MY FAVOURITE A.R. RAHMAN SONGS (PART 1: 1992-1999)

So, I had asked my followers on Twitter which composer they would like me to make a list on about my favourite songs by that composer. The options were A.R. Rahman, Jatin-Lalit, Anu Malik and Nadeem-Shravan, four of the most prominent Bollywood composers in the 90s. Of course, only one of them is just as relevant now as he was then, and that is Mr. A.R. Rahman, and maybe that’s the reason he ended up winning this poll.

My Favourite A.R. Rahman Songs from 1992-1999

But then I thought, How am I ever, ever going to cover my favourite ARR songs in one post? The man has so far had a very illustrious career in the music industry, ranging from Tamil to Hindi and even making us proud by composing entire soundtracks for so many Hollywood feature films! So I thought of splitting my post about him into four parts. Or maybe three. Let’s see. Also I’m sure I can’t limit myself in number of songs in such posts, so for whatever composer it may be, I will list as many songs as I feel, really deserve to be listed! So let’s get started with my favourite songs of A.R. Rahman from 1992 to 1999!

P.S. The following list is in order of release of the movies.

P.P.S: Including dubbed Hindi versions of the songs as well, because there are some real gems in those albums. 🙂

Here’s the Saavn playlist so you can listen along.

Song titles listed in pink have been added on 15/7/2019 — a few songs I missed in 2018 and had to add now that I have caught up on them. They have been added on the Saavn playlist as well 🙂


1. Chhoti Si Asha (Roja; 1992)

Singer: Minmini, Lyrics by: P.K. Mishra, Music Label: Magnasound Media Pvt. Ltd.

Well, Wikipedia tells me that initially, Alka Yagnik was going to sing this song, one of my most favourite songs from when I was a child, but due to date issues, it had to be sung by Minmini, who sang the original Tamil version as well. And little did I know then that this song marked the debut of a young composer who would later on be so influential and bring a sound revolution to Bollywood! This song’s composition is like a dream realised in the mode of a song, and the lyrics, even though they’re dubbed, resonate in some way with each and every one of us! And that iconic opening flute just fills you with happiness whenever you hear it. Enjoy!

2. Yeh Haseen Vaadiyaan (Roja; 1992)

Singers: S.P. Balasubrahmanyam & K.S. Chithra, Lyrics by: P.K. Mishra, Music Label: Magnasound Media Pvt. Ltd.

Another classic from the historic debut album of the maestro, this one is a lilting romantic number that gives me goosebumps everytime I listen to it. SPB and Chithra complement each other oh so well, and the song really reaches its peak when the singers sing “Mere jaane jaan…” The sensuous composition by Rahman and the digital beats that accompany it, are well managed, and Mishra’s lyrics are spot on!

3. Roja Jaanemann (Version 2) [Roja; 1992]

Singer: Hariharan & Sujatha Mohan, Lyrics by P.K. Mishra, Music Label: Magnasound Media Pvt Ltd.

I promise, the 26 years late ‘Roja’ madness will be over; this is the last one! But I love them all so much, especially this one and especially one of the songs I’m cutting out (Bharat Humko) and just had to insert this one here because… It’s so good!! Deliberately listing the Hariharan version because hey, his aalaaps are goosebumps-inducing and also, SPB got his Roja song on this list. Sujatha Mohan’s haunting humming throughout the song is just 😍.

After that he did a number of Tamil films, which definitely were dubbed in Hindi, but I’ve heard only some of those songs, and I like even fewer.

4. Muqabala Muqabala (Hum Se Hai Muqabala; 1995)

Singers: Mano & Swarnalatha, Lyrics by P.K. Mishra, Music Label: Venus

This has become a dance anthem, thanks to Prabhudheva’s moves in this song, and the beats are just as worthy of making this song so popular. The quirky (though bad) lyrics help the song sound silly but likeable, and Rahman’s tune is really catchy — the song isn’t so famous for nothing!

5. Sun Ri Sakhi (Hum Se Hai Muqabala; 1995)

Singer: Hariharan, Lyrics by P.K. Mishra, Music Label: Venus

Rahman experiments a lot with strings and tablas in this one, a beautifully charming romantic number that melts your heart by sweetness. Hariharan gracefully renders Rahman’s just as sweet tune, and it results in a song that I’d listen to for years to come.

6. Kehna Hi Kya (Bombay; 1995)

Singer: K.S. Chithra, Lyrics by Mehboob, Music Label: Universal Music India Pvt. Ltd.

