A WEDDING TO DREAD!! (VEEREY KI WEDDING – Music Review)

Music Album Details
♪ Music by: Farzan Faaiz, Jaidev Kumar, Ashok Punjabi & Meet Bros.
♪ Lyrics by: Chandan Bakshi, Deepak Noor, Devendra Kafir, Ramkesh Jiwanpurwala, Kumaar & Faaiz Anwar
♪ Music Label: T-Series
♪ Music Released On: 27th February 2018
♪ Movie Released On: 2nd March 2018

Veerey Ki Wedding Album Cover

 

Listen to the songs: Saavn

Buy the songs: iTunes


Veerey Ki Wedding is a Bollywood comedy film starring Pulkit Samrat, Kriti Kharbanda and Jimmy Shergill. The film is directed by Asshu Trikha and produced by Rajat Bakshi and Parmod Gomber. The film’s music album contains music by Farzan Faaiz, Jaidev Kumar, Meet Bros and Ashok Punjabi. Let’s dive right in, I have no expectations as such from this album..!


So the album doesn’t start out as bad as expected; Mind Blowing, though suffering from an extreme case of Mika-ate-the-words-again syndrome, has an enjoyable South-flavoured rhythm by (newcomer?) Farzan Faaiz, with the ‘Chinta Ta Chita’ (Rowdy Rathore) rhythm being used for propelling the song further into the masses’ hearts. The backing chorus sounds so bad, it’s actually good. The typical horns are there too, so everything you need in a generic kuthu song is there — I just wish the lyrics (by two people.. quite talented, it seems, writing lines like “Maana Milky Milky Badi Hai Teri Kalaai“.) and singer were different!
Farzan’s other song Na Kasoor is a staid melody that isn’t bad, but isn’t good either. It’s more like an “Oh, it’s over already? When did it start?” song. While he borrowed the rhythm from “‘Chinta Ta Chita” for his first song, Farzan tries to make this one sound like “Jashn-E-Bahaara” (Jodhaa Akbar), and to that effect even ropes in Javed Ali for the vocals, and jingles bells in the background. Sadly, it turns out to be a disaster because he insists on including sounds like breaking of glass and other “modern” sounds. It’s just a mishmash of sounds that don’t go together. It’s like eating fish with tomato ketchup. (No offence if you do.)
Jaidev Kumar’s Hatt Ja Tau, a convenient remake of the Haryanvi folk song of the same name, is much more enjoyable, mostly due to Sunidhi’s powerhouse vocals. The musical arrangements sound fresh here, but Devendra Kafir writes lyrics that would make you blush. The composition too, being so happy-go-lucky, helps to make you ignore the lyrics, and Jaidev’s cheerful arrangements are fun too.
Another bad song on the album is given by Meet Bros. Talli Tonight, from the name itself you can tell that the song is doomed. Somebody called Deep Money (forgive me if he’s some sensation) sings the song very uniterestedly, while Neha Kakkar sings in a manner I’ve never heard her sing in — utterly bored and sleepy! The wannabe beats do not make you want to get up and groove, rather they would make you skip the song. Meet Bros’ rap is just cringeworthy. Or was that Deep Money?
The best song of the album, only because the others are so cringeworthy, is Ashok Punjabi’s Veerey Ki Wedding, which is essentially a 90s wedding song, that was destined to release in 2018. Navraj Hans provides the necessary spunk to the song, and the arrangements (dholaks, harmonium, tumbi) help make it fun and enjoyable. The ladies’ chorus led by Saloni Thakkar is also enjoyable. The backing vocalists though, sing so high pitched, as if they’re in some 90s song.


Some composers picked up from the middle of nowhere make this a wedding you should be dreading!

 

Total Points Scored by This Album: 6 + 5.5 + 7 + 5 + 7 = 30.5

Album Percentage: 61%

Final Rating for This Album: सा < रे < ग < म < < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: 
Veerey Ki Wedding = Hatt Ja Tau > Mind Blowing > Na Kasoor > Talli Tonight

 

Remake Counter:
No. Of Remakes: 13 (from previous albums) + 01 (from Veerey Ki wedding) = 14
Advertisements

SAME STORY ∞!! (HATE STORY IV – Music Review)

Music Album Details
♪ Music by: Tanishk Bagchi, Arko Pravo Mukherjee, Mithoon, Baman-Chand, Tony Kakkar & Himesh Reshammiya
♪ Lyrics by: Manoj Muntashir, Kumaar, Rashmi-Virag, Sanjay Gupta, Sameer Anjaan
♪ Music Label: T-Series
♪ Music Released On: 23rd February 2018
♪ Movie Released On: 9th March 2018

Hate Story IV Album Cover

 

Listen to the songs: Saavn

Buy the songs: iTunes


Hate Story IV Is a Bollywood thriller (cough cough, ahem ahem) starring Urvashi Rautela, Karan Wahi, Vivan Bhatena and Ihana Dhillon, directed by Vishaal Pandya, and produced by Bhushan Kumar, Krishan Kumar and Vivek Bhatnagar. The film has music by Tanishk Bagchi, Arko Pravo Mukherjee, Mithoon, Tony Kakkar and Baman-Chand. Now all of these composers have been working with T-Series for quite some time, but that doesn’t mean I expect too much from the album! The reason being that the ‘Hate Story’ franchise has never been strong on music, no matter how popular it has been.


Tanishk Bagchi’s remake spree which seems to be inexorable, continues just as strongly as it had started off. I can’t even remember when it started. ‘Humma’? ‘Tamma’? Who knows. But now he gets to Himesh Reshammiya’s bank of songs. The producers browse for a moment through Himesh’s repertoire, and finally pick out two of his songs, for Tanishk to recreate. Tanishk, reluctantly, complies. One of the recreations has backfired terribly — Aashiq Banaya Aapne ends up being a lazy club number, in which Neha Kakkar lazes around as if she’s reciting a poem instead of singing a song. Tanishk’s too loud programming stuns the ears, and the way he uses Himesh’s voice is terrible. Tanishk never does a remake without having Tapas Roy play the hook of the song on a mandolin or some other ethnic string instrument, and he does that here too, just increasing the heard-before-ness of the song. Manoj Muntashir’s lyrics are almost the only worthwhile stuff in the song. The second one, Naam Hai Mera, at least has good vocals and music, and if you forget that the essence and beauty of the original song, which was soulful, has been demolished, you will like it. Neeti’s powerful voice luckily propels this one to where it is, and Tanishk’s EDM is refreshing. It is the lyrics here, that spoil the song.
Moving on to the original numbers, Arko’s Boond Boond is the best of the lot, with a nice Latino vibe to it, but it is not all that innovative either. It sounds like Arko was trying to recreate the type of songs Bollywood made in 2006-2008, when we were obsessed with Latin American music. Jubin’s voice doesn’t suit the song a lot, but Neeti saves the day (again), while the lyricists Manoj Muntashir and Sanjay Gupta (the filmmaker??) have nothing much to do except search through old Bollywood songs and put together all the clichéd phrases they could find.
Mithoon’s first song of the year is highly disappointing — Tum Mere Ho tries to be a ‘Sanam Re’-esque love song, but ends up being sleazy and lazy. The vocalists Jubin and Amrita Singh only increase the laziness with their lazy voices, making me too lazy to write a review for the song. The only good thing here, are the percussions in the interlude. That’s a nice touch.
If that song was lazy, wait till you hear Mohabbat Nasha Hai, a typical Tony Kakkar cry-fest. But though his previous cry fests like ‘Khuda Bhi’ (Ek Paheli Leela) and ‘Mile Ho Tum Humko’ (Fever) have been quite good, this one, being a mishmash of all of them, and with the same boring beats, is just plain boring. In one of the versions, I can at least listen to Neha Kakkar when her part comes (she sings better here than she sang ‘Aashiq Banaya Aapne’), but in the Male Version I don’t even have that liberty. Oh well.
The other best song of the album, at par with Arko’s song, happens to be Baman-Chand’s Bhatt-ish melody Badnaamiyan. The Male Version by Armaan Malik fares much better, and that’s the one that is the best of the album. Armaan’s voice suits the romantic composition, and Baman-Chand’s arrangements are great, though heard before, especially the electronic tabla. Sukriti Kakar doesn’t do too well in the Female Version, and even the arrangements don’t support her, being the usual boring arrangements used for such songs.


