ANGREZI MEIN KEHTE HAI MIXED BAG!! (ANGREZI MEIN KEHTE HAIN – Music Review)

Music Album Details
♪ Music by: Pravin Kunwar, Oni-Adil & Ranjan Sharma
♪ Lyrics by: Yogesh, Amir Khusro, Pratibha Tiku Sharma & Pradip Sharma Khusro
♪ Music Label: Zee Music Company
♪ Music Released On: 9th May 2018
♪ Movie Released On: 18th May 2018

Angrezi Mein Kehte Hain Album Cover

 

Listen to the songs: Saavn

Buy the songs: iTunes


Angrezi Mein Kehte Hain is a Bollywood romantic drama starring Sanjay Mishra, Pankaj Tripathi, Anshuman Jha, Brijendra Kala, Ekavali Khanna & Shivani Raghuvanshi, directed by Harish Vyas and produced by Manav Malhotra. The film has music by three new composers – Pravin Kunwar, Oni-Adil and Ranjan Sharma. Let’s see how these three newcomers fare!


This album is the perfect example of equitable distribution of songs in a multicomposer album, each composing entity gets two songs each!
Praveen Kunwar starts the album with a pleasant romantic song Meri Aankhein, where we get to hear the composer singing a nice pahaadi type folksy portion before the real song starts. The melody is a typical Shaan melody — simple, heard-before, but pleasant. Shaan always gets such songs right, and he does so here too. Vaishali Made, who we hear in Bollywood only now, after her big break (which wasn’t her debut) in “Bajirao Mastani”, sounds great too, but not irreplaceable. The song has pleasant arrangements consisting of guitars and strings mostly, and all in all, is a fun listen.
Whatever composing talent Praveen seemed to have with his first song, seems to have evaporated with his second song Piya Mosey Rooth Gaye, a painfully slow and sombre 90s-ish sad song, in which singer Satyendra Tripathi tries (and succeeds about halfway) to sound as much as he can, like Udit Narayan. The composition bores you, but can’t even put you to sleep; it’s just boring. The flute in the arrangements too, can’t do anything to rouse the listener from the depression that the composition and the vocals forces him into. I doubt this would be well received even if it were released in the 90s.
The next composer, Ranjan Sharma, composes two songs on traditional lyrics, the first and the better one being Ab Maan Jao Saawariya, which is almost (almost) suitable for a period film, but not the Bhansali and Gowariker kind, more like the ones for which Ismail Darbar would compose (without Bhansali backing him, of course). That being said, though, the classical composition is soulful, and the tablas and sarangi do a wonderful job together, to make it sound better. Mahua Chakroborty’s vocals are pitch perfect, for such a song. The song will unfortunately bore those who haven’t warmed up to Hindustani classical music.
Ranjan’s second song More Banni Ki Mehendi, starts off as an entertaining wedding song, but in just one minute it turns into a painfully stretched and slow bidaai song with the usual Bollywood BIDAAI tropes — a slow duff rhythm, paayal sounds, and a composition that tries to tear your heart open. The singer Archana Thammala has a great voice though, I have to admit. Ranjan Sharma’s auto tuned voice could’ve been avoided!
The reason I write about composers Oni-Adil at the end, is because their songs are the only two songs that are both by the same composers and are both good.
Tera Hua Main Jab Se is a really pleasant romantic song, just like ‘Meri Aankhein’, but any day, Mohit Chauhan is a better pick than Shaan for such a song. This song is probably the freshest song of the album, because the arrangements just make you feel so good. The hookline too, is catchy, and it almost sounds like the kind of song Pritam would compose for a non-Bhatt film around 2008-2010. The guitars really sound amazing here.
The composer duo surprises me when they do a complete 180 degree turn, for their next song Aaj Rang Hai, a traditional number with lyrics by Amir Khusro. It is my favourite song from the album, because it is a really well done Qawwali, and the composers have splendidly done the arrangements — harmonium, tablas, chimtas, dholaks. The composition is spiritual and perfect for such a song! The vocals by Jatinder Pal Singh, and others, is amazing. If you don’t like Qawwalis, you should still hear this one; kmaybe you’d start appreciating the musical prowess it takes to create them!


This is one of those albums where certain songs are amazingly beautiful, while others are just bad and boring. Angrezi Mein Kehte Hain ‘mixed bag!’ 😂

 

Total Points Scored by This Album: 7 + 5 + 6.5 + 4 + 8.5 + 8 = 39

Album Percentage: 65%

Final Rating for This Album: सा < रे < ग < म < प < < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Tera Hua Main Jab Se > Aaj Rang Hai > Meri Aankhein > Ab Maan Jao Saawariya > Piya Mose Rooth Gaye > More Banne Ki Mehendi

Which is your favourite song from Angrezi Mein Kehte Hain? Please vote for it below! Thanks! 🙂

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NOT TOO JUNGLEE, BUT JUST RIGHT!! (DIL JUUNGLEE – Music Review)

Music Album Details
♪ Music by: Tanishk Bagchi, Guru Randhawa, Rajat Nagpal, Anand-Milind, Sharib-Toshi & Abhishek Arora
♪ Lyrics by: Tanishk Bagchi, Arafat Mahmood, Guru Randhawa, Majrooh Sultanpuri, Vayu Shrivastav, Devendra Kafir & Abhiruchi Chand
♪ Music Label: T-Series / Pooja Music / Sony Music
♪ Music Released On: The music hasn’t released as a full album
♪ Movie Released On: 9th March 2018

Dil Juunglee

Listen to the T-Series songs: Gaana

Listen to the Pooja Music songs: Gaana


Dil Juunglee is a Bollywood rom-com starring Saqib Saleem and Taapsee Pannu in lead roles. The film is directed by Aleya Sen and produced by Jackky Bhagnani and Vashu Bhagnani. The film’s music is by multiple composers — Tanishk Bagchi, Guru Randhawa, Sharib-Toshi and Abhishek Arora. All of these composers have given something listen worthy in the past, and their style of music suits the romcom genre very well, so it’s probably going to be a fun music album.. let’s see!


