MY FAVOURITE A.R. RAHMAN SONGS (PART 1: 1992-1999)

So, I had asked my followers on Twitter which composer they would like me to make a list on about my favourite songs by that composer. The options were A.R. Rahman, Jatin-Lalit, Anu Malik and Nadeem-Shravan, four of the most prominent Bollywood composers in the 90s. Of course, only one of them is just as relevant now as he was then, and that is Mr. A.R. Rahman, and maybe that’s the reason he ended up winning this poll.

My Favourite A.R. Rahman Songs from 1992-1999

But then I thought, How am I ever, ever going to cover my favourite ARR songs in one post? The man has so far had a very illustrious career in the music industry, ranging from Tamil to Hindi and even making us proud by composing entire soundtracks for so many Hollywood feature films! So I thought of splitting my post about him into four parts. Or maybe three. Let’s see. Also I’m sure I can’t limit myself in number of songs in such posts, so for whatever composer it may be, I will list as many songs as I feel, really deserve to be listed! So let’s get started with my favourite songs of A.R. Rahman from 1992 to 1999!

P.S. The following list is in order of release of the movies.

P.P.S: Including dubbed Hindi versions of the songs as well, because there are some real gems in those albums. 🙂

Here’s the Saavn playlist so you can listen along.

Song titles listed in pink have been added on 15/7/2019 — a few songs I missed in 2018 and had to add now that I have caught up on them. They have been added on the Saavn playlist as well 🙂


1. Chhoti Si Asha (Roja; 1992)

Singer: Minmini, Lyrics by: P.K. Mishra, Music Label: Magnasound Media Pvt. Ltd.

Well, Wikipedia tells me that initially, Alka Yagnik was going to sing this song, one of my most favourite songs from when I was a child, but due to date issues, it had to be sung by Minmini, who sang the original Tamil version as well. And little did I know then that this song marked the debut of a young composer who would later on be so influential and bring a sound revolution to Bollywood! This song’s composition is like a dream realised in the mode of a song, and the lyrics, even though they’re dubbed, resonate in some way with each and every one of us! And that iconic opening flute just fills you with happiness whenever you hear it. Enjoy!

2. Yeh Haseen Vaadiyaan (Roja; 1992)

Singers: S.P. Balasubrahmanyam & K.S. Chithra, Lyrics by: P.K. Mishra, Music Label: Magnasound Media Pvt. Ltd.

Another classic from the historic debut album of the maestro, this one is a lilting romantic number that gives me goosebumps everytime I listen to it. SPB and Chithra complement each other oh so well, and the song really reaches its peak when the singers sing “Mere jaane jaan…” The sensuous composition by Rahman and the digital beats that accompany it, are well managed, and Mishra’s lyrics are spot on!

3. Roja Jaanemann (Version 2) [Roja; 1992]

Singer: Hariharan & Sujatha Mohan, Lyrics by P.K. Mishra, Music Label: Magnasound Media Pvt Ltd.

I promise, the 26 years late ‘Roja’ madness will be over; this is the last one! But I love them all so much, especially this one and especially one of the songs I’m cutting out (Bharat Humko) and just had to insert this one here because… It’s so good!! Deliberately listing the Hariharan version because hey, his aalaaps are goosebumps-inducing and also, SPB got his Roja song on this list. Sujatha Mohan’s haunting humming throughout the song is just 😍.

After that he did a number of Tamil films, which definitely were dubbed in Hindi, but I’ve heard only some of those songs, and I like even fewer.

4. Muqabala Muqabala (Hum Se Hai Muqabala; 1995)

Singers: Mano & Swarnalatha, Lyrics by P.K. Mishra, Music Label: Venus

This has become a dance anthem, thanks to Prabhudheva’s moves in this song, and the beats are just as worthy of making this song so popular. The quirky (though bad) lyrics help the song sound silly but likeable, and Rahman’s tune is really catchy — the song isn’t so famous for nothing!

5. Sun Ri Sakhi (Hum Se Hai Muqabala; 1995)

Singer: Hariharan, Lyrics by P.K. Mishra, Music Label: Venus

Rahman experiments a lot with strings and tablas in this one, a beautifully charming romantic number that melts your heart by sweetness. Hariharan gracefully renders Rahman’s just as sweet tune, and it results in a song that I’d listen to for years to come.

6. Kehna Hi Kya (Bombay; 1995)

Singer: K.S. Chithra, Lyrics by Mehboob, Music Label: Universal Music India Pvt. Ltd.