With the fourth instalment in this series (fifth if you count ‘Wajah Tum Ho’), it is evident that T-Series, who seem to have been making the films only for the music, might stop making the films soon, because the music is certainly going down…!

 

Total Points Scored by This Album: 5.5 + 6 + 7.5 + 5 + 5 + 4.5 + 7.5 + 6 = 47

Album Percentage: 58.75%

Final Rating for This Album: सा < रे < ग < म < < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: 
Boond Boond = Badnaamiyan > Naam Hai Mera = Badnaamiyan (Female) > Aashiq Banaaya Aapne > Mohabbat Nasha Hai = Tum Mere Ho > Mohabbat Nasha Hai (Solo)

 

Which is your favourite song from Hate Story IV? Please vote for it below! Thanks!

YO YO KE COMEBACK KI SEETI!! (SONU KE TITU KI SWEETY – Music Review)

Music Album Details
♪ Music by: Yo Yo Honey Singh, Rochak Kohli, Amaal Mallik, Zack Knight, Guru Randhawa, Rajat Nagpal, Saurabh-Vaibhav & Anand Raaj Anand
♪ Lyrics by: Yo Yo Honey Singh, Singhsta, Oye Sheraa, Kumaar, Zack Knight, Guru Randhawa, Swapnil Tiwari & Sham Balkar
♪ Music Label: T-Series
♪ Music Released On: 14th February 2018
♪ Movie Released On: 23rd February 2018

Sonu Ke Titu Ki Sweety Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Sonu Ke Titu Ki Sweety is a Bollywood comedy film starring Kartik Aaryan, Sunny Singh and Nushrat Bharucha in lead roles. The film is directed by Luv Ranjan, and produced by Bhushan Kumar, Krishan Kumar, Luv Ranjan and Ankur Garg. The film’s “success” (by which I only mean box office success) can be attributed to the hit music the album featured, by artists like Yo Yo Honey Singh (who is back after a long break), Rochak Kohli, Amaal Mallik, Zack Knight, Guru Randhawa and debutants Saurabh-Vaibhav. Let’s jump right into my review because there’s not much to say, three weeks after the film released! 😂


Yo Yo Honey Singh, after an I-don’t-know-how-long hiatus returns to Bollywood, with this album. What a surprise T-Series gives him only remakes to handle. And surprisingly, he too, handles them with care! Dil Chori, remake of Anand Raaj Anand composed and Hans Raj Hans sung pop single ‘Dil Chori Sada Ho Gaya’, becomes a catchy party number, and since the original song itself featured the words nasha and talli, Honey Singh needs no extra efforts in structuring his rap all around daaru. But the digital dhol rhythm really makes it lively. The female vocalist Simar Kaur also does well in a Kaala Doreya-esque cameo. It took a long time to grow on me though. His other song Chhote Chhote Peg is a remake of Anand Raaj Anand composed, Hans Raj Hans sung Bollywood Song ‘Tote Tote’ (Bichchoo), and this song too, sounds better than the original, if not good. The song is an ugly mishmash of a weird Neha Kakkar line that doesn’t match at all with the hook of the old song, though Navraj Hans sings the new hook better than his father had in the old song. Also, these lyrics fit into the tune more than “Tote Tote Ho Gaya Dil Tote Tote Ho Gaya“. 😆 Bt that doesn’t mean the lyrics themselves are exceptional — they’re quite the opposite. And they’re by people who call themselves weird names like Oye Sheraa and Singhsta. Again, Honey Singh steals the show with arrangements only. The trap music is catchy, as are the other techno sounds used. I can’t really say either of his songs are bad as such, but they’re just not good either.
Amaal Mallik returns with another ‘Sooraj Dooba Hai’ but this time it has tropical house vibes. Also this time the “Sooraj Dooba Hai” actually happens Subah Subah. 😂 Arijit doesn’t sound as fresh as he sounded in ‘Sooraj Dooba Hai’, probably because he sang so many such songs after that. And Prakriti sounds functional, but then nobody else could’ve sung her parts better, either. Overall, a good song, but could have been better.
The next song is by a composer who is quite on the rise these days, Guru Randhawa, being helped by T-Series to get his songs into any movie where there’s the scope of a clubbish number with Punjabi lyrics. Of course, ‘Sonu Ke Titu Ki Sweety’ was the obvious film that his song Kaun Nachdi was made for. The Punjabi sound is merged well with the electronic sound, giving it a fresh and enjoyable groove. The surprise element here is Neeti Mohan, getting back to back songs, where she aces her portions with amazing vocals. Her high-pitched voice sounds so good! And Guru himself sings and writes the song entertainingly, befitting to the movie’s theme.
Rochak Kohli, another composer who seems to be getting a lot of movies one after the other, but still hasn’t done a complete album (at least as far as I can recall), enters the album next, with two songs that are quite templatised with respect to the sound they carry. Lakk Mera Hit is a typical Punjabi ladies’ sangeet number, with Sukriti Kakar not doing her best behind the mic, but Rochak’s arrangements are entertaining, even though they have nothing new in them. The composition is such a heard-before one, it is hard to like it, especially in 2018.
Tera Yaar Hoon Main fares better, the melancholia channeled this time not for a breakup between lovers, but for a rift between best friends. The lyrics here (Kumaar) are the best lyrics of any song on the album, obviously, and Arijit delivers yet another beautiful rendition. The composition, though again not very fresh, does create an impact with its stretched notes and abrupt hookline. The Punjabi intermission towards the end was unexpected, but amazing. The arrangements are soulful, with great use of guitar and piano.
The seemingly debutant duo Saurabh-Vaibhav come up with a song tailor-made for Mika, Sweety Slowly Slowly, but I must say, the song itself isn’t bad. Though Mika, as is his habit, eats up half of each word in the lyrics, the entertaining composition coupled with the nice groovy beats makes for an entertaining but situational listen! I don’t understand why Mika drops the “z” from “badtameez“, the “se” from “Please” and so on, in the antara, though!
Probably the grooviest of the groovy numbers is what I’ve saved for the end — Bom Diggy Diggy. Now, this isn’t the kind of song I usually like. But I’ve got to admit, Zack Knight has churned up something really catchy here! Sounding a lot like those English pop songs until the Punjabi/Rajasthani interruption in the middle, the song really holds your attention from the initial harmonium portion. Of course, T-Series must’ve had to buy rights to Zack Knight’s single from 2017 ‘Bom Diggy’, but it has turned out to be worth the deal. Jasmin Walia’s voice is cute, despite the numerous mispronunciations.


