PARTIAL MUSICAL ROBBERY!! (BANK CHOR – Music Review)

Music Album Details
♪ Music by: Rochak Kohli, Kailash Kher, Shamir Tandon, Baba Sehgal & Shrikanth Sriram
♪ Lyrics by: Adheesh Verma, Gautam Govind Sharma, Kailash Kher, Ambili Menon, Varun Likhate & Baba Sehgal
♪ Music Label: YRF Music
♪ Music Released On: 24th May 2017
♪ Movie Releases On: 16th June 2017

Bank Chor Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Bank Chor is an upcoming Bollywood crime comedy, starring Riteish Deshmukh, Vivek Oberoi, Bhuvan Arora, Sahil Vaid, Vikram Thapa and Rhea Chakraborty in lead roles. The film is directed by ‘Luv Ka The End’ fame Bumpy, and produced by Ashish Patil. The film is apparently a comic caper about someone who chooses the wrongest day possible, to rob a bank. Along with two sidekicks who do not know how to even pick a lock. It looks like a spoof on YRF’s own ‘Dhoom’ franchise, and it would be hilarious, I’m sure. The music album is another multicomposer album, as is the norm nowadays. Kailash Kher, Rochak Kohli, Shamir Tandon, Baba Sehgal and Shrikanth Sriram are behind the music. Kailash Kher knows how to compose for comedies, as he proved to us in ‘Chandni Chowk To China’s, so expecting something just as cool as ‘Phatte Chak Lein De’ which was in that film. Rochak Kohli takes the lead, as he has three songs in the album, and after his cool music for ‘Naam Shabana’, a thriller, it will be interesting to see how he moulds himself for a comedy. It’s not that he hasn’t composed for a comedy before, though — remember ‘Welcome 2 Karachi’? Hopefully his songs here are better than those. Shamir Tandon, who has barely impressed me ever before, gets one song, while rapper Baba Sehgal is back with this album, with a single song. Shrikanth Sriram has an instrumental piece to his credit. Hopefully these five men have put together an album that is catchy as well as humorous and sticking to the theme of the movie. Let’s see!


1. Hum Hain Bank Chor

Singers ~ Kailash Kher & Ambili Menon, Music by ~ Kailash Kher, Lyrics by ~ Kailash Kher, Rap Written by ~ Ambili Menon

Kailash Kher, known for his legendary Sufi songs, kicks off the album with its title track, a song that banks on repetitive shouts of the movie’s “clever” title, to propel it forward. Sure enough, the continuous repetition of the title of the film in the way Kailash does it, manages to elicit a few guilty laughs from the audience. The tune as such is very, very artificial and generic, something that wouldn’t have got even one listener if it hadn’t been for the repetitive gag that is the repetition of the “hook”. And I must specify one thing: if you come across this song and you’re like “Oh, how nice, Kailash Kher is back at composing! Let’s give this a go, maybe it’s a Sufi fusion track!”, I’m sorry to tell you that you will be disappointed, so it’s better not to dive into this one with those outrageous expectations, because you know this is a comedy film. And anyway, he has done music for another comedy film in the past, “Chandni Chowk To China”, in which his songs were quite enjoyable too! Looking at it from that point of view, the song is quite enjoyable. The only fun part in the actual composition is the “Jab chori kar loon, chor ke ghar chori, chori karke khoob karoon munhjori!” That line in the antara is the only catchy part of the tune. The arrangements are quite cool, too, by the way. The saxophone is just amazing, and some comedic sound effects entertain the listeners throughout. Kailash’s husky, high-pitched voice is perfect for the song, and he manages to at least sing his faulty composition right. And yeah, since “Bank chor” doesn’t really sound like what he clearly intends it to sound like, he pronounces “Bank” as “Bhank” so that it does. His companion, Ambili, raps something somewhere in the middle that really doesn’t go well with the rest of the song. Kailash pens down the lyrics himself, and I must admit, some of the lyrics are just as hilarious as a song’s lyrics can be. {Which isn’t much; I mean, how loud can you laugh out because of a song!!} An apt song for the film, but not a repeat-listen song! 