I don’t think I know a soul on this planet who has heard this song and doesn’t like it, except for the 567 souls who have disliked it on YouTube. God bless their ears. This song is a showcase of Rahman’s versatility, composing such a heart touching composition and adorning it with splendid tablas, santoor (I believe) and the Qawwali part which he sings (again, I believe) is so beautiful. Chithra’s voice us as sweet as honey, and the way she pronounced “Unhe” is adorable. The most iconic portion of the song is probably the rushed female chorus, awkwardly trying to fit Mehboob’s lyrics into Rahman’s tune that goes too fast, but it’s an immortal classic by now and we all enjoy it so, nothing more can be said!

 7. Tu Hi Re (Bombay; 1995)

Singers: Hariharan & Kavita Krishnamurthy, Lyrics by: Mehboob, Music Label: Universal Music India Pvt. Ltd.

Now don’t tell me you came here looking for my favourite Rahman songs and didn’t expect me to include this gem. Yes, it’s highly popular and it’s quite surprising to see such craze for a dubbed Hindi song! I mean, the recent dubbed albums by Rahman almost went unnoticed! Rahman’s lilting composition gives me the goosebumps everytime and Hariharan’s silky smooth voice is the USP of the song, coupled with Kavita Krishnamurthy’s strong “Aayi re..” followed by a whole stanza sung by her. The plucked strings give the song its necessary haunting touch, and that high portion in the antara is composition at its best.

8. Hai Rama (Rangeela; 1995)

Singers: Hariharan & Swarnalatha, Lyrics by: Mehboob, Music Label: Tips Music

Yet again, another song you should have expected to feature here even before clicking the link. Indian Classical music is one of the best pacifiers in the world, and in ‘Hai Rama’, Rahman creates a very sensuous atmosphere with the opening music itself — a Bandish from the Raaga Puriya Dhanashree starts the song off supported by the ever faithful tanpura, followed by addictive percussion (Thavil?) and again, immersive strings. The melody only starts and makes things even better. Here, Hariharan sounds quite different from what he did in his previous songs with Rahman, all the gentle qualities shed off and he assumes more of a bold voice here, while Late Swarnalatha does wonders with her voice. 😍 The interludes in this song are amazing, again relying on percussion, flutes and low pitched vocals that are so haunting. The sound Rahman has introduced with this song should have been utilised more by other composers, but I somehow think they would never have accomplished it and hence, didn’t try.

9. Pyaar Yeh Jaane Kaisa Hai (Rangeela; 1995)

Singers: Kavita Krishnamurthy & Suresh Wadkar, Lyrics by Mehboob, Music Label: Tips Music

Now this song is a showcase of Rahman’s splendid work with strings. The same string loop plays repeatedly in the background, never sounding tedious, but making the song more inmersive and accentuating the melody along with enhancing the listening experience. The thumping sounds Rahman included alongside that violin loop, are great and the interludes yet again, are a class apart, especially the violin solo from 2:40 to 3:10 in the video below. And what can one say about Kavita Krishnamurthy’s voice? The great Suresh Wadkar himself, with all due respect to him, fizzles out in front of her. Rahman must make such songs again!

10. Tanha Tanha (Rangeela; 1995)

Singer: Asha Bhosle, Lyrics by Mehboob, Music Label: Tips Music

Again, splendid work with strings and flutes makes this song stand out. With a distinct oriental sound, this one is a great song to listen to when you want to chill out. Asha Bhosle’s naughty voice makes her sound younger than she ever had before, and every time I listen to the song, she reminds me why she is my favourite Mangeshkar sister. I’ve spoken less about Rahman with this song, because the maestro very graciously sits back and let’s Asha ji do her thing while he adds mere digital beats during her vocal portions, and steps forward for the mind blowing prelude and interludes.

11. Yaaron Sun Lo Zara (Rangeela; 1995)

Singers: Udit Narayan & K.S. Chithra, Lyrics by Mehboob, Music Label: Tips Music

Hey, stop complaining about this whole list being about ‘Rangeela’! It is my favourite album from the 90s and I’ve no qualms in including all the songs from it on the list (don’t worry, I won’t!) Also how can I ignore Aamir Khan? All the others have been picturized on Jackie Shroff. This song is one of my favorites for a reason — the upbeat composition by Rahman doesn’t impend him from adding cool stuff with strings, especially in the interludes, where the entire orchestra pitches in. And that quirky sound at the beginning is so iconic! Again, Chitra sounds so cute with her Hindi pronunciation, and Udit Narayan as always sounds young. He still does. That doesn’t mean we should remake this song, Bollywood.

12. Telephone Dhun Mein (Hindustani; 1996)

Singers: Hariharan & Kavita Krishnamurthy, Lyrics by P.K. Mishra, Music Label: Tips Music

One of the most exemplary songs when it comes to bad Tamil to Hindi dubbing, this one actually has a strong and catchy ‘Dhun’, and it seems like a sign for things to come as Rahman would compose something similar five years later for ‘Lagaan’ in the song ‘Ghanan Ghanan’. Hariharan again, changes all preconceptions about him, and sings wonderfully even in a calm but fun dance number. Rahman does his job great with the nice percussions.