Overall, this is an album full of club numbers, each one different from the rest, but it is the soulful song that stands out of the bunch of club songs, and a well-made club song adapted from a pop song by an independent artist, steals the show.

 

Total Points Scored by This Album: 7 + 6 + 7.5 + 7.5 + 7 + 8.5 + 7 + 8.5 = 59.5

Album Percentage: 74.38%

Final Rating for This Album: सा < रे < ग < म < प < < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Tera Yaar Hoon Main = Bom Diggy Diggy > Subah Subah = Kaun Nachdi > Sweety Slowly Slowly = Dil Chori = Lakk Mera Hit > Chhote Chhote Peg

 

Which is your favourite song from Sonu Ke Titu Ki Sweety? Please vote for it below! Thanks! 🙂

 

Remake Counter:
No. Of Remakes: 02 (from previous albums) + 03 (from Sonu Ke Titu Ki Sweety) = 05

OCTOBER 2017 ROUND-UP (CHEF, TU HAI MERA SUNDAY, RANCHI DIARIES, GOLMAAL AGAIN, JIA AUR JIA — Mini Music Reviews) + Important Announcement!!


The Important Announcement

Due to the scarcity of time, from now on, I will sum up the entire month’s reviews in a set of two articles each month, one usually around the 15th of the month and the other towards the end. Of course, certain albums that I feel need a separate post (either because they might have many songs, or be spectacular albums, or even if the movies are highly awaited ones) I will do so for those albums. I will reveal the chosen album for this month — it’ll be “Secret Superstar” — I don’t guarantee it’ll be rated very high, but because of the buzz surrounding it, it requires a separate post, I feel! Meanwhile, the usual monthly awards posts will sum everything up once again at the end of every month in the form of awards. I really hope this format helps me balance my schedule! And I can’t wait to return to my normal long posts — till then enjoy your luck of getting to read short reviews from my side!!


October 2017 Round-Up

So this post will cover the reviews for the all but two of October releases that have already released — ‘Chef’ by Raghu Dixit & Amaal Mallik, ‘Tu Hai Mera Sunday’ by Amartya Rahut (Bobo), ‘Ranchi Diaries’ by Nickk, Jeet Gannguli, Tony Kakkar & Bobby-Imran, ‘Golmaal Again’ by Amaal Mallik, Thaman S., Lijo George-DJ Chetas & Abhishek Arora, and ‘Jia Aur Jia’ by Sachin Gupta, Nisschal Zaveri & Sameer Nichani. There will be separate reviews for ‘Secret Superstar’ and ‘Rukh’, both by Amit Trivedi.



♦ A Delectable Treat For The Ears: CHEF Music Review

♪ Music by: Raghu Dixit & Amaal Mallik
♪ Lyrics by: Ankur Tewari & Rashmi-Virag
♪ Music Label: T-Series
♪ Music Released On: 26th September 2017
♪ Movie Released On: 6th October 2017

Listen to the songs: Saavn
Buy the songs: iTunes

Listen to ‘Tere Mere’: Saavn
Buy ‘Tere Mere’: iTunes


Raghu Dixit starts off the album with Shugal Laga Le, a song having a heavy folk influence from Kerala. The backing vocalists provide that freshness associated with Kerala, and Raghu’s characteristic voice makes it all the more intriguing to listen to. In his arrangements too, he adds a dash of everything, and especially those percussions are mind blowing, along with the banjo. Ankur’s lyrics made me acquainted with a new phrase “Shugal Laga Le” meaning “find a hobby, or find something to do”. The next song by him is also reliant on folk music, this time Celtic/Irish. Banjaara is steeped heavily on the beautiful flutes that characterise Irish music, with amazing percussion and backing vocals yet again. Vishal Dadlani does great justice to the sing with those power-packed vocals. The song is one of those many motivational songs that Vishal gets to sing in Bollywood, except that this time, it has a whole new style to it. The mellow Darmiyaan, exudes a positivity in spite of the fact that it is a sad song — mostly because of Raghu’s ebullience. A splendid guitar backdrop makes it simple and sweet, and Raghu’s diction has to be lauded. Raghu takes forth the melancholia in a more Bollywood-ish way in Khoya Khoya, which I rank as the best of the album — underrated Shahid Mallya taking charge of the vocals in a very beautiful way, and Dixit’s composition has that old-world-charm to it. The sarangi is quite impressive here! The alternative rock set up will make this one loveable to many! Raghu’s last song on the album is the effervescent Tan Tan, rendered with spunk by Nikhita Gandhi, the only female vocalist on the album. In her texture, she gives off vibes of Shalmali and Shefali. Guest composer Amaal Mallik, whose song Tere Mere was also removed from the album later, produces a song you can immediately tell is by him. That doesn’t make its richness diluted, though — it’s still wonderful, with the nice dholak rhythm accompanying Armaan Malik’s beautiful voice. Also, Rashmi-Virag’s lyrics are amazing!
All in all, Chef is one of the best albums of the year in that it is a clever mix of melancholia, inspiration and romance. Raghu Dixit must sign more and more Bollywood films — I firmly believe that this is his best Bollywood album yet!

Total Points Scored by This Album (in the order mentioned in the review): 4 + 5 + 4 + 5 + 4.5 + 4 = 26.5

Album Percentage: 88.3%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Banjaara = Khoya Khoya > Tan Tan > Tere Mere = Shugal Laga Le = Darmiyaan



♦ A Perfect Sunday Album: TU HAI MERA SUNDAY Music Review

♪ Music by: Amartya Rahut
♪ Lyrics by: Milind Dhaimade
♪ Music Label: Zee Music Company
♪ Music Released On: 29th September 2017
♪ Movie Released On: 6th October 2017

Listen to the songs: Saavn
Buy the songs: iTunes


Out of Arijit’s two songs, the classically-steeped sad song Dhundlo Tum fares better, with an addictive strings orchestra accompanying it, and it quickly steers away from the Bhatt-ish genre that it starts off with. Had that continued, it wouldn’t have been half as good. The digital Sitar is beautiful. His other song, Thodi Si Jagah, is also classical-based for some initial parts, before it turns into an upbeat number that loses itself halfway through the song. The rock backdrop ofthe hook line couldn’t have been more clichéd. Arijit’s vocal prowess is clearly showcased in the song though. It is Amartya’s violin solo that impresses though, with its distinct classical tune. The title song, Tu Hai Mera Sunday, takes a pleasant Christmassy turn, with soft jazz making your ears happy. Shalmali renders it with a familiarity that makes you feel amazing. The brass portions have been done really well here, as are the drums. The clarinet and piano is wonderful too. It is nothing more than the lyrics that make it sound even more personal though. Ash King’s Yeh Mera Man is a pleasant departure from his previous song ‘Bandook Meri Laila’ (A Gentleman) and brings him back to his comfort zone. Again, a jazzy tune gives the song a kind of spring, and that whistle portion is so pleasantly surprising and charming, it is hard to dislike. The guitars are impressive here. Yeh Jo Pyaar Hai, a clubbish number sung by Nandini Srikar, is probably the weakest of the album, where the tune and the arrangement are just mismatched; the hookline sounds like this song was pitched for the situation of ‘Aaj Ki Raat’ (Don) before ‘Aaj Ki Raat’ was finalised.
Amartya’s best album to date provides us with a nice mix of classical music, jazz music and a banal club number! This album will go highly underrated and unnoticed though!

