Music Album Details
♪ Music by: Gurinder Seagal, Guru Randhawa & Badshah
♪ Lyrics by: Guru Randhawa, Kunaal Vermaa, Ikka, Kumaar, Sandeep Nath & Badshah
♪ Music Label: T-Series
♪ Music Released On: 17th July 2018
♪ Movie Releases On: 27th July 2018
Buy the songs: iTunes
Nawabzaade is an upcoming comedy film starring Raghav Juyal, Dharmesh Yelande, Punit J. Pathak and Isha Rikhi. The film is directed by Jayesh Pradhan and produced by Lizelle D’Souza and Mayur K Barot. The music for the film is composed by Guru Randhawa, Gurinder Seagal and Badshah. I don’t really expect much from the album, looking at the composer names, and I’ll be honest: I’m reviewing it so I don’t have to have only two big albums, Dhadak and Soorma competing in the monthly awards. 😅 So let’s see what entails…
Guru Randhawa continues his spree of rehashing his pop sinhles under T-Series, into Bollywood club tracks; he also continues making the Bollywood variants sound fresher and less raw than the pop songs — giving them a more polished sound. High Rated Gabru is propelled by the two special appearances by Varun Dhawan and Shraddha Kapoor, though. The song is your typical Guru Randhawa EDM number that attracts you at first, but wears off with further listens. As for me, it hasn’t worn off yet though, so I guess this is one of the stronger ones. I like the drum beats Guru has put in occasionally, and the club sound still sounds fresh, so I guess he still has the audience grooving. The Female Version is even more unnecessary than having ice cream in December. Aditi Singh Sharma’s over-stylised vocals seem to say “Remember me? I haven’t got a song in Bollywood for a long time, but I still can’t sing in a normal voice.” The Punjabi reprise of the lyrics just sounds odd. The programming in this version isn’t as fresh and bubbly as in the male version, so it’s bound to get less takers.
Badshah too, is made to rehash his tried-and-tested formula, with a steady beat running throughout the song, Tere Naal Nachna is adorned with noises like an Indian auntyji going “Hainn?” The bass line though, is really addictive, and the hookline by newcomer (?) Sunanda Sharma is irresistible. Badshah has the most catchy female singer portions in his songs! Looks like after Aastha Gill, he is now introducing another quirky singer. The lyrics are the usual Badshah rap stuff, while vodka makes a cameo in the hookline, as always.
Lead composer Gurinder Seagal gets three songs to his credit: he doesn’t make much of the opportunity, though. Amma Dekh is a pacy dubstep number that should have been released two or three years ago. Sukriti Kakar awkwardly tries to sing like Neeti Mohan, while Ikka provides a banal rap portion. Gurinder does give it a cool sound though, with a variety of sound effects used throughout the song. Kumaar’s lyrics are nothing except for Sameer’s hookline from the song ‘Amma Dekh’ (Stuntsman).
If that was cringeworthy though, what awaits you in Mummy Kasam will have you wincing in terror. The staid-by-now Bollywood kuthu rhythm has been given a tedious presentation here, with cringeworthy lyrics by Kunaal Vermaa, and weird vocals by Gurinder Seagal. Ikka presents an even worse rap in this song than he did in the former. Payal Dev tries to sound like Neha Kakkar, and obviously fails. Too loud for my liking.
The only song where Gurinder remotely proves that he can compose, and not just program, is Lagi Hawa Dil Ko, which just happens to be the best song of the album because all the others are nowhere near it. It sounds refreshing to get a normal, romantic melody after so much noise, and my brain felt glad to get to process something for once. Altamash Faridi leads the vocals wonderfully, while others like Gurinder Singh, Shivay Vyas, Nettle and even Mika Singh in a short energetic departure from the romantic tune, complement him well. The reason this song stands out from the others is that it has variety. The arrangements are pleasant — guitars, harmonica, tablas, even, in a short Qawwali portion, drums, trumpets and rock guitars in a rock-and-roll portion, this song has a wide range. Sandeep Nath’s lyrics are nothing great, but more of better-than-the-rest.
Except for one experimental song, this album is mainly going to be heard and forgotten. In fact, I can’t even guarantee that the experimental song won’t be forgotten!!
Total Points Scored by This Album: 6.5 + 5.5 + 7 + 5 + 3 + 7.5 = 34.5
Album Percentage: 57.5%
Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां
Note: The letter which is underlined is the final rating.
Recommended Listening Order: Lagi Hawa Dil Ko > Tere Naal Nachna > High Rated Gabru > High Rated Gabru (Female) > Amma Dekh > Mummy Kasam