13. Awaara Bhanwre (Sapnay; 1997)

Singers: Hema Sardesai & Malaysia Vasudevan, Lyrics by Javed Akhtar, Music Label: Saregama 

Thankfully this dud of a movie had good music. This song is an ode to nature of sorts, and Rahman’s catchy composition is so beautiful. Sadly, my friends think that this song is an original song from the Pears (or was it Ponds) TVC. Rahman’s inclusion of the hill tribe folk music in the interludes is engaging, as are the catchy but minimalistic beats which the melody is based on. Hema Sardesai sounds a lot better here than she does in Anu Malik songs.

14. Chanda Re (Sapnay; 1997)

Singers: Sadhana Sargam & Hariharan, Lyrics by Javed Akhtar, Music Label: Saregama

If this list were in the order of my favourite song to my least favourite song, this one would be somewhere at the very top. The beautiful santoor tune that follows the hook line each time, is goosebumps-inducing, and Hariharan singing the high notes along with Sadhana Sargam’s beautiful voice, are a treat to listen to. The composition of ‘Inn dhundhli dhundhli..” is so ravishing! Javed Akhtar’s lyrics are heart warming as well.

15. Shabba Shabba (Daud; 1997)

Singers: Ranu Mukherjee, Sonu Nigam & Neeraj Vora, Lyrics by Mehboob, Music Label: Tips Music

This song is just as addictive as the characters in the film find whatever it is they’re drinking. I’ve never heard of the singer Ranu Mukherjee, but I commend ARR for finding her because her voice is so perfect for this song. Sonu Nigam seems to be struggling to create a husky voice texture, but Rahman’s addictive tune and wonderful tribal folksy music makes up for it. And don’t miss interlude 2, with an amazing, amazing violin portion!

16. Yeh Jaan (Daud; 1997)

Singers: Kavita Krishnamurthy & Vinod Rathod, Lyrics by Mehboob, Music Label: Tips Music

Another one along the lines of ‘Pyar Yeh Jaane Kaisa’ (Rangeela), this one is another sensuous romantic song. This time though, substituting the strings that repeated in that song, is a low pitched tuba, that sounds just as majestic. The legendarily low pitched Vinod Rathod complement Krishnamurthy well, and the slow and haunting tune by Rahman works wonders. Also, is it just me or does the tube remind you of ‘Roja Jaanemann’ too?

17. Ajooba (Jeans; 1998)

Singers: Hariharan & Sadhana Sargam, Lyrics by Javed Akhtar, Music Label: T-Series

One of my childhood favourites, this song is as beautiful as whatever the most beautiful thing you can think of is. Name it, and this song is more beautiful if not as beautiful, as it. With that impressive flute melody, you cant really go wrong. And Hariharan. And Sadhana Sargam. What can go wrong? And nothing seems to have, even in the picturization. Aishwarya Rai. The seven wonders of the world. What else can you ask for! 😍

18. Tauba Tauba (Jeans; 1998)

Singers: Hariharan & Anuradha Sriram, Lyrics by Javed Akhtar, Music Label: T-Series

Yet another song that looks as wonderful as it sounds, with Rahman doing a great job with the percussion and the intermittent Qawwali touches. Hariharan obviously sounds great; by the end of this list it’ll probably be 1000 times I say it. Again, great work with the folksy sounds that Rahman has produced for the song, especially the Dandiya and the claps etc. The female chorus is wonderful and Anuradha’s haubting humming is a nice addition. Javed Akhtar’s lyrics make it all the better!

 

19. Kehta Hai Mera Yeh Dil (Jeans; 1998)

Singer: Kavita Krishnamurthy, Lyrics by Javed Akhtar, Music Label: T-Series

This one being based on a Carnatic raaga, it is, I believe, Rahman’s forte. And right from the vocal rhythm by Krishnamurthy, to the flute, to the melodious composition, this song is brilliant. There is some funky stuff going on in the video, what with two Aishwaryas, skeletons and whatnot. But the song as a song, is something I’ve loved since childhood. A pure Carnatic song.

20. Jiya Jale (Dil Se; 1998)

Singers: Lata Mangeshkar & M.G. Sreekumar, Lyrics by Gulzar, Malayalam Lyrics by Girish Pulthenchri, Music Label: Venus

Now this is where the actual Rahman magic actually starts, for me. Picking a singer who was almost towards the end of her career, and giving her a boost by making her sing a song with the essence of Kerala in its beats, and knowing it would do so well, I wish every composer had brains like Rahman. While others composers during this period were miscasting Lata Mangeshkar and making her sound too old for the songs she sung, Rahman skillfully managed to create this song in such a pitch that the songstress wouldn’t have to sound strained. And what can I say about Sreekumar’s Malayalam portions? They’re heavenly! And probably the only Malayalam most Indians know. Gulzar’s poetic lyrics (I believe a first for Rahman) served the song well, and wow. Just wow. This song is wow.