Now, this album is somehow split between two music labels — T-Series, and the newly-conceived Pooja Music (belonging to Vashu Bhagnani’s Pooja Entertainment) whose digital marketing is being done by Sony Music. The makers probably wanted a remake of ‘Gazab ka Hai Din’ to feature in the album, but since its rights were with T-Series, that song had to be on T-Series as well, right? Because, obviously! And so I guess the Guru Randhawa song was a bonus add-on, like a ‘Buy one get one free’ kind of deal. So yeah, that’s how I guess this album ended up being on two different music labels. Anyway, since that has nothing to do with the music, let’s move on!
The first song on the T-Series part of the album happens to be composed by Guru Randhawa, along with co-composer Rajat Nagpal, the composers of ‘Ban Ja Rani’ (Tumhari Sulu) and ‘Suit Suit’ (Hindi Medium). While his previous songs in Bollywood have been rehashes of his pop singles, Nachle Na is an entirely original song, and no prizes to guess that it is his best and least contrived-sounding song in Bollywood.. (At the moment of writing this review, ‘Kaun Nachdi’ from “Sonu Ke Titu Ki Sweety” hadn’t released, which I now believe to be his best yet.) The beats are groovy, and the electronic loop, though harking back to ‘Aa Toh Sahi’ (Judwaa 2), is quite fresh-sounding. Vocals are good, and I’m surprised Neeti Mohan, of all singers was chosen for this song; she does a brilliant job, and surprises me at the same time. It is the lyrics that fall flat.
Now of course, since Guru Randhawa didn’t remake his own song, the music company had to call in someone who could remake some other song. So we have the more-than-part-time remake artist Tanishk Bagchi presenting Gazab Ka Hai Din, a remake of the song with the same name from ‘Qayamat Se Qayamat Tak’. I must say, he has done a good job providing the padding around the old hook; the mukhda is especially beautiful, but the antara is forgettable. But the addition of the old hook sounds so contrived, the beauty of the song ends there. For me, the mukhda of this song is the only memorable part! I wish he had been allowed to build a new song after this mukhda and not borrow from an old one! Jubin and Prakriti sound functional as always; nothing great in either of their renditions. The strings during the hookline are beautiful, they keep your interest intact through the boring parts of the composition. I also noticed that Tanishk has written the lyrics as close as possible to the old song, thereby keeping a small touch of it alive even in the new composition.
However, Tanishk’s other song Beat Juunglee, which features in the Pooja Music part of the album, is an amazing and instantly catchy one, and though he uses the iconic “Yaahooo!” from Shammi Kapoor’s ‘Chahe Koi Mujhe Junglee Kahe’ (Junglee), I’m happy that he hasn’t been made to recreate that number, because his original composition in this song is so insanely catchy!! Armaan Malik was the best choice for this, and the results show brilliantly. Prakriti Kakar gets not much to do, but does well in her one or two lines. Most insane though, is the programming by Tanishk, which has been getting better day by day. The electronic loop which starts the song is crazy and so are the percussions and horns throughout the song. Vayu’s lyrics are always entertaining and they are just that here as well. It just goes to show you how well Tanishk can actually compose when given the freedom. (As if last year’s ‘Shubh Mangal Saavdhan’ wasn’t proof enough!)
Sorry for rambling about that song, but the next song, by Sharib-Toshi, Bandeya, deserves just as much praise. Now this composer duo hasn’t been in the picture for a long time. And by in the picture I mean the way Tanishk is constantly in the picture, every month. The last song they composed was in the recently released “Fukrey Returns”, and now they return with another Punjabi song, this time a sad song sung by Arijit Singh. The composition is soulful, the arrangements heart-warming and the lyrics by Devendra Kafir amazing. The composition has the feel of Anu Malik’s ‘Mere Humsafar’ (Refugee) but the similarity is only in the first line of the hook. Arijit himself is quite at ease with this kind of a song, and is his usual soulful best.
The second best song of the album, after ‘Beat Juunglee’, has to be Abhishek Arora’s Dil Jaane Na, an amazing fusion track that starts off as a soft romantic number, but segues into a pumped-up electronic number with a groovy beat to it. Seasoned voices like Mohit Chauhan and Neeti Mohan are the perfect choice for the song, and they deliver well. I love the way composer Abhishek Arora makes the seamless transition from the soft portions of the song to the upbeat ones, and not just once but numerous times throughout the song. All in all, this song is a treat for people who like light and fluffy music!


The album was “Juunglee” after all, but I loved the Pooja Music part of it much, much, much more than the two songs on the T-Series label. Some things are just meant to be less “Juunglee” and hence less likeable than others!

 

Total Points Scored by This Album: 6.5 + 7 + 9 + 8 + 8.5 = 39

Album Percentage: 78%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Beat Juunglee > Dil Jaane Na > Bandeya > Gazab Ka Hai Din > Nachle Na

Which is your favourite song from Dil Juunglee? Please vote for it below! Thanks! 🙂

Remake Counter:
No. Of Remakes: 10 (from previous albums) + 01 = 11

4 GEMS!! (3 STOREYS – Music Review)

Music Album Details
♪ Music by: Clinton Cerejo & Amjad-Nadeem
♪ Lyrics by: Puneet Krishna, Amjad-Nadeem, Alaukik Rahi, Shellee & Pushaan Mukherjee
♪ Music Label: Zee Music Company
♪ Music Released On: 27th February 2018
♪ Movie Released On: 9th March 2018

3 Storeys Album Cover

 

Listen to the songs: Saavn

Buy the songs: iTunes


3 Storeys is a Bollywood psychological thriller, starring Pulkit Samrat, Renuka Shahane, Richa Chadha, Masumeh, Sharman Joshi, Ankit Rathi and Aisha. The film, directed by Arjun Mukerjee, is produced by Farhan Akhtar and Ritesh Sidhwani. The film revolves around a chawl, where three stories of three people living in three different storeys, are intertwined. The music for the film has been given by Clinton Cerejo, who usually does music for thrillers like this, and a guest composition by Amjad-Nadeem too, is included in the album. Let’s see what the album for this film consists of!


