Bioscopewala is a Bollywood drama film starring Danny Denzongpa, Geetanjali Thapa and Adil Hussain, directed by Deb Medhekar and produced by Sunil Doshi. The film is based on Rabindranath Tagore’s short story ‘Kabuliwala’. The movie has only one song, composed by Sandesh Shandilya, with lyrics by Gulzar. I’m guessing the reason for roping in Gulzar was that he wrote the lyrics for the 1961 ‘Kabuliwala’ film starring Balraj Sahni. (Except the song ‘Aye Mere Pyaare Watan’). So I expect this song to be amazing and connected to the theme of cinema, because the ‘Bioscopewala’ in this film shows movies to children as opposed to the ‘Kabuliwala’ who sold dry fruits to them. 😂
Bioscopewala starts off with an amazing adlib, and the oud in the background actually transports you to the hills of the Northwest region. Throughout the song, composer Sandesh Shandilya mesmerizes you with layered string instruments, coupled with a nice Caribbean percussion, and that’s where the song’s strength lies. Singer Mohan Kannan too, helps a lot with his great voice, and moulds his voice into the perfect voice hat would suit a man who goes around showcasing movies to young children. The story of the ‘Kabuliwala’ would come alive in your mind just by listening to the song — the wonderful children’s chorus, the amazing lyrics by Gulzar saab, using phrases from various iconic songs and movies that Bollywood has produced — the small touches like this, make this song very deep and heart-warming. It reminded me of the Swanand Kirkire-sung version of “Ala Barfi” (Barfi), because of the similar vocal techniques used by the lead singers in the respective songs, to make it sound more earthy and raw.
This song really showcases Shandilya’s talent in music composition, and it raises the question why we don’t hear him more often!
Total Points Scored by this Track: 8.5
Final Rating: सा < रे < ग < म < प < ध < नी< सां
Note: The letter which is underlined is the final rating.
Katti Batti is a Bollywood rom-com film, which starred Imran Khan and Kangana Ranaut in the lead roles. The film was directed by Nikhil Advani, and produced by him along with Siddharth Roy Kapur. Vivan Bhatena also starred in a supporting role in the film. The story is about two people Madhav (Maddy) and Payal, played by Imran and Kangana respectively, who are in love, but a sudden turn of events makes Payal leave Maddy. So the plot of the story goes something like that. Nikhil Advani, who had also directed “Hero” this year, releasing a week before this, now comes back to his forte, that is rom-com. The film flopped inspite of such a great hype; maybe a fault in the storytelling. Anyways, how does that concern me? Let’s talk about the music. The music has been given by Nikhil’s favourites for rom-coms, Shankar-Ehsaan-Loy. After the success of their album to Zoya Akhtar’s “Dil Dhadakne Do”, I expect them to do exceptionally well in this album. a) because they are awesome at composing for rom-coms — they have been stunning us right from ‘Kal Ho Naa Ho’ and albums like that, and b) because their collaborations with Nikhil, I believe, are always awesome, and should be in the future too! They have composed five songs for the movie, now only to see how much they appeal to me. So, here we go!! 🙂
I worship Shankar-Ehsaan-Loy when it comes to club songs. Here, the album starts off with a similar club song, as they used to give in the past, with full on techno sounds and more techno sounds and even more techno sounds. However, let me confess to you, that this time, I didn’t find anything special in the song at all! Starting with techno sounds that make you go, “Oh, the same typical club beats… Let’s see what comes up ahead.” this song doesn’t have the trio going beyond the usual things that they put in every club song, making it sound pretty stale than the other club songs. Their experimentation power is very high, as we know from other songs, then, I wonder why they didn’t use that power of theirs here! The song starts with techno sounds that sound a lot like they’ve been played on a keyboard, followed by guitar strums which are really energetic and enthusiastic. Neeti’s intermissions saying “Fizool hai” are also good enough to make you feel that something extraordinary just might be around the corner. But when Siddhartha starts to sing, the tune of what he sings, carries a very heavy déjà vu feeling, something we have heard from Shankar-Ehsaan-Loy many a time in the past, and so it doesn’t click right away. What’s more, the mukhda does not even get over, or so it seems, before the hookline starts, very abruptly and it sounds pretty odd, as if the trio was in a hurry to get to it. However, the hookline itself is catchy as far as composition goes. Arrangements are nothing special though. As we progress towards the antara, the composition does get a little interesting, or at least more than the the previous parts. Arrangements, however, stay dull and bland. There comes a point when you start wondering why they didn’t put any arrangements other than the typical EDM, techno beats, just as a small attraction somewhere in the interlude or something. Well, that’s because the interlude is reserved for some new rapper called Qaran Mehta (what’s up with the spelling? Is it just to make it look cool? Because he didn’t rap that good.. It’s really annoying the way he raps) The composition has its shares of interesting and dull moments, whereas the arrangements are ordinary all throughout the song. Vocals by Siddharth and Neeti are good, but just that, nothing more. No variations, no anything. Lyrics by Kumaar though, are worth hearing — they do connect with today’s audience, though they are nothing extraordinary or funny like his other songs. Something which the trio has done so many times, the magic has just worn off now, and results in an unattractive song. Not such an impressive start to the album!