21. Ae Ajnabi (Dil Se; 1998)

Singers: Udit Narayan & Mahalakshmi Iyer, Lyrics By Gulzar, Music Label: Venus

If this list seems generic, it’s because it is. Nobody can ignore these songs when it comes to talking about the best Rahman songs! ‘Ae Ajnabi’ is one of those, complete with its haunting classical melody, especially in the antara, where Udit Narayan goes mind bogglingly high, and manages to pull it off effortlessly. Rahman equips a minimalistic duff rhythm in the backdrop, which has been heavily overused these days when composers want to evoke pathos. But some things work only once.

22. Satrangi Re (Dil Se; 1998)

Singers: Sonu Nigam & Kavita Krishnamurthy, Lyrics by Gulzar, Music Label: Venus

The Arabic influence in this song is spectacular, and Sonu Nigam’s vocals, spot-on. The little nuances in his voice are wonderful to listen to, while Kavita’s haunting whispery portions send chills down your spine. Rahman creates a catchy tune, with the accordion (?) that plays the Arabic tune over and over again throughout the song. This song is goosebumps.

23. Dil Se Re (Dil Se; 1998)

Singers: A.R. Rahman, Anuradha Sriram, Anupama & Febi Mani, Lyrics by Gulzar, Music Label: Venus

The iconic title song for ‘Dil Se’ was I believe, Rahman’s singing debut in Hindi (@phanishankar reminds me his Hindi singing debut is ‘Mangta hai Kya’ from ‘Rangeela’), and the man did sing as well as he composed. The way this song goes from soft to loud in a fraction of a second, is worthy of compliments, and especially the classically inclined bits like ‘Piya piya…’ are beautiful. Again, the composer has done amazing work with strings, percussions and made the song sound grand. The song starts with minimalistic bass doing the whole job but goes on to include some really cool percussion.

24. Chhaiyya Chhaiyya (Dil Se; 1998)

Singers Sukhwinder Singh & Sapna Awasthi, Lyrics by Gulzar, Music Label: Venus

Yeah, that’s pretty much the entire album of ‘Dil Se’ I have on this list, but I couldn’t help it! No introductions for this song, just sit back and groove to that irresistible groove that Rahman has equipped it with. And of course, the vocal powerhouses that Sukhwinder and Sapna are!

25. Taram Pum Taram Pum (Doli Saja Ke Rakhna; 1998)

Singers: Babul Supriyo & Srinivas, Lyrics by Mehboob, Music Label: T-Series

A fun song, but Rahman never compromised melody in his songs, so in this song, we get a strong, actually, very strong, melody that not only is catchy, but also melodious. Babul Supriyo and Srinivas have a blast singing it, but the melodious portions in the second stanza onwards are the best. Rahman’s percussion again, is mind blowing and the flute is beautiful. This was one of my favourite songs as a child!

26. Bol Sajni Mori Sajni (Doli Saja Ke Rakhna; 1998)

Singers: Sonu Nigam & Kavita Krishnamurthy, Lyrics by Mehboob, Music Label: T-Series

Now this is a song I discovered a year or two ago, and immediately fell in love with it, making it one of my favourite Rahman songs ever. The way he starts the song with a trademark Kathak portion, complete with Bola and Tablas, and switches over to an immersive romantic melody, decorated with his signature flutes, is commendable. Sonu Nigam has delievered one of his best renditions, and Kavita Krishnamurthy takes control of the song because her portions are quite louder and higher pitched than Sonu’s, making them stand out among the calm rest of the song.

27. Kissa Hum Likhenge (Doli Saja Ke Rakhna; 1998)

Singers: Anuradha Paudwal & M.G. Sreekumar, Lyrics by Mehboob, Music Label: T-Series

The first time T-Series maanaged to ‘let’ Rahman use the melodious voice of Ms. PaudwalThe first time T-Series managed to ‘let’ Rahman use the melodious voice of Ms. Paudwal (I’m just glad they haven’t managed to do so with today’s equivalent of Ms. Paudwal, as of now) resulted in a beautiful romantic song. The lilting composition was supported very well by addictive tabla beats, and the flute in the first interlude, and the orchestra with the veena in the seocnd, are worthy of high praise, as are the old-world-charm lyrics by Mehboob. The male singer could’ve been better, though;my only grouse with the song.

