Music Album Details
♪ Music by:- Shankar-Ehsaan-Loy
♪ Lyrics by:- Gulzar
♪ Music Label:- YRF Music
♪ Music Released On:- 9th October 2014
♪ Movie Releases On:- 14th November 2014
To hear the full songs of this album on Saavn CLICK HERE
To buy this album on iTunes CLICK HERE
Kill/Dil is an upcoming Bollywood action film, directed by Shaad Ali, and produced by Aditya Chopra. It stars Ranveer Singh, Ali Zafar, Parineeti Chopra and Govinda in the lead roles. The film is the story of Dev (Ranveer) and Tutu (Ali Zafar) who were nurtured by Bhaiyaji (Govinda) who trained them to be killers. The film follows the Western Spaghetti genre with a classic Desi twist to it. The music is composed by Shaad Ali’s regulars (his last two films had music by them), Shankar-Ehsaan-Loy. This year, they had given a soundtrack full of variety for ‘2 States’, and I expected a LOT from them, because a) They are back in Bollywood and are here to stay forever now (I hope!) and b) because when it is Shaad Ali plus them, there is no doubt that the music will be mind-blowing! Lyrics are by Gulzar, who had written for Shaad in ‘Saathiya’, ‘Bunty Aur Babli’, and ‘Jhoom Barabar Jhoom’ as well. So, read on to find out how good the music of ‘Kill/Dil’ is! 🙂
1. Kill Dil
Singers ~ Sonu Nigam, Shankar Mahadevan & Gulzar
Gulzar kicks off the title track, with not such a BANG! as expected, but with some lines in shaayari form which I frankly found rather irritating (I know I shouldn’t be starting off the review to a Shankar-Ehsaan-Loy-Gulzar-Shaad Ali collaboration like this, but trust me, this chap is gonna come and irritate many more times in the album, so I’ll just tell you that you can edit out his portions at the start of the song for each song). But what follows is so wonderful and awesome, that I can very well ignore the irritation (and that goes for all the other songs which he speaks in as well 😂) Okay, back to the song. The song has been composed in a purely Western classic style, complete with the grand instrumentations and all. Starting with the brass horns, it really grabs your attention, and the waau waau sounds that follow help to keep you literally hooked to the song. The whistling, drums, guitar, all just increase the likability of the song. Once Shankar kicks in with his heavy vocals, everything gets even better, and when Sonu with his smooth and silky voice enters, awesomeness is at its peak! The high notes are very easily touched by both singers, and they complement each other very well! The hookline is one of the catchiest title song hooks of recent times. If you thought ‘Bang Bang Title Track’ was awesome, then you’re in for a better surprise with this track. The antara has an awesome tune as well, somewhat resembling the 80s sound of Bollywood. Again, high notes are touched with utmost ease in the antara. Well, I think I’ve said enough! This title track is one of the best in recent times, and best sung as well! Try it out for further information! However I can give you one more clue: #5StarHotelSong!!
2. Happy Budday
Singers ~ Sukhwinder Singh & Shankar Mahadevan
The name being the desi Punjabi variant of ‘Happy Birthday’, one would expect a lot of weirdness and craziness in this track. It starts with the drone of a tanpura, which was not at all expected going by the name of the song. Also, the sitar has also been used in the first one minute of the song, and in that one minute, I decided that this song is something different! It is one of those songs that grow on you more and more each time you hear them. The tune is very catchy, and the arrangements have been done very innovatively, with the use of sitar in every little unexpected place. The tinak dhin vocals in the background grab your attention instantly. The hookline is also very catchy. Though the song does not have any meaning if you consider it as a birthday song, it instead comes across as a romantic dance song. The lyrics are humorous though! Sukhwinder has sung flawlessly–these type of songs come to him naturally, it seems. Though he doesn’t pronounce ‘birthday’ as ‘budday’, but rather something like ‘birdday’! 😂 Shankar has a negligible part in the background, with some raps. The dhols in the hookline are brilliantly placed, and so is the brass trumpet which plays in the hookline! I keep replaying the song to hear that trumpet piece! Again, a beautiful interlude is witnessed in the song, and the antara is again very unusual yet sounds great! The last time the hookline is repeated, a wonderful, to-die-for type sitar piece can be heard! This fusion deserves a hats-off Shankar-Ehsaan-Loy triumph in a genre which very rarely gives scope for something new and something different! Don’t miss this one either! Definitely another #5StarHotelSong!!