I don’t think I know a soul on this planet who has heard this song and doesn’t like it, except for the 567 souls who have disliked it on YouTube. God bless their ears. This song is a showcase of Rahman’s versatility, composing such a heart touching composition and adorning it with splendid tablas, santoor (I believe) and the Qawwali part which he sings (again, I believe) is so beautiful. Chithra’s voice us as sweet as honey, and the way she pronounced “Unhe” is adorable. The most iconic portion of the song is probably the rushed female chorus, awkwardly trying to fit Mehboob’s lyrics into Rahman’s tune that goes too fast, but it’s an immortal classic by now and we all enjoy it so, nothing more can be said!

 7. Tu Hi Re (Bombay; 1995)

Singers: Hariharan & Kavita Krishnamurthy, Lyrics by: Mehboob, Music Label: Universal Music India Pvt. Ltd.

Now don’t tell me you came here looking for my favourite Rahman songs and didn’t expect me to include this gem. Yes, it’s highly popular and it’s quite surprising to see such craze for a dubbed Hindi song! I mean, the recent dubbed albums by Rahman almost went unnoticed! Rahman’s lilting composition gives me the goosebumps everytime and Hariharan’s silky smooth voice is the USP of the song, coupled with Kavita Krishnamurthy’s strong “Aayi re..” followed by a whole stanza sung by her. The plucked strings give the song its necessary haunting touch, and that high portion in the antara is composition at its best.

8. Hai Rama (Rangeela; 1995)

Singers: Hariharan & Swarnalatha, Lyrics by: Mehboob, Music Label: Tips Music

Yet again, another song you should have expected to feature here even before clicking the link. Indian Classical music is one of the best pacifiers in the world, and in ‘Hai Rama’, Rahman creates a very sensuous atmosphere with the opening music itself — a Bandish from the Raaga Puriya Dhanashree starts the song off supported by the ever faithful tanpura, followed by addictive percussion (Thavil?) and again, immersive strings. The melody only starts and makes things even better. Here, Hariharan sounds quite different from what he did in his previous songs with Rahman, all the gentle qualities shed off and he assumes more of a bold voice here, while Late Swarnalatha does wonders with her voice. 😍 The interludes in this song are amazing, again relying on percussion, flutes and low pitched vocals that are so haunting. The sound Rahman has introduced with this song should have been utilised more by other composers, but I somehow think they would never have accomplished it and hence, didn’t try.

9. Pyaar Yeh Jaane Kaisa Hai (Rangeela; 1995)

Singers: Kavita Krishnamurthy & Suresh Wadkar, Lyrics by Mehboob, Music Label: Tips Music

Now this song is a showcase of Rahman’s splendid work with strings. The same string loop plays repeatedly in the background, never sounding tedious, but making the song more inmersive and accentuating the melody along with enhancing the listening experience. The thumping sounds Rahman included alongside that violin loop, are great and the interludes yet again, are a class apart, especially the violin solo from 2:40 to 3:10 in the video below. And what can one say about Kavita Krishnamurthy’s voice? The great Suresh Wadkar himself, with all due respect to him, fizzles out in front of her. Rahman must make such songs again!

10. Tanha Tanha (Rangeela; 1995)

Singer: Asha Bhosle, Lyrics by Mehboob, Music Label: Tips Music

Again, splendid work with strings and flutes makes this song stand out. With a distinct oriental sound, this one is a great song to listen to when you want to chill out. Asha Bhosle’s naughty voice makes her sound younger than she ever had before, and every time I listen to the song, she reminds me why she is my favourite Mangeshkar sister. I’ve spoken less about Rahman with this song, because the maestro very graciously sits back and let’s Asha ji do her thing while he adds mere digital beats during her vocal portions, and steps forward for the mind blowing prelude and interludes.

11. Yaaron Sun Lo Zara (Rangeela; 1995)

Singers: Udit Narayan & K.S. Chithra, Lyrics by Mehboob, Music Label: Tips Music

Hey, stop complaining about this whole list being about ‘Rangeela’! It is my favourite album from the 90s and I’ve no qualms in including all the songs from it on the list (don’t worry, I won’t!) Also how can I ignore Aamir Khan? All the others have been picturized on Jackie Shroff. This song is one of my favorites for a reason — the upbeat composition by Rahman doesn’t impend him from adding cool stuff with strings, especially in the interludes, where the entire orchestra pitches in. And that quirky sound at the beginning is so iconic! Again, Chitra sounds so cute with her Hindi pronunciation, and Udit Narayan as always sounds young. He still does. That doesn’t mean we should remake this song, Bollywood.