28. Tu Hi Tu (Kabhi Na Kabhi; 1998)

Singers: M.G. Sreekumar, K.S. Chithra, Lyrics by Javed Akhtar, Music Label: Shemaroo

A pacy romantic song in Tamil-movie Rahman style, it was probably the first time such an experiment was heard in Bollywood. It starts like a cranked up version of ‘Yeh Haseen Vaadiyaan’ (Roja), and goes on to a haunting melodious piece delivered meticulously by Chithra against the tanpura’s magical sound. Again, the male singer could’ve been replaced by somebody else. The magic Rahman does with strings (both Western and Indian classical) in this song, is remarkable!!

29. Tum Ho Meri Nigaahon Mein (Kabhi Na Kabhi; 1998)

Singers: Hariharan & Sujatha Mohan, Lyrics by Javed Akhtar, Music Label: Shemaroo

The waltzy start to thustsong instantly plugs you back to two songs that have already been listed on this list — ”Sun Ri Sakhi” (Humse Hai Muqabala) and “Bol Sajni” (Doli Saja ke Rakhna). The flute and strings provide a playful start to the song, and Hariharan’s silky voice is a delight to listen to as always. The interludes too, are delightful with the strings. Sujatha’s aalaap in the second interlude is lovely! This is a song to cherish.

30. Mil Gayee Woh Manzilein (Kabhi Na Kabhi; 1998)

Singers: Alka Yagnik & Kumar Sanu, Lyrics by Javed Akhtar, Music Label: Shemaroo

This goes down in history as Kumar Sanu’s only song with A.R. Rahman, a big thing because both were so huge and prominent in that decade, one would expect more! Still, I remember this song more for the pleasant melody by the maestro, and Alka’s sweet-as-sugar voice (her first released song for Rahman, am I right?), than for anything by Sanu. This could’ve been sung by Hariharan and I wouldn’t have minded, obviously. There is a lot going on in the flutes section in the song, even though the beats backing the main melody are standard 90s beats. The antara has a beautiful tune that harks back to ‘Tanha Tanha’ (Rangeela). Turns out I knew this song but never knew the name or movie, and so in my mind it was an Anu Malik song. 😂

 31. Ishq Bina (Taal; 1999)

Singers: Sonu Nigam, A.R. Rahman, Anuradha Sriram & Sujatha, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

Here comes the Titan of a soundtrack, Taal, but don’t worry, I won’t include all 12 songs on the list. The most popular song from ‘Taal’, and it truly deserves to be that. Rahman fuses Qawwali elements with other Indian sounds like ‘Manjeeras’, instruments you’d normally hear in bhajans and the like. But this is a Rahman song and nothing is demarcated within rigid rule barriers. Anuradha takes the female lead quite charmingly, but it is Sonu towards the end who takes the song away, and Rahman with his Qawwali portions, provides a nice break from the repetitiveness (not in a negative way) of the female part. The bass in the female part accentuates the composition, while the violin before Sonu Nigam’s part is wonderful. And who cannot notice Anand Bakshi’s metaphorical lines? 👌

32. Nahin Saamne (Taal; 1999)

Singers: Hariharan & Sukhwinder Singh, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

This song. This song. This song. What can I even say? Probably the best use of piano and sitar (in a non classical song, of course) in any Bollywood song till now. And the beautiful humming, that haunting portion, that goosebumps-inducing portion, and Hariharan’s silky voice, never faltering even one bit, and that beautiful antara. Sorry if that was incoherent. It was, but, I can’t gather ny thoughts about this song just yet. NOTE: Sounds best when heard when it’s raining.

33. Taal Se Taal Mila (Taal; 1999)

Singers: Alka Yagnik, Udit Narayan & Sukhwinder Singh, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/ Mukta Audio

Another quite obvious choice, another rain song, another song where Sukhwinder is relegated to the background but does an amazing job. In this song he is the harbinger of the entire song, singing that classical portion before the song starts, before the female chorus starts, backed by Rahman’s wonderful Indian beats comprising matkas and whatnot, the sounds of raindrops, paayals, ghungroos, how beautiful the soundscape of this song is! And then that BEAUTIFUL flute! The rhythm of the song is really passionate, so befitting for a rain song. And that SARANGI, Wow! Listening to it after so long, in the monsoon season itself, is such an experience! Alka Yagnik (isn’t it her first with Rahman?) sounds cute to say the least, while I just keep waiting for Udit’s part to play, because it is one of my favourite portions of the song, when I could see Akshaye Khanna on screen,an actor I somehow sensed was a good actor, in my childhood. 😂 Even if I write 1000 more words on this song, they won’t do justice to the song. So listen to it yourselves. And also, special shoutout to the Western Version of the song — another auditory “sight” to behold.