Lead composer Clinton Cerejo sticks to his usual style of composition, yet manages to create some beautiful tracks. Bas Tu Hai is a poignant and intense romantic melody set on a pulsating alternative rock template (reminiscent of Pritam’s songs), guitars doing just the right trick for the audience to shower their love upon it. The mellow composition is just perfect for such a film that has a mystery vibe to it, and Arijit and Jonita make a great pair together, singing the song with the right amount of intensity, and without making it sound melodramatic. Credit goes to Clinton too, for doing his best to not make it fall into the “typical song” category that such songs usually fall into — the song has repeat value and a life outside the movie. The antara has Arijit going into a full rockstar mode, and it begins amazingly, with a nice rock guitar backing him. Puneet Krishna’s lyrics are nice and soothing as well.
The next song by Clinton happens to fall into his comfort zone. Azaadiyaan is the standard Clinton Cerejo affair, with a soaring melody backed with a minimalistic arrangement. It reminds me of ‘Haq Hai’, another beautiful minimalistic song from Clinton’s album for ‘Te3n’. Bianca and Clinton always complement each other so well, and just like all their previous duets, this one works more because of that chemistry. The harmony between the two has been done well throughout the song. Not a song that will instantly connect, but when it does, you’ll want to keep humming it.
Clinton’s last song is the most fun out of the three songs he has composed. Zaroori Bewakoofi has Mohit Chauhan at his mischievous best, and the backing vocalists supporting him with a camaraderie that is so fun to listen to. The “Kahaani Atrangi Si” loop by the backing vocalists (Vivienne Pocha, Crystal Sequeira & Bianca Gomes) is entertaining, and a special mention goes to Clinton for his vocal trumpet and other entertaining sound effects placed strategically throughout the song, like the quirky sounds in the interlude. Guitars, piano, all the instruments that have been used, reflect a carefree attitude, and the digital beats used are a clever throwback to Shankar-Ehsaan-Loy’s method of creating carefree songs. The composition is a bit weak, but the backing vocalists and the sound effects help to overcome that! Again, the lyrics here, by Pushaan Mukherjee, are fun too!
Guest composers Amjad-Nadeem return after over half a year to compose a charming garba song, Raasleela. Like all well-made garba numbers, this has strong percussions, a nice flute assortment loop, and the wonderful techno sounds support that even more. The sweet and simple nature of the song is its strong point. Sumedha, sounding uncannily like Shraddha Kapoor in places where the composition is too high, renders the song well, but it could’ve been much better, going by her performances on reality shows, and her previous songs in Bollywood! Amjad-Nadeem do a great job in making the composition catchy though, so everything else is kind of covered up.


Four sweet and simple tracks that work only because of their simplicity!

 

Total Points Scored by This Album: 8.5 + 7.5 + 7.5 + 8 = 31.5

Album Percentage: 78.75%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Bas Tu Hai > Raasleela > Azaadiyaan = Zaroori Bewakoofi

 

Which is your favourite song from 3 Storeys? Please vote for it below! Thanks! 🙂

PHIR SE… JEET’S TRADEMARK TUNES! (PHIR SE… – Music Review)

Music Album Details
♪ Music by: Jeet Gannguli & Sandeep Shirodkar
♪ Lyrics by: Rashmi-Virag
♪ Music Label: T-Series
♪ Music Released On: 23rd January 2018
♪ Movie Released On: 15th January 2018

Phir Se… Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Phir Se… Is a Bollywood film starring Kunal Kohli and Jennifer Winget, directed by Kunal Kohli and Ajay Bhuyan, and produced by The Bombay Film Company. The film, originally slated for theatrical release in 2015, got postponed indefinitely due to legal issues, so the makes finally decided to release it this year directly in Netflix. The music is by Jeet Gannguli, who was quite active back in 2015, and so let’s see if the songs fall into his “superhit” category of songs or just sound dated!


The last time Jeet Gannguli composed in a Hindi film was so long ago, I can only guess and not tell with certainty (of course, without a quick search through my blog). So I guess it was ‘Raaz Reboot’ in September 2016. And I believe he composed only one song last year, in ‘Ranchi Diaries’. Now, this movie was slated to release in 2015, and ended up releasing on Netflix in 2018. So technically, he still hasn’t composed for a new film since ‘Raaz Reboot’, barring the single song he composed for ‘Ranchi Diaries’. It still makes me glad to hear his music again, for some reason, because it is always the same formula, but almost always works. So here goes!
The title track of Phir Se was released as a T-Series single sung by Amruta Fadnavis and Amitabh Bachchan. I immediately recognised the tune, But couldn’t place it and my friend (he knows who he is) immediately linked it to that song. Of course, this version is better, with Nikhil D’Souza and Shreya Ghoshal on vocals. The sultry tune, coupled with a saxophone arrangement makes it feel calming. A Remix by Sandeep Shirodkar, is passable, because I doubt it will be noticeable enough to be played in clubs and whatnot. The Sad Version too, wouldn’t have mattered even if it hadn’t been in the album.
The mukhda of the title track is used as the antara of Maine Socha Ke Chura Loon, a song whose delay probably led Jeet Gannguli to recycle it and use it as ‘Lo Maan Liya’ (Raaz Reboot). The composition is similar to that song at many places. Arijit does a great job, as he always does in a Gannguli composition, while Shreya barely gets time to make a difference. Arrangements are once again soothing.
The next half of the album consists of upbeat tracks, relatively. Mohit Chauhan leads both of them as the male vocalist, joined by Tulsi Kumar in one, and Monali Thakur and Shreya Ghoshal in the other. The Mohit-Tulsi combo works surprisingly well in Rozana, a song with a distinct early 2000s Kunal Kohli film sound. It would be be a surprise if Jatin-Lalit had composed this one. Jeet also uses the ‘Ladki Kyon’ guitar riff from ‘Hum Tum’ to hark back to the filmmaker’s film. The trio of Mohit, Monali and Shreya end up giving my favourite song of the soundtrack, Yeh Dil Jo Hai Badmaash Hai, an upbeat track with an amazingly catchy tune. Surprisingly enough, Monali is not overshadowed by Shreya as one would expect, but both get their part in the song. Mohit is wonderful as always in these types of songs.


Jeet’s three-year-old album still wouldn’t have changed if he would have tried to tweak it in 2017. I would expect the same thing from Jeet whether it is 2015 or 2020.

