WON’T BECOME AS PHAMOUS AS IT DESERVES! (PHAMOUS – Music Review)

Music Album Details
♪ Music by: Sundeep Gosswami, Surya Vishwakarma & Krsna Solo
♪ Lyrics by: Puneet Sharma & Naveen Tyagi
♪ Music Label: T-Series
♪ Music Released On: 18th May 2018
♪ Movie Released On: 1st June 2018

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Phamous Album Cover

Listen to the songs: Saavn

Buy the songs: iTunes


Phamous is a Bollywood action comedy starring Jimmy Shergill, Pankaj Tripathi, Shriya Saran, Jackie Shroff, Mahie Gill and Kay Kay Menon. The film is directed by Karan Lalit Bhutani and produced by Raj Khatri. The film has music composed by Krsna Solo, Sundeep Gosswami and Surya Vishwakarma. The latter two composers are debutants, while Krsna is a well known name, from whom we expect great music. Let’s see whether our expectations are met!


Krsna gets to open the album with the the electrifying desi rock number that Bandook is. The film is situated in the Chambal region of Madhya Pradesh, so a full-on gangster track was expected, but what wasn’t expected was that Krsna would produce a twist in the tale with the addition of the electrifying rock elements. Right from the opening ad-lib by Vishal Dadlani, followed by the entry of those rock guitars, you know that you would love the rock in this song. And of course, with the powerhouse that Vishal is, the composer can rest assured that his song will be rendered beautifully and with the right amount of spunk. Puneet Sharma’s lyrics are perfect, calling the gun as the daughter of iron! The composition too, is really catchy, and it doesn’t sound forced, and especially doesn’t sound like the composer has made some extra effort to make the tune match the rock. The grunge in Vishal’s voice, the energy of the guitars, the energetic percussions and the catchy tune, all fit in place to make an effective gangster theme song for the Chambal region.

Sundeep Gosswami and Surya Vishwakarma collaborate to produce the sweet romantic number Dil Beparwah, a song which, surprisingly, marks the first duet of Jubin Nautiyal and Jonita Gandhi! The mandolin with which the song starts instantly sucks you in, with a strong oriental touch, and when Jubin starts off, instantly evoking memory of Sonu Johan’s such romantic songs, you get goosebumps. Rather, I did. Sundeep-Surya’s tune is strong, arrangements are sweet, and that’s why the vocal prowess of Jubin and Jonita seems to have magnified. Yes, the music is quite standard of an affair and nothing too innovative,but sometimes it’s really soothing to hear such a simple romantic song, especially when the arrangements and vocals are spot on like this. Jonita especially sounds great. Naveen Tyagi’s lyrics describe the feelings of young romance really well, and I really loved the second interlude where the composing duo adds beautiful mandolins. The second antara sounds like an unnecessary add-on though, making the song too long for no reason. Anyway, it’s one of the better romantic songs we have got in a long time.

The dance number Titri sees Sundeep go solo, and the song he creates is like a rustic answer to Pritam’s ‘Tukur Tukur’ (Dilwale). Again, Sundeep does a great job with the quirky and rustic ethnic strings, which sucks you in right from the beginning. The backing vocals by him are just as fun, accompanied by quirky rabaabs and harmoniums, not to mention the wonderfully quirky sound effects. The singer Priyanka Negi debuts, I believe, with this song, and it is truly one of the strongest debuts this year! She owns the song and how! I also commend the lyricist Puneet Sharma for presenting a song of this genre without making the lyrics vulgar or anything. Last year, Gaurav Dagaonkar gave us ‘Aye Saiyan’ (Babumoshai Bandookbaaz) which was a similar song, but a recreation. As such, this stands out because of it being original, yet providing a similarly quirky and rustic touch. The composition of course, is catchy, and everyone who hears it is sure to groove along until it is over. Fortunately the song isn’t short.


The album to this film is surprisingly great, with three songs that do two things right — fit well with the script and setting of the film, and are catchy as standalone tracks as well. Sadly, the album won’t become as Phamous as I think it deserves!!

Total Points Scored by This Album: 8.5 + 8 + 8 = 24.5

Album Percentage: 81.67%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Bandook > Dil Beparwah = Titri

 

Which is your favourite Song From Phamous? Please vote for it below! Thanks!☺️

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ALLAH DUHAI HAI, SELFISH YEH ____ HAI!! (RACE 3 – Music Review)

Music Album Details
♪ Music by: Vishal Mishra, Meet Bros., Tushar Joshi (for JAM8), Vicky-Hardik, Shivai Vyas, Gurinder Seagal, Kiran Kamath, Deep Money & Pritam Chakraborty
♪ Lyrics by: Salman Khan, Kumaar, Shabbir Ahmed, Shloke Lal, Raja Kumari, Hardik Acharya, Shivai Vyas, Shanky, Kunaal Vermaa, Rimi Nique & Sameer Anjaan
♪ Music Label: Tips Music
♪ Music Released On: 12th June 2018
♪ Movie Releases On: 15th June 2018

Race 3

 

Listen to the songs: Gaana


Race 3 is an upcoming action thriller (read horror comedy) film starring Salman Khan, Anil Kapoor, Bobby Deol, Jacqueline Fernandez, Saqib Saleem, Daisy Shah and Sonakshi Sinha, directed by Remo D’Souza and produced by Salma Khan, Salman Khan and Ramesh Taurani. The film blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah ‘Our business is our business none of your business’ blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah ‘Our business is our business none of your business’ blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah ‘Our business is our business none of your business’ and has music by Salman Khan Vishal Mishra, Meet Bros., Tushar Joshi, Vicky-Hardik, Shivai Vyas and Gurinder Seagal. blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah ‘Our business is our business none of your business’.


NOTE: After reading the review, you are to fill-in the blank in the heading of this review. 😊 Have fun thinking of words that rhyme with ‘Duhai’, like the makers do in every instalment of the ‘Race’ franchise.