34. Kahin Aag Lage Lag Jaaye (Taal; 1999)

Singers: Asha Bhosle, Aditya Narayan & Richa Sharma, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

A spectacular song in all fronts, this one has the same passion that is carried in the title song, but this time, not in so pronounced of an Indian way, if that makes sense. Sure,there are those very adorable Aditya Narayan interactions and tribal portions throughout the song, but it really hinges upon the symphonic arrangements by Rahman — the orchestra, African drums and whatnot. Not that he doesn’t include a lot of Indian music elements. And of course, once they had Asha Bhosle on board, other composers sat back and relaxed, but Rahman has clearly not taken it for granted.

35. Kariye Na (Taal; 1999)

Singers: Sukhwinder Singh & Alka Yagnik, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

Another recent acquisition for me wih respect to favourite Rahman songs,this song was very badly overshadowed because of the popularity of the other songs. Again,Rahman uses many Indian music elements like the Matka to make the song sound beautiful,abd Sukhwinder’s voice amongst that minimal background is a must-hear. And Alma’s Punjabi portion is so cute! Anand Bakshi’s lyrics though, are the highlight of the song for me.

36. Ruth Aa Gayee Re (1947 Earth; 1999)

Singer: Sukhwinder Singh, Lyrics by Javed Akhtar, Music Label: T-Series

The Sukhwinder-ARR collaboration was going really strong in the 90s. This song is yet another example of how beautiful the two were together. Here, Rahman takes a typical Qawwali-ish rhythm and composes a motivating song around it, very Indian in its sound, and Sukhwinder’s booming vocals do the rest. No wonder this song became so popular!

37. Dheemi Dheemi (1947 Earth; 1999)

Singer: Hariharan, Lyrics by Javed Akhtar, Music Label: T-Series

The song starts with a piano piece interlaced with Hariharan’s beautiful humming, joined by a beautiful flute portion, and as the melody starts, you can see how the Rahman of ‘Roja’ and the Rahman that was yet to come — say, of ‘Swades’ and ‘Saathiya’, kind of come to a confluence in this song! The composition is so addictive, with the piano arpeggio going on throughout the song, along with the flute!

38. Rang De (Thakshak; 1999)

Singer: Asha Bhosle, Lyrics by Sukhwinder Singh & Tejpal Kaur, Music Label: Saregama

This song is the quintessential Bollywood grand dance number. Rahman has included everything that is necessary for a hit number, in this song. Asha Bhosle going into the low notes quite effortlessly and sensuously, a captivating tune harking to folk music, engaging arrangements and a wonderful backing chorus. And who knew Sukhwinder Singh was the lyricist for this song? I didn’t! The percussions in this song are marvellous, and so is that flute in the interludes. Ah, sweet memories. If only Tabu could dance better.

39. Ae Nazneen Suno Na (Dil Hi Dil Mein; 1999)

Singer: Abhijeet Bhattacharya, Lyrics by Mehboob, Music Label: Sony Music 

Disclaimer: I knew the songs from ‘Dil Hi Dil Mein’ even last year when I did this feature. Maybe I thought the film is a 2000 film, so I hadn’t included them back then. This one is magical. Abhijeet’s first with Rahman, this one is a soaring love song, the word used because of the soaring strings that kick it off. When the rhythm kicks in you can’t help but groove along to it. The antara is splendidly composed, lots of twists in the melody, and Abhijeet renders it beautifully — probably the perfect choice for the song. The Duff rhythm throughout the song is addictive.

40. Imtihaan Hum Pyaar Ka Deke (Dola Dola) [Dil Hi Dil Mein; 1999]

Singers: Srinivas & Swarnalatha, Lyrics by Mehboob, Music Label: Sony Music 

This is a trademark Rahman composition, and the duet by Srinivas and Swarnalatha is astounding, especially the breathless parts in the antara. The Qawwali-esque arrangements are astonishing, with the claps and flute dominating the soundscape, and a beautiful flute and violin interlude. The haunting composition, as mentioned before, is trademark Rahman, and this has been a song I’ve loved since childhood, so can’t dissect it technically and start unloving it now!