 

Total Points Scored by This Album: 7 + 5 + 6 + 7.5 + 7.5 + 8 = 41

Album Percentage: 68.33%

Final Rating for This Album: सा < रे < ग < म < प < < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Yeh Dil Jo Hai Badmaash Hai > Maine Socha Ke Chura Loon = Rozana > Phir Se > Phir Se (Sad) > Phir Se (Remix)

 

Which is your favourite song from Phir SePlease vote for it below! Thanks! 🙂

TRIVEDI IN THE SAFE ZONE! (PAD MAN – Music Review)

Music Album Details
♪ Music by: Amit Trivedi
♪ Lyrics by: Kausar Munir
♪ Music Label: Zee Music Company
♪ Music Released On: 26th December 2017
♪ Movie Releases On: 25th January 2018

Padman Album Cover

 

Listen to the album: Saavn

Buy the album: iTunes


Pad Man is an upcoming Bollywood social drama directed by R. Balki, starring Akshay Kumar, Radhika Apte and Sonam Kapoor. The film is produced by Twinkle Khanna, SPE Films India, Cape Of Good Films, KriArj Entertainment and Hope Productions. The film revolves around the story of Arunachalam Muruganantham, a social activist from Tamil Nadu. The film is set to release a day prior to Republic Day, a day that is by default reserved for Akshay Kumar films. This time, Balki does not rely on his frequent collaborator Ilaiyaraaja to score music, but instead borrows his wife, Gauri Shinde’s go-to composer Amit Trivedi, who had scored for both of her films, ‘English Vinglish’ and ‘Dear Zindagi’. This is the first time he will compose for Balki and I believe, for Akshay Kumar too. I expect a lot from him after his successful ‘Qaidi Band’, ‘Secret Superstar’ and ‘Rukh’ last year! Let’s see how the music album for this film turns out!


After completing three albums last year, and using Arijit’s voice in two of them, Amit returns in the new year with his first song being an Arijit song. Aaj Se Teri is a heavenly romantic post-marriage number, whose lyrics by Kausar Munir (2017 is over but she’s still impressing us with her lyrics!) make it even better; the composition is a sweet 90s-ish tune, and Arijit sounding like Kumar Sanu in some parts makes it even better. The amazing arrangements include wonderful shehnaai (Omkar Dhumal) and Ethnic strings by Tapas Roy. The Pad Man Song shows that Amit really enjoys working with Mika, after ‘Sexy Baliye’ in ‘Secret Superstar’, and the result shows itself in an upbeat desi number, with an amazing ladies’ chorus (Deepti Rege, Mayuri Kudalkar & Pragati Joshi). The ladies’ chorus is in Trivedi’s ‘Ghanchakkar Babu’ (Ghanchakkar) zone, especially with the weird Chinese-sounding interruptions. The interlude is owned by the chorus though. The percussions in the song are amazing, and the harmonium (Akhlak Hussain Varsi) gives it a delightful U.P.-Bihar vibe, though Trivedi’s composition itself falls flat in places. The lyrics though, are a great subversion of the conventional image if a ‘superhero’, and make me believe that a ‘real superhero’ is nothing like that. Hu Ba Hu is a clubbish number that makes you wonder where the makers intend to place it in the film, but the signature Amit tune, vocals and arrangements (especially the mandolin, rabaab et al by Tapas Roy) hark back to ‘Queen’s ‘Badra Bahaar’ and ‘O Gujariya’ at the same time, and make it a very enjoyable listen. The onomatopoeia at the beginning is really catchy too, and works properly to suck you into the song. Also amazing are Munir’s lyrics, about two individuals striving to accomplish a joint mission, probably referring to the characters essayed by Akshay and Sonam.
Sayaani is the ‘Pad Man’ equivalent to ‘Dangal’s ‘Idiot Banna’, this time with four leading singers, including Yashita Sharma, Jonita Gandhi, Yashika Sikka and Rani Kaur. The backing vocalists also include Meghna Mishra, the young lead singer of “Secret Superstar”! The song itself seems like a mishmash of many wedding songs of Bollywood, and at one point it sounds exactly like a certain song, which I cant remember now! The ladies do sing amazingly though, and Trivedi’s arrangements make it more enjoyable, with the percussions yet again taking centre stage. Also enjoyable are the strings by Tapas Roy. The last song Saale Sapne is another trademark Trivedi affair, has shades of songs from “Queen” and the drums from ‘Gudgudi’ from “Secret Superstar” appear here too. Mohit Chauhan sings well, but the song seems too long to enjoy completely, and too typical. When the second antara starts, it starts to get tedious! Kausar’s lyrics are the only highlight of the song.


Amit continues to play safe, and stays in his comfort zone.

 

Total Points Scored by This Album: 8.5 + 7.5 + 8 + 7 + 6.5 = 37.5

Album Percentage: 75%

Final Rating for This Album: सा < रे < ग < म < प < < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Aaj Se Teri > Hu Ba Hu > The Pad Man Song > Sayaani > Saale Sapne

 

Which is your favourite song from Pad Man? Please vote for it below! Thanks! 🙂

EK COMPOSER, DO COMPOSER, TEEN COMPOSER!! (LUCKNOW CENTRAL – Music Review)

Music Album Details
♪ Music by: Arjunna Harjaie, Rochak Kohli, Tanishk Bagchi, Sukhwinder Singh & Mychael Danna
♪ Lyrics by: Kumaar, Adheesh Verma & Sukhwinder Singh
♪ Music Label: T-Series
♪ Music Released On: 18th August 2017
♪ Movie Releases On: 15th September 2017

Lucknow Central Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Lucknow Central is a Bollywood drama film, starring Farhan Akhtar, Gippy Grewal, Inaamulhaq, Deepak Dobriyal , Diana Penty, Rajesh Sharma and Ronit Roy. The film has been directed by Ranjit Tiwari, and produced by Viacom18 Motion Pictures, Monisha Advani, Madhu C. Bhojwani and Nikkhil Advani. The plotline of this film closely resembles that of recently released ‘Qaidi Band’, and it is obviously a coincidence of the worst case. There is a difference though. The music here, is done by multiple composers. Leading the way is youngster Arjunna Harjaie, with three songs, and after he impressed so much in ‘Titoo MBA’, I cant wait to hear what he did here. Tanishk Bagchi has two songs too, and one is a remake, because he is the remake specialist according to T-Series. Guest composer Rochak Kohli presents one song in the album. All three of these composers have proved their mettle in the past, and it goes without saying that when it is an Advani production, the film is bound to have good if not great music. Also, I think Farhan Akhtar himself looks into the music of his films, and so it is bound to be great. Comparisons between this film and ‘Qaidi Band’ are sure to happen, but I noticed ‘Qaidi Band’ relied much more on the music, and this will rely much more on plot points. It reflects even in the number of songs — that film had nine, while this one has five and one version. So let’s see if this album supports the film!


