NOVEMBER 2017 ROUND-UP #1 (ITTEFAQ, THE HOUSE NEXT DOOR, RIBBON, RAM RATAN, SHAADI MEIN ZAROOR AANA & JULIE 2 – Mini Music Reviews)

November 2017 Round-Up #1

NOVEMBER 2017 ROUND-UP #1

This round-up covers the following albums of November 2017 releases: ‘Ittefaq’ by Tanishk Bagchi, ‘The House Next Door’ by Girishh G, ‘Ribbon’ by Mikey McCleary & Sagar Desai, ‘Ram Ratan’ by Bappi Lahiri, ‘Julie 2’ by Rooh Band, Viju Shah & Javed-Mohsin, and ‘Shaadi Mein Zaroor Aana’ by Arko Pravo Mukherjee, Kaushik-Akash-Guddu for JAM8, Zain-Sam-Raees, Rashid Khan & Anand Raj Anand.

The ones that haven’t been covered in this post will be included in the next round-up for November, or will be written about in a separate post all for themselves.



♦ Intense & Intriguing, Ittefaq Se: ITTEFAQ Music Review

♪ Music by: Tanishk Bagchi & Bappi Lahiri
♪ Lyrics by: Anjaan, Tanishk Bagchi & Groot
♪ Music Label: Saregama
♪ Music Released On: 23rd October 2017
♪ Movie Released On: 3rd November 2017

Listen to the song: Saavn
Buy the song: iTunes


The only song from this film is a Atmos-Pop remake of “Raat Baaki” (Namak Halaal), named Ittefaq Se. Tanishk Bagchi is back to his remaking streak, after some nice original music in “Shubh Mangal Saavdhan” with partner Vayu. He keeps the original song intact, and that’s good, and he mysterious vibe that accompanies the song goes well with the setting of the film. The beats are nice as well. The only place the song lacks is the vocals, where Jubin sounds like he always does, and is starting to sound monotonous now, and Nikhita eats up her words while producing an over-stylish voice. I would have preferred Neeti Mohan on this one. The change in lyrics from “Pyaar Se” to “Ittefaq Se” actually fits in really well!


A good remake, that called for better voices behind it!

 

Total Points Scored by This Song: 3.5 

Song Percentage: 70%

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Remake Counter:
No. Of Remakes: 38 (from previous albums) + 01 (from Ittefaq) = 39


♦ As Always, Romance Predominates: THE HOUSE NEXT DOOR Music Review

♪ Music by: Girishh G
♪ Lyrics by: Shakeel Azmi, Vayu Srivastava & Chen-Yu Maglin
♪ Music Label: T-Series
♪ Music Released On: 16th October 2017
♪ Movie Released On: 3rd November 2017

Listen to the album: Saavn
Buy the album: iTunes


Girishh G starts the album off with a dulcet Mithoon-with-Bhatts-like melody, O Mere Sanam, that impresses because of its complexity, like every other Mithoon melody. Benny Dayal sings in his trademark husky tone for romantic songs, and the hookline is something that gives you goosebumps. Girissh’s piano is the highlight of the arrangements, while Shakeel Azmi’s lyrics are beautiful with a delicious assemblage of Urdu words. Ye Waqt Maut Ka Hai is aptly disturbing, demonic as it is, and the composition is frankly very bad. It is Vayu Srivastava’s lyrics that make the song disturbing, and not because it is scary! Because it is cringeworthy. Suraj Jagan spoils the vocals, his co-singer Shilpa Natarajan could’ve done just fine without him. Xiao Xiao Ma is a haunting Chinese lullaby-ish number, which is good as long as it lasts, volatilizing shortly afterwards. The last track, The House Next Door, is a short instrumental piece, which again has the problem of not being captivating, despite the wonderful use of strings.


Not the best album for Girishh to debut in Bollywood with!