Rating: 3/5

 

2. Tashreef / Tashreef Unplugged (Cups Version)

Singer ~ Rochak Kohli / Rochak Kohli, Music by ~ Rochak Kohli, Lyrics by ~ Adheesh Verma

Rochak Kohli steps in now, with his first song out of the two he has composed for the film. And this song, is one of the most innovative stuff we have got from a comedy film of late. If only the makers of ‘Housefull 3’ had roped in Rochak. Anyway, the song is a breezy, feel-good song, about the protagonist who is clearly not feeling very good. The composition is highly innovative and creative, with a country flavour that I’ve lately noticed Rochak uses a lot, like he did in most of his songs from “Hawaizaada”. The composition sounds odd at first, but later, it grows on you amazingly. The arrangements really stand out right away. The guitars are what bring in a nice Goan flavour, similar to that “Crazy Mode” of Pritam’s songs, like ‘Agal Bagal’ (Phata Poster Nikhla Hero), and ‘Chicken Kuk-Do-Koo’ (Bajrangi Bhaijaan). The very weird additions of noises like “Toing toing toing” and other hen and pigeon sounds make the song sound lovely in a very different way. And also cute! The ukulele also sounds beautiful, and makes the arrangements sound very creative. Rochak sings in various different noises, as told earlier, but even when he’s singing in the normal way, it sounds very different from how he usually sings, and it is amazing! He keeps the pitch low, and it makes the song even more effective in bringing out the stress of the protagonist. An unplugged version is actually true to its name (sounds a lot like an unrefined cover version), and the cups that were used in the original too, are more prominent here, due to it being unplugged. It has less of a repeat value though. Adheesh Verma’s lyrics are very impressive, because they’re actually funny in an intellectual way. A highly creative song from a composer who has always meddled around with this kind of arrangement, but never gone up to this level. And now I doubt whether he can outdo himself after this!!

Rating: 4/5 for the Original, 3/5 for Unplugged Version

 

3. BC Rap Knockout: Mumbai Vs Delhi

Singers ~ Naezy & Pardhaan, Music by ~ Shamir Tandon, Lyrics by ~ Varun Likhate

Next up we get something, which at least I have only seen in YouTube videos till now. And it is a Rap Battle. Yes, it is perfectly alright to add the word ‘Epic’ in there, because the song is really an epic showdown between a resident of Mumbai and one of Delhi. There’s no composition as such, as the whole song is a Rap Battle. The arrangements by Shamir Tandon are cool as the backdrop of the battle, and they’re completely digital. What is actually worth hearing the song for, though, are the two amazing rappers behind it. Naezy stands for Mumbai, and Pardhaan for Delhi, and then we get to hear a hilarious competition about which city is the best. The whole attitude which the two rappers carry about themselves is what hooks the listeners to the song, even if it is merely on audio (as of now). Some of the lines they throw at each other are so outlandish, you end up laughing out loud, or at least smiling. And all the credit for that goes to the Lyricist, Varun Likhate. He has penned down an efficient rap battle, and it really sounds very genuine. A nice rap battle.

Rating: 3.5/5

 

4. Jai Baba Bank Chor

Singer ~ Nakash Aziz, Music by ~ Rochak Kohli, Lyrics by ~ Gautam Govind Sharma

This song is the second song by Rochak Kohli on the soundtrack, and after the very creative song, ‘Tashreef’, I bet nobody would have qualms in saying that this one disappoints big-time. The composition is very mediocre, and something we have heard many times. On top of that, Rochak equips a very stale Mumbaiya rhythm to act as the arrangements. Very loud arrangements, and not programmed well enough, makes it sound even more irritating. Nakash’s singing is as usual, energetic and full-hearted. Sadly, the composition doesn’t support him. Gautam Govind Sharma’s lyrics are sad to hear too. A disappointment from Rochak Kohli.