Those were my favourite Rahman songs from 1992 to 1999! I hope I wasn’t too obvious and you got to learn some new songs. If not, you’re already an encyclopedia that contains all the knowledge about every Rahman song ever. Stay tuned fir the next part of the series, where I’ll cover songs from 2000 onwards (most probably till 2008)! And thanks for reading such a long post! 😁

MILLION DOLLAR ARM (MUSIC REVIEW): Firangi Paani (International Special)

Million Dollar Arm Album Cover

Million Dollar Arm Album Cover

This being my first review for an international album, I was a bit nervous about how I would review it, but the songs are mostly connected to India, so it was pretty easy to write this review! 😀


Soundtrack Details:-

♪ Music by:- A.R. Rahman
♪ Music Label:- Walt Disney Records
♪ Music Released On:- 12th May 2014
♪ Movie Released On:- 9th May 2014 (in India) / 16th May 2014 (abroad)

To hear the full songs of this album on Saavn CLICK HERE


Million Dollar Arm is a Hollywood biographical sports drama film which released on 9th May 2014 in India. It has been directed by Craig Gillespie, written by Tom McCarthy, and distributed by Walt Disney Motion Pictures. It stars Jon Hamm, Madhur Mittal and Suraj Sharma (‘Life of Pi’ fame) in main roles. The music of this film has been scored by A.R. Rahman, making it his fourth international venture after ‘Couples Retreat’, ‘Slumdog Millionaire’, and ‘127 Hours’. I wasn’t expecting much from the music of this film actually, and it came as a surprise to me when the soundtrack got released in India as well. So I decided to review it! 🙂


1. Makhna:- Singers ~ Sukhwinder Singh, Neeti Mohan

The combo of Rahman and Sukhwinder Singh always produces great songs, and that is the case here too! The song starts with tumbi, and after Sukhwinder starts, you cannot even think of missing it. The composition is an ordinary Punjabi one, but the music is awesome! Neeti Mohan just has some backing vocals, which have been broken up but she does even that well. It is a short track, and whoever has written the lyrics hasn’t been credited. Maybe Rahman himself wrote them. A short Punjabi track, with awesome singing by Sukhwinder! Go for it!

 

2. Million Dollar Dream:- Singers ~ Sukhwinder Singh, Iggy Azalea

This is another Punjabi track, with use of tumbi and dhols, but this one has some English rap blended in with the Hindi part. Both the parts have been blended together very well, and make this track a very nice hear. Iggy Azalea, a rapper from Australia, has done her part very well. Sukhwinder also sings what he is best at, Punjabi songs, in this track, so it is no surprise that he has performed well. Another fun-to-listen Punjabi track, with two very contrasting parts blended in a very genius way by the maestro.

 

3. Unborn Children:- Singers ~ K.S. Chithra, Unni Krishnan, Lyrics by ~ Vairamuthu

This song is a Tamil song, ‘Thirakkatha Kaattukulle’ from the 1999 film ‘En Swasa Kaatre’ which was composed by Rahman himself, and it has been featured in this film too. It is a calm and soothing track, which I would have missed had it not been for this movie. Chithra and Unni Krishnan have sung beautifully! The musical arrangements are great and the composition is timeless, which proves how consistent Rahman was even fifteen years ago! Only problem is that I couldn’t understand a word! 😀  However, this just proves yet again the phrase, ‘Music is a universal language’! A must-listen song, with great music and a sweet tune! It is a  #5StarHotelSong!

 

4. We Could Be Kings:- Singers ~ A.R. Rahman, KT Tunstall, Lyrics by ~ KT Tunstall

If you have ever seen a Disney movie, you will immediately recognize the Disney effect which is very prominent in this song, in the form of the English chorus by KT Tunstall. A.R. Rahman has fused the contemporary English lines with the classical lines sung by him very, very well. The most magical line is ‘If I have your hand, I have a million hands…’ I don’t know why, actually, but it is the line which made me love this song instantly! IIt is an inspirational song, and it mostly focuses on teamwork, which is a main theme of the movie since it is about baseball. The tablas have been used exceptionally! Rahman’s sargam will blow you away! KT Tunstall, a Scottish singer-songwriter, also performs amazingly! A fantastic composition, fantastic music and awesome vocals! A must-hear for all those who need motivation! #5StarHotelSong!

 

5. Taa Taa Tai:- Singer ~ A.R. Rahman

This track is an awesome example of good fusion! Sitar is the main instrument, and along with Rahman’s extraordinary vocals, which are some classical tabla bols, it is an exemplary piece of music. The techno beats help in generating interest for the international listeners. I wonder how it has been used in the movie! Definitely worth more than a listen!

 

6. Keep The Hustle:- Singers ~ Wale, Raghav Mathur

It starts with too many techno sounds, which did not impress me all that much. This track is purely meant for only international music lovers, and not people like me who love classical touches in music. The famous rapper, Wale, has collaborated with Rahman in this track, and he does great! Raghav Mathur also carries out his part very well. Actually Raghav Mathur is an Indo-Canadian so he is very comfortable singing electronic hip hop songs in English. The female singer has been uncredited. I don’t know why Hollywood likes to leave the names of the people who have done backing vocals a secret, because they actually do a great job! After ‘Wanna Mash Up?’ from ‘Highway’, Rahman is back with a praiseworthy attempt in making an electronic hip hop track, this time for an international project! A great effort by Rahman, but strictly for hip hop lovers!