Total Points Scored by This Album: 4.5 + 1.5 + 3 + 3 = 12

Album Percentage: 60%

Final Rating for This Album: सा < रे < ग < म < < ध।< नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: O Mere Sanam > The House Next Door = Xiao Xiao Ma > Ye Waqt Maut Ka Hai

 



♦ Cute Little Ribbon: RIBBON Music Review

♪ Music by: Mikey McCleary & Sagar Desai
♪ Lyrics by: Dr. Sagar & Puneet Sharma
♪ Music Label: T-Series
♪ Music Released On: 31st October 2017
♪ Movie Released On: 3rd November 2017

Listen to the songs: Saavn
Buy the songs: iTunes


Mikey McCleary presents a Sufi rock song, Charkha Ghoom Raha Hai, to start off the album, and also introduces a new singer Aniket Mangrulkar, a singer who is a much better tuned rock singer than the much-in-demand Amit Mishra. The composition by McCleary is irresistible, especially in the hook parts. The rhythms are spot on, and the lyrics too, are meaningful. Sagar Desai, the second composer, comes with a dulcet number, Har Mod Par Umeed Hai, which couldn’t have been better sung by anyone other than Jasleen Royal with her sweet voice. The composition is slow and jazzy, and so it takes some time to love, but it is at par with the first song on the lyrics front.


This seems to be the season for short and sweet (and most importantly, script-driven) soundtracks.

Total Points Scored by This Album: 4 + 3.5 = 7.5

Album Percentage: 75%

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Charkha Ghoom Raha Hai > Har Mod Par Umeed Hai



♦ Bappi’s Music Ratan Has Lost Its Shine!: RAM RATAN Music Review

♪ Music by: Bappi Lahiri
♪ Lyrics by: Deepak Sneh
♪ Music Label: T-Series
♪ Music Released On: 12th October 2017
♪ Movie Released On: 3rd November 2017

Listen to the songs: Saavn
Buy the songs: iTunes


So, I only heard this album because the music composer was Bappi Lahiri, and I should’ve realised he is so irrelevant these days as far as composing goes. Nevertheless, here’s the “review” — a highly uninterested one, at that. Nand Lala starts off thinking it is ‘Bairi Piya’ (Devdas), but then goes off into a ‘Maiyya Yashoda’ (Hum Saath Saath Hain), and then becomes cheesier than any Krishna song ever. Palak’s cheap vocals do not help. The composition is bad, as expected, and Bappi doesn’t give anything great in the arrangements either. Instead he adds a cringeworthy English “rap” in the interlude! 😣 Nagada Nagada is the most dated 2000s Gujarati dhol mix, and Raja Hasan and Bhoomi Trivedi are made to sing like pop artists making a Garba album to be sold outside temples. Yeh Hai Dance Bar is as cheesy as its name — and Bappi is singing it himself. He tries to make it full of techno sounds but it flops. Jal Jal Jal Rahi Hain Raatein, starts off as if it could be the best of the album, with the irresistible sensuous tabla beats that R.D. Burman used in ‘Jaane Do Na’ (Saagar), but as soon as Sadhana starts with her outdated voice, it goes downhill. Mohammed Irfan too, sings like Bappi Lahiri! It turns out to be the most cringeworthy song on the album.


Bappi Lahiri clearly has lost his Music Ratan!

Total Points Scored by This Album: 2.5 + 1.5 + 0.5 + 2 = 6.5

Album Percentage: 32.5% 

Final Rating for This Album: सा < रे <  < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Why don’t you just skip it? I might be the only one in the world to have had the honour of listening to it!