Rating: 1.5/5

 

5. Bae, Baba Aur Bank Chor

Singer ~ Baba Sehgal, Music by ~ Baba Sehgal, Lyrics by ~ Baba Sehgal

This song starts with beats making it sound as if it is a song from an English zombie film. Baba Sehgal is back in Bollywood after quite some time, and he has made this rap song. That makes it the second complete rap song in the soundtrack. This one grips you from the beginning just because of that Zombie-ish background. The rap isn’t too impressive, but you manage to keep listening just because of that background sounds. There is a nice rap in the interlude where Baba Sehgal sings random Spanish names. There isn’t much more by way of arrangements, either, other than that Zombie-ish background, and random sounds of people shouting, lions roaring and whatnot. This time, the shouts of ‘Bank chor!’ aren’t as effective as they were in Kailash Kher’s song. Baba Sehgal raps fine, but the lyrics are very boring. Another stale track, relying on a tune in the background and Baba Sehgal’s name to make it work.

Rating: 2/5

 

6. Mela – The Bank Chor Theme

(Instrumental), Music by ~ Shrikanth Sriram

Someone called Shrikanth Sriram produces this instrumental piece which is so boring, you will be surprised. It is basically the same sounds playing over and over again for five and a half minutes. There is a weird trumpet-like sound playing the main part, and cool percussion in the background, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, but the same thing over and over for such a long duration, … You get the point.

Rating: 1/5


Bank Chor‘s music album starts off quite promisingly, but then just diffuses into a typical, monotonous and trying-to-be-funny kind of zone. I must salute Rochak Kohli though, for his creativity in ‘Tashreef’, and Kailash Kher for his versatility in the title song. The other songs, barring the rap battle by Shamir Tandon, are easily forgettable. An album that only partially manages to steal your heart

Total Points Scored by This Album:  3 + 4 + 3 + 3.5 + 1.5 + 2 + 1

Album Percentage: 51.43%

Final Rating for This Album: सा < रे < ग < म < < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Tashreef > BC Rap Knockout: Mumbai Vs Delhi > Hum Hain Bank Chor = Tashreef Unplugged (Cups Version) > Bae, Baba Aur Bank Chor > Jai Baba Bank Chor > Mela – The Bank Chor Theme

 

Which is your favourite song from Bank Chor? Please vote for it below! Thanks! 🙂

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FEVER HO TOH AISA!! (FEVER – Music Review)

Music Album Details
♪ Music by: Ranjit Barot, Tanishk Bagchi, Tony Kakkar, Onesia Rithner, Rahul Bhatt, Faizan-Agnel, Shamir Tandon & Rahul Jain
♪ Lyrics by: Rahul Bhatt, A.M. Turaz, Tony Kakkar, Rahul Jain, Subrat Sinha, Rajeev Jhaveri, Panchi Jalonvi, Arun Kumar & Onesia Rithner
♪ Music Label: Zee Music Company
♪ Music Released On: 24th June 2016
♪ Movie Releases On: 5th August 2016

Fever

Fever

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Fever is an upcoming Bollywood thriller film starring Rajeev Khandelwal, Gauahar Khan, Gemma Atkinson, Caterina Murino & Ankit Makwana. The film is directed by Rajeev Jhaveri, and produced by Ravi Agrawal, Ajay Chhabria, Rajath Manjunath and Mahesh Balekundri. The film revolves around a contract killer who takes on the identity of a writer to escape the police. He has two mysterious women following him, and according to the makers of the movie, “suspense builds as they uncover the lie”. The plot seems to be going to the Bahamas for vacation, but I’m concerned with the music!! So here we go. A few weeks ago, I reviewed ‘Sarbjit’ that had five music-making entities behind it. I thought that was a lot. Little did I know that two months later, a movie called ‘Fever’ would be releasing with as many as 8 musical entities behind it! And fifteen tracks (two versions, so thirteen songs)!! The number of sings makes me curious as to why so many needed to be crammed into the album, what they are about, whether there is any variety or not, and other things that music reviewers look at. 😛 The first composer for this album is Tony Kakkar, who we last heard from in ‘Cabaret’, where he composed the best song of the album, ‘Phir Teri Baahon Mein’. He is in charge of as many as four songs, and five tracks. Hoping he doesn’t get into a very clichéd mode, I am expecting good songs from him. The second composer is Rahul Bhatt, who we had heard three years ago co-composing the song ‘Eggjactly’ in the ‘Jackpot’ album, with Javed Jaffrey. Here he is back with a mere one song, too. Next is Tanishk Bagchi, whose success in composing comes forward with every other song he does. His last song was unbearably bad, in ‘Housefull 3’, so I’m guessing this is going to be better! Then we have Ranjit Barot, who we know more as a BGM composer, than one who composes songs, but he has composed for some films. He too, gets one song in the album. Rahul Jain is next with three songs, making his debut in Bollywood. The stellar duo, who left us with ‘Jigariyaa’, a soundtrack to cherish, Faizan Hussain-Agnel Roman, are back with a single song in this album, which I’m expecting to be good, like their last complete album. They had composed lackluster songs for other albums in between. Then there’s Shamir Tandon, who we know very well, and I don’t know what to expect from him, solely because he never is consistently good or bad. Lastly, there is Onesia Rithner, with two songs, a debutante and a French musician. Looking forward to what she offers! So let’s start off the album!