I must admit that lead composer Vishal Mishra’s first song Selfish is much better in its music and composition, than it is in its lyrics and female vocals. Salman Khan, who has now proclaimed himself as a lyricist as well, writes lyrics like a ‘Baybeh’. Poor Vishal Mishra gets to decorate his beautiful composition and soulful arrangements with Salman’s awkward lyrics and Iulia Vantur’s just as awkward voice. Her pronunciation isn’t bad though, for somebody who doesn’t know Hindi. Atif Aslam saves what’s left of the song; and that makes the song work anyway. Vishal’s strings and piano actually deserved a better treatment by the production house and the lead actor. Thankfully, we get a Solo Version sung only by Atif Aslam, and it does sound half less awkward than the duet. The Unplugged Version is a duet with Vishal Mishra himself, and though the composer sings well, against the acoustic guitar backdrop, Atif still steals the cake. The bad part is, the exact same lyrics in all three versions — adding up to 15 minutes of ‘Selfish’ on this album. Are you trying to tell us something, Salman?
I started loving ‘Selfish’ even more after listening to I Found Love. Vishal Mishra tries to recreate something like his own ‘Pyar Ho’ (Munna Michael), with similar piano portions and digital beats, but it ends up being so awkward, you wonder how somebody can find love singing this song. The rock part in the hook tries to be Pritam-ish but fails miserably. At least in the previous song, we had a good composition. Here we have no such luck. And Salman sings it as well as writes it. “Ik Baat Achhi Hui Ki Khoobiyon Ke Pehle Khaamiyan Pata Chali.” (I can’t find the *slow claps* emoji… Come on Android, we need one.. fast!) Newcomer Veera Saxena has a functional voice, but I can’t help but wonder why she didn’t sing ‘Selfish’, the good song, and why Iulia didn’t sing this, which was already sounding bad!
The second song Iulia sings on the album, actually sounds good. Party Chale On by newcomer composer duo Vicky-Hardik sounds closest to Pritam’s music, almost consciously mimicking ‘Subha Hone Na De’ (Desi Boyz), and even Iulia sounds good in this one. So does Mika. That doesn’t mean it’s exceptional or anything, but it sure seems so after the two awkward songs. That said, Hardik’s lyrics aren’t all that comfortable either. I appreciate that at least some efforts have been taken in making the arrangements good, but Pritam has been credited with special thanks in the YouTube credits, so now I don’t know what to assume. It’s the only song of the album I sat through without cringing once.
Heeriye is Salman Khan’s attempt to imbibe Punjabi pop in his films as well, given that he has somehow steered clear of it till now. Meet Bros “compose” (since it is a note-to-note remake of Deep Money composed ‘Naina Da Nasha’ which released 3 years ago) a 2000s-ish tune and decorate it with EDM that reminds me of ‘It’s Magic’ (Koi Mil Gaya). Deep Money’s vocals are underwhelming but thankfully, someone else didn’t sing it. Neha Bhasin sounds awesome, but I don’t know why she’s signing songs where she has so little to do. (Swag Se Swagat, and now this). Kamaal Khan’s irritating interruptions of ‘I’ve been thinking about you’ and ‘You blow my mind’ do nothing to add any class to the song. Side note: I just love, love, love the contrast between Jacqueline’s dance and Salman’s dance in the video.
Another newcomer Shivai Vyas is given a ‘big break’ by Salman with the song Ek Galti. Now, this song is decent. But as I said before, it isn’t one where I didn’t cringe. Shivai Vyas composes quite well, and towards the hookline, it actually sounded like something Pritam would offer back in 2008 (that’s ten years ago already! 😱😱) for the ‘Race 1’ album. The song needed someone like Atif Aslam or Arijit Singh (that would be great right? Salman saying to Arijit — ‘Hey, you can sing in ‘Race 3′ if you want’ and then Arijit would reject it and then five more years of waiting for forgiveness from Salman.) But Shivai sings it himself, and ends up shouting in the antara, where the song would’ve sounded intense and serious in someone else’s voice, but now it sounds like a hastily made pop song which ended up in (what’s supposed to be) a big film. He even tries to put tablas and other instruments that make the song sound decent.
Saansain Hui Dhuan Dhuan starts with someone singing “R, A, C, E, 3”, as if the characters of the film know that they’re in a film which is the third instalment of a film franchise called ‘Race’. 😹 That said, Gurinder Seagal makes sure the song has some class; the music is clearly up-to-date, and the composition suits the sinister theme of the film (or the sinister theme the film should have.. which has turned into comedy in this film). Payal Dev sounds impressive, and Iulia must’ve sung that English part, but it still sounds like an Indian accent, so I don’t know why she puts on her Romanian or whatever accent in Hindi songs but puts on an Indian accent in an English part. 😒
Tushar Joshi, acting under JAM8 gets to remake his mentor Pritam’s iconic theme song. Allah Duhai Hai is a sick (I mean sick, not the modern ‘sick’ which people use for saying “Yo man dat’s sick!”) reinterpretation of Pritam’s theme song. The song starts off well enough, thanks to Amit Mishra, but as soon as Sreerama pitches in with that ear-splitting ‘nasha, tera, nashaaa‘, which was oh so graceful when Sunidhi sang it ten years ago, I lost interest in the song. As a result, even with some of the best singers of today (Amit & Jonita) the song turns out underwhelming. The antara has no memorable tune, it just sounds like the singers were given some words and asked to put some tune to it. Shabbir Ahmed’s new lyrics are not bad, considering the standard of lyrics in the rest of the album. Raja Kumari’s rap takes up a major portion of the song, backed with sick (again, you know which ‘sick’) EDM that falls on its face.
Kiran Kamath’s Mashup is a mashup. Don’t listen to it. I’m not gonna tell you ‘well made’ or whatever because mashups are mashups. I’ll just give it a 2/10 based on what I heard. 😏


blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah ‘Our business is our business none of your business’.

 

Total Points Scored by This Album: 5.5 + 6.5 + 6 + 2 + 7 + 5.5 + 5 + 5 + 4.5 + 2 = 49

Album Percentage: 49%

Final Rating for This Album: सा < रे < ग < < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: If possible, don’t even try the songs below 5/10

 

Remake Counter:
No. Of Remakes: 21 (from previous albums) + 04 = 25

Do you have a favourite song from the Race 3 album? Please don’t vote for it. Instead, participate in this poll! Thanks! 🙂

4 GEMS!! (3 STOREYS – Music Review)

Music Album Details
♪ Music by: Clinton Cerejo & Amjad-Nadeem
♪ Lyrics by: Puneet Krishna, Amjad-Nadeem, Alaukik Rahi, Shellee & Pushaan Mukherjee
♪ Music Label: Zee Music Company
♪ Music Released On: 27th February 2018
♪ Movie Released On: 9th March 2018

3 Storeys Album Cover

 

Listen to the songs: Saavn

Buy the songs: iTunes


3 Storeys is a Bollywood psychological thriller, starring Pulkit Samrat, Renuka Shahane, Richa Chadha, Masumeh, Sharman Joshi, Ankit Rathi and Aisha. The film, directed by Arjun Mukerjee, is produced by Farhan Akhtar and Ritesh Sidhwani. The film revolves around a chawl, where three stories of three people living in three different storeys, are intertwined. The music for the film has been given by Clinton Cerejo, who usually does music for thrillers like this, and a guest composition by Amjad-Nadeem too, is included in the album. Let’s see what the album for this film consists of!


Lead composer Clinton Cerejo sticks to his usual style of composition, yet manages to create some beautiful tracks. Bas Tu Hai is a poignant and intense romantic melody set on a pulsating alternative rock template (reminiscent of Pritam’s songs), guitars doing just the right trick for the audience to shower their love upon it. The mellow composition is just perfect for such a film that has a mystery vibe to it, and Arijit and Jonita make a great pair together, singing the song with the right amount of intensity, and without making it sound melodramatic. Credit goes to Clinton too, for doing his best to not make it fall into the “typical song” category that such songs usually fall into — the song has repeat value and a life outside the movie. The antara has Arijit going into a full rockstar mode, and it begins amazingly, with a nice rock guitar backing him. Puneet Krishna’s lyrics are nice and soothing as well.
The next song by Clinton happens to fall into his comfort zone. Azaadiyaan is the standard Clinton Cerejo affair, with a soaring melody backed with a minimalistic arrangement. It reminds me of ‘Haq Hai’, another beautiful minimalistic song from Clinton’s album for ‘Te3n’. Bianca and Clinton always complement each other so well, and just like all their previous duets, this one works more because of that chemistry. The harmony between the two has been done well throughout the song. Not a song that will instantly connect, but when it does, you’ll want to keep humming it.
Clinton’s last song is the most fun out of the three songs he has composed. Zaroori Bewakoofi has Mohit Chauhan at his mischievous best, and the backing vocalists supporting him with a camaraderie that is so fun to listen to. The “Kahaani Atrangi Si” loop by the backing vocalists (Vivienne Pocha, Crystal Sequeira & Bianca Gomes) is entertaining, and a special mention goes to Clinton for his vocal trumpet and other entertaining sound effects placed strategically throughout the song, like the quirky sounds in the interlude. Guitars, piano, all the instruments that have been used, reflect a carefree attitude, and the digital beats used are a clever throwback to Shankar-Ehsaan-Loy’s method of creating carefree songs. The composition is a bit weak, but the backing vocalists and the sound effects help to overcome that! Again, the lyrics here, by Pushaan Mukherjee, are fun too!
Guest composers Amjad-Nadeem return after over half a year to compose a charming garba song, Raasleela. Like all well-made garba numbers, this has strong percussions, a nice flute assortment loop, and the wonderful techno sounds support that even more. The sweet and simple nature of the song is its strong point. Sumedha, sounding uncannily like Shraddha Kapoor in places where the composition is too high, renders the song well, but it could’ve been much better, going by her performances on reality shows, and her previous songs in Bollywood! Amjad-Nadeem do a great job in making the composition catchy though, so everything else is kind of covered up.