♦ Reprise Versions Zaroor Sunna: SHAADI MEIN ZAROOR AANA Music Review

♪ Music by: Arko Pravo Mukherjee, Kaushik-Akash-Guddu for JAM8, Raees-Zain-Saim, Rashid Khan & Anand Raaj Anand
♪ Lyrics by: Arko Pravo Mukherjee, Kunaal Vermaa, Shakeel Azmi, Kumaar & Gaurav Krishna Bansal
♪ Music Label: Zee Music Company
♪ Music Released On: 24th October 2017
♪ Movie Released On: 10th November 2017

Listen to the songs: Saavn
Buy the songs: iTunes


Out of the three versions that Jogi appears in, any layman would pick Shafqat’s version as the best – owing to his seasoned voice and classical prowess, and amazing nuances, not to mention Arko’s clever usage of wedding sounds at the beginning. The duet version is spoiled by Yasser trying to ape Shafqat’s singing style, and Arko’s typical duff rhythms with harmonica. The female version by Aakanksha Sharma is good too, where Aakanksha sounds like a better version of Palak Muchhal. The overall composition, though, is typical of Arko now, and he needs to move on from this. It is the sister of ‘Tere Sang Yaara’ and ‘Nazm Nazm’. Kaushik-Akash-Guddu compose Main Hoon Saath Tere for JAM8, another song that relies on the company’s previous success, ‘Zaalima’. The digital tune is tweaked, and Harshdeep gets kicked out, and some notes undergo permutations and combinations, and voila! We get this song. The hookline reminds me of some song, but I cannot remember at all which one! Arijit’s singing is very dull and he seems asleep, but Shivani Bhayana’s female version is pretty good, with different arrangements. The song falls flat in the antara though. It is Pallo Latke by newcomers Raees-Zain-Saim, which surprisingly becomes the song of the album, as an individual song (not including the various versions). As a remake of a Rajasthani folk song, it is surprisingly good, and will do until we get to hear some real Rajasthani folk music in “Padmavati”. Jyotica Tangri sounds amazing here, sweeter than she does in her Neha Kakkar avatar. Yasser spoils the song again, along with Fazilpuria’s annoyingly interrupting rap. The Dr. Zeus-esque tumbi seems out of place in a Rajasthani song though. Rashid Khan returns after a loooooooooong time, to give another typical romantic song Tu Banja Gali Benaras Ki, again in three versions, out of which once again, Shafqat’s steals the thunder. The composition is nothing special, it is Rashid’s usual sweet as sugar tune which is oh-so-predictable. Asees sounds sweet in her version, while newcomer Asit Tripathy also does well. Asit’s version scores high because of the beautiful Rajasthani arrangements — the ravanhatta being most prominent. The lyrics resemble those of ‘Main Rang Sharbaton Ka’ (Phata Poster Nikhla Hero), and are good enough until they become very cringeworthy with the Hinglish portion. Last on the album is veteran Anand Raaj Anand’s angsty rock song (in two versions) Mera Intkaam Dekhegi about a boy warning his girlfriend (ex-girlfriend??) that if she rejects him, she will have to see his revenge. Oh, the melodrama. She should just say, “Oh alright, let me get my camera too so the world can see it too.” Krishna hurts the ears with his painful rendition, and Anand’s was skip-worthy right from the beginning.


An ensemble of composers bring five pleasant, but heard-before songs, and are forced to make innumerable versions of them, to make sure we never forget them. No wonder the newcomers steal the cake. 

Total Points Scored by This Album: 4.5 + 4 + 4 + 3 + 3.5 + 4 + 4 + 3.5 + 4 + 1.5 + 1 = 37

Album Percentage: 67.27%

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Jogi (Shafqat Version) > Pallo Latke = Jogi (Duet) = Jogi (Female) = Tu Banja Gali Benaras Ki (Asit) = Tu Banja Gali Benaras Ki (Shafqat) > Main Hoon Saath Tere (Female) = Tu Banja Gali Benaras Ki (Female) > Main Hoon Saath Tere (Male) > Mera Intkaam Dekhegi (Krishna) > Mera Intkaam Dekhegi (Anand)

Remake Counter:
No. Of Remakes: 39 (from previous albums) + 01 (from Shaadi Mein Zaroor Aana) = 40

 