 

7. Nimma Nimma:- Singer ~ Jaspreet Jazz, Lyrics by ~ Jaspreet Jazz

This song, you might remember, if you watched the London 2012 Olympics Opening Ceremony, in which this song was featured. Since this film is a sports film, it is natural that the makers of it will want the song which Rahman had composed for the Olympics. It is another Punjabi song. However, it is a very nice composition with great use of instruments, like dhols, and sitars. Though you might not start dancing in the first listen itself, this song will surely grow on you in the successive listens. Jaspreet Jasz’s lyrics seem to have no connection to the movie. His singing is energetic and he sounds a lot like Daler Mehndi. Try it at least one or two times, you won’t regret it!

 

Instrumental Tracks:-

Bobbleheads:- This track is not actually instrumental as it has some sargam sung by a female voice who is uncredited. :/ Her vocals are not even that great, and out of pitch in most of the places. The music is good, though, and this saves the female singer. Guitar, manjeeras and flute have been used very nicely.

♪ Never Give Up:- This track starts with mild piano notes, followed by great violin orchestration, which A.R. Rahman had showcased in ‘Rana’s Dream’ from ‘Kochadaiiyaan’ as well. It completely changes track few seconds into it, and becomes a fun and quirky song, with just as fun music. The percussion used is very mild, but also such that you will start grooving along with it!

♪ Lucknow:- This track sounds like a tabla baithak, like those which are held in Lucknow, as the name suggests. A.R. Rahman is an expert at such songs, ‘Kun Faaya Kun’ from ‘Rockstar’ being the best recent example. The harmonium, sitar and tablas have been used very brilliantly, and you feel as if it has ended too quickly. Rahman’s voice adds to the magic. By far, the best of the instrumental tracks.

♪ Farewell:- Starting with tanpura and flute, it is another classical-based instrumental track, but it would definitely fit in the movie. The aalaaps by a female singer, again uncredited, are beautiful this time, and Rahman succeeds in making a sad track which would suit in the background of a ‘farewell’ scene in the movie.

♪ Desi Thoughts:- This track only has an electric guitar which seems to be muted playing all throughout the track, which does not make it sound that ‘Desi’. However, the guitar is played in a classical way, like a sitar. The track gives a bit of a haunting feel, but it does fare as well as the other instrumentals of this soundtrack.

♪ First Tryout:- Another track using harmonium, and also piano notes, this track is slow and soft. It is a confusing track, maybe describing the confusion in the head of the person who is giving his first tryout. It ends very abruptly before you can understand a thing, so I say you should skip it.

♪ Calling Scouts Again:- Such a sound was last heard in the instrumental tracks of ‘Jal’, with great folkish percussion. It sounds very nice and quirky, and you will immediately start dancing or moving to the beats. Definitely try this one!

♪ Welcome to India:- This is a calming track, and it will give you lots of mental peace. Again, traditional Indian instruments have been used, creating an Indian ambience which I am sure the international listeners will be blown away by! At the end, the flute comes in to add in to the peacefulness. A great track!

♪ The Final Pitch:- This is the longest instrumental in the album, and another peaceful one, too, like the previous one. Piano has been used very mildly throughout the song, giving the feel of a piano recital abroad. At five minutes, though, this track is too long. Rahman’s vocals are also featured in this track. Violins also come and go, and they have been orchestrated very, very well! Towards the end, the suspense builds, like a suspense movie’s climax, and the tempo also increases. Percussion and horns are introduced towards the end. Maybe this is when the main character hits the baseball finally. Thank you for hitting it and ending the song! 😀 With this track, the album also comes to an end.

 

Overall:- Rahman has shown the world that he is capable of composing for nearly any type and genre of movies, with this album. Though it is a Hollywood film, he has shown us that he has the capacity to score for Hollywood films, yet again! Out of the songs, though having an overdose of Punjabi tracks, they have been composed and arranged very well, and it has been a good attempt by Rahman. The Tamil song is the sureshot winner out of the songs. Where the instrumentals are concerned, Rahman has delivered exactly what was needed in each situation, like for ‘Lucknow’ and ‘Welcome To India’ and of course ‘The Final Pitch’. The only problem is that the Indian audience won’t be able to connect with some songs, and neither will the international audience with others.  Again, Rahman shows his versatility with this album, and it is a very good attempt by him. According to the Hollywood standards (which are anyday less than those of Bollywood) this soundtrack is great!

 

Final Rating for this Album:- सा < रे < ग < म < प <  < नी

Note:- The letter which is underlined is the final rating.

 

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