Four sweet and simple tracks that work only because of their simplicity!

 

Total Points Scored by This Album: 8.5 + 7.5 + 7.5 + 8 = 31.5

Album Percentage: 78.75%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Bas Tu Hai > Raasleela > Azaadiyaan = Zaroori Bewakoofi

 

Which is your favourite song from 3 Storeys? Please vote for it below! Thanks! 🙂

TRIVEDI IN THE SAFE ZONE! (PAD MAN – Music Review)

Music Album Details
♪ Music by: Amit Trivedi
♪ Lyrics by: Kausar Munir
♪ Music Label: Zee Music Company
♪ Music Released On: 26th December 2017
♪ Movie Releases On: 25th January 2018

Padman Album Cover

 

Listen to the album: Saavn

Buy the album: iTunes


Pad Man is an upcoming Bollywood social drama directed by R. Balki, starring Akshay Kumar, Radhika Apte and Sonam Kapoor. The film is produced by Twinkle Khanna, SPE Films India, Cape Of Good Films, KriArj Entertainment and Hope Productions. The film revolves around the story of Arunachalam Muruganantham, a social activist from Tamil Nadu. The film is set to release a day prior to Republic Day, a day that is by default reserved for Akshay Kumar films. This time, Balki does not rely on his frequent collaborator Ilaiyaraaja to score music, but instead borrows his wife, Gauri Shinde’s go-to composer Amit Trivedi, who had scored for both of her films, ‘English Vinglish’ and ‘Dear Zindagi’. This is the first time he will compose for Balki and I believe, for Akshay Kumar too. I expect a lot from him after his successful ‘Qaidi Band’, ‘Secret Superstar’ and ‘Rukh’ last year! Let’s see how the music album for this film turns out!


After completing three albums last year, and using Arijit’s voice in two of them, Amit returns in the new year with his first song being an Arijit song. Aaj Se Teri is a heavenly romantic post-marriage number, whose lyrics by Kausar Munir (2017 is over but she’s still impressing us with her lyrics!) make it even better; the composition is a sweet 90s-ish tune, and Arijit sounding like Kumar Sanu in some parts makes it even better. The amazing arrangements include wonderful shehnaai (Omkar Dhumal) and Ethnic strings by Tapas Roy. The Pad Man Song shows that Amit really enjoys working with Mika, after ‘Sexy Baliye’ in ‘Secret Superstar’, and the result shows itself in an upbeat desi number, with an amazing ladies’ chorus (Deepti Rege, Mayuri Kudalkar & Pragati Joshi). The ladies’ chorus is in Trivedi’s ‘Ghanchakkar Babu’ (Ghanchakkar) zone, especially with the weird Chinese-sounding interruptions. The interlude is owned by the chorus though. The percussions in the song are amazing, and the harmonium (Akhlak Hussain Varsi) gives it a delightful U.P.-Bihar vibe, though Trivedi’s composition itself falls flat in places. The lyrics though, are a great subversion of the conventional image if a ‘superhero’, and make me believe that a ‘real superhero’ is nothing like that. Hu Ba Hu is a clubbish number that makes you wonder where the makers intend to place it in the film, but the signature Amit tune, vocals and arrangements (especially the mandolin, rabaab et al by Tapas Roy) hark back to ‘Queen’s ‘Badra Bahaar’ and ‘O Gujariya’ at the same time, and make it a very enjoyable listen. The onomatopoeia at the beginning is really catchy too, and works properly to suck you into the song. Also amazing are Munir’s lyrics, about two individuals striving to accomplish a joint mission, probably referring to the characters essayed by Akshay and Sonam.
Sayaani is the ‘Pad Man’ equivalent to ‘Dangal’s ‘Idiot Banna’, this time with four leading singers, including Yashita Sharma, Jonita Gandhi, Yashika Sikka and Rani Kaur. The backing vocalists also include Meghna Mishra, the young lead singer of “Secret Superstar”! The song itself seems like a mishmash of many wedding songs of Bollywood, and at one point it sounds exactly like a certain song, which I cant remember now! The ladies do sing amazingly though, and Trivedi’s arrangements make it more enjoyable, with the percussions yet again taking centre stage. Also enjoyable are the strings by Tapas Roy. The last song Saale Sapne is another trademark Trivedi affair, has shades of songs from “Queen” and the drums from ‘Gudgudi’ from “Secret Superstar” appear here too. Mohit Chauhan sings well, but the song seems too long to enjoy completely, and too typical. When the second antara starts, it starts to get tedious! Kausar’s lyrics are the only highlight of the song.


Amit continues to play safe, and stays in his comfort zone.

 

Total Points Scored by This Album: 8.5 + 7.5 + 8 + 7 + 6.5 = 37.5

Album Percentage: 75%

Final Rating for This Album: सा < रे < ग < म < प < < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Aaj Se Teri > Hu Ba Hu > The Pad Man Song > Sayaani > Saale Sapne

 

Which is your favourite song from Pad Man? Please vote for it below! Thanks! 🙂

SACHIN-JIGAR STAY GROUNDED!! (BHOOMI – Music Review)

Music Album Details
♪ Music by: Sachin-Jigar
♪ Lyrics by: Priya Saraiya, Anvita Dutt, Vayu Srivastava & Utkarsh Naithani
♪ Music Label: T-Series
♪ Music Released On: 28th August 2017
♪ Movie Releases On: 22nd September 2017

Bhoomi Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Bhoomi is an upcoming Bollywood action thriller starring Sanjay Dutt, Aditi Rao Hydari and Sidhant Gupta in lead roles. The film has been directed by ‘Mary Kom’ and ‘Sarbjit’ fame Omung Kumar, and produced by Bhushan Kumar, Krishan Kumar and Sandeep Singh. The film is a revenge saga revolving around a father trying to avenge his daughter, who is a rape victim. Now, this filmmaker Omung Kumar, has been known for making loud and sobby dramatic films, but also, both of his previous films have had amazing music albums as well, featuring in the Music Mastani’s Top 20 Albums of the respective years they released in. While ‘Mary Kom’ featured music by newcomers Shashi-Shivamm, and ‘Sarbjit’ featured a nice mix of T-Series-affiliated artists (Amaal Mallik, Tanishk Bagchi, Jeet Gannguli), and newcomers Shail-Pritesh, this time Omung raises the bar by roping in highly busy composers Sachin-Jigar. Now this is probably the first time I remember seeing the duo compose for a drama like this, so it’ll be something new for them and for us. But expectations are still sky high because of Omung! So let’s see how far above the bhoomi (ground) Sachin-Jigar’s music flies!