♦ Raunchy Diaries: JULIE 2 Music Review

♪ Music by: Viju Shah, Rooh Band, Atif Ali & Javed-Mohsin
♪ Lyrics by: Sameer Anjaan & Shabbir Ahmed
♪ Music Label: Divo Music / VMS Music / Publishing Sdn Bhd
♪ Music Released On: 18th September 2017
♪ Movie Releases On: 24th November 2017

Listen to the songs: Saavn
Buy the songs: iTunes


Rooh Band & Atif Ali’s debut in Bollywood starts off with quite a corny title song Oh Julie, which is good enough as far as the arrangements and rhythm go, but the vocals and lyrics pull it down; stuff we have heard time and again. Their second song Koi Hausla Toh Hoh, also sung by their leading vocalist Anupam Nair, is the everyday Pakistani pop, something even the Bhatts would resist from including in their albums now, with staid lyrics like “Saanson Ka Chalte Rehna Hi Toh zindagi nahin”. Veteran composer Viju Shah’s stint of three songs for this album is devoid of much electronic disturbance. The romantic song Kabhi Jhootha Lagta Hai, is a typical 90s melody, in which the singer Mistu Bardhan sounds like Sadhana Sargam does in her live concerts. The voice is harsh to the ears. The reprise version Aise Kya Baat Hai, in Palak Muchhal’s voice, is better only because the voice is more ear-friendly. Otherwise, the song is just as flat and dated. His third song happens to be a raunchy item number, Kharama Kharama, sung by Pawni Pandey, and which surprisingly fares much better, thanks to the irresistible South Indian rhythm. Again, it is bogged down by a typically 90s composition, and the lyrics obviously. Javed-Mohsin, nephews of Sajid-Wajid, present the last song, Mala Seenha, sung by Mamta Sharma, a tedious rehash of their uncles’ item songs with the singer. Again, the rhythms are the only worthy parts of the song.


An album that you will automatically avoid.

Total Points Scored by This Album: 2.5 + 2 + 2 + 2.5 + 3 + 3 = 15

Album Percentage: 50%

Final Rating for This Album: सा < रे < ग  <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Kharama Kharama = Mala Seenha > Aise Kya Baat Hai = Oh Julie > Kabhi Jhootha Lagta Hai = Koi Hausla Toh Hoh



 

Hope you enjoyed this Round-up! Second one coming soon!!

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MULTICOMPOSERS GIVE A HUGE, BUT NANHA-MUNNA ALBUM!! (MUNNA MICHAEL – Music Review)

Music Album Details
♪ Music by: Tanishk Bagchi, Javed-Mohsin, Vishal Mishra, Pranay M. Rijia, Gourov-Roshin, Meet Bros. & Tanishk-Vayu
♪ Lyrics by: Kumaar, Danish Sabri, Sabbir Khan & Tanishk-Vayu
♪ Music Label: Eros Music
♪ Music Released On: 21st June 2017
♪ Movie Releases On: 21st July 2017

Munna Michael Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Munna Michael is an upcoming Bollywood dance/action film starring Tiger Shroff, Nidhhi Agerwal and Nawazuddin Siddiqui in central roles. The film is directed by Sabbir Khan, and produced by Viki Rajani and Eros International. The film revolves around a dance competition, in which a vagabond played by Shroff decides to participate, until he is entangled into teaching the local villain how to dance, and they both fall in love with the same girl. So, the typical *yaaaaaawwwwwwwnnn* Bollywood plot. The music is by multiple composers, featuring songs by Tanishk Bagchi, Javed-Mohsin, Vishal Mishra, Pranay M. Rijia, Gourov-Roshin, Meet Bros. & Tanishk-Vayu. I’m not excited about anybody’s song particularly, except maybe Tanishk’s solo song and Tanishk’s song with his ex-co-composer Vayu, who he partnered up with again for this song after 2015’s smashing debut for them, ‘Banno’ (Tanu Weds Manu Returns), so let’s just see what the album is about and we might just get surprised!