12. Telephone Dhun Mein (Hindustani; 1996)

Singers: Hariharan & Kavita Krishnamurthy, Lyrics by P.K. Mishra, Music Label: Tips Music

One of the most exemplary songs when it comes to bad Tamil to Hindi dubbing, this one actually has a strong and catchy ‘Dhun’, and it seems like a sign for things to come as Rahman would compose something similar five years later for ‘Lagaan’ in the song ‘Ghanan Ghanan’. Hariharan again, changes all preconceptions about him, and sings wonderfully even in a calm but fun dance number. Rahman does his job great with the nice percussions.

13. Awaara Bhanwre (Sapnay; 1997)

Singers: Hema Sardesai & Malaysia Vasudevan, Lyrics by Javed Akhtar, Music Label: Saregama 

Thankfully this dud of a movie had good music. This song is an ode to nature of sorts, and Rahman’s catchy composition is so beautiful. Sadly, my friends think that this song is an original song from the Pears (or was it Ponds) TVC. Rahman’s inclusion of the hill tribe folk music in the interludes is engaging, as are the catchy but minimalistic beats which the melody is based on. Hema Sardesai sounds a lot better here than she does in Anu Malik songs.

14. Chanda Re (Sapnay; 1997)

Singers: Sadhana Sargam & Hariharan, Lyrics by Javed Akhtar, Music Label: Saregama

If this list were in the order of my favourite song to my least favourite song, this one would be somewhere at the very top. The beautiful santoor tune that follows the hook line each time, is goosebumps-inducing, and Hariharan singing the high notes along with Sadhana Sargam’s beautiful voice, are a treat to listen to. The composition of ‘Inn dhundhli dhundhli..” is so ravishing! Javed Akhtar’s lyrics are heart warming as well.

15. Shabba Shabba (Daud; 1997)

Singers: Ranu Mukherjee, Sonu Nigam & Neeraj Vora, Lyrics by Mehboob, Music Label: Tips Music

This song is just as addictive as the characters in the film find whatever it is they’re drinking. I’ve never heard of the singer Ranu Mukherjee, but I commend ARR for finding her because her voice is so perfect for this song. Sonu Nigam seems to be struggling to create a husky voice texture, but Rahman’s addictive tune and wonderful tribal folksy music makes up for it. And don’t miss interlude 2, with an amazing, amazing violin portion!

16. Yeh Jaan (Daud; 1997)

Singers: Kavita Krishnamurthy & Vinod Rathod, Lyrics by Mehboob, Music Label: Tips Music

Another one along the lines of ‘Pyar Yeh Jaane Kaisa’ (Rangeela), this one is another sensuous romantic song. This time though, substituting the strings that repeated in that song, is a low pitched tuba, that sounds just as majestic. The legendarily low pitched Vinod Rathod complement Krishnamurthy well, and the slow and haunting tune by Rahman works wonders. Also, is it just me or does the tube remind you of ‘Roja Jaanemann’ too?

17. Ajooba (Jeans; 1998)

Singers: Hariharan & Sadhana Sargam, Lyrics by Javed Akhtar, Music Label: T-Series

One of my childhood favourites, this song is as beautiful as whatever the most beautiful thing you can think of is. Name it, and this song is more beautiful if not as beautiful, as it. With that impressive flute melody, you cant really go wrong. And Hariharan. And Sadhana Sargam. What can go wrong? And nothing seems to have, even in the picturization. Aishwarya Rai. The seven wonders of the world. What else can you ask for! 😍

18. Tauba Tauba (Jeans; 1998)

Singers: Hariharan & Anuradha Sriram, Lyrics by Javed Akhtar, Music Label: T-Series

Yet another song that looks as wonderful as it sounds, with Rahman doing a great job with the percussion and the intermittent Qawwali touches. Hariharan obviously sounds great; by the end of this list it’ll probably be 1000 times I say it. Again, great work with the folksy sounds that Rahman has produced for the song, especially the Dandiya and the claps etc. The female chorus is wonderful and Anuradha’s haubting humming is a nice addition. Javed Akhtar’s lyrics make it all the better!

 

19. Kehta Hai Mera Yeh Dil (Jeans; 1998)

Singer: Kavita Krishnamurthy, Lyrics by Javed Akhtar, Music Label: T-Series

This one being based on a Carnatic raaga, it is, I believe, Rahman’s forte. And right from the vocal rhythm by Krishnamurthy, to the flute, to the melodious composition, this song is brilliant. There is some funky stuff going on in the video, what with two Aishwaryas, skeletons and whatnot. But the song as a song, is something I’ve loved since childhood. A pure Carnatic song.