Singers ~ Arijit Singh, Nihira Joshi-Deshpande & Gulzar
You are free to edit out the first thirteen seconds (yeah, it’s the lines narrated by Gulzar) but only if they get TOO irritating, because believe me, you have no idea what’s in store for you! Remember ‘Mast Magan’ from ‘2 States’? Well, it created history (yeah, I know its only been like eight months, but still, let’s follow convention and say these stupid things, okay? 😝) when it released, and it was also the first Bollywood song that Arijit had sung for this rocking trio. In their next album itself, he got a chance to prove himself to them even more, with this very song. Okay, let’s get back to Arijit later, because I always have so much to write for him, so let’s save it for the end. Well, this track, starts with a beautiful Punjabi couplet written by none other than Gulzar and sung very dynamically by Arijit, followed by soothing aalaaps by Nihira, who had sung for Shankar-Ehsaan-Loy in ‘Bunty Aur Babli’ and ‘Salaam-E-Ishq’ as well. The composition is a fusion of classical and rock music, and you guys knows how much I love semi-classical melodies! They’re my favourite after..well, after classical melodies! 😜 The sound of water dripping is just brilliant! The guitar plucks sound awesome, too! The tune of the song is brilliant, and it is something that is instantly likeable. Nihira does a decent job, but I would have preferred Chinmayi to sing this song. The rock guitar is one of the main attractions of this song, and so is the awesome way that the drums have been played. The violins have been used very grandly, and the tablas are just waah! When Arijit repeats the lines which Gulzar says at the start, but this time with a tune, they seem to jump to life, all because of his attractive voice. The lyrics of the song are beautiful, and that was expected from Gulzar! Now, let’s move on to Arijit. “Yay!” is what all the girls must be shouting 😝 He has surpassed all his previous songs (except “Laal Ishq” from “Ram-Leela”, that is just DIVINE!) with this song, and sings with exceptional beauty and ease. The hookline is fully dependent on his energetic and dynamic vocals. And he delivers exactly what is needed. He seems to be the perfect choice for this song. The rhythm of the song is so beautiful and it is so hard to sing, that Arijit and Nihira deserve a standing ovation, a kya baat, kya baat Mithun-da style, and what not! They have done exceptionally well! Of course, half the credit goes to the trio and the lyricist, for creating such a spellbinding melody to some beautiful lines and infusing it with such wonderful fusion. Time to fall in love with Arijit’s voice yet again! A must-listen; one of Arijit’s best performances, and PERFECT composition, lyrics and arrangements! What more could you ask for!? #5StarHotelSong!!
4. Bol Beliya
Singers ~ Siddharth Mahadevan, Sunidhi Chauhan & Shankar Mahadevan
Starting with a dynamic drumroll and old-fashioned 80s trumpet fanfare, the mood switches to a very dark and sinister one with this next track on the soundtrack. Siddharth starts with the required punch and dynamics. He seems to be always getting songs in which he has to shout at the top of his lungs! Time to hear him in a romantic track now! Anyways, the song is full of groovy rhythmic beats and dynamic percussion. The two lead vocalists are both vocal powerhouses, and they both perform very well, and take the song to a different level. The very catchy ‘bol beliya’ vocals in the background, probably by Shankar, sound awesome! In places, it sounds a lot like ‘Hulla Re’ from ‘2 States’, but still sounds awesome. The characteristic sinister tone that the song carries is very intriguing. The other interesting part to this song is that it has to be used in two different places and two different situations, but it still makes sense if heard as a separate song. Kudos to Gulzar for achieving this! Sunidhi is the queen of such songs, and she sings both the high and low pitched parts wonderfully. The two singers complement each other perfectly. The dhols which have been used provide an awesome groovy beat to the song, and they reflect the signature style of the trio. One of the catchiest, scariest (okay, I don’t mean ‘Paranormal Activity’ type scary 😝) songs of the year! Great performance by the singers! #5StarHotelSong!
Singer ~ Adnan Sami
Before starting about this song, let me ask one single question to Shankar-Ehsaan-Loy and Shaad Ali. Why, oh why did you have to make this sweeeeeet track so short?? I demand the answer! 😜 Yes, this beautiful song is just two minutes long! 😞 So I’ll review it however I can for such a small track. But even though it is so small, I have so much to say about it (relatively). Adnan Sami, of whom we haven’t heard much these days, croons this one flawlessly. The brilliant Italian style melody has been decorated with wonderful accordion and violin instrumentations and mindblowing percussion, most probably the bongo-congo drums. Again, the retro style is observed in this song as well. The strings and Adnan’s vocals are the main attraction in this song. His silky voice just suits the composition perfectly well. The lyrics by Gulzar are quirky and not ordinary, but funny. It is a short track with two stanzas having the same tune, and I wish Shankar-Ehsaan-Loy had made it longer, so we could enjoy it even more. Because now the listener’s situation is like cherish it till it lasts! Nevertheless it deserves to be a #5StarHotelSong!
