DECEMBER 2017 ROUND-UP (FUKREY RETURNS, FIRANGI, TERA INTEZAAR & MONSOON SHOOTOUT – Mini Music Reviews)

It is time for my Round-Up for December 2017, which is slightly delayed due to me being so busy, but better late than never, right?

December 2017 Round-Up

This Round-Up includes the following music reviews:

1) Fukrey Returns – Prem-Hardeep, Jasleen Kaur Royal, Sumeet Bellary, Shaarib-Toshi, Gulraj Singh, IshQ Bector, Shree D & Laxmikant-Pyarelal

2) Firangi – Jatinder Shah

3) Tera Intezaar – Raaj Aashoo

4) Monsoon Shootout – Rochak Kohli, Viveick-Mayur, Chinmay Harshe, Chetan Rao & Vikram Shastry

The music review for “Tiger Zinda Hai” will be posted separately.


♦ Fukrey Returns, But Ram Sampath Doesn’t! – FUKREY RETURNS Music Review

♪ Music by: Prem-Hardeep, Jasleen Kaur Royal, Sumeet Bellary, Shaarib-Toshi, IshQ Bector, Shree D, Gulraj Singh & Laxmikant-Pyarelal
♪ Lyrics by: Kumaar, Late Anand Bakshi, Aditya Sharma, Satya Khare, Raftaar, Rohit Sharma, Arsalaan Akhoon, Shree D, Mrighdeep Singh Lamba & Vipul Vig
♪ Music Label: Zee Music Company
♪ Music Released On: 16th November 2017
♪ Movie Released On: 8th December 2017

 

Listen to the songs: Saavn


So Fukrey has returned. Sadly, the man behind “Fukrey”s enjoyable music, Ram Sampath has not returned, and after his underwhelming stint in ‘Raees’, he doesn’t get a chance to bounce back with a franchise that was initially his. Anywho, let’s judge on what we have been given.
Prem-Hardeep, the original composers of ‘Kala Chashma’ before Badshah remade it in ‘Baar Baar Dekho’, get a chance now, to ruin somebody else’s song. Laxmikant-Pyarelal’s ‘O Meri Mehbooba’ (Dharam Veer) gets ‘remade’ into Mehbooba, a banal club song which starts and ends with the Fukras being rejected by a random girl in the club, who happens to be singing in Neha Kakkar’s voice. Yasser Desai gets one line that repeats over and over again, and it is frankly the best line of the song. Raftaar’s rap is too stereotypical. Jasleen Kaur Royal’s Peh Gaya Khalara, though fitting into her now-overused Punjabi dance number template, is quite enjoyable, with the sweet vocals by herself and Divya Kumar, Akasa Singh & Akanksha Bhandari accompanying them. The arrangements are what make the track more enjoyable, and also the quirky lyrics.
Familiar territory is entered in Ishq Bector & Shree D’s semiclassical Raina, which, though quite soothing, gets tedious due to its length (it is the only song on the album over three minutes long, and goes up to over four minutes long!) The arrangements help propel it forward though, and also Shree’s vocals. Shaarib-Toshi enter the Bollywood scene after a long time with a delightful Punjabi melody, Ishq De Fanniyar. The male version by Shaarib is great, but the Female Version has all the feels, hence scores higher. The beautiful melody seems like a wonderful sequel to the first movie’s ‘Ambarsariya’. The lyrics are sweet as well, not to mention amazing accordions in the arrangements.
The techno sounds come along with the last three songs, bunched up together, out of which two are by Sumeet Bellary (composed for ‘Fuddu’ last year), and one is by (another person who re-enters Bollywood as a composer after a loooooong time, longer than Shaarib-Toshi), Gulraj Singh.
Sumeet’s two songs rely on weird techno gimmicks, which fail to propel the songs forward. Tu Mera Bhai Nahi Hai is a quirky friendship anthem, but is pulled down by lack of catchiness in both music and composition. Bura Na Maano Bholi Hai is like a title song, but gets all over the place in no time. The arrangements are slightly better here. Both songs are sung by Gandharv Sachdev, wit Shahid Mallya joining him in the latter song, and aren’t all that well sung.
Gulraj does well in his title song, Fukrey Returns, with a nice catchy musical loop, and heavy use of brass and techno sounds which makes his song sound even better. Siddharth Mahadevan on the vocals is a bonus.


