Music Album Details
♪ Music by: Amaal Mallik, Jassi Katyal, Meet Bros. Anjjan & Sachin-Jigar
♪ Lyrics by: Kumaar & Niranjan Iyengar
♪ Music Label: T-Series
♪ Music Released On: 14th August 2015
♪ Movie Released On: 11th September 2015
To hear the full songs of this album on Saavn CLICK HERE
To hear “Main Hoon Hero Tera (Sad Version)” on Saavn CLICK HERE
To buy this album on iTunes CLICK HERE
To buy “Main Hoon Hero Tera (Sad Version)” on iTunes CLICK HERE
Hear “Main Hoon Hero Tera (Sad Version)” on YouTube:
Hero is a Bollywood romantic action drama film, released on 11th September, 2015. It starred Sooraj Pancholi (Aditya Pancholi’s son) and Athiya Shetty (Suniel Shetty’s daughter) in the lead roles, and serving as the launch vehicle for both of them. The film also stars Aditya Pancholi and Sharad Kelkar in supporting roles. It was directed by Nikhil Advani, and produced by Salman Khan and Subhash Ghai. The film is a remake of the 1983 film of the same name, which had starred Jackie Shroff. It got mostly negative reviews from critics and the public. Anyways, the music of the film was composed by multiple composers, the list consisting of T-Series’ hot favourites Amaal Mallik and Meet Bros. Anjjan, along with Punjabi composer Jassi Katyal who had composed an avoidable song in ‘Dilliwaali Zaalim Girlfriend’ this year, and two songs by Sachin-Jigar. I was really looking forward to the album before it released and when it did, all I can say was that I had heard such a good album full of variety after a long time! Read on to find out my exact views about each song! 🙂
1. Main Hoon Hero Tera (Salman Khan Version) / Main Hoon Hero Tera (Armaan Malik Version) / Main Hoon Hero Tera (Sad Version)
Singers ~ Salman Khan / Armaan Malik / Armaan Malik, Music by ~ Amaal Mallik, Lyrics by ~ Kumaar
The title song of this film gets the first slot in the soundtrack, and the ever-promising Amaal Mallik gets the chance to compose it. As you already know, the song became a rage, and also the most famous song from ‘Hero’, but that’s just the public appeal side of it. What did I think of it? Well, don’t worry! I loved it just as much as everyone else did! 😀 Salman is roped in to sing the first version, and it being his production, he probably wanted it to be something special, and that’s why he sang, maybe. Well, however bad I found his voice in Himesh’s ‘Kick’ songs ‘Jumme Ki Raat’ and ‘Tu Hi Tu’, the reprises of which he sang, here his voice has been garnished with all the technicalities and leave it up to Amaal to make it sound as if he’s (almost) a professional! All the technical aspects have been dealt with properly, resulting in Salman sounding better than usual. The second version is by a professional Armaan, so naturally, as far as the vocals go, I prefer Armaan’s version over Salman’s. It is even on a higher pitch, and Armaan’s vocals are way more mellifluous than Salman’s! He even sings the tune a bit differently from Salman when the line “khud Se naaraaz hoon” plays. And the way he sings it, you just can’t suppress that Waaah! from escaping your mouth. When you read the song’s title, you would expect an typical Bollywood upbeat hero introductory song, with dhinchak beats or whatever, but when it plays, you realize that it is a very serene, calm and soothing melodious song. Amaal returns to that genre after doing some crazy stuff here and there like ‘Chaar Shanivaar’, ‘Saiyyan Superstar’ and whatnot, but I’m glad that he hasn’t lost his prowess in composing such soulful songs. The arrangements set up a just as tranquil environment and ensure that we have our attention wholly and solely on the song. The guitars and piano really help in doing that. In the hookline, splendid percussion joins in and gives the song a bit of an Indianized flavour. And those backing vocals going “Haaayeee” compel us to say the same thing when they play. The tune of the antara has been kept really simple, yet sweet. The strings interlude in the second interlude sounds great, and is actually the tune of the hookline of Amaal’s second song in the film, to come later on in the album. And then Kumaar’s lyrics are something that propel the song to heights, in the conversational form which they are written in. The sad version has Armaan behind the mic again, with a slight alteration in the lyrics, to make it sound sad. It goes “Kya main hoon hero tera?”. Duration has been shortened drastically for that version, and arrangements have been minimised as far as they could be, yet having a great impact in the song, especially the wonderful string orchestration, that builds up to the climax, only to calm down after some time, and again increase, finally ending the song on a orchestral low and with Armaan singing “Haan main hoon hero tera”. A soulful start to the album by Amaal Mallik, in three beautiful versions! Kudos to him for doing all the necessary processing to portray Salman’s voice in a melodious way! #5StarHotelSong!!