1. Trippy Trippy

Singers ~ Neha Kakkar, Benny Dayal, Brijesh Shandilya & Badshah, Lyrics by ~ Priya Saraiya

Sachin-Jigar’s fifth album of the year starts off with a song I can’t believe they have made!! The song is a club song with a composition that I would expect from someone like Badshah or Yo Yo Honey Singh, and not Sachin-Jigar! The composition is very weird, and not in the good way. It is basically just a typical item song composition, and coming from Sachin-Jigar, that is quite shocking. The male portions especially, are very disappointing. Those are actually the parts that could’ve been the best. Also, the antara is quite similar to their own “Teri Mahima Aprampaar” (Entertainment). The hookline is just Badshah belching out the words in an expressionless tone. Here, it is evident the composers were trying to experiment, just to make the song sound a bit better, but sadly, they couldn’t make those experiments work. For example, the flute and dhols arrangement was clearly done to increase the quirkiness of the song, but it backfires, sadly. The beats too, aren’t addictive or anything — it is just a straightforward song to listen to and forget. The vocals by Neha Kakkar are very disappointing after that amazing rendition of hers in ‘Ghungta’ (Babumoshai Bandookbaaz)! Here she doesn’t even sound half as energetic as she did there! Benny Dayal and Brijesh Shandilya (and of course Badshah) are used very less, and their portions are just repeated over and over. Good, because those parts are very irritating. Also, the ‘Hicky hicky’ sung by Neha is kind of irritating too! The lyrics by Priya Saraiya are the usual fare we get to hear in such songs, and nothing really makes sense. A song that must be a mistake!!

Rating: 2.5/5

 

2. Lag Ja Gale

Singer ~ Rahat Fateh Ali Khan, Lyrics by ~ Priya Saraiya

Next up, the composers present a romantic song, very saccharine-sweet, and following a Sufi template to the tee. Again, it is shocking that Sachin-Jigar’s music gets so predictable, but let’s not complain just yet. The composition here is very beautiful, and doesn’t take time to like. The mukhda and antara are especially very beautiful. It is the hook line “tere mere pyaar nu“, that is very predictable and sounds out of place, in an otherwise beautiful song. I can’t remember which, but it sounds an awful lot like a very famous 90s song too. The presence of Rahat almost impeded me from liking the song a lot. His voice has been making songs heavy and inaccessible these days (Like it did for ‘Mere Rashke Qamar’ from ‘Baadshaho’), but thankfully, Sachin-Jigar have employed his voice prudently, and not overdone the high pitch or the aalaaps, and it comes out very beautiful. The “Rab Varga” loop gives the song a very unconventionally abrupt start, and it’s one of the best effects of the song. The arrangements by the duo are the trademark Sufi dholaks and tablas, but because of the composition, you bear with it. Also, a wonderful sarangi keeps you engaged throughout the song! The major part of the song also has acoustic guitars, making it a kind of fusion between Sufi and acoustic guitars. Priya Saraiya’s lyrics are very cute, and very simple-sweet. A rare song by Rahat Fateh Ali Khan that will be known for simplicity! I wish there was some innovation though, as it has turned out very predictable!

Rating: 4/5

 

3. Will You Marry Me

Singers ~ Jonita Gandhi & Divya Kumar, Lyrics by ~ Anvita Dutt

After two slightly disappointing songs, Sachin-Jigar get to make a wedding song for the film. Now, this song seems to be one of those disappointing songs which grow with time, because that’s what happened with me. I found it a bit weird at first, but in the successive listens, I started to like it bit by bit. Now this is purely subjective, but I still think Sachin-Jigar didn’t try to make this song (or any song from this film) complicated and layered, and that’s why this is happening. The songs are straightforward, something we hardly get from Sachin-Jigar, and that’s why we might be disappointed at first. Anyway, the composition is a peppy wedding number, complete with Punjabi phrases and effective Indian wedding arrangements. The hookline seems very cheesy at first, but becomes catchy later on. The beginning is quite entertaining, with those dialogues, and after that, Jonita’s weird programmed voice singing something gibberish, I believe. That is one of the best parts of the song. The female chorus too, is very entertaining, and the word “ponga pandit” specifically caught my interest. Lyricist Anvita Dutt has utilised it so nicely. As the hookline gets closer though, the song increases its heard-before-ness, and it becomes an ordinary wedding song by the time the hookline arrives, though it is catchy. The antara is no better. Vocals are entertaining, especially Jonita’s, and the female backing vocalists. Divya gets the same part to sing twice, and he sounds good too, but it is the composition of his parts that sounds too flat. Arrangements consist of digital beats accompanied by Indian wedding instruments like the shehnaai (wonderful interlude on that!), dhols etc. Anvita Dutt’s lyrics are very innovative at parts and very ordinary at parts. A confusing song! You don’t know whether you like it or not!

Rating: 3.5/5

 

4. Kho Diya

Singer ~ Sachin Sanghvi, Lyrics by ~ Priya Saraiya

Now comes what I’ve been expecting from Sachin-Jigar ever since ‘Meri Pyaari Bindu’ released and I loved all the songs. After that, frankly, I didn’t love any Sachin-Jigar song as much as I loved the song ‘Maana Ke Hum Yaar Nahin’, in any of their albums that released. But now, in ‘Bhoomi’, they come up with a deserving opponent for ‘Maana Ke Hum…’ with this song, another ghazal, and in my opinion, even better than ‘Maana Ke Hum…’ itself. I’ll explain why. The composition is genuinely ghazal-like, as in an actual, authentic ghazal! Though that song was also a ghazal, it did have minor Bollywood-ish touches. But in this song, Sachin-Jigar do not bow down to peer pressure in order to make a Bollywood-friendly song. The song still does carry many nuances of Sanjay Leela Bhansali’s style of composition though. I sincerely hope SLB catches this song and ropes Sachin-Jigar in for his next project! The antara is one of the most beautiful compositions I’ve heard in a while. The arrangements too, are amazing, with soothing tablas, divine manjeeras, beautiful Guitars, and scintillating strings that provide an atmosphere of love and divinity. The water drop sounds, so characteristic of SLB, sound beautiful. Sachin Sanghvi says this is his first solo song in Bollywood (He also sang a duet with Shreya Ghoshal in ‘Jayantabhai Ki Luv Story’ before this), and he does his solo debut in a smashing manner! His voice has that amazing metallic touch, which people might mistake for programming, but it is his raw voice! Priya Saraiya’s lyrics are yet again, one of the most brilliant she’s written this year. A lovely number that is surely going to stay with me for a long time!!