20. Jiya Jale (Dil Se; 1998)

Singers: Lata Mangeshkar & M.G. Sreekumar, Lyrics by Gulzar, Malayalam Lyrics by Girish Pulthenchri, Music Label: Venus

Now this is where the actual Rahman magic actually starts, for me. Picking a singer who was almost towards the end of her career, and giving her a boost by making her sing a song with the essence of Kerala in its beats, and knowing it would do so well, I wish every composer had brains like Rahman. While others composers during this period were miscasting Lata Mangeshkar and making her sound too old for the songs she sung, Rahman skillfully managed to create this song in such a pitch that the songstress wouldn’t have to sound strained. And what can I say about Sreekumar’s Malayalam portions? They’re heavenly! And probably the only Malayalam most Indians know. Gulzar’s poetic lyrics (I believe a first for Rahman) served the song well, and wow. Just wow. This song is wow.

21. Ae Ajnabi (Dil Se; 1998)

Singers: Udit Narayan & Mahalakshmi Iyer, Lyrics By Gulzar, Music Label: Venus

If this list seems generic, it’s because it is. Nobody can ignore these songs when it comes to talking about the best Rahman songs! ‘Ae Ajnabi’ is one of those, complete with its haunting classical melody, especially in the antara, where Udit Narayan goes mind bogglingly high, and manages to pull it off effortlessly. Rahman equips a minimalistic duff rhythm in the backdrop, which has been heavily overused these days when composers want to evoke pathos. But some things work only once.

22. Satrangi Re (Dil Se; 1998)

Singers: Sonu Nigam & Kavita Krishnamurthy, Lyrics by Gulzar, Music Label: Venus

The Arabic influence in this song is spectacular, and Sonu Nigam’s vocals, spot-on. The little nuances in his voice are wonderful to listen to, while Kavita’s haunting whispery portions send chills down your spine. Rahman creates a catchy tune, with the accordion (?) that plays the Arabic tune over and over again throughout the song. This song is goosebumps.

23. Dil Se Re (Dil Se; 1998)

Singers: A.R. Rahman, Anuradha Sriram, Anupama & Febi Mani, Lyrics by Gulzar, Music Label: Venus

The iconic title song for ‘Dil Se’ was I believe, Rahman’s singing debut in Hindi (@phanishankar reminds me his Hindi singing debut is ‘Mangta hai Kya’ from ‘Rangeela’), and the man did sing as well as he composed. The way this song goes from soft to loud in a fraction of a second, is worthy of compliments, and especially the classically inclined bits like ‘Piya piya…’ are beautiful. Again, the composer has done amazing work with strings, percussions and made the song sound grand. The song starts with minimalistic bass doing the whole job but goes on to include some really cool percussion.

24. Chhaiyya Chhaiyya (Dil Se; 1998)

Singers Sukhwinder Singh & Sapna Awasthi, Lyrics by Gulzar, Music Label: Venus

Yeah, that’s pretty much the entire album of ‘Dil Se’ I have on this list, but I couldn’t help it! No introductions for this song, just sit back and groove to that irresistible groove that Rahman has equipped it with. And of course, the vocal powerhouses that Sukhwinder and Sapna are!

25. Taram Pum Taram Pum (Doli Saja Ke Rakhna; 1998)

Singers: Babul Supriyo & Srinivas, Lyrics by Mehboob, Music Label: T-Series

A fun song, but Rahman never compromised melody in his songs, so in this song, we get a strong, actually, very strong, melody that not only is catchy, but also melodious. Babul Supriyo and Srinivas have a blast singing it, but the melodious portions in the second stanza onwards are the best. Rahman’s percussion again, is mind blowing and the flute is beautiful. This was one of my favourite songs as a child!

26. Bol Sajni Mori Sajni (Doli Saja Ke Rakhna; 1998)

Singers: Sonu Nigam & Kavita Krishnamurthy, Lyrics by Mehboob, Music Label: T-Series

Now this is a song I discovered a year or two ago, and immediately fell in love with it, making it one of my favourite Rahman songs ever. The way he starts the song with a trademark Kathak portion, complete with Bola and Tablas, and switches over to an immersive romantic melody, decorated with his signature flutes, is commendable. Sonu Nigam has delievered one of his best renditions, and Kavita Krishnamurthy takes control of the song because her portions are quite louder and higher pitched than Sonu’s, making them stand out among the calm rest of the song.

27. Kissa Hum Likhenge (Doli Saja Ke Rakhna; 1998)

Singers: Anuradha Paudwal & M.G. Sreekumar, Lyrics by Mehboob, Music Label: T-Series

The first time T-Series maanaged to ‘let’ Rahman use the melodious voice of Ms. PaudwalThe first time T-Series managed to ‘let’ Rahman use the melodious voice of Ms. Paudwal (I’m just glad they haven’t managed to do so with today’s equivalent of Ms. Paudwal, as of now) resulted in a beautiful romantic song. The lilting composition was supported very well by addictive tabla beats, and the flute in the first interlude, and the orchestra with the veena in the seocnd, are worthy of high praise, as are the old-world-charm lyrics by Mehboob. The male singer could’ve been better, though;my only grouse with the song.