2. Sau Aasoon Singers ~ Shankar Mahadevan & Rasika Shekhar
What I was actually expecting from the trio from the first song in the album, comes a bit late, but it comes better than expected. Better late, than never, right? There’s nothing like a sad, romantic, soft rock number from Shankar-Ehsaan-Loy. On top of that when it’s sung by Shankar himself, the expectations are tripled. Even though it’s a soft, sad number when we hear the tune, it takes on a really addictive form when we hear the arrangements, and Shankar’s versatile vocals suit the mellow song. High notes and low ones alike, he sings with great ease, as always. The song starts off with a wonderfully captivating guitar riff, joined a few seconds later by another awesome electric guitar playing beautiful notes. Shankar, when he steps in, deliberately sings out of the regular beat, pretty much like what the trio made Arijit do in ‘Mast Magan’ (2 States). He starts when you least expect it, because the guitar riffs mislead you. But it sounds exceptional when he jumps into the song unexpectedly. The hookline is something that you would feel like hearing over and over again forever. Rasika’s husky voice, though it might be sounding a bit too much autotuned, has this addictive tone to it, which makes anyone fall in love with it. However, in this song, she has two different roles: the humming and once or twice to sing the hookline. The first job she executes very well, but our heavy and husky voice just isn’t cut out for singing the hookline, which I would’ve preferred in Shankar’s husky yet soft voice. The antara has a very sweet and touching tune, including many variations, executed perfectly by Shankar. The backing chorus also supports well in these parts. Towards the ending we witness a beautiful jugalbandi of sorts between Shankar and Rasika, and it ends the song on a marvellous note. Arrangements consist of guitars, both acoustic and electric, sounding really great together in the same song. The drums have been added which increase the addictive nature of the song. To give the song a polished appearance, we have the piano, a misfit in a rock song, but sounding exceptional here particularly! Kumaar’s lyrics, are meaningful here, and again he surprises me with his immensely great ability to write both meaningful and meaningless songs with the same dedication or carelessness respectively. 😂 A complete Shankar-Ehsaan-Loy show from start to end! The song will get you pondering after it’s over and leave a huge impact!#5StarHotelSong!!
Youngsters Nikhil D’Souza and Ritu Pathak (credited wrongly as Phatak :p ) bag the next song, a cute little romantic song revolving around “kissiyaan” (kisses). The main element of this song that enters right from the starting and stays till the end, and because of which you keep listening, is the quirkiness of it. Shankar-Ehsaan-Loy try to make a quirky, catchy and youthfully mad song, and succeed with distinction! I mean, the great composers that they are, how would they fail? Nikhil has been employed very effectively and he brings the Westernized flavour into the song, while at the same time, Ritu Pathak brings in the desi flavour and gives the best performance of her career, in my opinion. She keeps aside all the cheapness she brings into every other song and sings this one with all possible naughtiness, but without the cheapness. A time in the song comes when she goes totally nasal into Shamshad Begum mode, and another when, in the interlude, she says “O Sajnaa Veeee” in an unmistakable Richa Sharma voice. In fact, she kind of sounds similar to Richa Sharma throughout the song! Wonderful attempt! Nikhil is his usual casual, carefree a sounding self, and his fresh voice is always a pleasure to hear, unless the composition isn’t interesting. Shankar-Ehsaan-Loy’s composition took no time at all to grow on me, and in no time, I found myself humming the tune many times! The tune of the line “Main yaaaar tenu miss kardi, tenu yadaan vich kiss kardi…” is just too cutely addictive! The arrangements, too are unmatchable! A beautiful vocal rhythm starts off the song and the same rhythm forms the pillars for the song even later on in it. Acoustic guitars, saxophone, some quirky Amit Trivedish sounds, work together to make it a wonderful listening experience. Drums and some Arabic percussion also make an appearance later on in the song. Kumaar uses some gimmicky terms and his Hinglish lyrics are tough to forget, but very easy to remember. They have an instant youth connect and may be the reason why this song worked so much! In short, the song is something you must not miss, if you’re looking for something new, fresh, breezy et al!! Extra marks for the way Ritu Pathak has been made to sing!!#5StarHotelSong!!