Rating: 5/5

 

5. Daag

Singer ~ Sukhwinder Singh, Lyrics by ~ Priya Saraiya

The pathos enters now, as it always does. Of course, because this is an Omung Kumar film after all. There has to be an overtly dramatic sad song. And that happens to be this song. Now, the composition is really good, if I have to judge as per it’s genre. But as an individual song, this doesn’t take me anywhere. After the magic that the former song had me possessed with, this song falls flat! The duo try to lift it up with an intriguing and mysterious arrangement (this guitar riffs do the trick), but how much can a song be able to be saved by good arrangements if the composition isn’t appealing? Sukhwinder adds to the tedium, with his heavy voice, and it sounds very uncomfortable. Even though the composition is so poignant, it all sounds fake due to the overcooked nature of the music and vocals. The hookline itself too, is very tedious. It sounds like something that should have released around 2008. Sadly, this one isn’t memorable at all!

Rating: 3/5

 

6. Jai Mata Di

Singers ~ Ajay Gogavale & Sanjay Dutt, Lyrics by ~ Vayu Srivastava & Utkarsh Naithani

To wrap up the album, Sachin-Jigar present a devotional song. Now Ganeshotsav has ended, and Navratri is about to start, and with the film opening just one day after Navratri starts, it seems an apt decision to include a song entitled ‘Jai Mata Di’ in the album. Now, the song is primarily a very dramatic devotional song again, to make it fit with Omung Kumar standards of drama. However, it fares a bit better than that one, thanks to the divine touch. The composition is amazing, and Sachin-Jigar mould themselves into a very trademark Ajay-Atul mode to compose this one. Actually, if Ajay-Atul had composed for the ‘Sarkar’ series, and the chants would’ve been ‘Jai Mata Di’ instead of ‘Govinda’, then this would have been the perfect background score for the ‘Sarkar’ franchise. To add to the Ajay-Atul feel, Sachin-Jigar even rope in Ajay as the lead vocalist. As always, he aces the song. Sanjay Dutt starts the song with a mantra, bt his interventions throughout the actual song when he sings “Jai Maa Jai Maa’, sound better. The arrangements are good, and Especially the strings are amazing. Other sounds like the tabla, and the pathos-filled composition make it sound like yet another SLB song, a la ‘Gajanana’ (Bajirao Mastani), and ‘Dola Re Dola’ (Devdas). This song isn’t something to enjoy with your earphones, but something to experience in theatres!

Rating: 3.5/5


Bhoomi is a great example of an album composed by talented composers, but which suffers due to their inexperience in the genre of drama. Sachin-Jigar have composed for drama films very less; they usually go for rom-coms or musicals, but in this one, their discomfort is visible while composing for such a film. They still do try to add their own elements into the album, like the quirkiness of ‘Will You Marry Me’, which diffuses into thin air later on in the song. The best song in definitely ‘Kho Diya’, which I’m sure you will agree with, and so might they themselves. Anyway, it is one of those rare occasions where Sachin-Jigar disappoint, and it will surely pass!

 

Total Points Scored by This Album: 2.5 + 4 + 3.5 + 5 + 3 + 3.5 = 21.5

Album Percentage: 71.67%

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Kho Diya > Lag Ja Gale > Will You Marry Me = Jai Mata Di > Daag > Trippy Trippy

 

Which is your favourite song from Bhoomi? Please vote for it below! Thanks!! 🙂

FORMULA FOR SUCCESS: SIMPLE REHNE DE!! (SIMRAN – Music Review)

Music Album Details
♪ Music by: Sachin-Jigar
♪ Lyrics by: Priya Saraiya & Vayu Srivastava
♪ Music Label: T-Series
♪ Music Released On: 25th August 2017
♪ Movie Releases On: 15th September 2017

Simran Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE

To hear “Baras Ja” on Saavn CLICK HERE

To buy “Baras Ja” on iTunes CLICK HERE

♪ To hear “Baras Ja” on YouTube:


Simran is an upcoming Bollywood drama film, directed by Hansal Mehta, produced by Bhushan Kumar, Krishan Kumar, Shailesh R. Singh, and Amit Agarwal. The film stars Kangana Ranaut, Soham Shah, Mark Justice, Hiten Kumar and Esha Tiwari Pande in crucial roles. The film revolves around a Gujarati lady settled in the United States of America, who gets involved in crime. The film does seem quirky and very racy, and definitely very humorous. Now, Hansal Mehta usually does not rely on music to carry his films forward, as is evident from the fact that out of his recent film, ‘Shahid’ had just one song (not even released properly by a music label), and ‘Aligarh’ had no songs. Then there was ‘Citylights’, which, due to it being a joint venture with the Bhatts, had a stellar album by Jeet Gannguli. This film seems to be Hansal’s lightest film in a long time, and the result is that we can read the names of Sachin-Jigar in the credits, for music. Now, roping in Sachin-Jigar can’t mean anything except that Hansal wants great music for this film, doesn’t it? Accordingly, Sachin-Jigar have scored six songs for the film, and very situational too. Still, before I reveal much, let’s see how the music fares!!


1. Lagdi Hai Thaai

Singers ~ Guru Randhawa & Jonita Gandhi, Lyrics by ~ Vayu

“Doodho nahaao, phoolo phalo tum,
LED jaisi karna glow tum,
Sabko duayein yeh naseeb rakhna,
Jodi sada ye muskuraaye!
Maike ki photo ik kareeb rakhna,
Aisa na ho ki bhooli jaaye, jaaye, jaaye!
Jadon nache baby sajj dhajj, Lagdi hai thaai!”

– Vayu

It must be so difficult to compose for seven film albums in a year, but Sachin-Jigar are up and about, composing for the fourth album, which happens to be ‘Simran’. The first song matches Sachin-Jigar’s roots, as it is a Gujarati track by soul, but Punjabi by sound. Actually, it’s a beautifully thought out fusion of Gujarati and Punjabi, something nobody would ever be able to do this well and this seamlessly! The composition is perfectly suitable for a song that should make you get up and dance, and the desi touch, both Punjabi and Gujarati, add to the enjoyability of the song. Both the mukhda and the antara have been composed on the same tune, and Sachin-Jigar follow the trend to keep the song short and more appealing. The short length never hampers the beauty of the song. The hookline is amazing as well, but it is the arrangements that makes the song sound amazing. When it starts, you may be quick enough to dismiss it as yet another typical Punjabi number, added into the album just to be another ‘London Thumakda’ (Queen), but later you realise the magic, when the Gujarati dhols begin to awe you. The brass band (Trumpets by Kishore Sodha) is used very nicely here, and without sounding stale or heard-before, it provides a nice and fresh touch. But what is really amazing, is that wonderful flute (Naveen Kumar) which has been played in a very typical Gujju style, and it does nothing but inspire you to learn how to play flute! 😛 But I’m sure this kind of a flautist would take years to become so good! The vocals are amazing. At first, I thought Guru Randhawa has been chosen just because he has a history of many pop songs with T-Series, but turns out, he has given the Punjabi touch to the song very genuinely, and keeps aside all his pop song background for this one filmy song! Jonita is a surprise package; singing in Gujarati and all — though I think she is Gujarati. Anyway, she sings the old lady portions with as much ease as she does the lead heroine’s portions! In fact, she sings the Dadi Maa portions in Gujarati even better!! One thing I didn’t enjoy was the drunk part at the end, it seemed forced. Vayu’s lyrics are some of the most positive wedding song lyrics I’ve seen in Bollywood, a place where people come to weddings only to eat, drink and dance. But here, Vayu makes the characters sing things like “LED Jaisi Karna Glow Tum!” I swear, it is one of the most positive blessings I’ve heard in a Bollywood wedding song, and so less dramatic than the blessings they used to sing in songs like ‘Maahi Ve’ (Kal Ho Naa Ho) and all! All in all, this is a very enjoyable Gujju-Punjabi fusion, with amazing arrangements to accompany the energetic vocals!!