 

Total Points Scored by This Album (in order mentioned in the review): 4.5 + 4 + 4 + 3.5 + 3 = 19

Album Percentage: 76%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Dhundhlo Tum > Thodi Si Jagah = Tu Hai Mera Sunday > Yeh Mera Man > Yeh Jo Pyaar Hai



♦ Uninteresting Diaries: RANCHI DIARIES Music Review

♪ Music by: Nickk, Jeet Gannguli, Tony Kakkar & Bobby-Imran
♪ Lyrics by: Nickk, Manoj Muntashir, Tony Kakkar & Sattwik Mohanty
♪ Music Label: T-Series
♪ Music Released On: 7th October 2017
♪ Movie Released On: 13th October 2017

Listen to the songs: Saavn
Buy the songs: iTunes


Some newcomer Nickk is — he has just been made to make another ‘Baby Doll’, now that Meet Bros. just be refusing to do it. However, Fashion Queen has something in addition to the usual ‘Baby Doll’ sequels — an Arabic strings backdrop that just helps it as much as a car can help you fly. The new singer Raahi seems disillusioned with the ideals that it is okay to sing like Kanika Kapoor if you aren’t her. The composer’s rap is dumb. Helicopter‘s lyricist and composer Tony Kakkar uses the word ‘helicopter’ as a metaphor for ‘getting high’. 😶 Siblings Tony and Neha render it with as much mediocrity as they can muster. I can’t believe Tony is the same guy behind ‘Saawan Aaya Hai’ (Creature 3D) and ‘Khuda Bhi’ (Ek Paheli Leela), but then he has made ‘Ek Do Teen Chaar’ (Ek Paheli Leela) and ‘Do Peg Maar’ (One Night Stand). Jeet Gannguli’s Thoda Aur is the composer’s usual pathos-filled romantic number — you would think that after a year-long break, he would return with something pleasant. But it is the same old Arijit-Palak love story. And the irony is that this song sounds like ‘Saawan Aaya Hai’ (Creature 3D). So did Tony help him here instead of making his own song better? 😏 The last song is a banal Mika solo Godfather, composed by Pritam’s former assistants Bobby-Imran, which I couldn’t even finish once when I started to listen to it.
This is a Hodge-podge of the worst songs from the weirdest mix of composers ever.

 

Total Points Scored by This Album: 2 + 1.5 + 3 + 0.5 = 7

Album Percentage: 35%

Final Rating for This Album: सा < रे <  < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Thoda Aur > Fashion Queen > Helicopter > Godfather



♦ Amaal Ka Kamaal (Again): GOLMAAL AGAIN Music Review

♪ Music by: Amaal Mallik, Thaman S., Lijo George, DJ Chetas, Abhishek Arora, Anu Malik & Raamlaxman
♪ Lyrics by: Kumaar & Rahat Indori
♪ Music Label: T-Series [“Aate Jaate Hanste Gaate” on Saregama]
♪ Music Released On: 6th October 2017
♪ Movie Released On: 20th October 2017

Listen to the songs: Saavn
Buy the songs: iTunes

Listen to “Aate Jaate Hanste Gaate”: Saavn


The album to the much-awaited fourth instalment to the ‘Golmaal’ series starts with the Title Track, where South film composer Thaman S. is called in just to do that clichéd Kuthu rhythm we are all bored of. Brijesh Shandilya does well as the lead male singer, but Aditi Singh Sharma sounds utterly replaceable. She gets another song, Itna Sannata Kyun Hai, composed by Lijo George and DJ Chetas, where her part towers over her male co-singer Amit Mishra’s parts. The hookline is like a desperate scream in our ears, to make noise. The EDM after the hookline is so bad, I can’t describe it. Amaal Mallik, lead composer, gets two songs, where one is obviously a 90s remake. ‘Neend Churayi Meri’ (Ishq) is the privileged song, named by the company as Maine Tujhko Dekha. The song’s best part is that Neeraj Sridhar returns after a long time to sing a song that is tailor-made for his song. Sukriti Kakar complements him well, but the song is better as an individual song than it is as a remake. Had the hookline been original, it would have been amazing! Amaal’s second song happens to be the album’s best — Hum Nahi Sudhrenge gives those rays of positivity like ‘Apna Har Din’ did in ‘Golmaal 3’. Though the song is similar to Amaal’s other EDM numbers like “Sooraj Dooba Hai”, “Buddhu Sa Mann” and “Zindagi Aa Raha Hoon Main”, it works well because of its positivity and Armaan yet again sings charmingly! What Saregama holds of the album is an unplugged, slow-paced version of ‘Maine Pyaar Kiya’s Aate Jaate Hanste Gaate, sung very simply by Nikhil D’Souza and Anushka Manchanda, and arranged soothingly by Abhishek Arora (of Abhishek-Akshay) and Samyuktha Narendran. It doesn’t work too much though, in spite of not changing much from the old song.
The worst Golmaal album is held up solely by Amaal’s songs (or song).


Total Points Scored by This Album: 2.5 + 2.5 + 3.5 + 4 + 3.5 = 16

Album Percentage: 64%

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Hum Nahi Sudhrenge > Maine Tujhko Dekha = Aate Jaate Hanste Gaate > Itna Sannata Kyun Hai = Golmaal Again (Title Track)

 

Remake Counter:
No. Of Remakes: 35 (from previous albums) + 02 (from Golmaal Again) = 37


♦ Nisschal O Nisschal, Aur Compose Karo! : JIA AUR JIA Music Review

♪ Music by: Nisschal Zaveri, Sachin Gupta, Sameer Nichani & Shankar-Jaikishan
♪ Lyrics by: Mudassar Aziz, Raqueeb Alam, Vachaspati Mishra & Hasrat Jaipuri
♪ Music Label: Zee Music Company [“Jia O Jia Reprise” on Saregama]
♪ Music Released On: 17th October 2017
♪ Movie Releases On: 27th October 2017