1. Bas Ek Baar
Singer ~ Arijit Singh, Music by ~ Rahul Bhatt, Lyrics by ~ Rahul Bhatt

Rahul Bhatt starts off the album with an Arijit Singh track. The song is a soothing, calming and feel-good, sad song that has been arranged very minimally. The composer has come up with a simple, heard-before, but heart-touching composition, that is bound to make you fall in love with it. He starts off right away with the mukhda, something that hooks you onto it because of the wonderful piano chords in the background. The hookline is interspersed throughout the song, but quite camouflaged with the other parts, and since the song is so slow-paced, you wouldn’t notice that it is the hookline playing. The first interlude has wonderful strings that will pave the way to the hookline, which stands alone as a stanza in itself. It sounds as if the antara is what starts with the hookline, instead of the mukhda ending with it. Rahul Bhatt has used good acoustic guitars and violins in the first half of the song. The second interlude has the same strings solo as the first, before it breaks out into the rock template that many Bollywood romantic songs have these days. The rock guitars and drums really sound good, especially as a special surprise in an unplugged style song! Again, the hookline stanza plays, this time, with a rock background.  After a while, the song goes back to its soft and mellow nature, and this transition is as seamless as the first. Arijit sounds like never before, and seems to be at comfort with such a soft composition. He sounds great singing in this voice texture. Rahul Bhatt has also written the lyrics of the song, and I must say he has done a decent job, as such songs can’t actually go beyond the clichés of Bollywood. A heart-winning start to the album! A soft, mellow composition that sounds very sweet! And Arijit is extraordinary! #5StarHotelSong!!

 

2. Besambhle
Singer ~ Arijit Singh, Music by ~ Tanishk Bagchi, Lyrics by ~ A.M. Turaz

Arijit features on the second track as well, this time, for another composer. New on the block, but quite some films old in just a year, Tanishk is back with an upbeat MJ-styled number whose beats would remind one of the ‘Bang Bang’ title track. The song starts off with those hip-hop beats, followed by cool strings and drums, that would make you groove to them. Tanishk has come up with an addictive concoction in the form of this song which appeals right away. The hookline actually has the title of the movie in it, so this song can be termed as the title song, too. That portion is catchy as well. The antara gets pretty calm, and the was it has been composed will win over your heart. Arijit sounds really good in this kind of song, younger than ever, as lively as ever, and the infectious tune seems to have brought out the best from him, too. I wish he sings like this in many more songs. He has deliberately left many of his words unfinished but it sounds awesome! Tanishk’s arrangements, though, are what make the song sound genuine in all aspects. Without the infectious beats, the song wouldn’t have been the same. The strings that oh-so-wonderfully carry forward the proceedings, bring the actual retro hip-hop era back. The MJ fans will rejoice on hearing this. The drums and the occasional brass instruments that are humble enough to stay in the background sound great, too, as does the piano. A.M. Turaz stuns with excellent lyrics in this genre as well, after writing many great Sufi/Qawwali songs. Of course, the Urdu is still predominant here! Without the hip-hop, this song would have been zero, Nada, zilch! Tanishk’s strings are the highlight, while Arijit brings out a hidden personality of his! Tanishk’s on-off spree continues with this song; this time, he’s in the ON mode. #5StarHotelSong!!