Not as great as the first movie’s album, but still a commendable album considering the amount of new talent on there. But nevertheless, I wish Ram Sampath had returned!

 

Total Points Scored by This Album: 2.5 + 3.5 + 3.5 + 4 + 4 + 3.5 + 3 + 3.5 = 27.5

Album Percentage: 68.75%

Final Rating for This Album: सा < रे < ग < म < प < < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Ishq De Fanniyar = Ishq De Fanniyar (Female) > Peh Gaya Khalara = Tu Mera Bhai Nahi Hai = Raina = Fukrey Returns > Bura Na Maano Bholi Hai > Mehbooba

Remake Counter:
No. Of Remakes: 43 (from previous albums) + 01 (from Fukrey Returns) = 44


♦ Quite A Desi Album! : FIRANGI Music Review

♪ Music by: Jatinder Shah
♪ Lyrics by: Dr. Devendra Kafir, Ashraf Ali & Krishna Bhardwaj
♪ Music Label: Zee Music Company
♪ Music Released On: 21st November 2017
♪ Movie Released On: 1st December 2017

 

Listen to the songs: Saavn


The song with almost the least amount of Punjabi words (second only to ‘Gulbadan’, which comes later on in the album) in its lyrics, Oye Firangi, starts the album off, and Jatinder Shah steals your heart right away. The charming melody immediately gets you grooving — thanks to a little EDM twist in the hookline — and though it is very simple, it is amazing thanks to the programming, and Sunidhi’s marvellous voice. There comes a British-era ballroom style orchestral portion at the end, but I wish the composer had extended that into another antara instead of ending the song with it! Another charming but heard-before melody, Sahiba Russ Gayiya, starts from where ‘Channa Mereya’ ended, with a similar structure and arrangement. Rahat’s voice is a boon to the song, and it’s the first song of his in a long time that doesn’t get on my nerves.(Ahem, ‘Mere Rashke Qamar’!) I love the way he pronounces the hookline. The Unplugged Version sung by Shafqat Amanat Ali, is funnily named ‘Sahiba (Male)’, as if Rahat’s version wasn’t by a male singer. The song itself is an improvement on the original, in that we get to hear Shafqat’s impeccable aalaaps, and though the choice of Shafqat doesn’t make it sound less like a Pritam song in general [Shafqat is just as much of a Pritam camp singer as Rahat is!] it surely does sound less like ‘Channa Mereya’, because the electric guitars have been toned down. Acoustic guitars play the larger role here. However some factors make both versions balance out at the end.
If ‘Sahiba’ had ‘Channa Mereya’ written all over it, Tu Jit Jawna has ‘Bhaag Milkha Bhaag’s title song all, and I mean ALL over it! Daler Mehndi, who I wish had sung the BMB number too, sings this one, and so it is quite bearable, but otherwise, it falls flat and sounds hollow in its emotion. It is also lyrically a counterpart to ‘Oye Firangi’, except Daler paaji doesn’t call him a ‘Firangi’ (foreigner), while Sunidhi did.
Gulbadan is a Qawwali-esque number, sung by Mamta Sharma. Good to hear her sing a different kind of song, though I’m sure the video will be the same kind of Bollywood ‘item number’. The hookline is greatly composed, with amazing arrangements by Shah, but again, falling into the too much tried-and-tested category of arrangements. I guess the best that comes out of this song is hearing Mamta Sharma’s gentle voice, because she thankfully hasn’t been made to sing in the annoying loud voice of hers.
But the album’s best is the wonderful folksy number, Sajna Sohne Jiha, which transports you back to the Punjab of the olden days. Wadali Bros’ Qawwali ‘Ve Sone Diya Kangna’ has been given a nice reinterpretation by Shah, and it works so well. The rhythms at the beginning really bring out the song’s folksiness, and Jyoti Nooran’s strong voice helps propel it to the finish line, where it emerges the winner compared to the other songs of the album!