1. Kaavaan Kaavaan

Singer ~ Divya Kumar, Chorus ~ Shivek, Anubhav, Aditya, Shubham, Umesh, Veljon, Vishal and Sarthak From Asm Academy, Original Composition by ~ Sukhwinder Singh & Mychael Danna, Music Recreated by ~ Arjunna Harjaie, Original Lyrics by ~ Sukhwinder Singh, New Lyrics by ~ Kumaar

When Bollywood starts remaking songs from Hollywood movies (doesn’t matter that the song is Hindi, though) you would think things are finally messed up for real. However, it is a pleasant surprise when the remake actually turns out to be good, and quite innovative. Arjuna Harjai (now spelling his name as Arjunna Harjaie) returns after a year and a half, after the song from ‘Do Lafzon Ki Kahani’ last year, and gets the opportunity to recreate this quite popular Punjabi number ‘Ajj Mera Jee Karda’ (Monsoon Wedding). The original had been composed jointly by Sukhwinder Singh and the film’s composer Mychael Danna. Now this remake is quite a good one. The composition has been kept intact for most of the song, with Arjunna having composed a new prelude to the song, with a haunting tune that immediately gets you interested. The original composition is good, and the “Kaavaan Kaavaan” portions, which I found irritating in the original, actually sound good here. The thing that makes this remake worthwhile though, is the amazing music. Arjunna equips a booming dhol rhythm (Vishal Dande), that has the required effect on the listener, making him or her groove to it happily. The shehnaai gives a wonderful traditional feel to the song. Strings and dafli have been used occasionally to infuse a strain of pathos through the song, and especially the antara (incorporated from the original itself) is beautiful, both in tune and its arrangements. The numerous tempo changes would normally be very confusing to a listener, but here, Arjunna manages them so seamlessly, it is unbelievable. As for the vocals, Divya Kumar steps into Sukhwinder Singh’s shoes without a problem, but because he does so, it evokes memories of Divya’s own ‘Jee Karda’ (Badlapur) in the first line of the song. 😄 And then a layman can easily say, “Hey! It’s a copy!” Because he wouldn’t know that ‘Ajj Mera Jee Karda’ came before ‘Jee Karda’. But I commend the makers for firmly sticking with Divya’s voice anyway, since he has sung amazingly — the Punjabi-ness comes across beautifully through his voice, and he especially does the emotional portions very nicely. Kumaar’s additional lyrics are good too, adding on Sukhwinder’s original. An apt remake, with an amazing rhythm, and changes that do not disrupt the original song’s integrity.

Rating: 4/5

 

2. Meer-E-Kaarwaan

Singers ~ Amit Mishra & Neeti Mohan, Music by ~ Rochak Kohli, Lyrics by ~ Adheesh Verma

Rochak Kohli enters the soundtrack next, with his sole song, which happens to be a wonderful Sufi duet, with, again, a strain of pathos running through it. The composer doesn’t usually get to do such songs, but he did impress us with the amazingly soothing ‘Rozana’ (Naam Shabana) earlier this year, so it is no surprise that he ended up composing this one so well. The composition is so fresh, and quite like the Pritam school of alternative rock, it mixes Sufi sounds with a templated rock rhythm. Without the Sufi, the rock would’ve sounded incomplete, and vice versa. So it is like a beautiful combination that couldn’t be avoided. The antara is beautiful, and I must mention Neeti here, because she has sung her antara splendidly, and it is a delight to hear her in that whispery voice of hers. Her co-singer, Amit Mishra, builds on where Pritam left him off in ‘Bulleya’ (Ae Dil Hai Mushkil), and here, he makes an effort to remain soft and not as energetic as he was there, and the result is excellent. The arrangements are rich as well, the dholaks providing the authentic Sufi touch, while the amazing guitar work (Keba Jeremiah) and strokes (Tapas Roy) are one of the highlights of the song. The choruses at the end and in the second interlude, have been composed beautifully. Also, there’s a pause after the second interlude, where one thinks the song ends, but it seems Rochak has more to give us! The lyrics by Adheesh Verma are great too! A song that wonderfully mixes elements of Pritam and Shankar-Ehsaan-Loy styles of composition, and a beautiful Sufi-Rock arrangement!

Rating: 4.5/5

 

3. Teen Kabootar

Singers ~ Mohit Chauhan & Divya Kumar, Additional Vocals ~ Aflatunes, Music by ~ Arjunna Harjaie, Lyrics by ~ Kumaar, Rap Written & Performed by ~ Raftaar

Arjunna returns to the album with his second song, this time, a fun a cappella number full of onomatopoeia. The beginning itself gets your interest peaked and you listen closely right from the beginning, where the singers do an innovative sargam, that sounds excellent. The composition by Arjunna, yet again, resembles the style of a cappella that Shankar-Ehsaan-Loy are well-known for, and they have succeeded with it in songs like ‘Maston Ka Jhund’ (Bhaag Milkha Bhaag). The composition doesn’t appeal to you at once though. It is the various vocal rhythms and sound effects that help you to find it appealing. The vocalists do an amazing job. Mohit’s metallic voice is the perfect choice for the song, and when he goes seamlessly from low to high notes, it sounds wonderful! Divya usually takes the high octaves and does so here as well. These lead singers definitely do well, but the backing vocalists also provide a very fun element to the song! The interlude where they sing “Chaaku Chaaku Leke Jaa..” is so fun to listen to! Even Raftaar’s rap adds an element of fun to the song. About the arrangements, whatever I say will be less. Amazing percussions (Taufiq Qureshi’s Mumbai Stamp) and guitar work makes the song appealing to listen to, and as mentioned before, Arjunna’s amazing use of the a cappella style in a desi way makes this song sound very unconventional. Kumaar’s situational lyrics too are clever and serve the purpose well. This song might be Arjunna’s ticket to many more Bollywood films which need quirky music!!

