THE LYRICISTS’ SUCCESSFUL RAID!! (RAID – Music Review)

Music Album Details
♪ Music by: Amit Trivedi, Tanishk Bagchi & Nusrat Fateh Ali Khan
♪ Lyrics by: Manoj Muntashir & Indraneel
♪ Music Label: T-Series
♪ Music Released On: 1st March 2018
♪ Movie Released On: 16th March 2018

Raid Album Cover

 

Listen to the songs: Saavn

Buy the songs: iTunes


Raid is a thriller starring Ajay Devgn, Saurabh Shukla and Ileana D’Cruz, directed by Rajkumar Gupta and produced by Bhushan Kumar, Krishan Kumar, Kumar Mangat Pathak and Abhishek Pathak. The film is about India’s longest raid in the 1980s, and I’m sure all of you have already watched the film; blame my laziness for the late music review. Anyway, the music has been composed by Tanishk Bagchi and Amit Trivedi, both having composed (rather Tanishk having recreated and Trivedi having composed) two songs each.


Once again, T-Series taps into the remake-producing compartment of Tanishk’s brain, but this time, the results are actually not bad! Two Qawwalis of Nusrat Fateh Ali Khan have been chosen by the makers here, and Tanishk recreates each of them with finesse and most importantly, respect. Sanu Ek Pal Chain, a soft romantic number, turns out to be the polar opposite of the horrendous ‘Mere Rashke Qamar’ (Baadshaho). Tanishk learns from his mistakes and this time the soul of the original song is kept intact. Tanishk’s composition skills are also tested here, because he makes his own antara, and does quite well at it too. The arrangements are similar to how Arko arranges his love songs, with the acoustic sounds being more prominent. Rahat Fateh Ali Khan’s rendition is great, and thankfully not ear-piercing like ‘Baadshaho’, and the lyrics by Manoj Muntashir hit the right note.
If “Sanu Ek Pal” was remade well, Nit Khair Manga‘s makeover is splendid, and Tanishk shows some real creativity there. Again, Rahat and Manoj join hands with him for the vocals and lyrics respectively. But if you notice, Tanishk has many more original lines to compose here, and apparently has much more freedom to do what he wants, and it results in some mind-blowing arrangements. The hookline is the peak of the song, where Tanishk starts off with the typical Sufi tabla rhythm, only to stop it, and start it again. It continues in this stop-start fashion all throughout! The trend of playing the hookline on the mandolin is followed here, too, but it sounds great here, and not contrived like it does everywhere else. Rahat manages the vocals beautifully, his nuances on point and very intricate.
Amit’s half of the album is purely situational. What Amit couldn’t probably do, they made Tanishk handle, and what Tanishk probably can’t do, they let Amit handle, as he is, after all, a senior to Tanishk, and knows how to create situational songs!
Black is like the theme song of the movie, but Amit Trivedi gets the 80s setting of the film spot-on in his arrangements for this song. Sukhwinder handles such songs amazingly, and he does so here too. Since the song is situational, it doesn’t grow instantly, but the peak of the song is surely the high pitched line before the hook. The hook, trademark Trivedi stuff, is something that will set your head nodding in its rhythm. The interlude is entertaining too. Indraneel’s lyrics suit the theme well; I guess he is a debutant, have never seen his name as a lyricist before! Amit’s percussions are top-notch, and the trumpets help give the song an authoritative feel.
The other Trivedi song, Jhuk Na Paunga, is your everyday Bollywood patriotic song, but oh, does it work in its intent. Comparisons to ‘Tu Bhoola Jise’ (Airlift) are inevitable, but in its own place, the song works well. It starts off with a typical Trivedi guitar riff followed by a typical Trivedi trumpet piece, and as soon as Papon’s feathery voice kicks in, so do your goosebumps. The mellow hookline is enough to melt the heart of anyone who regards himself a staunch nationalist. Again, the percussions and brass instruments are the highlight of the arrangements, but Amit adds a wonderful tabla rhythm in the antara, which will steal your heart. The chorus towards the end of the song is fascinating — “Toofan Mein Jalti Hui…“. It is small touches like this that make this the best song of the album, but the main reason, is Indraneel’s lyrics. Though the composition might be inaccessible for many of the masses, nobody can say they didn’t connect with the poignant lyrics.


Both the music composers do equally well here, but the lyricists raid the music and take away the spoils!

 

Total Points Scored by This Album: 7.5 + 8 + 7.5 + 8.5 = 31.5

Album Percentage: 78.75%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: 
Jhuk Na Paunga > Nit Khair Manga > Sanu Ek Pal Chain = Black

 

Which is your favourite song from Raid? Please vote for it below! Thanks! 🙂

 

Remake Counter:
No. Of Remakes: 13 (from previous albums) + 02 (from Raid) = 15