 

3. Mile Ho Tum / Mile Ho Tum (Reprise)
Singers ~ Tony Kakkar / Neha Kakkar & Tony Kakkar, Music by ~ Tony Kakkar, Lyrics by ~ Tony Kakkar

Tony Kakkar steps into the album next, with his first song, a sad, melancholic and drowsy romantic song. I use the word drowsy because.. Well, you’ll get to know when you hear the song. Tony has composed the song on very typical Himesh/Mithoon lines, with the beats particularly reminding me of the dark era when such songs were the only thing prevalent in any album. Tony has tried to evoke a feeling of sadness, an emotion of melancholia and romance (whatever that is supposed to mean for Bollywood) but it all turns out as a desperate attempt to ape songs that themselves, do not evoke any of the sympathy of the listener. Tony has got stuck on his song ‘Khuda Bhi’ (Ek Paheli Leela), and there are many times in the song when it sounds too similar to that song! Especially one of the lines in the antara. The beats sound miserably like what Mithoon and Himesh use, but the strings help the arrangements somewhat. Tony’s voice doesn’t actually suit the song, either. Either Mohit Chauhan or Arijit Singh would’ve sounded way better. It is the reprise version that scores above the original. Tony has arranged it beautifully, with a blend of flute, shakers, Spanish guitars, mandolin and a plethora of beautiful sounds. Neha sounds wonderful in this new avatar of hers, in a romantic and calm setting, which we’ve heard her singing in, only in her cover videos on YouTube. It is a pleasant surprise to hear her sing that way. Tony has set up a wonderful Indian classical interlude with the flute stealing the show. Tony sings a line in the reprise, and how I wish he had sung so nicely in his solo version too! The lyrics by Tony Kakkar aren’t anything to praise, but they seem to go well with the song. The original is a clichéd attempt, but the reprise fares better, and garners our love for it. The reprise is a #5StarHotelSong!!

 

4. Kharaa Kharaa
Singer ~ Sonu Kakkar, Music by ~ Tony Kakkar, Lyrics by ~ Tony Kakkar

Tony comes back with his second song, this time, a sweet romantic song sung by his other sister, Sonu. The composition is something that will instantly appeal to you, something that would infect your mind with its sheer sweetness. Tony has made a very cute, contemporary and simple romantic song, from the point of view of a girl in love. The composition is not at all difficult to understand, and you can easily catch hold of it. It is the simplicity that appeals. Sonu’s husky voice suits the mood and theme of the song, and she sounds very much like Neha here! I’ve never heard Sonu singing like this! It sounds great how she sings everything in a whispery and feathery voice. It really helps in making the song light to the ears. Tony obviously gets the credits for this. He had disappointed with a melancholic song before this, and he makes up for it with a happy-go-lucky song now. His arrangements too sound great. The acoustic guitar arrangements are predominant, while the harmonica entertains occasionally. Tony aptly introduces a jazzy brass instrument in the second interlude, which lifts up the mood even more. It is the antara which is the cherry on top. The very cute way Sonu sings the sentences rapidly, makes it so intriguing. Tony’s lyrics are definitely better than what he wrote for ‘Mile Ho Tum’, and are believable and realistic. They’re not over the top like those. A dose of sugar!! #5StarHotelSong!!

 