A very desi album to the film ‘Firangi!’

 

Total Points Scored by This Album: 3.5 + 3.5 + 4 + 3.5 + 3.5 + 5 = 23

Album Percentage: 76.67%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Sajna Sohne Jiha > Sahiba Russ Gayiya (Shafqat) > Oye Firangi = Tu Jit Jawna = Gulbadan = Sahiba Russ Gayiya



♦ No Intezaar for This Album! : TERA INTEZAAR Music Review

♪ Music By: Raaj Aashoo
♪ Lyrics by: Shabbir Ahmed
♪ Music Label: T-Series
♪ Music Released On: 11th November 2017
♪ Movie Released On: 1st December 2017

 

Listen to the songs: Saavn


After a long time (or is it the first time?), one single composer gets a chance to compose an album for a film starring Sunny Leone. Somehow, she debuted smack in the middle of the multicomposer craze and so, got mainly multiple composers to compose for all her films! Raaj Aashoo handles the album.
The title track, titled Intezaar Title, instead of a more apt ‘Tera Intezaar’ (Obviously, because that’s the film’s name), is a dreary 2000s melody, sung by Shreya Ghoshal too, as if she is still in her debut year. Adding to the ennui, is the Qawwali-ish chorus. Raaj’s composition is good, but dated. The arrangement is the best thing about the song, especially the flute. Another very typically 90s melody, Khali Khali Dil, sees Payal Dev and Armaan Malik at their clichéd best. The digital sounds do not help make it more ‘modern’ or anything, and even the harmonica fails to create any impact. Quite a similar sound follows in the dreary Mehfooz, another song straight out of Nadeem-Shravan’s music-bank. The guitar work makes it sound like a version of Mithoon’s ‘Sanam Re’ title track, sans the tablas. Yasser gets a version, and, sounding like Arijit as always, manages to make it sound genuinely interesting. The arrangements here too make this song much more interesting than ‘Khali Khali Dil’. The song appears in two more versions, one by Palak Muchhal and the other by a new singer named Hrishikesh Chury. Palak’s 2½ minute long version fares better than Hrishikesh’s normal length one, because of the pleasant arrangements. Also, Hrishikesh tries to sound like Kumar Sanu.
The best song on the album, Abhagi Piya Ki, becomes the best only because the others don’t deserve it. It appears in two versions, a banal one sung jarringly by Kanika Kapoor and Raja Hasan, and a slightly better version sung much better by Payal Dev and Javed Ali. The tablas that went missing from ‘Mehfooz’ seem to have come to this song, and they play in surplus. The semiclassical touch to the song is good, but the 90s melancholia seems to have followed the composer like a thundercloud whenever he sat to compose for this film.
The only song that does not sound anything like a 90s song is Sexy Baby Girl, and it doesn’t work because it tries to sound uber-cool with its lead singer Swati Sharrma, like always, trying to add unnecessary style to her words, resulting in a disaster. Also, the lyrics are cringeworthy.


This is not an album anyone would have waited for. 

 

Total Points Scored by This Album: 3 + 2 + 2.5 + 2.5 + 2 + 3 + 3.5 + 3 = 21.5

Album Percentage: 53.75%

Final Rating for This Album: सा < रे < ग < म < < ध< नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Abhagi Piya Ki (Javed/Payal) > Abhagi Piya Ki = Intezaar Title = Sexy Baby Girl > Mehfooz = Mehfooz (Palak) > Mehfooz (Hrishikesh) = Khali Khali Dil



♦ Surprising Monsoon in Winter!!: MONSOON SHOOTOUT Music Review

♪ Music by: Rochak Kohli, Viveick Rajagopalan, Mayur Narvekar, Chinmay Harshe, Chetan Rao & Vikram Shastry
♪ Lyrics by: Sumant Vadhera, Kartik Krishnan, Deepak Ramona, Chinmay Harshe, Rohit Bhasy, Neeraj Sharma, Vinit Gulati, Nidhi Gulati
♪ Music Label: Saregama
♪ Music Released On: 19th December 2017
♪ Movie Released On: 15th December 2017