Listen to the songs: Saavn
Buy the songs: iTunes

Listen to “Jia O Jia Reprise”: Saavn


The songs by Sachin Gupta start off the album, and though they do not impress you immediately, you do get attuned to them on hearing them for a couple of times. Na Shukre is a wild rock song about carefree girls, and Smita Malhotra makes a rocking debut with her vocals in this, the rock guitars played wonderfully. Shivani Bhayana’s Naach Basanti, on the other hand, is a bit too rowdy to go with its amazing club arrangements, but apparently by the lyrics, it is supposed to be some sort of an ode to “Sholay”. Many of the small additions by Gupta in this song happen to catch your attention, like the techno sounds at the beginning, and the folksy portion at the end.
The newcomer composer, Nisschal Zaveri, steps in for the rest of the songs (with lyrics) and I must say, he does quite an amazing job in his first album itself. His lullaby-ish, classical-based Na Jaa appears in two versions, one in Asees Kaur’s voice, with a stark resemblance to her singing in ‘Kaari Kaari’ (Dobaara), while the other is in Nandini Srikar’s voice. Obviously, Nandini’s version wins my heart because of her seasoned voice and more classically inclined singing. The Tabla in this song has to be mentioned, as do the strings, guitars and mandolin. The arrangements overpower the voice of Asees in her version, another drawback of that version. Nandini’s version has everything that the music buff longs for in a good song.
Zaveri’s other song, released by Saregama, is a reprise of Shankar-Jaikishan-Mohd. Rafi classic Jia O Jia, and is an apt remake of the song, with an upbeat clubbish sound, one of the freshest remakes I’ve heard this year. The song feels like a splash of water on your face — despite being a remake, Zaveri uses his creativity to make it a bit unconventional, without being bogged down by the thought of what’s popular these days. The synth has been used amazingly, and the backing chorus singing “Jia O” after every hook is just sweet! Jyotica sounds amazing in this song, the least she has sounded like Neha Kakkar ever! But Rashid Ali, being heard after a long time, falls flat due to the excessive programming done to his voice. The Latino turn of sound midway into the song takes time to get used to, but is awesome!
The background score composer for the film, Sameer Nichani, gets one of his instrumental pieces added to the album, and it is called Jia Aur Jia Theme, and is heavy on Spanish guitars, played in a very sensuous way. It is extremely short at one and a half minute, but soothes your senses for all its worth.
A hidden gem of an album, wherein we find a new composer who must get many, many more songs in Bollywood!! Zaveri scores higher than Gupta here.


 

Total Points Scored by This Album: 3.5 + 3 + 4 + 5 + 4 + 4 = 23.5

Album Percentage: 78.33%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Na Jaa By Nandini > Jia O Jia Reprise = Na Jaa = Jia Aur Jia Theme > Na Shukre > Naach Basanti

 

Remake Counter:
No. Of Remakes: 37 (from previous albums) + 01 (from Jia Aur Jia) = 38


I hope that wasn’t too long (though I know it was) but this is what I’m going to have to do until I am a bit more free. I personally liked this method of reviewing and don’t mind continuing it forever too! So maybe, just maybe, you might get the “Secret Superstar” and “Rukh” reviews in this format too, but in separate posts and not clubbed together! Lets see! Till then, enjoy music! 😉

DUOS GOOD(WAAH), SANDEEP-ANU JUDWAA!! (JUDWAA 2 – Music Review)

Music Album Details
♪ Music by: Sajid-Wajid, Meet Bros., Sandeep Shirodkar & Anu Malik
♪ Lyrics by: Dev Kohli, Danish Sabri & Sonu Saggu
♪ Music Label: T-Series
♪ Music Released On: 12th September 2017
♪ Movie Releases On: 29th September 2017

Judwaa 2 Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Judwaa 2 is an upcoming Bollywood comedy movie, starring Varun Dhawan (x2), Jacqueline Fernandez and Taapsee Pannu. The film is directed by David Dhawan, and produced by Sajid Nadiadwala. The film’s title indicates that it a sequel to 1996’s ‘Judwaa’, because in this era of intolerance, we sadly cannot tolerate a remake which would just make the 90s kids conscious of how old they are that a movie from the 90s is being remade! Anyway, the film looks like a typical David Dhawan film, and that means mindless fun. The music in a David Dhawan film is usually light too, and recently it has been Sajid-Wajid who have been composing for his films, but because it is the latest trend, Dhawan also tries the multicomposer formula for this album. Sajid-Wajid are part of the album; his albums are incomplete without them, but only one song this time. The other two composers are Meet Bros., composing an original track, and Sandeep Shirodkar (a well-known background score composer) gets to remake two songs from Anu Malik’s original album to ‘Judwaa’. Sandeep had scored the BGM for ‘Chashme Baddoor’and ‘Main Tera Hero’ so we know how he got onto this album, and not Tanishk Bagchi, the usual go-to for remakes. So let’s see how good this album is!


1. Chalti Hai Kya Nau Se Barah

Singers ~ Dev Negi & Neha Kakkar, Original Composition by ~ Anu Malik, Music Recreated by ~ Sandeep Shirodkar, Lyrics by ~ Dev Kohli

Obviously, the makers open the album with the remake of ‘Tan Tana Tan’ and very creatively name it ‘Chalti Hai Kya Nau Se Barah’. Now, the composer who has been roped in for this album, only to do the remakes, Sandeep Shirodkar, has kept most of the song intact. The only aberration he does to old song, is that he cuts out two lines of the antaras, in both antaras. And the song still sounds good. Also, he makes the pace of the song quicker, making it more enjoyable in today’s times. I appreciate how he didn’t add any composition of his own, and though it doesn’t make the song excellent either, at least it doesn’t add any atrocious new sounds to this song. All the iconic pieces from the old song, like the “Tyaun Tyaun” music that begins it, and the female singer repeating the hookline after the male singer, have been retained, and that will increase the song’s nostalgia value, for the 90s kids, who now will realise they’re eighteen-plus year olds. 😄 Also, Sandeep’s sounds are glitzier than Anu’s from the old song, and definitely has a lot more going on, like the amazing electric guitars, synthetic strings and the whole club setting. The singers do justice to the song, and Dev Negi surprises, singing a song I never thought I’d hear him sing. On the other hand, Neha Kakkar’s portions seemed forced into the song, just for the sake of giving Jacqueline and Taapsee something to say. The lyrics by Dev Kohli have been retained completely. A good remake with nothing much tampered with.

Rating: 3.5/5

 

2. Suno Ganpati Bappa Morya

Singer ~ Amit Mishra, Music by ~ Sajid-Wajid, Lyrics by ~ Danish Sabri

Since this album is basically an album of remakes interspersed with an equal number of original songs, the first original song appears now. Sajid-Wajid, after that atrocious album ‘Daddy’, return here, with a director who always gets the best out of them. However, I’m not too sure of that after listening to this song. The composition is a good one, with only the hookline sounding contrived. The antara especially has an amazing composition; something Sajid-Wajid should do more! I particularly loved the fast paced line in the antara. Amit Mishra delivers the song with an equal amount of zest, and presents the picture of a naughty Varun Dhawan’s character very well, through his slight gimmicks throughout the song. Sajid-Wajid, as always, though, score with their arrangements. The foreign band Pandora, was an amazing inclusion here in this (supposedly) Ganpati song. The band brings in cool instrumental pieces like that signature trumpet of the song, the amazing percussion that starts the song off, and of course the scintillating Spanish guitars in the antara. An amazing beatboxer performs in the beginning of the song too. Thankfully, this Ganpati song doesn’t get abominated by Sajid-Wajid’s typical dhols, though they do make an entry at the end of the song. The lyrics are unnerving, especially the hook lyrics. But again, what can we expect from a Casanova like Raja? 😂 Not the best David Dhawan has gotten from Sajid-Wajid, but definitely a good song.