Rating: 4/5

 

4. Rangdaari

Singer ~ Arijit Singh, Backing Vocals by ~ Arjunna Harjaie, Music by ~ Arjunna Harjaie, Lyrics by ~ Kumaar

Arijit Singh has started to get songs in every film yet again; there was a kind of low phase intermittently. The only difference is that before, it used to appear right at the beginning of soundtracks. Now it has changed. And in this album too, we see an Arijit Singh song popping up as the fourth song on the soundtrack. The composition is amazingly beautiful. Arjunna Harjaie composes a wonderful Sufi tune, which is familiar to the ears, but soothing nonetheless. The hookline is something you’ve heard time and again, but still works its magic to soothe you down. Especially that line “tu laagey mujhe dushman si..” has been composed very beautifully. The antaras are beautiful, and the whole structure of the song reminds me of the recently released ‘Bairaagi’ (Bareilly Ki Barfi) which sadly, didn’t work for me as well as this. Arjunna decorates his magical composition with stellar musical instruments. First of all, he gives the genuine Sufi touch with the dholaks (Aanchal Goud), which sound wonderful and very earthy. But it is the interlude, in which he introduces a wonderful flute piece (Shubham Shirule), accompanied by a MIND-BLOWING sargam by Arijit (or is it Arjunna?). And it is then that the song gives off beautiful Rahmanish vibes, but also gets its own place in your heart. The Duff rhythms do sound too heard-before, but they’re ignorable due to the wonderful things Arjunna has added besides that. The ethnic strings sound amazing here, and as always, Tapas Roy has done magic with them. The vocals by Arijit are top-notch, but it is his everyday composition and he aces it as was expected. The lyrics are very impressive here as well. A beautiful Sufi song, with a familiar sound, but still impressed me because of its innocence!

Rating: 4.5/5

 

5. Kaavaan Kaavaan (Remix)

Singers ~ Sukhwinder Singh & Renesa, Original Music by ~ Sukhwinder Singh & Mychael Danna, Music Recreated by ~ Tanishk Bagchi, Original Lyrics by ~ Sukhwinder Singh, New Lyrics by ~ Kumaar

So ‘Kaavaan Kaavaan’, the opening track of the album, gets a ‘Remix’, or so T-Series calls it. But this isn’t the remix of Arjunna Harjaie’s song. It is the remix of the original song from ‘Monsoon Wedding’, done by Tanishk Bagchi, the third composer of the album. Also, I wouldn’t call it a remix at all, since it might just be another remake of the song by Tanishk, but Arjunna’s must have gotten chosen as the main version. This one is merely Tanishk’s original take on this song. That having been said, I can say Tanishk has worked very hard on this one. He tries to add digital beats wherever possible to make the song sound fresh, but some places it just doesn’t work, especially after the Indian arrangements that led the Arjunna version. Not that Tanishk hasn’t added dhols and all, but the emotion of the song doesn’t come across as well in this one. For a dance track though, this is better. Tanishk also ropes in Sukhwinder himself to re-dub the song, and that’s definitely a plus point. Renesa does the female portions of the song, and she sounds awesome. What bugged me was the hookline, where I found the backing vocalists too loud. A more zesty remake, but not more effective.

Rating: 3.5/5

 

6. Baaki Rab Pe Chhod De

Singers ~ Brijesh Shandilya, Vayu, Tanishk Bagchi & Arman Hasan, Music by ~ Tanishk Bagchi, Lyrics by ~ Kumaar

Tanishk’s second song serves as the caboose for this album, closing the album on a very lively and bright note. I say this because right from the beginning of the song, you know it is going to lift your spirits. It starts quite similarly to ‘Raula’ (Jab Harry Met Sejal), with lively plucked strings. The composition is fun to listen to, too, but gets slightly disjointed in the latter parts. It starts off brilliantly though, and the hookline is delightful. The arrangements here too, are mainly digital beats, but this time they succeed in remaking the song livelier. Tanishk’s trademark liveliness comes across well through this song, and it is a thing to wonder, why he spends time in doing some remakes. The singers do justice to the song, the lead singer, Brijesh doing an exceptionally good job. Little Arman Hasan, who we heard in ‘Kankad’ (Shubh Mangal Saavdhan), singing alongside his father Raja Hasan, does well too. Vayu has probably done some backing vocals, so I couldn’t really place him in the song! Kumaar’s lyrics, are amazing. He writes some amazingly positive lines in this one too, taking the support of various scientific inventors like Thomas Edison and Graham Bell. Lively song, but could’ve been slightly better!

Rating: 4/5


Lucknow Central is one of those rare multicomposer albums that is a delight to listen to. Well, I guess when each composer knows what he is best at, and delivers the best of whatever he is best at, with the proper supervision by the director and producer, the multicomposer album can also turn out well. Ek Composer, Do Composer, Teen Composer, But No Sign That This Album is Multicomposer!!

 

Total Points Scored by This Album: 4 + 4.5 + 4 + 4.5 + 3.5 + 4 = 24.5

Album Percentage: 81.67%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Rangdaari = Meer-E-Kaarwaan > Kaavaan Kaavaan = Baaki Rab Pe Chhod De = Teen Kabootar > Kaavaan Kaavaan (Remix)

 

Remake Counter:
No. Of Remakes: 31 (from previous albums) + 02 {counting both different takes on ‘Ajj Mera Jee Karda’} = 33

 

Which is your favourite song from Lucknow Central? Please vote for it below! Thanks! 🙂

FORMULA FOR SUCCESS: SIMPLE REHNE DE!! (SIMRAN – Music Review)

Music Album Details
♪ Music by: Sachin-Jigar
♪ Lyrics by: Priya Saraiya & Vayu Srivastava
♪ Music Label: T-Series
♪ Music Released On: 25th August 2017
♪ Movie Releases On: 15th September 2017

Simran Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE

To hear “Baras Ja” on Saavn CLICK HERE

To buy “Baras Ja” on iTunes CLICK HERE

♪ To hear “Baras Ja” on YouTube:


Simran is an upcoming Bollywood drama film, directed by Hansal Mehta, produced by Bhushan Kumar, Krishan Kumar, Shailesh R. Singh, and Amit Agarwal. The film stars Kangana Ranaut, Soham Shah, Mark Justice, Hiten Kumar and Esha Tiwari Pande in crucial roles. The film revolves around a Gujarati lady settled in the United States of America, who gets involved in crime. The film does seem quirky and very racy, and definitely very humorous. Now, Hansal Mehta usually does not rely on music to carry his films forward, as is evident from the fact that out of his recent film, ‘Shahid’ had just one song (not even released properly by a music label), and ‘Aligarh’ had no songs. Then there was ‘Citylights’, which, due to it being a joint venture with the Bhatts, had a stellar album by Jeet Gannguli. This film seems to be Hansal’s lightest film in a long time, and the result is that we can read the names of Sachin-Jigar in the credits, for music. Now, roping in Sachin-Jigar can’t mean anything except that Hansal wants great music for this film, doesn’t it? Accordingly, Sachin-Jigar have scored six songs for the film, and very situational too. Still, before I reveal much, let’s see how the music fares!!