2. Yadaan Teriyaan (Version 1) / Yadaan Teriyaan (Version 2)
Singers ~ Rahat Fateh Ali Khan / Dev Negi & Shipra Goyal, Music by ~ Jassi Katyal, Lyrics by ~ Kumaar
The next song on the album also comes in two versions. One by Pakistani Sufi singer Rahat Fateh Ali Khan, and the other by relatively newbies, Dev Negi & Shipra Goyal. Jassi Katyal, who had composed some very atrocious ‘Mata ka jagrata’ called ‘Maa De Dandeya’ in ‘Dilliwaali Zaalim Girlfriend’, hadn’t really impressed me there, so I wasn’t expecting anything from him. And of course, I was expecting another upbeat and atrocious track. But then I saw Rahat’s name and that left me utterly confused. For all I knew, Rahat wouldn’t sign any atrociously sick party track. After hearing the song, I got to know that it was a typical Punjabi rock romantic song. It starts with the breathtaking sound of a sarangi, followed by the very rustic and lovely voice of Rahat. The twinkling sounds make it sound even more soothing. When the drums kick in, it starts sounding a bit too typical, and coupled with the electric guitars, even more so. The sarangi keeps making inputs throughout the song, and Rahat’s beautiful singing along with those arrangements sounds awesome. The composition does get a bit dull and boring at places, and the length doesn’t help much either. Flutes have also been used in a mind blowing way, something that I would never have expected from Jassi after that disgusting first impression of his. The lyrics are pure Punjabi lyrics, as soulful as the arrangements. The second version takes the form of a duet between Dev Negi and Shipra Goyal, and the arrangements are mainly the same, but the difference is that the switching from male to female voices in the duet version provides the necessary change, which in turn, makes this version a bit more enjoyable and interesting. Shipra’s voice is sweet and Dev also sounds beautiful with his deliberately husky voice. All that and more, made me like the duet version more than Rahat’s solo. An unexpectedly great composition from Jassi, just getting a bit too typical at times, but I would recommend the duet version, which is a #5StarHotelSong!!
3. Dance Ke Legend
Singers ~ Meet Brothers & Bhoomi Trivedi, Additional Vocals by ~ Sunaina Singh, Music by ~ Meet Bros. Anjjan, Lyrics by ~ Kumaar
As soon as it starts, you can’t help but wondering where you’ve heard that tune before. I was very, very sure I had heard it somewhere in some song, yet I couldn’t recall which song exactly! And I ended up getting trapped into the net of catchiness that the tune has set out for listeners like us. It is my common experience that almost everything Meet Bros. Anjjan offer to us, it always turns out to be catchy and something likable in terms of the tune. Here too, I observed the same! The song is the boys vs. girls kind of dance face-off we have grown up watching many times in Bollywood movies, but this time with a modern touch. The club beats and all is fine, but apart from that, the tune doesn’t really stand out as something extraordinary, making the sound seem a bit on the weaker side in that department. Had there been a better tune especially to the mukhda, the song would have excelled. That part does the job of making sure the listener has all attention on the song, and if that itself fails to catch the listener’s attention, then it’s an attempt that fails, no matter how good the stuff that follows is. The catchiest part has to be that hookline which really makes you behave as if you yourself are the ‘Dancing Floor Ke Legend’, since you dance along to the beats and tune. About the vocals, Meet Bros make a very smart move yet again by singing the song themselves instead of making Mika sing a song that seems tailor-made for him. They sound good, too, except that the two voices sound a bit annoying, always together, never solo. 😛 Bhoomi Trivedi, who sang really well in her first Bollywood song, ‘Ram Chahe Leela’ (Ram Leela), doesn’t get as much scope here, but does a satisfying job whatever she sings. Sunaina sounds really cheap, however when she sings “Show meeee… Votcha gott” like a typical German. 😂 Arrangements are pretty cool, especially the interludes, the first one being a kind of weird techno beats that really sounds awesome with great sound effects, and the second one with an out-and-out Latino-Brazilian touch with the brass instruments, and vocal interruptions. Kumaar’s lyrics are interesting, and provide the necessary entertainment which the tune other than the hookline fails to give. They are what make the song a memorable, for at least some time, girls vs. boys face-off. If only the composition had been better, this one would have been really good!! But since it isn’t, all there is to pay attention to, is mainly Kumaar’s entertaining lyrics!