28. Tu Hi Tu (Kabhi Na Kabhi; 1998)

Singers: M.G. Sreekumar, K.S. Chithra, Lyrics by Javed Akhtar, Music Label: Shemaroo

A pacy romantic song in Tamil-movie Rahman style, it was probably the first time such an experiment was heard in Bollywood. It starts like a cranked up version of ‘Yeh Haseen Vaadiyaan’ (Roja), and goes on to a haunting melodious piece delivered meticulously by Chithra against the tanpura’s magical sound. Again, the male singer could’ve been replaced by somebody else. The magic Rahman does with strings (both Western and Indian classical) in this song, is remarkable!!

29. Tum Ho Meri Nigaahon Mein (Kabhi Na Kabhi; 1998)

Singers: Hariharan & Sujatha Mohan, Lyrics by Javed Akhtar, Music Label: Shemaroo

The waltzy start to thustsong instantly plugs you back to two songs that have already been listed on this list — ”Sun Ri Sakhi” (Humse Hai Muqabala) and “Bol Sajni” (Doli Saja ke Rakhna). The flute and strings provide a playful start to the song, and Hariharan’s silky voice is a delight to listen to as always. The interludes too, are delightful with the strings. Sujatha’s aalaap in the second interlude is lovely! This is a song to cherish.

30. Mil Gayee Woh Manzilein (Kabhi Na Kabhi; 1998)

Singers: Alka Yagnik & Kumar Sanu, Lyrics by Javed Akhtar, Music Label: Shemaroo

This goes down in history as Kumar Sanu’s only song with A.R. Rahman, a big thing because both were so huge and prominent in that decade, one would expect more! Still, I remember this song more for the pleasant melody by the maestro, and Alka’s sweet-as-sugar voice (her first released song for Rahman, am I right?), than for anything by Sanu. This could’ve been sung by Hariharan and I wouldn’t have minded, obviously. There is a lot going on in the flutes section in the song, even though the beats backing the main melody are standard 90s beats. The antara has a beautiful tune that harks back to ‘Tanha Tanha’ (Rangeela). Turns out I knew this song but never knew the name or movie, and so in my mind it was an Anu Malik song. 😂

 31. Ishq Bina (Taal; 1999)

Singers: Sonu Nigam, A.R. Rahman, Anuradha Sriram & Sujatha, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

Here comes the Titan of a soundtrack, Taal, but don’t worry, I won’t include all 12 songs on the list. The most popular song from ‘Taal’, and it truly deserves to be that. Rahman fuses Qawwali elements with other Indian sounds like ‘Manjeeras’, instruments you’d normally hear in bhajans and the like. But this is a Rahman song and nothing is demarcated within rigid rule barriers. Anuradha takes the female lead quite charmingly, but it is Sonu towards the end who takes the song away, and Rahman with his Qawwali portions, provides a nice break from the repetitiveness (not in a negative way) of the female part. The bass in the female part accentuates the composition, while the violin before Sonu Nigam’s part is wonderful. And who cannot notice Anand Bakshi’s metaphorical lines? 👌

32. Nahin Saamne (Taal; 1999)

Singers: Hariharan & Sukhwinder Singh, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

This song. This song. This song. What can I even say? Probably the best use of piano and sitar (in a non classical song, of course) in any Bollywood song till now. And the beautiful humming, that haunting portion, that goosebumps-inducing portion, and Hariharan’s silky voice, never faltering even one bit, and that beautiful antara. Sorry if that was incoherent. It was, but, I can’t gather ny thoughts about this song just yet. NOTE: Sounds best when heard when it’s raining.

33. Taal Se Taal Mila (Taal; 1999)

Singers: Alka Yagnik, Udit Narayan & Sukhwinder Singh, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/ Mukta Audio

Another quite obvious choice, another rain song, another song where Sukhwinder is relegated to the background but does an amazing job. In this song he is the harbinger of the entire song, singing that classical portion before the song starts, before the female chorus starts, backed by Rahman’s wonderful Indian beats comprising matkas and whatnot, the sounds of raindrops, paayals, ghungroos, how beautiful the soundscape of this song is! And then that BEAUTIFUL flute! The rhythm of the song is really passionate, so befitting for a rain song. And that SARANGI, Wow! Listening to it after so long, in the monsoon season itself, is such an experience! Alka Yagnik (isn’t it her first with Rahman?) sounds cute to say the least, while I just keep waiting for Udit’s part to play, because it is one of my favourite portions of the song, when I could see Akshaye Khanna on screen,an actor I somehow sensed was a good actor, in my childhood. 😂 Even if I write 1000 more words on this song, they won’t do justice to the song. So listen to it yourselves. And also, special shoutout to the Western Version of the song — another auditory “sight” to behold.