Rating: 3.5/5

 

3. Oonchi Hai Building 2.0

Singers ~ Anu Malik & Neha Kakkar, Original Composition by ~ Anu Malik, Music Recreated by ~ Sandeep Shirodkar, Lyrics by ~ Dev Kohli

I’d like to start by congratulating the makers on naming this remake in an extra-creative way by adding a ‘2.0’ at the end of the song’s name. I’m waiting for Rajinikanth in Shankar’s ‘2.0’ by the way, and these people aren’t helping! Sandeep returns to remake another “gem” from Anu’s original soundtrack for ‘Judwaa’, and sadly, or happily, I don’t know, this one is utterly bad. The original was bad itself, I don’t know how they even thought of remaking it. A cringeworthy replacement of lyrics now makes the female refrain “aaja aaja aaja mere swagger waale raja“, which Neha Kakkar sings so beautifully, “Swagger” sounds like “Sagar”. Anu Malik has clearly redubbed vocals for the song, and it’s not sounding any better. Also, Sandeep adds too many extra noises, that make the song sound yucky. And that extra long, never-ending antara, oh God! I would say SKIP it, but you’re not going to end this year without it falling onto your eardrum in some way or the other.

Rating: 2/5 {I don’t even know why I’m rating it so high so -0.5} = 1.5/5

 

4. Aa Toh Sahi

Singers ~ Meet Bros. & Neha Kakkar, Music by ~ Meet Bros., Lyrics by ~ Sonu Saggu, Rap by ~ Roach Killa

The second original song on the album, and the last song on the album, happen to be the same thing. Meet Bros. enter now, with a groovy song following the Tropical House genre, with some delicious EDM to tease our senses. Sadly enough though, along with that, they serve us some of the same old hip-hop stuff that we have been hearing for five years or so. The hookline has been composed nicely, and makes sure that people will get hooked to the song. It is the mukhda that might just prevent the song from growing though. The arrangements sound a lot like those from ‘Nashe Si Chadh Gayi’ (Befikre), and when I checked the music credits, I found out why. Mikey McCleary has programmed the track, and that’s where the amazing international sounding beats came from. The vocals are good enough, and though this is Neha’s third song on the soundtrack, she sounds the best here. Meet Bros, who are pros at imitating Mika, but sounding better than Mika while doing so, do it here too. Roach Killa’s rap is forgettable except that it sounds a lot like Badshah’s ‘Mercy’. Lyrics are middling, using the patriotic “Dil Diya Hai Jaan Bhi Denge” line as a romantic one. 😆 Good, not great. But it definitely had the potential with the amazing beats!

Rating: 3/5


Judwaa 2 is one of the weakest David Dhawan albums, and the reason seems to be that half the album has been made by remaking the songs of ‘Judwaa’. With lack of innovation or creativity, a good album cannot be expected. What ‘Main Tera Hero’, ‘Chashme Baddoor’ had were a) solo composers, and b) original songs. That being said, the duos who made the original songs, Sajid-Wajid and Meet Bros have done well, but Sandeep has done his best to try and make his songs judwaas of Anu’s originals!

 

Total Points Scored by This Album: 3.5 + 1.5 + 3.5 + 3 = 11.5

Album Percentage: 57.5%

Final Rating for This Album: सा < रे < ग < म < < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: ‘Chalti Hai Kya Nau Se Barah = Suno Ganpati Bappa Morya > Aa Toh Sahi > Oonchi Hai Building 2.0

 

Remake Counter:
No. Of Remakes: 33 (from previous albums) + 02 (from Mubarakan) = 35

 

Which is your favourite song from Judwaa 2? Please vote for it below! Thanks! 🙂

SACHIN-JIGAR STAY GROUNDED!! (BHOOMI – Music Review)

Music Album Details
♪ Music by: Sachin-Jigar
♪ Lyrics by: Priya Saraiya, Anvita Dutt, Vayu Srivastava & Utkarsh Naithani
♪ Music Label: T-Series
♪ Music Released On: 28th August 2017
♪ Movie Releases On: 22nd September 2017

Bhoomi Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Bhoomi is an upcoming Bollywood action thriller starring Sanjay Dutt, Aditi Rao Hydari and Sidhant Gupta in lead roles. The film has been directed by ‘Mary Kom’ and ‘Sarbjit’ fame Omung Kumar, and produced by Bhushan Kumar, Krishan Kumar and Sandeep Singh. The film is a revenge saga revolving around a father trying to avenge his daughter, who is a rape victim. Now, this filmmaker Omung Kumar, has been known for making loud and sobby dramatic films, but also, both of his previous films have had amazing music albums as well, featuring in the Music Mastani’s Top 20 Albums of the respective years they released in. While ‘Mary Kom’ featured music by newcomers Shashi-Shivamm, and ‘Sarbjit’ featured a nice mix of T-Series-affiliated artists (Amaal Mallik, Tanishk Bagchi, Jeet Gannguli), and newcomers Shail-Pritesh, this time Omung raises the bar by roping in highly busy composers Sachin-Jigar. Now this is probably the first time I remember seeing the duo compose for a drama like this, so it’ll be something new for them and for us. But expectations are still sky high because of Omung! So let’s see how far above the bhoomi (ground) Sachin-Jigar’s music flies!


1. Trippy Trippy

Singers ~ Neha Kakkar, Benny Dayal, Brijesh Shandilya & Badshah, Lyrics by ~ Priya Saraiya

Sachin-Jigar’s fifth album of the year starts off with a song I can’t believe they have made!! The song is a club song with a composition that I would expect from someone like Badshah or Yo Yo Honey Singh, and not Sachin-Jigar! The composition is very weird, and not in the good way. It is basically just a typical item song composition, and coming from Sachin-Jigar, that is quite shocking. The male portions especially, are very disappointing. Those are actually the parts that could’ve been the best. Also, the antara is quite similar to their own “Teri Mahima Aprampaar” (Entertainment). The hookline is just Badshah belching out the words in an expressionless tone. Here, it is evident the composers were trying to experiment, just to make the song sound a bit better, but sadly, they couldn’t make those experiments work. For example, the flute and dhols arrangement was clearly done to increase the quirkiness of the song, but it backfires, sadly. The beats too, aren’t addictive or anything — it is just a straightforward song to listen to and forget. The vocals by Neha Kakkar are very disappointing after that amazing rendition of hers in ‘Ghungta’ (Babumoshai Bandookbaaz)! Here she doesn’t even sound half as energetic as she did there! Benny Dayal and Brijesh Shandilya (and of course Badshah) are used very less, and their portions are just repeated over and over. Good, because those parts are very irritating. Also, the ‘Hicky hicky’ sung by Neha is kind of irritating too! The lyrics by Priya Saraiya are the usual fare we get to hear in such songs, and nothing really makes sense. A song that must be a mistake!!