4. Ove Janiya / Ove Jaaniye (Reprise) Singers ~ Mohan Kannan / Sayani Palit
Yes, I know. I’ve written the spelling of the reprise version differently right? :p Contact Zee Music Company for more details. I myself have no idea why it’s named like that! 😀 Anyways, after hearing the song, all of Zee’s mistakes are forgiven. Shankar-Ehsaan-Loy present a soft, slow and calm, sad number sung beautifully by Mohan Kannan. When he last worked with them for ‘Chaandaniya’ (2 States), it resulted in an awesome sad song, with a groove to it that was hard to forget! This time, the song has no catchy groove as such, but it is the composition, which hooks you…if not instantly, then at least after two or three listens. The arrangements, though as minimal as possible, have the capability to soothe you down, and the song is just as effective as a lullaby to lull you to sleep, and I mean that in a positive way. First of all, mild piano notes start off the song, and an African-style percussion instrument gives the rhythm along with guitars and shakers and even the cymbals of drums, but all used in such a tranquil manner, that you wouldn’t believe it. Mohan renders the composition beautifully, and his voice just increases the serenity of the song manifold. His sargam portion in the first interlude stole my breath away. Otherwise too, he is spot-on with his rendition. Kumaar has written meaningful lyrics again, in Punjabi, romantic and emotional at the same time. The words have a unique ring to them, thanks to the trio’s unusually soft but beautiful composition. The reprise sees classical singer Sayani Palit come behind the mic, also making her Bollywood debut. Her version wasn’t as hooking as Mohan’s to me, but that would vary from person to person. Of course, her technicalities in singing the song are more perfect than Mohan, but it makes her version sound more difficult to connect with and less youthful and less contemporary than Mohan’s. This version has been sung on a backdrop of only very soft piano, and nothing else at all! Those piano arrangements are wonders to behold and the trio deserves a huge applause for them. If only somebody whose voice had more weight, maybe Kavita Seth or Rekha Bhardwaj had sung this version, it would have done way better. Or, if they had to retain Sayani, a nice clasica backdrop would’ve been more than enough to make me delighted, complete with tablas and sitar and the likes. The original is beyond all expectations, while the reprise falls just below them! Anyhow, both versions have scintillating arrangements, and lyrics, and the composition can’t be missed at any cost!!#5StarHotelSong!!
To conclude the album, we have something very unusual. Taking a glimpse at its name, you would think it is some bhajan, but press the play button and your ears seem to be playing tricks on you. It is a high-energy rock song, with a little folkish touch to it, sung with immense energy and dynamics by four singers with heavy voices. Well, I have to admit, the composition isn’t bad, and while it plays, you will enjoy it to the utmost, but the drawback is that, after it gets over, you will practically forget it. Shankar-Ehsaan-Loy try to bring that one crazy song that each of their albums nowadays have, but they do not quite surpass the bar that they themselves have raised to a very high level with the very recent ‘Gallan Goodiyaan’ (Dil Dhadakne Do). Siddharth Basrur, with his Vishal Dadlani-like voice, gets a bit too loud at times, but overall does good. Raman Mahadevan, who was a Shankar-Ehsaan-Loy regular atone particular time, and Digvijay Singh Pariyar, newcomer, and whose voice falls between that of Sanam Puri and Divya Kumar, do well too. The sole female singer, Rasika Shekhar, getting her second song in the album, sounds perfect here, contrary to being a misfit in ‘Sau Aasoon’. Arrangements are good but lack anything extraordinary. A fusion of rock and Punjabi folk, has been heard before, and hearing the way they have been used here, definitely doesn’t make it stand out as a composition by Shankar-Ehsaan-Loy. The tumbi part particularly sounds very ordinary. The rock guitars and drums sound better and if the song would have been purely rock, I wouldn’t have minded, but probably the script called for a Punjabi twist. If so, the trio had the capacity to work wonders with that! Kumaar, however, saves the trio by writing interesting lyrics, a boys vs. girls faceoff. As I said, the composition is great, but it has no repeat value. I am only hearing it now, because I didn’t have time when it released. :p I might be the only person, other than Imran Khan, Kangana Ranaut and everyone else associated with the film, who must be hearing it now! Not bad, but not excellent like the trio usually does! Vocals are good, so is the composition, and so are arrangements. But only the lyrics are great!