34. Kahin Aag Lage Lag Jaaye (Taal; 1999)

Singers: Asha Bhosle, Aditya Narayan & Richa Sharma, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

A spectacular song in all fronts, this one has the same passion that is carried in the title song, but this time, not in so pronounced of an Indian way, if that makes sense. Sure,there are those very adorable Aditya Narayan interactions and tribal portions throughout the song, but it really hinges upon the symphonic arrangements by Rahman — the orchestra, African drums and whatnot. Not that he doesn’t include a lot of Indian music elements. And of course, once they had Asha Bhosle on board, other composers sat back and relaxed, but Rahman has clearly not taken it for granted.

35. Kariye Na (Taal; 1999)

Singers: Sukhwinder Singh & Alka Yagnik, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

Another recent acquisition for me wih respect to favourite Rahman songs,this song was very badly overshadowed because of the popularity of the other songs. Again,Rahman uses many Indian music elements like the Matka to make the song sound beautiful,abd Sukhwinder’s voice amongst that minimal background is a must-hear. And Alma’s Punjabi portion is so cute! Anand Bakshi’s lyrics though, are the highlight of the song for me.

36. Ruth Aa Gayee Re (1947 Earth; 1999)

Singer: Sukhwinder Singh, Lyrics by Javed Akhtar, Music Label: T-Series

The Sukhwinder-ARR collaboration was going really strong in the 90s. This song is yet another example of how beautiful the two were together. Here, Rahman takes a typical Qawwali-ish rhythm and composes a motivating song around it, very Indian in its sound, and Sukhwinder’s booming vocals do the rest. No wonder this song became so popular!

37. Dheemi Dheemi (1947 Earth; 1999)

Singer: Hariharan, Lyrics by Javed Akhtar, Music Label: T-Series

The song starts with a piano piece interlaced with Hariharan’s beautiful humming, joined by a beautiful flute portion, and as the melody starts, you can see how the Rahman of ‘Roja’ and the Rahman that was yet to come — say, of ‘Swades’ and ‘Saathiya’, kind of come to a confluence in this song! The composition is so addictive, with the piano arpeggio going on throughout the song, along with the flute!

38. Rang De (Thakshak; 1999)

Singer: Asha Bhosle, Lyrics by Sukhwinder Singh & Tejpal Kaur, Music Label: Saregama

This song is the quintessential Bollywood grand dance number. Rahman has included everything that is necessary for a hit number, in this song. Asha Bhosle going into the low notes quite effortlessly and sensuously, a captivating tune harking to folk music, engaging arrangements and a wonderful backing chorus. And who knew Sukhwinder Singh was the lyricist for this song? I didn’t! The percussions in this song are marvellous, and so is that flute in the interludes. Ah, sweet memories. If only Tabu could dance better.

39. Ae Nazneen Suno Na (Dil Hi Dil Mein; 1999)

Singer: Abhijeet Bhattacharya, Lyrics by Mehboob, Music Label: Sony Music 

Disclaimer: I knew the songs from ‘Dil Hi Dil Mein’ even last year when I did this feature. Maybe I thought the film is a 2000 film, so I hadn’t included them back then. This one is magical. Abhijeet’s first with Rahman, this one is a soaring love song, the word used because of the soaring strings that kick it off. When the rhythm kicks in you can’t help but groove along to it. The antara is splendidly composed, lots of twists in the melody, and Abhijeet renders it beautifully — probably the perfect choice for the song. The Duff rhythm throughout the song is addictive.

40. Imtihaan Hum Pyaar Ka Deke (Dola Dola) [Dil Hi Dil Mein; 1999]

Singers: Srinivas & Swarnalatha, Lyrics by Mehboob, Music Label: Sony Music 

This is a trademark Rahman composition, and the duet by Srinivas and Swarnalatha is astounding, especially the breathless parts in the antara. The Qawwali-esque arrangements are astonishing, with the claps and flute dominating the soundscape, and a beautiful flute and violin interlude. The haunting composition, as mentioned before, is trademark Rahman, and this has been a song I’ve loved since childhood, so can’t dissect it technically and start unloving it now!