Rating: 2.5/5

 

2. Lag Ja Gale

Singer ~ Rahat Fateh Ali Khan, Lyrics by ~ Priya Saraiya

Next up, the composers present a romantic song, very saccharine-sweet, and following a Sufi template to the tee. Again, it is shocking that Sachin-Jigar’s music gets so predictable, but let’s not complain just yet. The composition here is very beautiful, and doesn’t take time to like. The mukhda and antara are especially very beautiful. It is the hook line “tere mere pyaar nu“, that is very predictable and sounds out of place, in an otherwise beautiful song. I can’t remember which, but it sounds an awful lot like a very famous 90s song too. The presence of Rahat almost impeded me from liking the song a lot. His voice has been making songs heavy and inaccessible these days (Like it did for ‘Mere Rashke Qamar’ from ‘Baadshaho’), but thankfully, Sachin-Jigar have employed his voice prudently, and not overdone the high pitch or the aalaaps, and it comes out very beautiful. The “Rab Varga” loop gives the song a very unconventionally abrupt start, and it’s one of the best effects of the song. The arrangements by the duo are the trademark Sufi dholaks and tablas, but because of the composition, you bear with it. Also, a wonderful sarangi keeps you engaged throughout the song! The major part of the song also has acoustic guitars, making it a kind of fusion between Sufi and acoustic guitars. Priya Saraiya’s lyrics are very cute, and very simple-sweet. A rare song by Rahat Fateh Ali Khan that will be known for simplicity! I wish there was some innovation though, as it has turned out very predictable!

Rating: 4/5

 

3. Will You Marry Me

Singers ~ Jonita Gandhi & Divya Kumar, Lyrics by ~ Anvita Dutt

After two slightly disappointing songs, Sachin-Jigar get to make a wedding song for the film. Now, this song seems to be one of those disappointing songs which grow with time, because that’s what happened with me. I found it a bit weird at first, but in the successive listens, I started to like it bit by bit. Now this is purely subjective, but I still think Sachin-Jigar didn’t try to make this song (or any song from this film) complicated and layered, and that’s why this is happening. The songs are straightforward, something we hardly get from Sachin-Jigar, and that’s why we might be disappointed at first. Anyway, the composition is a peppy wedding number, complete with Punjabi phrases and effective Indian wedding arrangements. The hookline seems very cheesy at first, but becomes catchy later on. The beginning is quite entertaining, with those dialogues, and after that, Jonita’s weird programmed voice singing something gibberish, I believe. That is one of the best parts of the song. The female chorus too, is very entertaining, and the word “ponga pandit” specifically caught my interest. Lyricist Anvita Dutt has utilised it so nicely. As the hookline gets closer though, the song increases its heard-before-ness, and it becomes an ordinary wedding song by the time the hookline arrives, though it is catchy. The antara is no better. Vocals are entertaining, especially Jonita’s, and the female backing vocalists. Divya gets the same part to sing twice, and he sounds good too, but it is the composition of his parts that sounds too flat. Arrangements consist of digital beats accompanied by Indian wedding instruments like the shehnaai (wonderful interlude on that!), dhols etc. Anvita Dutt’s lyrics are very innovative at parts and very ordinary at parts. A confusing song! You don’t know whether you like it or not!

Rating: 3.5/5

 

4. Kho Diya

Singer ~ Sachin Sanghvi, Lyrics by ~ Priya Saraiya

Now comes what I’ve been expecting from Sachin-Jigar ever since ‘Meri Pyaari Bindu’ released and I loved all the songs. After that, frankly, I didn’t love any Sachin-Jigar song as much as I loved the song ‘Maana Ke Hum Yaar Nahin’, in any of their albums that released. But now, in ‘Bhoomi’, they come up with a deserving opponent for ‘Maana Ke Hum…’ with this song, another ghazal, and in my opinion, even better than ‘Maana Ke Hum…’ itself. I’ll explain why. The composition is genuinely ghazal-like, as in an actual, authentic ghazal! Though that song was also a ghazal, it did have minor Bollywood-ish touches. But in this song, Sachin-Jigar do not bow down to peer pressure in order to make a Bollywood-friendly song. The song still does carry many nuances of Sanjay Leela Bhansali’s style of composition though. I sincerely hope SLB catches this song and ropes Sachin-Jigar in for his next project! The antara is one of the most beautiful compositions I’ve heard in a while. The arrangements too, are amazing, with soothing tablas, divine manjeeras, beautiful Guitars, and scintillating strings that provide an atmosphere of love and divinity. The water drop sounds, so characteristic of SLB, sound beautiful. Sachin Sanghvi says this is his first solo song in Bollywood (He also sang a duet with Shreya Ghoshal in ‘Jayantabhai Ki Luv Story’ before this), and he does his solo debut in a smashing manner! His voice has that amazing metallic touch, which people might mistake for programming, but it is his raw voice! Priya Saraiya’s lyrics are yet again, one of the most brilliant she’s written this year. A lovely number that is surely going to stay with me for a long time!!

Rating: 5/5

 

5. Daag

Singer ~ Sukhwinder Singh, Lyrics by ~ Priya Saraiya

The pathos enters now, as it always does. Of course, because this is an Omung Kumar film after all. There has to be an overtly dramatic sad song. And that happens to be this song. Now, the composition is really good, if I have to judge as per it’s genre. But as an individual song, this doesn’t take me anywhere. After the magic that the former song had me possessed with, this song falls flat! The duo try to lift it up with an intriguing and mysterious arrangement (this guitar riffs do the trick), but how much can a song be able to be saved by good arrangements if the composition isn’t appealing? Sukhwinder adds to the tedium, with his heavy voice, and it sounds very uncomfortable. Even though the composition is so poignant, it all sounds fake due to the overcooked nature of the music and vocals. The hookline itself too, is very tedious. It sounds like something that should have released around 2008. Sadly, this one isn’t memorable at all!

Rating: 3/5

 

6. Jai Mata Di

Singers ~ Ajay Gogavale & Sanjay Dutt, Lyrics by ~ Vayu Srivastava & Utkarsh Naithani

To wrap up the album, Sachin-Jigar present a devotional song. Now Ganeshotsav has ended, and Navratri is about to start, and with the film opening just one day after Navratri starts, it seems an apt decision to include a song entitled ‘Jai Mata Di’ in the album. Now, the song is primarily a very dramatic devotional song again, to make it fit with Omung Kumar standards of drama. However, it fares a bit better than that one, thanks to the divine touch. The composition is amazing, and Sachin-Jigar mould themselves into a very trademark Ajay-Atul mode to compose this one. Actually, if Ajay-Atul had composed for the ‘Sarkar’ series, and the chants would’ve been ‘Jai Mata Di’ instead of ‘Govinda’, then this would have been the perfect background score for the ‘Sarkar’ franchise. To add to the Ajay-Atul feel, Sachin-Jigar even rope in Ajay as the lead vocalist. As always, he aces the song. Sanjay Dutt starts the song with a mantra, bt his interventions throughout the actual song when he sings “Jai Maa Jai Maa’, sound better. The arrangements are good, and Especially the strings are amazing. Other sounds like the tabla, and the pathos-filled composition make it sound like yet another SLB song, a la ‘Gajanana’ (Bajirao Mastani), and ‘Dola Re Dola’ (Devdas). This song isn’t something to enjoy with your earphones, but something to experience in theatres!