5. Teri Yaad / Teri Yaad (Unplugged)
Singers ~ Rahul Jain / Rahul Jain, Music by ~ Rahul Jain, Lyrics by ~ Rahul Jain

Debutant Rahul Jain marks his entry into the album and Bollywood too, for that matter, with the next song, a calm and dulcet romantic song, written by himself, composed by himself and even sung by himself. Going by the maturity of the song he gives us in his very first Bollywood outing, I can tell he is going to go a very long way! The man has composed a song that is so sweet, and pure in its romance, that it will captivate you for as long as it plays, an astounding six minutes (the original version). The composition has shades of Pritam’s ‘Barfi’ album in it, while also resembling Mithoon’s ‘Humdard’ (Ek Villain), in its treatment. The mukhda, which starts so softly, grabs you as soon as it takes off, something that is unusual with soft romantic songs, which usually take time to grow on you. The hookline is unique, with the small monosyllabic word “yaad”, broken up into many syllables, making it sound unusually great! The antara takes on the form of a simple romantic song, typical of Pritam’s style, and wonderfully presented by Rahul. Rahul’s arrangements are out-of-this-world. In the original version, he uses the quintessential acoustic guitars, and the occasional but very prominent flute. And then there is an interlude with an enchanting traditional matka instrumentation. Throughout the song, the composer uses striking strings. However, it is the second interlude where they stand out the most. The second antara has a different tune, and it is kind of like a climax; it changes the dulcet mood of the song into a kind of painful mood. However, the instrumentation is at its zenith here! And the song ends on a high with those resounding arrangements followed by the smooth and calm mukhda which repeats and concludes the song. The unplugged version, on the other hand, is more of an angst-filled version, and the composition except that of the hook, is completely different. The composition doesn’t appeal at once here, being the melancholia I normally despise. However, the composer does make great use of acoustic guitars to make the song sound grand, as well as a wonderful zitar interlude. However, this version fails to create as much impact as the original one, maybe due to the slower pace and less likable composition. Rahul croons with a soft and smooth voice, the original version of the song, resembling a mix of Arijit and Ash King, while he sounds like a mix of Gajendra Verma and Nikhil D’Souza, apparently shouting, in the unplugged version. The lyrics he pens down though, are good enough for the song, and work in favour of it. The calming, enchanting original version of the song is a must-hear, while the unplugged version is skippable. Rahul makes an impressive debut, though! So, the first version is a #5StarHotelSong!!

 

6. Nahi Nahi
Singers ~ Alisha Pais & Alisha Batth, Music by ~ Shamir Tandon, Lyrics by ~ Subrat Sinha

The jazz genre creeps into the album, in the form of a song composed by Shamir Tandon, and sung by two Alishas, whom I’ve never heard about! Shamir makes a cabaret/jazz number, similar to the one he had composed in ‘Pizza 3D’, and he aces it once again. The song follows the usual jazz template, but with a funky, groovy loop on the rock guitars, this one has everything to make you dance away to it. Shamir’s composition is not extraordinary, but he males sure that it is catchy at the end of the day. Especially that “doo, doo di dooba” loop, is sure to make you nod your head. The hookline is again, something concerned with the movie’s title, and it really grips you onto the song. The leech inside you really wakes up at that moment. Arrangements are entertaining as well — rock guitars, drums played in the regular groovy jazzy manner. The piano played in those fast staccato notes, is sooooo cute! The absence of brass instruments however, is notable! Both the Alishas do a great job in transferring the energy of the composition to the listener, and their voices are half the reason the song turns out so good. The lyrics seem to be complaints of a girl about her lover. Basically, she complains about him not showcasing his love in any way, but then describes how she herself has fallen for him. 😂 Ah, the irony! A groovy, upbeat jazz number by Shamir! #5StarHotelSong!!

 

7. Kuch Is Tarah
Singer ~ Divyam, Music by ~ Rahul Bhatt, Lyrics by ~ Rajeev Jhaveri

Rahul Bhatt, who started the album off with a subtle Arijit song, comes back with a female song, another melancholic song that tries to be goody-goody. The composition is pretty good, I have got to admit, but the execution is not. The song as a whole does not appeal after hearing it, and doesn’t compel you to hear it over and over. Moreover, it seems very basic and simple, and not actually attractive. The blandness of it, naturally acts against it. Rahul tries to make a European-styled composition, but it turns out pretty boring. Arrangements are good, though, with strings, guitars and harmonicas gracing the song and making themselves stand out in the stale composition. The singer goes off-note more than numerous times, and it makes you cringe when she touches — or tries to touch — the high notes. It is the lyricist therefore, who shines in the song, with decent lyrics saving the song. The first boring song of the album, which sinks due to its simplicity and vocals!