1. Lagdi Hai Thaai

Singers ~ Guru Randhawa & Jonita Gandhi, Lyrics by ~ Vayu

“Doodho nahaao, phoolo phalo tum,
LED jaisi karna glow tum,
Sabko duayein yeh naseeb rakhna,
Jodi sada ye muskuraaye!
Maike ki photo ik kareeb rakhna,
Aisa na ho ki bhooli jaaye, jaaye, jaaye!
Jadon nache baby sajj dhajj, Lagdi hai thaai!”

– Vayu

It must be so difficult to compose for seven film albums in a year, but Sachin-Jigar are up and about, composing for the fourth album, which happens to be ‘Simran’. The first song matches Sachin-Jigar’s roots, as it is a Gujarati track by soul, but Punjabi by sound. Actually, it’s a beautifully thought out fusion of Gujarati and Punjabi, something nobody would ever be able to do this well and this seamlessly! The composition is perfectly suitable for a song that should make you get up and dance, and the desi touch, both Punjabi and Gujarati, add to the enjoyability of the song. Both the mukhda and the antara have been composed on the same tune, and Sachin-Jigar follow the trend to keep the song short and more appealing. The short length never hampers the beauty of the song. The hookline is amazing as well, but it is the arrangements that makes the song sound amazing. When it starts, you may be quick enough to dismiss it as yet another typical Punjabi number, added into the album just to be another ‘London Thumakda’ (Queen), but later you realise the magic, when the Gujarati dhols begin to awe you. The brass band (Trumpets by Kishore Sodha) is used very nicely here, and without sounding stale or heard-before, it provides a nice and fresh touch. But what is really amazing, is that wonderful flute (Naveen Kumar) which has been played in a very typical Gujju style, and it does nothing but inspire you to learn how to play flute! 😛 But I’m sure this kind of a flautist would take years to become so good! The vocals are amazing. At first, I thought Guru Randhawa has been chosen just because he has a history of many pop songs with T-Series, but turns out, he has given the Punjabi touch to the song very genuinely, and keeps aside all his pop song background for this one filmy song! Jonita is a surprise package; singing in Gujarati and all — though I think she is Gujarati. Anyway, she sings the old lady portions with as much ease as she does the lead heroine’s portions! In fact, she sings the Dadi Maa portions in Gujarati even better!! One thing I didn’t enjoy was the drunk part at the end, it seemed forced. Vayu’s lyrics are some of the most positive wedding song lyrics I’ve seen in Bollywood, a place where people come to weddings only to eat, drink and dance. But here, Vayu makes the characters sing things like “LED Jaisi Karna Glow Tum!” I swear, it is one of the most positive blessings I’ve heard in a Bollywood wedding song, and so less dramatic than the blessings they used to sing in songs like ‘Maahi Ve’ (Kal Ho Naa Ho) and all! All in all, this is a very enjoyable Gujju-Punjabi fusion, with amazing arrangements to accompany the energetic vocals!!

Rating: 4.5/5

 

2. Pinjra Tod Ke

Singer ~ Sunidhi Chauhan, Lyrics by ~ Priya Saraiya

“Jannat ke saaye, jannat le aaye hai,
Baahon mein, ab zindagi,
Kismat ki dori jo, baandhi woh kholi,
Jeene chali, main abb zindagi,
Pinjra tod ke, tod ke, udd jaana hai,
Baahein kholke, kholke, udd jaana hai!”

– Priya Saraiya

The next song starts off as a mellow composition, with piano notes almost assuring you that this is going to be a sad number. However, it is wonderful to see how Sachin-Jigar seamlessly change the mood of the song, making it uplifting and motivational as the song progresses. That is almost like a symbol infused into the song by Sachin-Jigar. The lyrics by Priya Saraiya talk about breaking free of restrictions, and flying freely — so Sachin-Jigar have probably structured the song in a way to resemble that, starting off very slowly, but breaking free subsequently! What a wonderful form the song takes on, once you realise that! Sachin-Jigar’s composition is nothing new, it is the usual Sunidhi pathos, but it works wonders even though it is heard-before. After all, it isn’t necessary for things to be complicated to like them, is it? The hookline is very motivating, as is the second antara, a sprightly conclusion to the otherwise soft song. It takes on a more energetic tempo and composition, and even has more energetic arrangements, since the electric guitars and drums truly break out in that part. The rest of the arrangements have a soothingly Western touch — starting off with amazing piano, progressing into a euphoric acoustic guitar-led arrangement, until the aforementioned second antara arrives. The interludes contain a wonderful “Oley Oley“, by a backing vocalist I suspect is Jonita Gandhi, she sounds exactly like her. This type of song nowadays, usually goes to Sunidhi, and she aces it, as always. It’s nice to see her finally getting recognised not only as a singer of those upbeat numbers she was terribly typecast for in the late 2000s. Priya Saraiya’s lyrics, as mentioned before, are motivating and uplifting, in the true sense! This is probably Priya’s best work in a long time! A beautiful song, with a simple and heard-before vibe, but still manages to impress monumentally!!

Rating: 5/5

 

3. Meet

Singer ~ Arijit Singh, Lyrics by ~ Priya Saraiya

“Tu hi mera meet hai ji,
Tu hi meri preet hai ji,
Jo labon se ho sake naa judaa,
Aisa mera geet hai ji!”

– Priya Saraiya

The next song happens to be a very happy-go-lucky romantic song, sung by Arijit, the kind of song Sachin-Jigar have usually done many times with Atif. Since their songs with Arijit have always been unconventional and never-heard-before, this comes as a surprise, as it conforms to the regular Arijit school of romance. However, the composition is really charming, and has you hooked (at least to the hookline) in the first listen. In the subsequent listens you “try” to get hooked to the mukhda and antara. Sadly, I still can’t recall the tunes of these portions immediately, even after having listened to the song at least six times by now. Does that mean the song is bad? Not at all. The song is amazing. Sachin-Jigar weave magic even with those notes that evoke memories of compositions by other composers, but doesn’t really evoke memories of any song in particular. It has the charm of an old Bollywood song, and it is the kind of composition to which we would say “Ah, the nostalgia”, after listening to it after a long time somewhere in the future. It is for this reason that the song gets such a huge repeat value even though it isn’t hooking as such. The hook has wonderful variations Arijit takes not every time, so they remain exclusive, but you keep waiting for the times he does take those variations! The arrangements are just as soothing as the composition; again, a wonderful piano piece opens the song, coupled with a magical and fairy-tale-like strings portion, until the Acoustic guitars come in to lighten up the mood. The whole thing sounds so fulfilling with that wonderful composition. The guitar riff repeats throughout the song. The interlude has a nice flute portion, which keeps you listening, if not hooked. Arijit aces such songs, and does so yet again. Again, I must mention those wonderful aalaaps of his, in the hookline. Priya writes amazing lyrics here too, but here they’re quite simple, even more simple than ‘Pinjra Tod Ke’, and has a plain and straightforward theme — love. A charming love song, with simplicity ruling it.