 

Listen to the songs: Saavn


Rochak gets two songs, and reminds us why he’s one composer that keeps popping up in numerous albums scattered over the year’s span. It is because of his strong melodies. Pal is a cherishable melody which, though predictable, does give you goosebumps, and makes you want it to rain. Arijit’s heart-touching rendition is enough to make anyone fall for the song. On the other hand Miliyo Re is a very Sachin-Jigar-ish romantic song, with Monali and Rochak behind the mic, with vocals that aren’t amazing, but are functional. The composition is good but very commonplace; not as distinct as Rochak’s other songs this year.
Viveick-Mayur present their only song Andheri Raat next, a haunting song with weird Marathi rap, and awesome Punjabi-flavoured male vocals. Neha Bhasin kills it behind the mic, as does her co-singer, Rajiv Sundaresan, doing the aforementioned Punjabi-flavoured portions. The Marathi rap by Aklesh Sutar is funny, and quite weird too.
The other three songs are quite situational, all by newcomers, with neither one exactly standing above the others. Chinmay Harshe’s Miss You Balma, by Akriti Kakar, is experimental but has you questioning “Why??” because the jazzy composition and the rock arrangements don’t really gel well with each other. Akriti aces the vocals though, singing in an unusually (for her) low pitch. The other duo, Chetan Rao & Vikram Shastry, present two songs, one being a folksy item song Maachis Ki Teeli, in which the very unconventional choice of singer, Bhavya Pandit, whi hasn’t ever sung such a song, proves to be great, as she adjusts to the song’s folksiness very well. Her co-vocalists provide good company as the loafers interjecting occasionally. The last song Faislay has a quite dated tune, and a very mismatching digital loop that starts it off, but Mandar Deshpande’s singing brings it up.


An album that is good, but still will be a wipeout.

 

Total Points Scored by This Album: 4 + 4 + 3.5 + 3 + 3.5 + 3 = 21

Album Percentage: 70%

Final Rating for This Album: सा < रे < ग < म < प < < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Pal = Miliyo Re > Andheri Raat = Maachis Ki Teeli > Miss You Balma = Faislay



Hope you liked this section of reviews! The review for ‘Tiger Zinda Hai’ will be out soon!

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DEMOLITION OF THE MUSICAL HOUSE THAT WAS ONCE FULL!!! (HOUSEFULL 3 – Music Review)

Music Album Details
♪ Music by: Sohail Sen, Mika Singh, Milind Gaba, Sharib-Toshi & Tanishk Bagchi
♪ Lyrics by: Sameer Sen, Farhad-Sajid, Earl Edgar, Sanjeev Chaturvedi, Mamta Sharma, Arafat Mehmood, Rani Malik, Manoj Yadav & Danish Sabri
♪ Music Label: T-Series
♪ Music Released On: 9th May 2016
♪ Movie Releases On: 3rd June 2016