4. Khoya Khoya
Singers ~ Mohit Chauhan & Priya Saraiya, Backing Vocals by ~ Tanishka Sanghvi & Arpita Chakroborty, Music by ~ Sachin-Jigar, Lyrics by ~ Niranjan Iyengar
Sachin-Jigar, fresh from the success of their awesome album ‘ABCD 2’, now jump into the album, to treat us to the first of their two songs in this album. When this one started, I couldn’t help but drown into the very dreamy, Gujarati/Rajasthani folk lines sung by Sachin’s daughter, Tanishka, who had spellbound us with ‘Vande Mataram’ (ABCD 2) earlier this year. The programming done with her voice serves as a hindrance to some, but some may find it to be beautifying her voice. As soon as Mohit starts, the striking resemblance to Sachin-Jigar’s own ‘Jeene De’ (Tere Naal Love Ho Gaya) can’t be ignored, and coincidentally both songs are sung by Mohit. It lasts for a very short time, and Priya with her beautifully programmed voice, comes and rescues the song from sounding too familiar, and the tune of her lines is awesome, as is the hookline that Mohit sings after them. Arpita does some wonderful classical vocals in the first interlude, sounding very sweet. Sachin-Jigar’s awesome arrangements, mostly traditional and sounding very North-Easternized thanks to the awesome dafli percussion, matkas, and serene flutes, meeting the modern guitars, are tremendously attractive. The second interlude has a tune that starts off sounding a lot like ‘Jaane Dil Mein Kabse Hai Tu’ (Mujhse Dosti Karoge); well, that’s the new ‘Hero’ signature tune. The antara continues with the beautiful composition, vocals and arrangements, and before you know it, the song is over. Though it is a bit above 5 minutes in duration, it has not a single boring moment, except that the hookline may sound a bit like ‘Rabba’ (Heropanti), but only if you are bent on finding faults in the song. If you forget about it, it sounds pretty normal. Niranjan Iyengar’s lyrics are romantic and sweet, cute at the same time, like a youth romantic song should sound. Everybody associated with this song has done a lot of hard work, and that’s why it sounds so good as a result! #5StarHotelSong!!
5. O Khuda
Singers ~ Amaal Mallik & Palak Muchhal, Music by ~ Amaal Mallik, Lyrics by ~ Kumaar
Amaal Mallik’s second song in the album starts off with a captivating harmonica, followed by wonderful flute, supported by Spanish guitars and sounds like castanets. And then guess who starts singing? I would’ve expected Armaan to sing, as he sings mostly for Amaal, but here, the composer himself steps behind the mic and beautifies everything with his just-as-soothing voice! His debut as a singer has bore fruits and I hope he sings even more in the days to come. About the composition, it is something that will just transport you to another land, possibly that is what they call the Land of Dreams in all those fairy tales we’ve read as little kids. But seriously, this song has some sort of magical power that just makes you speechless for the five minutes of its duration, and even when it’s over, you might be unable to shake yourself out of that trance. Palak has just one line in each antara, so it didn’t really matter to me how she sung; I liked it anyhow. The serene and free-flowing composition ensures that you are completely, totally immersed in it’s awesomeness and no matter how simple it may be, it has the power to grasp you. Arrangements are just as beautiful throughout the song, as they are in the prelude, with grand strings, Spanish guitars, flutes and some awesome theatrical percussion. Rock guitars also make a cameo and impress in their short performance too. In the second interlude, Amaal plays on the cello, the same ‘Hero’ signature tune which we heard in ‘Khoya Khoya’, and it is supported by a wondrous chorus, which also provides a great impact in other parts of the song as well. The hookline, in all its simplicity, is one of the most captivating hooks for a sad song in recent times. Kumaar’s lyrics clearly depict the sadness of two parted lovers, kept apart due to circumstances against them. The Spanish touch to an emotional romantic song, plus the awesome vocals and composition, and perfect lyrics, makes it a sureshot #5StarHotelSong!!!