Katti Batti definitely doesn’t score among Shankar-Ehsaan-Loy’s best works, having two downright average songs (above average if compared to other composers’ work at present) and the rest awesome. There used to be a time when each and every song in an S-E-L album used to be stellar, enticing and magical in its own way. Since their mainstream comeback with ‘Bhaag Milkha Bhaag’ in 2013, this has definitely got to be their most underwhelming album. And yeah, that’s counting the ‘One By Two’ album and their two songs in ‘Darr @ The Mall’! The others, ‘2 States’, ‘Kill/Dil’ and ‘Dil Dhadakne Do’ had very few of the dull moments and compared to that, this one has too many!! And I’m not saying this is a bad album — not at all, because it is good in its own way. Just that it’s not the usual awesomeness that is expected from Shankar-Ehsaan-Loy. That said, I’m on a temporary ‘katti’ with Shankar-Ehsaan-Loy henceforth, till their next Bollywood album ‘Ghayal Once Again’ releases, from which I’ll be keeping immense hopes nevertheless! 😁
P.S. I’m already ‘batti’ with them because of their stellar soundtrack to Marathi movie ‘Katyar Kaljat Ghusali’!
Final Rating for This Album: सा < रे < ग < म < प < ध< नी < सां
Note: The letter which is underlined is the final rating.
Recommended Listening Order: Ove Janiya > Lip To Lip > Sau Aasoon > Ove Jaaniye (Reprise) > Jaago Mohan Pyaare > Sarfira
Which is your favourite song from Katti Batti? Please vote for it below! 🙂
In all the excitement for the new albums which were releasing last month, I totally forgot about my Early 2014 category! So now I am coontinuing with it! 🙂 The seventh album in my Early 2014 category has got to be be ‘Queen’. No, I’m not just reviewing it because the movie became a huge hit, but because its music was also very commendable! So here is my review for the ‘Queen’ music album!
♪ Music by:- Amit Trivedi, Rupesh Ram & Laxmikant-Pyarelal ♪ Lyrics by:- Anvita Dutt, Raghu Nath, Varma Malik ♪ Music Label:- T-Series, Saregama ♪ Music Released On:- 30th January 2014 ♪ Movie Released On:- 7th March 2014
Queen Album Cover
To hear the full songs of this Album on Saavn CLICK HERE
To hear “Hungama Ho Gaya” full song on Saavn CLICK HERE
Queen is a Bollywood comedy drama film which released on March 7th 2014. It is a joint production between Phantom Films and Viacom18 Motion Pictures. The film has been directed by Vikas Bahl and produced by Anurag Kashyap and Vikramaditya Motwane. It stars Kangana Ranaut, Lisa Haydon and Rajkummar Rao in the lead roles. When I got to know that Amit Trivedi is going to score music for this film, I was very excited, because that man makes great music, though many times it is a bit too typical. After ‘Kai Po Che!’ and ‘Lootera’ albums being widely acclaimed last year, he can!e back this year with ‘Queen’. Though all songs weren’t noticed that much, they were still worth hearing and this album deserves to be in this category of mine. So let’s read my review for the music of ‘Queen’!
1. London Thumakda:-Singers ~ Labh Janjua, Sonu Kakkar, Neha Kakkar, Music by ~ Amit Trivedi, Lyrics by ~ Anvita Dutt
This song is a Punjabi Wedding Song, with the typical Amit Trivedi trademark all over it. He has used banjo to create the Punjabi atmosphere which is usually the job of the tumbi. Along with the banjo, dhols have been used in the traditional Punjabi way. In the antara, however, Amit has used his quirky techno sounds (which I cannot describe in words, only that they sound like a duck, but they sound good!). And who better than the Punjabi king Labh Janjua to sing this song! He has sung it very, very fabulously. There is not one single moment in the song where you will get bored. The Kakkar sisters, Sonu and Neha, have given brilliant supporting vocals. Anvita Dutt’s lyrics are very good, funny in places. If it were any other composer, he would have put too much of noise in whatever song he would have made for this situation, but Amit, using relatively less instruments, has shown that many instruments and loudness is not necessarily compulsory for Punjabi songs! And as expected right from the time it released, this song has become a huge hit over the weeks and is one of the best Punjabi dance songs this year!