Housefull 3 Album Cover

Housefull 3 Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Housefull 3 is an upcoming Bollywood comedy film, starring Akshay Kumar, Riteish Deshmukh, Abhishek Bachchan, Jacqueline Fernandez, Lisa Haydon and Nargis Fakhri in lead roles, with Boman Irani and Jackie Shroff in supporting roles. The film is directed by Farhad-Sajid, and produced by Sajid Nadiadwala. The movie is the third part in the ‘Housefull’ franchise, and we can see where the franchise is heading. The quality of the second part was nohere near that of the first; I doubt that the third one will even match the second, going by the trailer. As for the music, the first part had an awesome and enjoyable album by Shankar-Ehsaan-Loy. The second had quite a decent album by Sajid-Wajid, which didn’t match up to the first, but was good anyway. The third part however, has a multicomposer album, and I’ve seen where multi-composer albums go with comedy films (Ahem, ‘Welcome Back’, we’re hinting at you…!) The list of composers isn’t so impressive, either, and each team gets only one song, so, yeah…! Sharib-Toshi, fresh from the success (*cough cough*) of their three songs from the ‘1920 London’ album, are the first music directors in the album. Not expecting something great from them, but I will be happy if they manage to give something good, because here they can’t give typical Bhatt-ish stuff, can they? 😂 The next is Sohail Sen. I wonder from where he ended up doing this album, but nevertheless, expectations are high from him as he seems to be the composer I like the most in this album! After ‘Gunday’, a great song is expected. The third composers on the list are Mika Singh and his all-time partner Millind Gaba. (I think it’s the other way around.. Mika is the partner of Millind… I guess…?) I am not expecting anything from them, going by their ridiculous title song in ‘Welcome Back’. And the last composer is Tanishk Bagchi. Now, he has been impressing right from ‘Tanu Weds Manu Returns’ to ‘Kapoor & Sons’ to the recent ‘Sarbjit’. He had got a rom-com action film ‘Direct Ishq’ in between, where he didn’t impress much, so let’s see how he does in this rom-com! Read on to find out how the songs of the much awaited ‘Housefull 3’ are!


1. Pyar Ki
Singers ~ Nakash Aziz, Anmol Malik, Divya Kumar & Sharib-Toshi, Rap by ~ Earl Edgar, Music by ~ Sharib-Toshi, Lyrics by ~ Manoj Yadav, Farhad-Sajid & Danish Sabri

Sharib-Toshi, back after their middling songs in ‘1920 London’ (I thought they wouldn’t dare to make music after that!) get the very first song in the album. Sharib-Toshi have had a decent track record with upbeat songs, the best being ‘Emotional Fool’ (Humpty Sharma Ki Dulhania) for me. Here, they give an upbeat track with literally no meaning, except a trying-to-be-catchy composition, which works to some extent. The makers play it safe by employing four lyricists on this track, so we can’t catch the culprit who is feeding nonsense to our ears! Well, good escape!! Sharib-Toshi’s composition does appeal on and off, but when it does, something has to spoil it — either the lyrics or the vocals. Frankly, the composition is catchy. A hookline that is perfect for Bollywood and specifically, such movies in Bollywood, does grab your attention, while the other parts of the song have been composed pretty good too. Divya’s Qawwali portion is a good addition. In spite of the decent composition, the lyrics are atrocious. Manoj, Farhad, Sajid and Danish team up to give lyrics that try to be smart with a very stupid double meaning hookline, that doesn’t even shock you in the least. In the rap portion, I’m guessing written by Danish, as I can even hear him singing (though not credited!), it is suggested that the relationship of two lovers is just like that of bread and JAM! 😛 In the song, the moon gains weight (“Chaand ko chadh gayi hai charbi”) and the Sun starts talking in Arabic! (“Sooraj bhi laga bakkne Arabi”) These idiotic lines make the song appeal even more, and cater to your laughter. And the rap (I’m mentioning it again..) is a must-hear! 😂😂 On the vocals front, two singers try to save the song, with Nakash using his totally lovable voice, and Divya singing a wonderful Qawwali bit. Anmol, however, is back with her over-stylish vocals singing ‘baby’ like ‘baibaa’ and interfering by inserting random “yeaaahh”s everywhere. Earl’s rap is stupid. Sharib-Toshi’s arrangements are catchy, too. Mostly techno sounds, but they do surprise by adding good Spanish guitars and harmonium in between. A ridiculously funny start to the album! This time Sharib-Toshi do commendably well, but others spoil their work! Oh, yeah.. And salute to the lyricists! They’re surely gonna win awards worldwide for that!