Rating: 4.5/5

 

2. Pinjra Tod Ke

Singer ~ Sunidhi Chauhan, Lyrics by ~ Priya Saraiya

“Jannat ke saaye, jannat le aaye hai,
Baahon mein, ab zindagi,
Kismat ki dori jo, baandhi woh kholi,
Jeene chali, main abb zindagi,
Pinjra tod ke, tod ke, udd jaana hai,
Baahein kholke, kholke, udd jaana hai!”

– Priya Saraiya

The next song starts off as a mellow composition, with piano notes almost assuring you that this is going to be a sad number. However, it is wonderful to see how Sachin-Jigar seamlessly change the mood of the song, making it uplifting and motivational as the song progresses. That is almost like a symbol infused into the song by Sachin-Jigar. The lyrics by Priya Saraiya talk about breaking free of restrictions, and flying freely — so Sachin-Jigar have probably structured the song in a way to resemble that, starting off very slowly, but breaking free subsequently! What a wonderful form the song takes on, once you realise that! Sachin-Jigar’s composition is nothing new, it is the usual Sunidhi pathos, but it works wonders even though it is heard-before. After all, it isn’t necessary for things to be complicated to like them, is it? The hookline is very motivating, as is the second antara, a sprightly conclusion to the otherwise soft song. It takes on a more energetic tempo and composition, and even has more energetic arrangements, since the electric guitars and drums truly break out in that part. The rest of the arrangements have a soothingly Western touch — starting off with amazing piano, progressing into a euphoric acoustic guitar-led arrangement, until the aforementioned second antara arrives. The interludes contain a wonderful “Oley Oley“, by a backing vocalist I suspect is Jonita Gandhi, she sounds exactly like her. This type of song nowadays, usually goes to Sunidhi, and she aces it, as always. It’s nice to see her finally getting recognised not only as a singer of those upbeat numbers she was terribly typecast for in the late 2000s. Priya Saraiya’s lyrics, as mentioned before, are motivating and uplifting, in the true sense! This is probably Priya’s best work in a long time! A beautiful song, with a simple and heard-before vibe, but still manages to impress monumentally!!

Rating: 5/5

 

3. Meet

Singer ~ Arijit Singh, Lyrics by ~ Priya Saraiya

“Tu hi mera meet hai ji,
Tu hi meri preet hai ji,
Jo labon se ho sake naa judaa,
Aisa mera geet hai ji!”

– Priya Saraiya

The next song happens to be a very happy-go-lucky romantic song, sung by Arijit, the kind of song Sachin-Jigar have usually done many times with Atif. Since their songs with Arijit have always been unconventional and never-heard-before, this comes as a surprise, as it conforms to the regular Arijit school of romance. However, the composition is really charming, and has you hooked (at least to the hookline) in the first listen. In the subsequent listens you “try” to get hooked to the mukhda and antara. Sadly, I still can’t recall the tunes of these portions immediately, even after having listened to the song at least six times by now. Does that mean the song is bad? Not at all. The song is amazing. Sachin-Jigar weave magic even with those notes that evoke memories of compositions by other composers, but doesn’t really evoke memories of any song in particular. It has the charm of an old Bollywood song, and it is the kind of composition to which we would say “Ah, the nostalgia”, after listening to it after a long time somewhere in the future. It is for this reason that the song gets such a huge repeat value even though it isn’t hooking as such. The hook has wonderful variations Arijit takes not every time, so they remain exclusive, but you keep waiting for the times he does take those variations! The arrangements are just as soothing as the composition; again, a wonderful piano piece opens the song, coupled with a magical and fairy-tale-like strings portion, until the Acoustic guitars come in to lighten up the mood. The whole thing sounds so fulfilling with that wonderful composition. The guitar riff repeats throughout the song. The interlude has a nice flute portion, which keeps you listening, if not hooked. Arijit aces such songs, and does so yet again. Again, I must mention those wonderful aalaaps of his, in the hookline. Priya writes amazing lyrics here too, but here they’re quite simple, even more simple than ‘Pinjra Tod Ke’, and has a plain and straightforward theme — love. A charming love song, with simplicity ruling it.

Rating: 4.5/5

 

4. Single Rehne De

Singers ~ Shalmali Kholgade & Divya Kumar, Lyrics by ~ Vayu

“Mere dad bole karle shaadi, varna marr jaayegi boodhi daadi,
Shaadi kar, shaadi kar, shaadi kar, aakkho din shaadi kar,
Aur koi kaam nahi hai kya??”

– Vayu

A laugh riot arrives next, with a song that’s evidently about the main character trying to convince her father to let her stay single. There is actually very less by way of composition in the song, whatever little there is, just keeps repeating. The song is more like a rap, but it is the lyrics that hold it higher than it would have been. Vayu cracks you up with humorous lines that usually don’t find their way into songs; they are typical to scripts of rom-coms, but I find it very cool for them to find their way into a song. The production too, is good, but very repetitive again. Nevertheless, it goes with the unconventional nature of the lyrics. Shalmali Kholgade renders the rap with a feisty attitude, and Divya Kumar, relegated to the background does his one line well. Shalmali says the conversational portions of the song, at the beginning in such a funny, humorous way, that you start to get interested in the song due to her! Not a very fresh composition, but fresh lyrics and vocals, and even arrangements, which are sadly repeated too much!

Rating: 4/5

 

5. Simran

Singer ~ Jigar Saraiya, Lyrics by ~ Priya Saraiya

“Chulbuli hai, chulbuli hai, nakchadhi hai, manchali hai,
Palak jhapakte falak churaa le apni Simran!
Jaani anjaani, thodi si deewaani,
Deewaana sabko banaa de apni Simran!
Ho, suljha ke hi khud hi yeh badhaye apne dil aur dimaag ki uljhan!
Oye oye oye Simran, alhad si Simran!
Na jaane tu chali re kahaan!”

– Priya Saraiya

The title song which we heard in the trailer is presented to us next, and it is this song which is actually the one that took the most time for me to like. The composition is very likeable, and has a lilting charm to it, in a very playful way, and has a charming ‘Barfi’-esque vibe to it, with the numerous sound effects and the whole description of the main character. The composition is great, if you look at it, but the arrangements confused me. Firstly, I was apprehensive about them because they were so similar to the ‘Barfi’ title track, with the whole accordion, mandolin and vocal sound effects, that I wasn’t sure if I liked them! I love ‘Barfi’, but I just felt weird about this song being so close to that. Later on, I started appreciating the arrangements, because of their lilting European touch and it was definite that Sachin-Jigar’s music would be inspired by Pritam’s as they were his disciples after all! Jigar has sung the song himself, and he has carried it out very well, and his raw, Un-autotuned vocals make the song even better as it sounds more natural and casual! The lyrics by Priya too, do a great job in acquainting us with the character of Simran, and her nature. A good title song, with an amazing arrangement.

Rating: 4.5/5

 

♪ Bonus Song

♪ Baras Ja

Singer ~ Mohit Chauhan, Lyrics by ~ Priya Saraiya

“Jo nainon mein hai boondein,
Inhe rukhsaar ko, jee bhar ke chhoone de zara…
Ae dil, baras jaa, baras jaa na!
Abb toh aakar bhigo de tu mujhe!”