1. Main Hoon

Singer ~ Siddharth Mahadevan, Music by ~ Tanishk Bagchi, Lyrics by ~ Kumaar

This is a tribute to Michael Jackson, since the film is a dance film and the main character is probably an MJ fan, if we can deduce anything from his name. Tanishk’s composition is bland. Hookline is oddly-placed, but the Antara has a bearable tune. Arrangement and mixing are chaotic, as if Tanishk was adamant on using all techno sounds there are. The impactful vocals dont help either. Lyrics worth avoiding. When an oddly placed hook spoils almost the entire song!

Rating: 2/5

 

2. Ding Dang

Singers ~ Amit Mishra & Antara Mitra, Rap by ~ Parry G, Shivi & Danish Sabri, Music by ~ Javed-Mohsin, Lyrics by ~ Danish Sabri & Sabbir Khan

A tribute to Jackie Shroff (atleast lyrically). The generic composition leaves you unflinched. Typical tapori arrangements with random backing vocals of “Aah-aah”. Both vocalists fail to make the song better, and the rappers fail miserably. Lyrics are cheap, trying-to-be-funny but failing miserably again. The hook lyrics make you go, “Sorry, what???” Ding dung?

Rating: 2/5

 

3. Pyar Ho

Singers ~ Vishal Mishra & Sunidhi Chauhan, Music by ~ Vishal Mishra, Lyrics by ~ Kumaar

A very soothing romantic composition but quite heard-before, and the arrangements too remind of some songs heard in the past. The strings, guitars and digital arrangement still win your heart, though. The composer himself has sung as if he wanted Arijit to have sung it and Arijit would have been apt. Sunidhi is her usual perfect self while Neeti Mohan seems to have done backing vocals, but hasn’t been credited! Lyrics are very staid and nothing new. Best of the album but nothing creative.

Rating: 3.5/5

 

4. Swag

Singers ~ Brijesh Shandilya & Pranay M. Rijia, Music by ~ Pranay M. Rijia, Lyrics by ~ Kumaar & Sabbir Khan

A very situational song for a performance of Nawazuddin’s character. And they have tried to make it sound so-called “cool”, but it doesn’t work much. That instrumental loop that keeps repeating throughout the song is catchy, and the digital beats are cool, but sound very similar to an English song that I can’t recall. Brijesh’s vocals are the fun part of the song, but Pranay’s interruptions could have been avoided. Lyrics are bad, again. Except for Brijesh and that instrumental loop, a forgettable song.

Rating: 2.5/5

 

5. Beparwah

Singers ~ Siddharth Basrur & Nandini Deb, Music by ~ Gourov-Roshin, Lyrics by ~ Kumaar

This is one of Gourov-Roshin’s rare songs that are not recreations, and surprisingly, it starts off quite promisingly, in a retro-sounding prelude. The composition is still good, but a duration of six minutes is way too far-fetched, because the song is also very repetitive, and after one antara the song gets too boring. Arrangements are the same techno sounds that featured in the other songs, and many times in the past too. A rock interlude somewhere in the middle makes your ears bleed. Siddharth Basrur does a good job, but his cosinger, Nandini Deb, doesn’t impress. Again, lyrics are unimpressive. It is a song Hrithik Roshan should have got in 1999. 

Rating: 2.5/5

 

6. Shake Karaan

Singers ~ Kanika Kapoor & Meet Bros., Music by ~ Meet Bros., Lyrics by ~ Kumaar

I see the credits for this song.. and I prepare myself for another ‘Baby Doll’. And sure enough, those pop sounds and ladies shrieking feature in this song. I admit that the composition is catchy but not as much as previous Meet Bros-Kanika songs. The sound is a welcome change from the overpowering disco theme of the rest of the songs. Kanika’s voice is enjoyable as always. Lyrics continue to be the sloppiest they can be! A welcome change from the overbearing techno sounds of the album, but not innovative at all! 