 

2. Taang Uthake
Singers ~ Mika Singh, Mamta Sharma, Neeti Mohan & Sohail Sen, Backing Vocals by ~ Hrishikesh Chury & Madan Shukla, Music by ~ Sohail Sen, Lyrics by ~ Sameer Sen, Farhad-Sajid, Mamta Sharma & Sanjeev Chaturvedi

Here comes another song with a Topsy-Turvy name. Sohail Sen holds the baton for this one, and fails to do much wonder with it. The composition is the typical Bollywood-Dappankuthu combo, with the typical kuthu rhythm supporting the Bappi Lahiri-styled composition. Sohail tries hard to create another ‘Tune Maari Entriyaan’, but fails miserably. All he manages to create is a decent dance track, which isn’t a sureshot earworm. The composition being very stale and heard-before types, it does not appeal as much as ‘Tune Maari Entriyaan’ either. Sohail has roped in Mika as the lead male singer, singing for three actors, while Mamta and Neeti get their voices superimposed on each other, and thank God Neeti’s voice is clearly audible, while you have to strain your ears to hear Mamta’s, which I’m sure nobody will do. Their parts, trough, have been composed very good, and are actually catchy, especially the second antara. Mika, as always, eats up most of his words, and in a line says something like “Kiltapille pultapille”. He puts in that unusual dog sound while singing, and it seems more dog-like ever since he sang that wonderfully catchy song ‘Tu Mere Agal Bagal Hai’ (Phata Poster Nikhla Hero)! But sadly, the same magic hasn’t been repeated here. Sohail’s arrangements remind you of ‘Tune Maari Entriyaan’, and I guess he has copy-pasted the same rhythm into this song. The dhols, rock guitars, are all the same. He seems to have added the brass band and Shehnaai. And now, coming to the lyricists! Here, there are not two, not three and not even four, but a total of FIVE lyricists! (Plus, Mamta is one of them!) And what can they offer? A song about lifting up your legs and dancing the whole night! What an amazing concept!! I was really awestruck on hearing the lyrics! Too good! If you think I would say all that, you’re so much mistaken. Judge for yourself. Here are some lines — “Jhoomega body ka har part taang uthake”… So are you telling me that our legs have legs, toes have legs, fingers have legs, our eyes have legs, our ears have legs, our stomach has legs, our pancreas has legs, our appendix has legs, our lungs have legs and everything else has legs? Thanks for the wonderful lesson on anatomy! I never knew all this! 😀 Here’s another one — “Main wine Ki bottle, jismein nasha total, all the guys just want a piece of me”… No comments… So, you get the idea! All the lines are just a mishmash of supposedly “fun” words, but none appeal. It’s just a compilation of lines from various dance songs which have come and gone across the years. A catchy composition, but everything else, boring! Lyrics again, deserve a standing ovation, for giving such an unknown fact about human anatomy!

 

3. Malamaal
Singers ~ Mika Singh, Akira, Miss Pooja & Kuwar Virk, Music by ~ Mika Singh & Millind Gaba, Lyrics by ~ Rani Malik & Farhad-Sajid

Mika has already driven us crazy in ‘Taang Uthake’, and now he’s here to compose a song with Millind Gaba, someone whose songs I’ve never liked. This is a Punjabi wedding song, which has a pretty enjoyable composition, but gets boring after a minute, because if the atrocious vocals and lyrics, again! The starting has a dholak portion that sounds like the start of ‘Balam Pichkari’, but just for a second. After that, a very poorly recorded female sangeet portion, only to be disturbed by Bhangra elements like that phurr phurr sound. Mika sings in an utterly intolerable high pitch, which is sure to puncture your eardrums if you hear it for too long. The female singers don’t help. Miss Pooja’s voice isn’t as harsh as usual, but is more irritating than ever. Akira, who had a song in the recent ‘Santa Banta Pvt. Ltd.’, has only one single line in the song, which I suspect is a line that had to be replaced, because it’s smack in the middle of Miss Pooja’s stanza. And her voice is atrocious! Hear it in ‘Ishq Karle Anytime’ (Santa Banta Pvt. Ltd.) for a more detailed hearing experience. Millind and Mika have horribly and terribly recorded the “song”, if I can call it one. It sounds as if we are hearing it on a radio in some garage. Heck, garages pick up a better signal, than this song’s recording makes it sound like! Irritating Bhangra sounds make up most of the arrangements, with harmonium, techno sounds, and the quintessential tumbi pitching in occasionally. The lyrics are by Rani Malik, a pretty renowned lyricist of the 90s, and she writes lyrics that will put all the lyricists of the album to shame. They’ll wonder how they couldn’t come up with such bad lyrics and they’ll curse themselves for not torturing the listeners as much as she has. Here’s an example — “Mauka hai dastoor bhi hai, Par why you standing far. Take me in your arms raja, Like a true sardar”. It is an insult of Hinglish!! Farhad-Sajid too force their names in the lyricists list; I guess they must’ve made up one or two lines in each song, and hence, they feature as lyricists on every song. ATROCIOUS!!!! RIDICULOUS!!! YUCK!! Stepping on cow dung in the village with bare feet is better than hearing this, because at least we can wash our feet, whereas this song won’t even get washed out of your brain!

