PRODUCERS KA HALKA HALKA GHUROOR!! (FANNEY KHAN – Music Review)

Music Album Details
♪ Music by: Amit Trivedi, Tanishk Bagchi, Nusrat Fateh Ali Khan & Shankar-Jaikishan
♪ Lyrics by: Irshad Kamil & Hasrat Jaipuri
♪ Music Label: T-Series / ‘Badan Pe Sitare’ on Saregama
♪ Music Released On: 19th July 2018
♪ Movie Released On: 3rd August 20181400x1400bb3

Listen to the songs: Saavn | Gaana

Buy the songs: iTunes

Listen to ‘Achche Din Ab Aaye Re’: Saavn

Listen to ‘Badan Pe Sitare’: Saavn | Buy on iTunes


Fanney Khan is an upcoming Bollywood film starring Anil Kapoor, Pihu Sand, Rajkummar Rao and Aishwarya Rai Bachchan in crucial roles. The film is directed by Atul Manjrekar and produced by Rakeysh Om Prakash Mehra, Bhushan Kumar, Krishan Kumar, Kussum Arora, Nishant Pitti, Anil Kapoor, P.S. Bharathi and Rajiv Tandon. The film is an adaptation of the Dutch film ‘Everybody’s Famous’, and it deals with the issue of body-shaming. The music of the film has been composed by Amit Trivedi, with one guest composition, (#NotARemake) by Tanishk Bagchi. This is Trivedi’s fifth album of the year, and out of the four previous ones, ‘Bhavesh Joshi Superhero’ and ‘Pad Man’s were the only solo albums, whereas in ‘Raid’ and ‘Blackmail’, T-Series had forced songs by other composers. Thankfully, in both the albums, the guest songs weren’t bad or frustrating. In fact, in ‘Blackmail’, it was Trivedi who wasn’t at the top of his game. Well, seeing as to how this album is 6/7th his, maybe this will be one of the better ‘multicomposer’ albums of his this year. Let’s dive in!


As is the norm, I usually get the guest composition done with at the beginnjng, or leave it for the very end; here, I will get it over with. So Tanishk’s guest composition Mohabbat, which has left many confused as to whether it’s a remake of Noor Jehan’s ‘Jawaan Hai Mohabbat’, (but which clearly isn’t a remake of that, if you pay attention to the tune), starts the album off. And it is one of the most disappointing original songs by Tanishk. First of all, he creates some weird sounds that hurt the ears, and continues it with grating programming of Sunidhi’s voice that makes her sound horrible! The composition is quite simple, and a bit catchy on and off, but for the most part, it is a very forgettable tune, that could’ve been propped up by Sunidhi’s vocals, if the composer hadn’t programmed it so badly! Irshad Kamil’s lyrics are nothing great, and when the song isn’t interesting, the lyrics don’t really matter that much.

Amit Trivedi too, uses Sunidhi for his first song, Halka Halka, an EDM reimagination of Nusrat Fateh Ali Khan’s famous Qawwali. The difference in Sunidhi’s voice itself shows you what Tanishk had done wrong in the first song. Anyway, the song as a remake, is quite creative — the composer adds a pacy drop to the song after the hookline, and I love the new padding he has composed before the hookline, as the mukhda; it has a beautiful tune, which Sunidhi delivers fascinatingly. However, I didn’t quite like that the hookline has been extended to four lines. The original hookline with two lines was good enough! Divya Kumar complements Sunidhi well, and against the EDM backdrop, both of them, a duo not yet tested by composers, sound magical, and I’m glad Trivedi did try such a contrasting pair for a song.

Trivedi is also made to remake Shankar-Jaikishan-Mohd. Rafi’s iconic Badan Pe Sitare and who better than Sonu Nigam to sing a version of that song? We’ve been hearing the man sing his take on the song ever since I can’t even remember when, and to hear a proper mixed and mastered audio version of him singing the song is a treat for his fans. Amit Trivedi does an awesome job recreating the actual raw orchestra touch of the original song — drums and trumpets owning the arrangements. And obviously, Sonu Nigam owning the song with his energetic and boisterous performance!

The original part of the album is not as exciting as the remake part, sadly, but Amit still manages to give one beautiful song, Achche Din, which has a sweet middle-class touch to it, in both lyrics and tune. Amit’s heartfelt rendition helps the song sound genuine as well, and it suits the setting of Anil Kapoor playing a taxi driver waiting for his fortune to get better. Irshad KamilsK lyrics have a sense of genuineness in them, which propels the song further and Amit’s use of clarinets (I.D. Rao) and flutes is wonderful. But what keeps the song together is the strong composition. The reprise version type of song, Achche Din Ab Aaye Re is the same audio file with a little additional coda at the end, where the lyrics have been tweaked to let us know that Anil Kapoor’s character’s fortune has sparkled.

The rest of the album is sung by Monali Thakur, who is the voice for Pihu Sand, who plays Kapoor’s daughter in the film. The first of the songs, Tere Jaisa Tu Hai, is straight out of the ‘Secret Superstar’ soundtrack, with a less stronger voice than Meghna Mishra. Monali Thakur seems to be struggling with the high notes in this song; the song itself has nothing new to offer beyond the soaring trumpet portions, but then, we heard something similar in ‘Main Kaun Hoon’ (Secret Superstar), so it doesn’t strike me as anything special. Irshad KamklsK lyrics are meaningful, but only good to listen to as long as the song plays; they are easily forgotten after the song ends.

The last song Fu Bai Fu is like those Bollywood medleys that used to feature in our movies, except, since the music label might not possess rights to all the songs, the composer has composed a song and the lyricist sprinkles different lyrics throughout that tune. The songs featured are quite fun to listen to, but nothing beyond that. The use of the Marathi folk song ”’ Bai Fu’ merely raises eyebrows — why was it needed? And was it needed? The arrangements are some of the most bland arrangements Trivedi has provided in recent times — a repetitive loop of the same sounds plays all throughout the song. Monali’s rendition is good in this song, though, and so are her imitations in the interlude. But again, why?


The whole album seems like the producers were way too overconfident with their movie, and in the process, their halka halka ghuroor seems to have made them pay no attention to the quality of the music album! A letdown of a music album for a movie that revolves around music!

 

Total Points Scored by This Album: 6 + 7 + 7 + 7.5 + 7.5 + 6.5 + 6 = 

Album Percentage: 67.86%

Final Rating for This Album: सा < रे < ग < म < प < < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Achche Din = Achche Din Ab Aaye Re > Badan Pe Sitaare = Halka Halka > Tere Jaisa Tu Hai > Mohabbat = Fu Bai Fu

Remake Counter:
No. Of Remakes : 30 (from previous albums) + 02 = 32

Which is your favourite song from Fanney Khan? Please vote for it below! Thanks! 🙂

Advertisements