Those were my favourite Rahman songs from 1992 to 1999! I hope I wasn’t too obvious and you got to learn some new songs. If not, you’re already an encyclopedia that contains all the knowledge about every Rahman song ever. Stay tuned fir the next part of the series, where I’ll cover songs from 2000 onwards (most probably till 2008)! And thanks for reading such a long post! 😁

THE MOZART OF MADRAS AND THALAIVAR STRIKE BACK! (LINGAA – HINDI VERSION – Music Review)

Music Album Details
♪ Music by:- A.R. Rahman
♪ Lyrics by:- Gulzar
♪ Music Label:- Eros Music
♪ Music Released On:- 5th December 2014
♪ Movie Releases On:- 26th December 2014

Lingaa Album Cover

Lingaa Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Lingaa is an upcoming dubbed action thriller movie, which has already released this Friday in Tamil and Telugu. The film, directed by K.S. Ravikumar and produced by Rockline Venkatesh, stars Rajinikanth, Anushka Shetty and Sonakshi Sinha in lead roles, with Jagapati Babu in a negative role. The movie, sure to go unnoticed in the north until it plays on TV 😂 has also received mixed reviews in the south. However, the reason I have to review it is surely valid. Here is the reason: Music is by the one and only ‘Mozart of Madras’, A.R. Rahman. This year Rahman has been on a roll, with one album releasing after the other — ‘Highway’, ‘Kochadaiiyaan’ (Tamil, Telugu and Hindi), ‘Lekar Hum Deewana Dil’, ‘Kaaviyathalaivan’ (Tamil), ‘I’ (Tamil; Hindi & Telugu yet to release) and also his non-film album ‘Raunaq’. Not to mention the two Hollywood soundtracks, ‘Million Dollar Arm’ and ‘The Hundred-Foot Journey’!! So it is clear that he has been one busy man this past year, so let’s see whether he could take out enough dedicated time to provide a spectacular soundtrack for the Thalaivar in this album! 🙂


1. Ranga Ranga
Singers ~ S.P. Balasubrahmanyam & Jaspreet Jasz

The Maestro starts off the album with a grand affair — a kind of introduction song for the character of Rajini in the film. And who better to sing it with the required grandeur, than the one and only S.P.B!? With his unique and weighty (on particular words and syllables) voice, he steals the show for himself! The attitude of a boss is clearly reflected through the song, and I guess that’s all that’s needed for a Rajinikanth intro song! Rahman’s arrangements are worth listening and talking on and on about. He has given the song a beautiful feel of a mixture of Spanish, Arabic and a wonderful 70s-80s Bollywood retro touch as well. The brass portions have been carried out well, and the backing vocalists are awesome. I guess the backing chorus is comprised of the same people as the Tamil version, with the replacement of Aaryan Dinesh Kanagaratnam with Jaspreet Jasz. The composition is a catchy one, with many interesting elements, the Spanish guitars being one of the main attractions of the song, giving it that Flamenco touch. Gulzar has evidently tried his best to dub it and also make it sound natural, and it has turned out pretty good, except for the fact that in some places the lyrics aren’t fitting that properly into the rhythm, causing just a teensy-weensy disturbance, but overall turning out to be a good attempt — I mean, I don’t think dubbing is all that easy! A grand opening to the album, with a senior once again proving his talent! Kudos to SPB and double thumbsup for Rahman and Gulzar! #5StarHotelSong!

 

2. Chalke Re
Singers ~ Aditi Paul & Srinivas

A very pleasant strings orchestra welcomes us to the next song, a beautiful romantic duet by Aditi Paul and Srinivas. Aditi, who got her big break in Bollywood through Sanjay Leela Bhansali’s ‘Ram-Leela’, features in her next Hindi song, this time composed by A.R. Rahman! And she still sounds just as melodious. Rahman has composed a splendid song, on the 90s template. The dafli beats act as attention-grabbers and surely make you instantly love the song. Rahman always uses the matka in a very beautiful way and in this sing he has done no less! Throughout the song, he has infused nice orchestral strokes and all on a traditional Indian template. The shehnaai portion is magnificent, also enhanced by the percussion and the sitars. Another thing you must pay close attention to, is the wonderful sargam by the female backing vocalists, and the Jathi or the tabla bols in one of the interludes. Srinivas does seem a bit uneasy to sing in Hindi, but only a little. The composition is overall nothing new; we have heard this type of stuff many times from Rahman, but everytime it comes covered in a new wrapping and still attracts our attention towards itself — that would be the magic of the Maestro. Gulzar’s lyrics sound as if they are not at all dubbed, but the lyrics of an originally Hindi song! Wonderful dubbing done by him! Another appealing romantic song from Rahman, sung wonderfully and with just as splendorous arrangements! #5StarHotelSong!!