6. Jab We Met
Singers ~ Rahul Pandey & Shalmali Kholgade, Backing Vocals by ~ Divya Kumar & Jigar Saraiya, Music by ~ Sachin-Jigar, Lyrics by ~ Niranjan Iyengar
To end the album, we have the dependable Sachin-Jigar coming back with their second song, which starts off resembling quite a lot their own ‘Haseena Tu Kameena Mein’ (Happy Ending), with that peppy sound and weird vocal sounds by Jigar. Nevertheless, it captivated me right from the first second. Rahul Pandey (also a singer on that song from ‘Happy Ending’) starts the song in a great way, with his slightly husky voice, sounding a lot like Nikhil D’Souza. Shalmali kicks in with a very bold and accentuated voice, sounding really great as well. And she sings the part of the song that leads up to the hookline, a very crazily created, catchy, zany, insane, wacky thing that will just make you gyrate your body to its tune. Divya and Jigar make sure that it reaches the heights of craziness and peppiness, still keeping it catchy and groovy. They start it after taking a little pause, making it all the more catchier! The awesome Punjabi dhols and popping sounds, and the Bhangra “haay! haay!” all provide the listener with things that would not leave him bored for even a second! In the interludes things get a bit emotional, with that ‘Hero’ tune playing on a flute, but they get lively once more with the onset of the antara. Shalmali’s English portion, sounds really professional and it is worth hearing again and again. In the second antara, she does some full-fledged emotional humming portion, which gives a small relief from the craziness, and makes you ready for the craziness to continue after that small part is over! The song being the longest in the album, it doesn’t seem so, only because of the many interesting elements that Sachin-Jigar have included in it, so that we have a good time hearing it. Niranjan’s lyrics are quite suitable for a romantic comedy movie, unlike this one, but maybe the situation in the movie called for it, so I can’t say much on that. However, if the situation is a light romantic one, I’m quite sure that these lyrics are both entertaining and relevant at the same time! An entertaining mix of Punjabi folk and modern sounds! Great and successful attempt by Sachin-Jigar in making this song so addictive! And special marks for Divya’s loud parts in the hookline! He shines! #5StarHotelSong!!
Hero is a multi-composer album that just proves wrong whatever assumptions I have about multi-composer albums in general! All the songs are catchy in some or the other way, suit the situations in the film, and none of them are such that you would skip them right away! With four composers, it rarely happens that they come together and blend together in a seamless manner, but it has happened here, with Nikhil Advani’s ‘Hero’. Though there are some small faults here and there in my opinion, they are small enough to be ignored, because all the songs together provide the variety that is required in a commercial action / romantic film’s album! An album that would emerge as a hero among multi-composer albums!!
Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां
Note: The letter which is underlined is the final rating.
Recommended Listening Order: O Khuda > Jab We Met > Main Hoon Hero Tera (Armaan Malik Version) > Khoya Khoya > Main Hoon Hero Tera (Sad Version) > Main Hoon Hero Tera (Salman Khan Version) > Yadaan Teriyaan (Version 2) > Dance Ke Legend > Yadaan Teriyaan (Version 1)
Which is your favourite song from Hero? Please vote for it below! 🙂