6. Daiyya Maiyya
Singers ~ Udit Narayan, Shankar Mahadevan, Jaaved Jaaferi & Rasika Chandrashekhar
Well, it starts in a rather impressive Qawwali manner, and immediately grasps your attention, and everything going fine. Brass horns followed by beautiful tabla beats sound awesome as a start. Then an impressive harmonium tune after which we hear Udit Narayan singing some Qawwali lines, accompanied by Shankar Mahadevan. All is going perfectly fine, until some utterly ridiculous auto-tuned Udit Narayan’s voice takes over to sing a totally unimpressive and unfitting hookline,which is totally devoid of any catchiness or sensibility whatsoever. I couldn’t believe it was by Shankar-Ehsaan-Loy at all! What an abrupt turn in the tune of the song! Plus, it sounds like a line from ‘Maahi Ve’ from ‘Kal Ho Naa Ho’. Jaaved Jaaferi (I don’t know why he has been pulled in, when they have a perfect rapper in Ranveer Singh himself) utters even more stupid rap, and then the title track, features in this song after the rap, and it has also been spoilt; they have destroyed it completely! A little temporary relief is brought by Rasika Chandrashekhar. She doesn’t do that good a job, either, but her part has a likebale tune. Her nasal voice is supposed to humorous, and it works a bit. By the way, just for your information, her voice has been disturbingly auto-tuned as well. The main attraction of this song, however, has to be the lyrics by Gulzar, which provide at least some, if not a lot of, comic relief. The only unsatisfactory track in this album. Still, do hear it for the weirdness!
Singers ~ Shankar Mahadevan, Nihira Joshi-Deshpande, Gulzar & Loy Mendonsa
Again, Gulzar starts with some lines, but in this song, his lines suit the ambience and he, contrary to irritating like the first songs, helps to gain interest in the starting of the song. It is a very unusual sad composition, and Shankar-Ehsaan-Loy have succeeded in making a beautiful and emotional one, at that. The piano notes at the start which diminish and fade away are just magical. Also worth mentioning is the touch of rock that the trio has infused into this semi-classical melody. Shankar, is as his best in such songs, and he probes once again that he is the king of classical songs. Nihira does better than she did in the other song, too! The tune of the song is instantly likeable and unforgettable. The hookline from “Zindagi uljha hua sauda hai…” to “…main baawara” is just awesome. That line has the capacity to attract many listeners. And it would also be the line which will get most famous in the song. The aalaaps and sargam have been sung by Shankar so effortlessly. It truly seems like heaven when he does such variations. The guitars by Loy sound first-class. Flute has also been used in huge proportions. The second antara which Nihira starts, has a very sweet and pretty tune. The tablas in that part are just breath-taking. Her rendition is no less breathtaking. She has sung it very beautifully, and I guess that she is very comfortable singing with her master instead of Arijit. 😁 The lyrics by Gulzar are very beautiful and innovative. Listen closely for references to ‘Sweeta’. Also, look for the genius line, “Dil waali naukri ne maara”. 👌 A composition with class written all over it! Another Muat-listen and another #5StarHotelSong!
Singers ~ Shankar Mahadevan, Ali Zafar, Mahalakshmi Iyer & Gulzar
The next and last song on the soundtrack is an old-fashioned 80s-style Qawwali number. This time, the trio has gone the full way with the old-fashionedness of the song. They have made a song, which you would find it difficult to identify as from 2014. Rather like 1994 or something. Nevertheless, I found it very nice. In this song, Gulzar irritates, so you can cut that part out if you need. 😜 The strings, and tablas and traditional Qawwali instruments have been used very efficiently. When I first heard it, I could only picturise Shahrukh Khan and Kajol dancing in ‘Dilwale Dulhaniya Le Jayenge’ or ‘Kabhie Khushi Kabhi Gham’. It seriously sounds like it is from that era. Anyways, the jugalbandi of Shankar and Ali Zafar is fun to hear, but Mahalakshmi’s voice doesn’t quite fit in well. Sunidhi would have been the ideal choice over here. Nevertheless since she performs well, we can’t blame the trio for choosing her. It is a surprise to hear Ali Zafar doing harqatein and variations all of a sudden, and he does them beautifully. Shankar, well, he’s the badshah of all this, so no use to try to find any mistake there. 😜 The conclusion of the song, which may seem like a second antara, is very, very interesting to hear. The tempo changes have been done very smoothly, but sometimes even I get confused as to how they have been done! This song is very likable, and even if it doesn’t appeal to you in the first listen, it will surely do so in the subsequent listens! You might argue that it is too old-fashioned, but, umm I don’t think that’s a problem, is it? Maybe the situation is like that. 😊 Beautiful Qawwali composed in the traditional style! #5StarHotelSong!
Kill/Dil is another masterpiece album by the trio and Shaad Ali with Gulzar’s lyrics. One song, ‘Daiyya Maiyya’ is below expectations, but the others efficiently meet all expectations. I would say that the ‘Panchratna’ (Shankar-Ehsaan-Loy + Gulzar + Shaad Ali) have killed ‘Dil’ once again!!
Final Rating for This Album:- सा < रे < ग < म < प < ध < नी < सां
Note:- The letter which is underlined is the final rating.
Which is your favourite song from Kill Dil? Please vote for the same below! 🙂
Next “dish”:- Happy Ending, Chefs:- Sachin-Jigar