Rating: 3.5/5


Bhoomi is a great example of an album composed by talented composers, but which suffers due to their inexperience in the genre of drama. Sachin-Jigar have composed for drama films very less; they usually go for rom-coms or musicals, but in this one, their discomfort is visible while composing for such a film. They still do try to add their own elements into the album, like the quirkiness of ‘Will You Marry Me’, which diffuses into thin air later on in the song. The best song in definitely ‘Kho Diya’, which I’m sure you will agree with, and so might they themselves. Anyway, it is one of those rare occasions where Sachin-Jigar disappoint, and it will surely pass!

 

Total Points Scored by This Album: 2.5 + 4 + 3.5 + 5 + 3 + 3.5 = 21.5

Album Percentage: 71.67%

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Kho Diya > Lag Ja Gale > Will You Marry Me = Jai Mata Di > Daag > Trippy Trippy

 

Which is your favourite song from Bhoomi? Please vote for it below! Thanks!! 🙂

A RISHI RICH BEAT SAVES THE POSTER BOYS!! (POSTER BOYS – Music Review)

Music Album Details
♪ Music by: Tanishk Bagchi, Daler Mehndi, Dilip-Sameer, Rishi Rich, Sunai Marathe, Shreyas Iyengar & Sonny Ravan
♪ Lyrics by: Shabbir Ahmed, Javed Akhtar, Kumaar, Saurabh Pandey & Sonny Ravan
♪ Music Label: T-Series
♪ Music Released On: 19th August 2017
♪ Movie Releases On: 8th September 2017

Poster Boys Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Poster Boys is an upcoming satirical Bollywood film, starring Sunny Deol, Bobby Deol and Shreyas Talpade in lead roles. The film is an official remake of Shreyas-directed Marathi film ‘Poshter Boyz’, and is also directed by Shreyas Talpade himself. The film is produced by Sunny Sounds Pvt. Ltd., Shreyas Talpade and Deepti Talpade. The film revolves around three men who suffer humiliation in their village when they appear on an advertisement for vasectomy, without their knowledge or permission. The film seems like a comic caper, at the same time trying to create awareness about this. The music, which I actually expect to be bad, just because this film seems like one of those films where music plays a minuscule role, is by four composer entities. Remake master Tanishk Bagchi comes back with a remake here, while Rishi Rich gets to compose an original. The album also serves as the debut vehicle for three new composers, a duo, Sunai Marathe Shreyas Iyengar, and an individual, Sonny Ravan. So let’s see how this album with half its songs by known personalities, and half by newcomers, fares!


1. Kudiyan Shehar Diyan

Singers ~ Daler Mehndi & Neha Kakkar, Original Composition by ~ Dilip-Sameer & Daler Mehndi, Music Recreated by ~ Tanishk Bagchi, Original Lyrics by ~ Javed Akhtar, New Lyrics by ~ Shabbir Ahmed

So T-Series messes up with credits again — the old song ‘Kudiya Shehar Di’ (Arjun Pandit; 1999) which this song is a remake of, was credited to Dilip and Sameer Sen, but now they credit Daler Mehndi as its composer! Anyway, Tanishk (the go-to recreator these days) tries to infuse more life into the already lifeless and staid Punjabi number (or so I personally feel), by giving it a better mixed dhol arrangement, and having Neha Kakkar sing the female parts. But replacing one screechy singer (Alka Yagnik in the original) with another screechy singer, is not too wise! The only energy in the song is because of Mehndi’s amazing singing. Tanishk hasn’t actually newly composed anything; the song is just permutation and combination of the parts in the old song. Lyrics are functional, nothing great. An okayish remake of an okayish song.

Rating: 2.5/5

 

2. Kendhi Menoo

Singers ~ Yash Narvekar, Sukriti Kakar & Ikka Singh, Music by ~ Rishi Rich, Lyrics by ~ Kumaar

Rishi Rich is in charge of the next song: a nice hip hop number with a peppy and groovy beat that instantly has you hooked. The composition too, is quite catchy. Especially the hookline’s tune. The antara isn’t great, but good enough to go with the amazing beats. The arrangements are the highlight of the song, and those trumpet sounds are some of the best beats in a Bollywood hip-hop song this year. That being said, it isn’t like the song is extraordinary either, just surprisingly good enough and compared to the others in the album, it is a masterpiece. The vocals are nice too, with Yash Narvekar and Sukriti carrying the hip-hop vibe very well. I wish Sukriti wouldn’t mumble though. Ikka’s rap is good too! The lyrics are understandably ordinary. A good hip-hop number with a groovy “Rishi Rich beat”.

Rating: 3.5/5

 

3. Noor-E-Khuda

Singer ~ Kailash Kher, Music by ~ Sunai Marathe & Shreyas Iyengar, Lyrics by ~ Saurabh Pandey

This song is the typical Bollywood sad Qawwali, which gets played in movies whenever things are going wrong. Usually it’s Sukhwinder Singh or Kailash Kher singing these Qawwalis, and sure enough, here, the newcomer duo, Sunai Marathe & Shreyas Iyengar, present the song in Kher’s voice. The composition itself is very maudlin and typically dramatic. The roopak rhythm, as overused as it is, sounds very heavy here, and I am beginning to feel like it should be used less often now! The tablas and claps too, are very typical — nothing new. The lyrics are good as they should be, but again, very typical. Kailash Kher has the tendency to bore in such songs, but here it’s everything else that draws you away from the song.

Rating: 2/5

 

4. The Posterboys Anthem

Singer ~ Shree D, Music by ~ Sonny Ravan, Lyrics by ~ Sonny Ravan

Now the second debutant gets to end the album with something called the “Poster Boys Anthem”, and I must say, it is quite a tedious anthem. And also one of the saddest debuts I’ve seen. The composition is dead, and seems like someone who doesn’t know much about what it takes to make a good song, came out and composed a song for an everyday morcha, and decided to use it here. I don’t even know where this kind of a song would fit as the theme song to a satire as this. The vocals are so bad, it’s unbelievable. SKIP!

Rating: 0.5/5


Poster Boys is yet another bad multicomposer album. It pains us reviewers when our point is proved that the multicomposer trend is slowly corroding the quality of music. Well, actually, the trend isn’t to blame here. The makers could’ve gone for more established and seasoned artists, who would’ve composed some good music!!

 

Total Points Scored by This Album:  2.5 + 3.5 + 2 + 0.5 = 8.5

Album Percentage: 42.5%

Final Rating for This Album: सा < रे < ग  <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Kendhi Menoo > Kudiyan Shehar Diyan > Noor-E-Khuda > The Posterboys Anthem

 

Remake Counter:
No. Of Remakes: 30 (from previous albums) + 01 = 31

 

Which is your favourite song from Poster Boys? Please vote for it below! Thanks! 🙂