Rating: 4.5/5

 

4. Single Rehne De

Singers ~ Shalmali Kholgade & Divya Kumar, Lyrics by ~ Vayu

“Mere dad bole karle shaadi, varna marr jaayegi boodhi daadi,
Shaadi kar, shaadi kar, shaadi kar, aakkho din shaadi kar,
Aur koi kaam nahi hai kya??”

– Vayu

A laugh riot arrives next, with a song that’s evidently about the main character trying to convince her father to let her stay single. There is actually very less by way of composition in the song, whatever little there is, just keeps repeating. The song is more like a rap, but it is the lyrics that hold it higher than it would have been. Vayu cracks you up with humorous lines that usually don’t find their way into songs; they are typical to scripts of rom-coms, but I find it very cool for them to find their way into a song. The production too, is good, but very repetitive again. Nevertheless, it goes with the unconventional nature of the lyrics. Shalmali Kholgade renders the rap with a feisty attitude, and Divya Kumar, relegated to the background does his one line well. Shalmali says the conversational portions of the song, at the beginning in such a funny, humorous way, that you start to get interested in the song due to her! Not a very fresh composition, but fresh lyrics and vocals, and even arrangements, which are sadly repeated too much!

Rating: 4/5

 

5. Simran

Singer ~ Jigar Saraiya, Lyrics by ~ Priya Saraiya

“Chulbuli hai, chulbuli hai, nakchadhi hai, manchali hai,
Palak jhapakte falak churaa le apni Simran!
Jaani anjaani, thodi si deewaani,
Deewaana sabko banaa de apni Simran!
Ho, suljha ke hi khud hi yeh badhaye apne dil aur dimaag ki uljhan!
Oye oye oye Simran, alhad si Simran!
Na jaane tu chali re kahaan!”

– Priya Saraiya

The title song which we heard in the trailer is presented to us next, and it is this song which is actually the one that took the most time for me to like. The composition is very likeable, and has a lilting charm to it, in a very playful way, and has a charming ‘Barfi’-esque vibe to it, with the numerous sound effects and the whole description of the main character. The composition is great, if you look at it, but the arrangements confused me. Firstly, I was apprehensive about them because they were so similar to the ‘Barfi’ title track, with the whole accordion, mandolin and vocal sound effects, that I wasn’t sure if I liked them! I love ‘Barfi’, but I just felt weird about this song being so close to that. Later on, I started appreciating the arrangements, because of their lilting European touch and it was definite that Sachin-Jigar’s music would be inspired by Pritam’s as they were his disciples after all! Jigar has sung the song himself, and he has carried it out very well, and his raw, Un-autotuned vocals make the song even better as it sounds more natural and casual! The lyrics by Priya too, do a great job in acquainting us with the character of Simran, and her nature. A good title song, with an amazing arrangement.

Rating: 4.5/5

 

♪ Bonus Song

♪ Baras Ja

Singer ~ Mohit Chauhan, Lyrics by ~ Priya Saraiya

“Jo nainon mein hai boondein,
Inhe rukhsaar ko, jee bhar ke chhoone de zara…
Ae dil, baras jaa, baras jaa na!
Abb toh aakar bhigo de tu mujhe!”

– Priya Saraiya

Now this song released later, a few days after T-Series had released the “Full Album”. Coincidentally, it had flooded in Mumbai on that day, and they came with a song called ‘Baras Ja’ the same night, so maybe they were waiting. 😶 Anyway, the song is probably the best, and least simple song on the soundtrack. It has a very complicated tune, but in spite of that, it is so easily loveable! It starts with a very sublime sound of the matka, and again, a soothing flute portion (Sachin-Jigar have really gotten it right with the flute in this album!!) that ensures you that this song was worth the wait! The composition is beautiful, very 90s, and very earthy at the same time, being very soothing. The antara is very, very amazingly composed, and Sachin-Jigar mix elements of Pritam’s and Rahman’s style of composition, to present to us a song, that is rooted to Indian music, especially in the arrangements. The song is decorated with beautiful flute pieces, and the Indian percussion really helps give it that earthy feel. Wonderful piano notes provide the much needed Western touch to the song too, but the Indian-ness overpowers it. Mohit Chauhan reminds us of his ‘Tum Se Hi’ (Jab We Met) days, and croons the song just as mellifluously. He does get a beautiful song all to himself after a long time, after having two songs by Pritam in ‘Jab Harry Met Sejal’, sharing space with a co-singer in both of them. This is his first solo song after a long time! Priya Saraiya’s lyrics again, are very effective in bringing out the romance, and help give the song another thing to boast about. If it had been released earlier, it would’ve been easier for people to find, with all the other songs of the album, and got more audience! I am sad because this is definitely the best of the album!!

Rating: 5/5


Simran is yet another beautiful album from Sachin-Jigar. After three albums this year, out of which one was a multicomposer one, they strike gold yet again with their fourth one. I definitely think we can attribute the beauty of this album to one and only one reason — that it’s a solo composer album, and the director Hansal Mehta was clear in what he wanted. The freedom and creative liberty given to Sachin-Jigar is evident, because they’ve made some of the most beautiful melodies, without making things too complicated. That shows us how things can be made more attractive by following a simple formula — “Simple Rehne De!!

 

Total Points Scored by This Album: 4.5 + 5 + 4.5 + 4 + 4.5 + 5 = 27.5

Album Percentage: 91.67%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Baras Ja = Pinjra Tod Ke > Meet = Simran = Lagdi Hai Thaai > Single Rehne De

 

Which is your favourite song from Simran? Please vote for it below! Thanks! 🙂