2. Badra Bahaar:-Singer ~ Amit Trivedi, Music by ~ Amit Trivedi, Lyrics by ~ Anvita Dutt
Starting with horns, and instantly grabbing your attention, you will immediately come to know something different will be featured in this track. The composer’s unique voice and exceptional singing helps this tune a lot. Not that it is bad! Not at all! It is a very nice tune, but it will not sound so good in the first listen itself. Rather, you will have to give it some time to grow on you. The use of electric guitars in this track along with a classical-based tune shows exceptional fusion. ‘Bandish’ type lyrics (the ones which are there in classical songs) have been written by Anvita Duty to create a melancholic atmosphere, but the music does not make it feel that melancholic, and changes it to make it sound upbeat. The sitar’s use has been done in a very smart way, in the interlude along with drums, creating a beautiful effect. A very good track, but give it lots of time to grow on you! After it grows on you, you will surely feel like it is a #5StarHotelSong!
3. O Gujariya:-Singers ~ Shefali Alvares, Nikhil D’Souza, Music by ~ Amit Trivedi, Lyrics by ~ Anvita Dutt
To be very honest, I didn’t like this song when it released and still don’t like it. However, when it became a hit, it became obvious to me that since everyone is liking it, there must be something good about it. So I will review it not from only my point of view but from a general point of view. The tune is a bit dull, which is why I didn’t like it. However, the musical arrangements and vocals have been done very skillfully, making the track at least a bit interesting. It is an upbeat song, supposedly a party song if you don’t watch the video, which isn’t shot in a party or anything like that. It is a feel good song and a forgrt-all-your-stresses kind of track. It starts with a horn-like instrument followed by techno sounds and Shefali’s typical ‘weird’ voice (which I personally don’t like 😛 ) but she has sung it well, no matter how weird her voice is, but it is unique. Nikhil also uses his typical voice which sounds a lot like the voice of the composer himself. Amit has mainly used techno elements in the track which make it way more interesting. The antara is also a typical Amit Trivedi antara, with a line sung by the lead singer, and the next line by the backing singers. This is a very interesting and prominent feature in many Amit Trivedi songs. I personally thought that the techno part at the end was a bit too stretched and could have been cut down a bit. A dull tune, fixed by the arrangements! Fun to listen to, though!
4. Taake Jhanke:-Singer ~ Arijit Singh, Music by ~ Amit Trivedi, Lyrics by ~ Anvita Dutt
So with this song, Arijit has ticked off Amit Trivedi on his list also! 😀 It starts in a typical Amit Trivedi style (yes, again!) and then come the brilliant backing vocals by someone who is uncredited (or maybe it is Arijit himself). Then an awesome mouth organ solo piece cones which will blow you away! Arijit is the right choice for this song. I cannot imagine anyone else singing this song other than him. The tune is very cute and is one that will be liked by all be it old or young. It is another happy-go-lucky song, which is at the peak of catchiness. The lyrics are also very nice and cute and the music suits the lyrics. The composition changes scale two or three songs, instantly making this simple song into a complex song. But Arijit changes scale with great ease, effortlessly. He seems at ease singing an Amit Trivedi composition. The music has also been arranged very well, with guitar as the prominent instrument along with the mouth organ, drums and Amit’s usual quirky sounds. So Amit has mostly concentrated on Western elements for this track. A great song which is cute in all aspects! Surely has to be a #5StarHotelSong!
5. Jugni:-Singer ~ Amit Trivedi, Music by ~ Amit Trivedi, Lyrics by ~ Anvita Dutt
The composer again comes behind the mic for this song, which is again another song just showing off his typicality. The tune is very nice, and I enjoyed it a lot because of the way it seems to motivate you and cheer you up. The main instruments are again guitars and drums. The backing vocalists play a very important part in the song, and they give that impact which wouldn’t have come without them. Lyrics by Anvita are about freedom, and the music by Amit has given a great feeling of freedom as well. Amit has sung the track very well too, in his unique voice. Again in the antara comes his typical antara-composing style, with him singing a line and the backing vocalists singing the next. It just sounds so magical! The banjo played at the starting and ending also sounds awesome. It is just another example of the fact that no matter how typical the sounds are, the song can still attract many listeners. A great tune, which will make you feel free!#5StarHotelSong!!