Rating: 2.5/5

 

7. Feel The Rhythm

Singer ~ Rahul Pandey, Music by ~ Pranay M. Rijia, Lyrics by ~ Pranay M. Rijia & Sabbir Khan

Pranay’s next song is actually quite impressive. The composition is a perfect example of a catchy MJ-ish tune, complete with glitzy arrangements that Pranay aces. The techno sounds here and the techno sounds in the other songs differ so much in the freshness quotient. This one is on the lines of ‘Iss Tarah’ (Meri Pyaari Bindu) and that’s how it impressed me. Rahul Pandey sings a bit like Yash Narvekar and Benny Dayal, and sings impressively too. Again, the lyrics are the usual. A nice and fresh-sounding dance song!

Rating: 3.5/5

 

8. Beat It Bijuriya

Singers ~ Asees Kaur & Renesa Baadchi, Music by ~ Tanishk-Vayu, Lyrics by ~ Tanishk-Vayu

Tanishk-Vayu return after two years (‘Banno’; ‘Tanu Weds Manu Returns’) with another folksy song, this time with a techno twist, obviously. The song has a very superficial tune, and hard to grip. Also it sounds inspired from Tanishk’s own ‘Badrinath Ki Dulhania’ Title track. The arrangements match those of their first song; folksy harmonium, dhols and other techno sounds make for an entertaining listen. There’s an amazing fiddle interlude. Asees sings like never before, with a grunge in her voice in the hookline. The lyrics are a kind of funny Hinglish that I couldn’t grasp at once. Entertaining but limitedly.

Rating: 2.5/5

 

9. Pyar Ho (Redux)

Singer ~ Sunidhi Chauhan, Music by ~ Vishal Mishra, Lyrics by ~ Kumaar

Sunidhi sings this Redux of ‘Pyar Ho’ solo. It has a melancholic arrangement, with those slow and mellow piano notes, that gets quite boring to hear after some time. The strings are good enough though. Sunidhi’s solo rendition though, is a treat to the ears. The composition is the same, and the lyrics have been tweaked to make it sound sad. Not something I’d like to listen to often.

Rating: 2.5/5

 

10. Swag (Rebirth)

Singer ~ Pranay M. Rijia, Music by ~ Pranay M. Rijia, Lyrics by ~ Kumaar & Sabbir Khan

‘Swag’ had apparently died while the rest of the songs were playing, so its ‘Rebirth’ appears now. Now, whatever little elements ‘Swag’ had going for it, are all removed in this Rebirth. It has even been stripped of all melody (whatever little it had) and now sounds like a funky instrumental that makes you cringe because of the way Pranay chants those lines creepily. The arrangements are fresh here, but there’s nothing like a good tune or good vocals to accompany it. So that’s a wasted opportunity. I prefer the song in its last life.

Rating: 1.5/5


Munna Michael sounds like a very badly done ‘ABCD’ album. Then again, if ‘ABCD’ would’ve had such music, we wouldn’t have had a sequel. The overdose of (badly done) techno music really sounds useless. One song gets it right, but no others impress. When you can groove to only one song in a dance film’s album, the album’s got problems. Also, when a director or producer asks for “Give me one Kanika song, one tribute to Jackie Shroff, one to Michael Jackson, one funky Hinglish song, many wannabe retro songs”, the results are bound to be bad. ‘Munna’ is a name usually used for small kids. So may I say that these Munna Multicomposers failed miserably? 

 

Total Points Scored by This Album:  2 + 2 + 3.5 + 2.5 + 2.5+ 2.5 + 3.5 + 2.5 + 2.5 + 1.5 = 25

Album Percentage: 50%

Final Rating for This Album: सा < रे < ग  <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Pyar Ho = Feel The Rhythm > Swag = Beparwah = Shake Karaan = Beat It Bijuriya = Pyar Ho (Redux) > Main Hoon = Ding Dang > Swag (Rebirth)

 

Which is your favourite song from Munna Michael? Please vote for it below! Thanks! 🙂