– Priya Saraiya

Now this song released later, a few days after T-Series had released the “Full Album”. Coincidentally, it had flooded in Mumbai on that day, and they came with a song called ‘Baras Ja’ the same night, so maybe they were waiting. 😶 Anyway, the song is probably the best, and least simple song on the soundtrack. It has a very complicated tune, but in spite of that, it is so easily loveable! It starts with a very sublime sound of the matka, and again, a soothing flute portion (Sachin-Jigar have really gotten it right with the flute in this album!!) that ensures you that this song was worth the wait! The composition is beautiful, very 90s, and very earthy at the same time, being very soothing. The antara is very, very amazingly composed, and Sachin-Jigar mix elements of Pritam’s and Rahman’s style of composition, to present to us a song, that is rooted to Indian music, especially in the arrangements. The song is decorated with beautiful flute pieces, and the Indian percussion really helps give it that earthy feel. Wonderful piano notes provide the much needed Western touch to the song too, but the Indian-ness overpowers it. Mohit Chauhan reminds us of his ‘Tum Se Hi’ (Jab We Met) days, and croons the song just as mellifluously. He does get a beautiful song all to himself after a long time, after having two songs by Pritam in ‘Jab Harry Met Sejal’, sharing space with a co-singer in both of them. This is his first solo song after a long time! Priya Saraiya’s lyrics again, are very effective in bringing out the romance, and help give the song another thing to boast about. If it had been released earlier, it would’ve been easier for people to find, with all the other songs of the album, and got more audience! I am sad because this is definitely the best of the album!!

Rating: 5/5


Simran is yet another beautiful album from Sachin-Jigar. After three albums this year, out of which one was a multicomposer one, they strike gold yet again with their fourth one. I definitely think we can attribute the beauty of this album to one and only one reason — that it’s a solo composer album, and the director Hansal Mehta was clear in what he wanted. The freedom and creative liberty given to Sachin-Jigar is evident, because they’ve made some of the most beautiful melodies, without making things too complicated. That shows us how things can be made more attractive by following a simple formula — “Simple Rehne De!!

 

Total Points Scored by This Album: 4.5 + 5 + 4.5 + 4 + 4.5 + 5 = 27.5

Album Percentage: 91.67%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Baras Ja = Pinjra Tod Ke > Meet = Simran = Lagdi Hai Thaai > Single Rehne De

 

Which is your favourite song from Simran? Please vote for it below! Thanks! 🙂

TWO GENTLEMEN WHO HARDLY EVER DISAPPOINT!! (A GENTLEMAN – Music Review)

Music Album Details
♪ Music by: Sachin-Jigar
♪ Lyrics by: Vayu, Priya Saraiya & Raftaar
♪ Music Label: T-Series
♪ Music Released On: 17th August 2017
♪ Movie Releases On: 25th August 2017

A Gentleman Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


A Gentleman is an upcoming Bollywood action comedy, starring Sidharth Malhotra, Jacqueline Fernandez, Suniel Shetty and Darshan Kumar in lead roles. The film is directed by Raj Nidimoru & Krishna DK and produced by Fox Star Studios. The film features Sidharth Malhotra in a double role, one being Sundar Susheel, and the other ‘Risky’. Hence the tagline of the film, ‘Sundar Susheel Risky’. The music of the film is given by the go-to music composers for Raj & DK, Sachin-Jigar. Going by the music of ‘Shor In The City’, ‘Go Goa Gone’, and ‘Happy Ending’, I’m sure this one’s also going to be a treat for people who love quirky music, and the genre of action comedy would give amazing song situations as well! Sachin-Jigar’s discography this year boasts of as many as seven film albums (with ‘Hindi Medium’ being a multicomposer one), and this one is the third to release. ‘Meri Pyaari Bindu’ remained my favourite album of the year until Pritam’s gigantic ‘Jab Harry Met Sejal’ released. I can just hope that this one follows suit and becomes another favourite of mine this year!


1. Disco Disco

Singers ~ Benny Dayal & Shirley Setia, Lyrics by ~ Vayu

“Aaja ve hila denge hum aaj angana,
tere naal karke beat drop nachna,
Dil disco disco bole saari raat SAJNA!!” 

– Vayu

Sachin-Jigar’s third album of the year starts off with a very filmy disco song. Is filmy bad or good? Let’s find out. The composition is very catchy, especially the cross line that goes “Aaja Ve Hila Denge Hum Aaj Anganaa“. That part sounds so much like a retro number. The hookline is a typical Bollywood fare, but still manages to hook the listeners. I, for one, found this song more instantly appealing than any of the others on the album (because they took time to grow). The mukhda and antara follow suit, and don’t let the interest of the listener waiver. The major reason you are hooked to the song till the end, must be the short duration. Sachin-Jigar keep the song at a crisp 2:47, neither too long nor too short. The arrangements are great: the disco-esque feel comes out through the nice bass,drums and guitars, and a totally unexpected tumbi (Tapas Roy). The tumbi is what actually makes the song sound very experimental. It gets a nice solo portion in the interlude and towards the end. The vocals are entertaining; Can Benny Dayal ever disappoint in a club number? I love how he pronounces “sajna” as “sajjena“! Sachin-Jigar help Shirley Setia get her first Bollywood song, and despite everything against her on social media, she really handles the song well, and Sachin-Jigar with their genius thoughts, know how to use her voice to the best effect — in a club song! However, she does mumble a bit in the antara, but I guess the song called for that. Vayu’s lyrics are the usual Hinglish lyrics of Bollywood, but work quite well in the filmy song. A totally filmy disco song!

Rating: 4/5

 

2. Baat Ban Jaaye

Singers ~ Siddharth Basrur & Priya Saraiya, Lyrics by ~ Priya Saraiya

“Hum dono aur yeh saari raat, sharaabi ho jaaye toh,
Band ho kamre mein hum do, aur chaabi kahin kho jaaye toh!
Toh baat ban jaaye!!” 

– Priya Saraiya

Here onwards in the album, things get a bit more Sachin-Jigar-ish, in that you take more time to get accustomed to the song and like it. The time may be two listens, three listens or even more, but the song is actually are wonderful once you listen to them, with close attention to the music. This one here, is a beach party number, and again, it has a bit of a retro touch. It starts off with a very contemporary vibe, the composition flowing like a romantic song. However, it takes an unexpected turn in the cross line (“hum dono aur yeh saari raat“) where, if you pay close attention to the music, a retro vibe kicks in. The composition for the hookline is a trademark Sachin-Jigar one, and makes you groove instantly, especially the hoots after the words “baat ban jaaye” have been sung. The antara is where the song loses pace and we lose interest; that composition is quite heard-before. Luckily enough, this song is short too, which makes the cross line come back soon enough. The arrangements are fantastic here, and suit as a beach party number. Acoustic guitars start the song off, giving the freshness to the song, as a beach number should be. The retro vibe I talked about consists of amazing guitars played in a retro manner. The digital beats are more heavy in this song, and quirky sounds decorate the song. The vocals are good, Siddharth Basrur leading the way in getting the listeners hooked. However, Priya Saraiya seems a bit too much autotuned here, and it loses the charm of her actual voice. Her lyrics too, are an ordinary fare, but suit the situation well, especially the hookline. A party song that seems ordinary, but will grow!