 

3. India Re
Singer ~ Javed Ali

Rahman’s typical grand patriotic introduction kicks off the next song, with a nice choir and impressive percussion as always. Then comes the awesome orchestra and Javed Ali, with his booming yet calming (I have no idea how they go together, but they do, in this person named ‘Javed Ali’! 😂 ) voice starts singing the sweet and patriotic composition. At places he sounds like Rahman himself. Rahman has placed an awesome backing vocal chorus, which really increases the beauty of the song. The second interlude witnesses Rahman give us a majestic orchestral treat. The antara That follows is just as awesome! The entire mood shifts and gives the feeling of determination and commitment, that is to come together as compatriots. The arrangements just keep getting better and better as the song progresses and so does the composition. The hookline is very catchy and full of grandeur, yet sounding sweet at the same time. As I have said before, the backing vocals make it sound even more sweet. Javed’s variations have come out brilliantly. Gulzar has written awesomely patriotic lyrics, and they actually sound great in the tune! Again, it sounds as if it is originally a Hindi song! 😃 This one is an ingenious patriotic composition by Rahman! The arrangements are so magnificent that the cinema-gfoers will be in for a wonderful surprise! #5StarHotelSong!

 

4. Mona Gasolina
Singers ~ Mano & Neeti Mohan

Sometimes the effect of Rahman’s music doesn’t strike you after the very first listen, but it gets stronger and stronger with each time you hear it later. Well, this song here has exactly the same problem (I mean this in a positive way) The first time I heard it, I was like, “Okay, this is something different, ummm… But what exactly is it??” The next time, “Rahman is an expert at bringing something new to the industry!” The third time, which is supposed to be a lucky number, I was literally singing along with the lyrics and grooving to them! Of course, all this happened while hearing the Tamil song, so by the time the Hindi sing released, I was ready to attack! 😂 Anyways, as you must’ve already deduced from my rave about the song, Rahman has tried something new and wacky and crazy and insane and everything you can think of. Just as ‘Mawali Qawwali’ from ‘Lekar Hum Deewana Dil’ was a brilliantly wacky song, this song also steals your breath away after you start liking it. After you start liking it, you won’t stop humming it! Rahman has brought to notice the naughty side of Neeti’s voice, and Mano has sung extremely well, with that rough texture to his voice. The hookline, the Mukhda, the antara, all are wonderfully composed. The arrangements are something else I should rave on and on about. With the opening flute, and some weird noises that follow, the song opens on an utterly crazy note. The pigeon sounds that can be heard throughout the song are just so…. Weird! And awesome! Neeti has an awesome combination of smooth and thunderous voices that she can make with that awesome voice of hers, that instantly appeal to you. The little nasal bit in the antara is just breathtaking! The percussion that Rahman has done is so strong and grand! The guitar portions are also wonderful. Rahman has even used classical Carnatic instruments like thavil in the song! Gulzar’s lyrics, though unintelligible at some places due to Mano’s pronunciation, are just as wacky as the song. So now, before I reveal all the secrets of what this song has in store for you, go hear it!! This song finds itself at the peak of insanity! And also the peak of cathciness and innovativeness! In my opinion, the best song of the album! Another #5StarHotelSong!!!

 

5. Din Dooba Hai
Singer ~ Haricharan

A melancholic orchestra triggers the next song, a sad song rendered soulfully by Haricharan, a very talented young singer of the South. Of course, the composition is also very soulful, and appeals to you, but only to a certain extent. After the first antara ends, and you find that there is another one to come, you would actually get very bored for the rest of the song. Haricharan has sung the song very nicely, with lots of feel and expression, but since the song is so monotonous and dull, the required effect doesn’t really come. He sounds a bit like Mohd Irfan at places, with his smooth and clear voice. In fact, I have a doubt that Irfan himself has sung the song. Rahman’s arrangements are again, very beautiful and he has tried to enhance the composition, at which he only succeeds to some extent. Gulzar has dubbed the lyrics amazingly, and the lyrics do give some reason to hear the song, other than the nice vocals and arrangements. Due to the length, it turns out to be boring and tedious!


Lingaa is another soundtrack in which Rahman proves yet again that he is the one and only Rahman. This time, without doing too much of experimentation, he succeeds to win over the listeners’ hearts. With the exception of one song, all of the songs have the power to control your brain and male you repeatedly press that repeat button. Though being a dubbed soundtrack, it still sounds original, thanks to the amazing work by Gulzar. All the songs have been recorded and arranged beautifully, leaving no scope for criticism in that aspect. I would say — Another addition to the hit record of Thalaivar and Mozart of Madras!! 

 

Final Rating for This Album:- सा < रे < ग < म < प < ध < नी < सां

Note:- The letter which is underlined is the final rating.

 

Which is your favourite song from Lingaa? Please vote for it below! 🙂

 

Next “dish”:- Mumbai Delhi Mumbai, Chefs:- Sawan Dutta & Rohan Rohan