 

4. Fake Ishq
Singers ~ Kailash Kher, Nakash Aziz & Altamash Faridi, Music by ~ Tanishk Bagchi, Lyrics by ~ Arafat Mehmood & Farhad-Sajid

Tanishk is back after a mediocre and a mindblowing song in ‘Sarbjit’. I had praised him for not making his rock Qawwali ‘Allah Hu Allah’ in ‘Sarbjit’, filmy at all. And lo and behold! Here he comes with a filmy rock Qawwali, just against my wishes. Just as I expected, he overdoes the filminess, and ends up spoiling everything. The singers lineup will not make you think so, by trust me, the singing is horrendous! I’ve never seen Kailash Kher singing so badly, in such an unnecessarily high voice, and whenever I have, it sounded pleasant! Nakash’s talent has been purely wasted by making him wail random “Abbaaaa”‘s all throughout the song, which is a real pest to the ears. Altamash is the most modest, only showing up in the hookline — that too, overshadowed by Kailash’s booming voice. Nakash gets to do an atrociously worded AdLib before the Qawwali actually starts, but he sings it decently. Tanishk’s core composition is pretty boring, too, desperately trying to ape Sohail Sen’s ‘Isq Risk’ (Mere Brother Ki Dulhan) which was leagues ahead, and of a totally different level. The composition is ridiculously high-pitched, and a troublesome one too, at that. It is tooooooo dull and toooooo trying-to-be-emotional. Arrangements too, sound odd. I’ve never heard a shehnaai in a Qawwali before, and it doesn’t sound good, I’ve learned today! The rock element hasn’t been overdone, though, and thankfully, most of the arrangements are the usual tabla and harmonium. The lyrics, yet again, do not impress at all!!! “Bada fake tha pehle, yeh ishq ishq, yeh ishq ishq. Abb nek lagey hai, yeh ishq ishq”.  Wow, you must have got a very weak heart, man. “Emotion Ke jo taar hil gaye, kele Ke chhilke jaise chhil Gaye, love mein hum kill Gaye”. This line is trying so hard to be funny.. Hahahaha! Here, I laughed.. Happy? And lines like “Aeroplane Se rail ho Gaye” and “Topper se hum fail ho Gaye”, “Heaven Se hum hell ho Gaye” (pronounced by Kailash as ‘Hail’, so that makes sense, because hail comes from heaven, right?) just degrade the song even more. An insult to the Qawwali genre, a miserable copy of ‘Isq Risk’, an insult to a legend like Kailash, and a waste of his talent. Was expecting better from Tanishk!


You saw how “good” Housefull 3 was. Yes, it was funny. Yes, it is a comedy movie. But comedy movies can have better soundtracks. I think a single composer would’ve done way better on the album! And if they really wanted multiple composers, just to keep on with the trend, I guess, more experienced composers would have done better. In my opinion, Sohail should have done the Qawwali. 😀 Shankar-Ehsaan-Loy and Sajid-Wajid’s albums guaranteed a house full opening for the first two films… Not sure about this one, though!! 😂

 

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Pyar Ki > Taang Uthake > Fake Ishq = Malamaal

 

Which is your favourite song from Housefull 3? Please vote for it below! Thanks! 🙂

 

Note: ‘Housefull 3’ being a June release, it will be counted in the June Music Mastani Monthly awards… Just reviewed it because ‘Waiting’ and ‘Veerappan’ albums are still awaited! 😣