Rating: 4/5

 

3. Chandralekha

Singers ~ Vishal Dadlani & Jonita Gandhi, Lyrics by ~ Vayu

“Maari tuney aisi entry, hil gayi poori country,
Mere dil pe dent permanent pad gayi, nazrein jo mili,
Hadd se bhi zyaada cute tu, mere karmon ka fruit tu,
Koi hai gagan mein toh heaven jahaan se aakar tu giri!”

– Vayu

The next song throws us back into the years, with a characteristic rock and roll/hard rock vibe to it. It slightly resembles what Sachin-Jigar had done in ‘Yeh Jawaani Teri’ (Meri Pyaari Bindu), but in a more Westernized manner. The composition again, takes time to grow, and till then all you can really focus on is the music. The guitars and drums are groovy as expected in a rock and roll song, but of course, Sachin-Jigar add a surprise element every time, and here, it is that sensuous saxophone, which sounds amazing every time it plays. The composition is good too, and like I said, it just takes time for you to catch on. The hookline is the mukhda, making it very short yet again. Two antaras follow, and also an interlude by Jonita. I loved the effect Sachin-Jigar have given to the last line of each antara — “Mud Mud Ke Na Dekha“, and “mujhe ek bhi paise ka”. There’s another amazing saxophone solo in the interlude before Jonita’s portions, and that’s even more impressive. The characteristic piano played in that retro manner, is mind blowing too. The vocals are amazing. I mean, how can Vishal Dadlani fail to crank up the energy? His husky voice is all you need to make this song entertaining. Jonita gets a very small part to sing, which is more like an interlude, but she nails it, in the traditional ‘Bollywood girl’ ‘I’m-Not-Interested’ manner. Vayu’s lyrics are fun as well, and kudos to him for using a name like Chandralekha for the girl, and also to Sachin-Jigar for fitting it into the tune so perfectly! A retro rock song that is really stress-busting!

Rating: 4/5

 

4. Laagi Na Choote

Singers ~ Arijit Singh & Shreya Ghoshal, Lyrics by ~ Priya Saraiya

“Iss tarah chaahun tujhe,
Chaahun bhi toh tujhse main,
Ik pal ko bhi door na reh sakun..
Chaahe judaa,tere mere, raaste hain magar,
Aa main manzilein jod doon!
Rishta sa hai yeh, judne lagaa jo,
Chahoon kabhi na yeh toote!
Laagi na choote… Laagi na choote!”

– Priya Saraiya

After three upbeat numbers, and after much thought about whether the album does indeed have a soft and mellow number or not, here pops up a romantic song. Actually, this song was the last to release, so the makers successfully kept the romantic song a secret till the very end. The song falls into the category of ‘Slow Poison’ romantic songs — as you can tell, the song does take time to grow again! However, this time, the amount of time it takes is relatively less, thanks to the amazing composition! It has shades of Sachin-Jigar’s own ‘Thoda Thoda’ (Jayantabhai Ki Luv Story), but is way more intense. The mukhda is very trademark Sachin-Jigar, and the way the female portions are composed in the lower octave, is also, very characteristic of Sachin-Jigar’s previous works. It increases the magic manifold. The hook is something you just can’t forget soon! It has been made to stun us, and stun it does! The flow of the song is just so powerful, you are attentive till the end. Again, a short duration helps that to happen; your attention doesn’t wander somewhere in the middle. The arrangements are minimal and digital beats make up most of the background of the song. But the piano at the beginning and throughout is just so captivating, that you can’t dislike it. The guitar in the interlude also sounds unconventional. As for the vocals, Arijit and Shreya always make a good pair, and this time, Arijit takes the high portions while Shreya quite expertly handles the low portions, a role we see her taking up quite rarely. Well, Sachin-Jigar even made Rekha Bhardwaj (who is know for her beautifully high-pitched voice) to take up an amazing low-pitched voice in ‘Mileya Mileya’ (Happy Ending) and ‘Judaai’ (Badlapur), so I guess it’s just an innate trick that they use! Priya Saraiya’s lyrics are good too, and she keeps them simple and sweet, avoiding heavy philosophical ideas. A beautiful romantic song, with nothing new, but really has you hooked!

Rating: 5/5

 

5. Bandook Meri Laila

Singers ~ Ash King & Jigar Saraiya, Rap Performed by ~ Sidharth Malhotra & Raftaar, Lyrics by ~ Vayu, Rap Written by ~ Raftaar

“Aaye haaye haaye, yeh goli daayein baayein jaaye,
Har disha mein yeh visphot kardi ae,
Jaaye jaaye jaaye, jiya na jaaye jaaye jaaye,
Meri jaan pe yun chot kardi ae,
Seene mein tuney, bullet utaari toh,
Udey jugnu haan, udey jugnu,
Le gayi dil ko, kudi tu shikari,
Bana Majnu main, bana Majnu!
Bandook meri Laila!”

– Vayu

Now this was the song everybody was waiting for ever since the motion poster of the film had released. It is described by the makers as an action song, and an action song it is! The song is probably some of the most addictive stuff to have released in the recent years. The hook has had everyone grooving to it for a long time. I don’t know why, maybe because of high expectations, the song seemed very flat the first time I heard it. However, with every subsequent listen, it grew more and more. The composition is addictive; the mukhda is awesome, and the hookline is world-famous now. The rest of the song is mostly rap. Now, about the rap. The rap by Sidharth Malhotra seems very odd, and it seems like a publicity stunt. Earlier this year, Sachin-Jigar made Parineeti sing a ghazal ‘Maana Ke Hum Yaar Nahin’ (Meri Pyaari Bindu), and she aced it. However, here Sidharth seems a bit dull, and when Raftaar performs his rap, you can tell the huge difference between both of them. Of course, Raftaar is a professional rapper and that’s the reason, and I feel he should’ve gotten to sing the entire rap. The ‘Ban meri Laila‘ hooks are very addictive, and the way they sing ‘Laila!!‘ after that line is amazing! The arrangements are international sounding, and very impressive. It falls into the Tropical house genre which Pritam introduced earlier this year with the ‘Raabta’ title track. The EDM is highly impressive. It starts like a Chainsmokers track, and gets better than any Chainsmokers track as it progresses! The action theme is brought out amazingly through the arrangements. Ash King as the leading vocalist, does a fabulous job; it’s been a long time since we’ve heard him in such a groovy song! And Jigar Saraiya sounds great on the hookline. Vayu’s lyrics are fun and interesting as well. The song has a proper international touch to it, but it could’ve been better without Sidharth’s rap! 

Rating: 4/5


A Gentleman is yet another Sachin-Jigar album that doesn’t disappoint. It’s so tough to have an album in which all the songs have repeat value, and especially for an action film. Thankfully enough, Sachin-Jigar and Raj & DK always make a good team, and all of their albums together have been quirky and cool, not to mention catchy. And such albums are the ones that become chartbusters right away. After ‘Meri Pyaari Bindu’, Sachin-Jigar provide another wholesome album with ‘A Gentleman’! Sachin-Jigar are two gentlemen who hardly ever disappoint!!

 

Total Points Scored by This Album: 4 + 4 + 4 + 5 + 4 = 21

Album Percentage: 84%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Just listen to the album! 🙂

 

 

Which is your favourite song from A Gentleman? Please vote for it below! Thanks! 🙂