6. Harjaiyaan:-Singer ~ Nandini Srikar, Music by ~ Amit Trivedi, Lyrics by ~ Anvita Dutt
The way iypt starts with mild piano, you will instantly come to know that a calm, soothing track is to follow. The string instrument used after that is just too good! It creates a very magical atmosphere around you, and you will slowly get immersed in the song. Nandini has sung the song very, very effortlessly. Amit Trivedi has used a garba effect similar to the way he did in ‘Shubhaarambh’ from ‘Kai Po Che!’. It starts less than halfway through the song. The hookline has a bit of a haunting feel, which will surely make goosebumps appear on your skin. Anvita Dutt’s lyrics are exceptional! The state of mind of a person left alone has been depicted perfectly through her lyrics! The sitar-like instrument at the end just increases the want for more of the song, it feels too short. A PERFECT song! A type of song which no one can ever criticise! #5StarHotelSong!!
7. Kinare:-Singer ~ Mohan Kanan, Music by ~ Amit Trivedi, Lyrics by ~ Anvita Dutt
Again starting with the Amit Trivedi copyrighted sound, this song is one of the weaker tracks of the album. I didn’t find the tune that strong, whereas the music has been given very efficiently. The sitar has been used in an outstanding manner! The track is a soft rock number, so naturally there are dripums and electric guitars present. However, the main highlight is Mohan Kanan’s singing. He has performed exceptionally. The lyrics are also good. It will remind you instantly of ‘Shikaayatein’ from ‘Lootera’, but that was many times stronger in terms of the tune. A weak tune which still deserves a listen though, for the vocals and arrangements.
8. Ranjha:-Singer ~ Rupesh Kumar Ram, Music by ~ Ruoesh Kumar Ram, Lyrics by ~ Raghu Nath
The only song which is not composed by Amit Trivedi, also deserves a very special mention. Though it is pretty short, the tune is very strong. When I say strong, it does not necessarily mean that it is complicated. In fact, it is exactly the opposite and is very sweet and simple. The composer sings it very good without the support of any instruments, making the tune stand out even more. The melancholic tune is instantly likeable. Lyrics are fully in Punjabi, and the composition has made it sound like a Punjabi folk song. Definitely deserves a listen as well!
Hungama Ho Gaya:-Singers ~ Asha Bhosle, Arijit Singh, Original Composition by ~ Laxmikant-Pyarelal, Recreated by ~ Amit Trivedi, Original Lyrics by ~ Varma Malik, New Lyrics by ~ Anvita Dutt, Music Label ~ Saregama
When the original song is a chartbuster, the chances of the remake to be a superhit increase by millions. That is exactly the case with this song over here. The mukhda sung by Ashatai has been kept as it is, but of course remixed with many techno sounds added to it. And trust me, if you are thinking it might be sounding very bad after remixing a classic song, you are completely wrong! It sounds awesome! We have not yet even come to the best part of the song, which is undoubtedly the Antara which has been added, with the vocals of none other than Arijit Singh! He has used a completely different texture in his voice for this song, probably imitating R.D. Burman’s voice texture, and succeeds with full marks (at least in my opinion). I loved his part!! The song has been remixed very very efficiently by Amit Trivedi, and the various sounds which he has used are just indescribable, creating a full on party mood and ambience. Not a single moment of the whole song in which you will feel bored. Even the least noticeable things like the backing vocalists singing “Hungama, hungama, hungama” are ‘ekdum’ perfect! I guess you’ve already understood that it is a #5StarHotelSong!!
Overall:- Queen is such a soundtrack which inspite of its typicality, has been liked by almost everyone. It is extremely light on ears, and each song has a certain feel-good vibe associated with it, be it the calm ‘Harjaiyaan’ or the enjoyable ‘London Thumakda’ or even the loud (opposite to Amit’s usual music) ‘Hungama Ho Gaya’. The typicality of Amit which is obvious in most of the songs, is liked by many but many dislike it as well. Even though it is high time he started trying different sounds, I feel he has already shown his versatility by composing songs of many genres, although sticking to his own template. He has tried all genres, but always sticking to his sound. This shows that he is confident of his sound, and the soundtrack of ‘Queen’ itself is an example that his typicality isn’t that big a problem, as he always leaves people awestruck when they hear his new songs. This album, though typical Amit Trivedi style, has been loved by one and all, because of the simplicity in the tunes, the light on ears quotient being more, and the brilliant arrangements.
Final Rating for this album:- सा < रे < ग < म < प < ध < नी
Note:- The letter which is underlined is the final rating.
Next “dish”:- Humshakals, Chef:- Himesh Reshammiya