 

8. Kya Kasak
Singer ~ Sonu Kakkar, Music by ~ Tony Kakkar, Lyrics by ~ Tony Kakkar

The Kakkar siblings come back, with another melancholic romantic song. Again, Tony weaves magic with the instruments and composition, while Sonu infuses her magical vocals into the song. The song starts with a couplet sung slowly by Sonu in a beautiful tone, but it is when the hookline “Dil ashqon mein yun… ” starts, when the actual magic takes place. Tony’s composition, though melancholic and emotional, does not revolve around the same one or two lines to convey its melancholia, but traverses a wide range of notes that appeal to the ear when put together. He has crafted a very artistic hookline, that catches hold of your attention right away, while the mukhda silently builds up to the peak. The antara is just as marvellous, after which the mukhda and hookline play again. The whole thing just seems so blissful. Tony has used a wide variety of instruments that appeal like never before. I think it is one of his most diversely arranged songs, with acoustic guitars, drums, rock guitars and the like. The rock elements mainly, are what create the most magic in the hookline. The rock guitar riff, so Pritam-ish in form, appeals to the ears like always. The composition has that certain Indian-ness and mixed with rock, it sounds very innovative and appeals highly. Sonu Kakkar sings the song with the same ease with which she churned the ghazal-like ‘Phir Teri Baahon Mein’ (Cabaret), which was a gem of a rendition by her. Her voice has that edge which makes you cherish it, especially in a sad romantic song as this. Tony’s lyrics are mind-blowing as well! I can’t believe he’s the one who wrote ‘Do Peg Maar’ (One Night Stand) earlier this year. Something of a purely different class by Tony Kakkar! Both the siblings have given us a cherishable #5StarHotelSong!!

 

9. Mujhme Kabhi
Singer ~ Shalmali Kholgade, Music by ~ Ranjit Barot, Lyrics by ~ Panchi Jalonvi

The seniormost composer on the seemingly neverending composers list for the album, Ranjit Barot, dives in for the next song, an entrancing number very distinctly composed by him. The song has a composition that is pretty tough to follow, with its ups and downs making it pretty complex. The slow pace of the composition makes it even difficult to pay attention to it. Ranjit has no doubt made a melody that is meant to infuse grandeur into the soundtrack, but it ends up being so situational, that it is kind of difficult to understand it and like it. The composer has tried a bit too much to make it sound westernized. The arrangements are cool, complete with techno sounds and wonderful strings to lead it. A harp loop starts off the song, and keeps backing it throughout. Towards the end, the strings get to their climax and brisk strokes help them in accentuating themselves and in standing out. Drums and brass instruments are great additions as well. However, the song seems to end abruptly with some weird techno sounds. Shalmali sings the song gracefully, but the deliberate low voice doesn’t exactly sound good. She isn’t quite able to showcase her singing prowess with the confined low range of notes. Of course, her usual nasal and husky voice texture helps a bit. Panchi Jalonvi writes good lyrics, but without the support of the composition, they seem lost. Quite boring.

 

10. Look Look
Singer ~ Ash King, Music by ~ Faizan-Agnel, Lyrics by ~ Arun Kumar

The duo Faizan & Agnel, who had left us with an awesome album ‘Jigariyaa’ in 2014, are back with a single song in this album. Of course, I expected the song to be as impressive as their previous works, but it fails miserably. It is probably the duo’s worst song ever! The composition is not at all substantial, just a bit of lines repeating over and over. The composition goes all over the place and it is hard to track where it is going or what it is supposed to convey. The duo has given the song a heavy rock arrangement, which is probably the only interesting aspect of the song. Rock guitars and drums are the only instruments that can be heard here. Ash King, however, is in full form with his rendition, something I’ve heard from him for the first time. He sings in a grungy (or the grungiest his smooth voice can get) voice, and seems to be enjoying himself. If there’s a reason to hear the song a second time, it has to be Ash King and his vocals. Besides that, the lyrics by A run Kumar are just plain banal. It seems like there is a stalker singing, who is behind a girl. And it also seems like a mishmash of stuff that sounds “kewl”. SKIP!

 

11. D’accord
Singer ~ Onesia Rithner, Music by ~ Onesia Rithner, Lyrics by ~ Onesia Rithner

The last composer of the album, French composer Onesia Rithner, steps in with this song. This song is actually from her album “D’Accords”. The composition is pretty cool though. It has a noticeable French touch to it, and it is very light on the ears. It has a soothing touch to it, and the distinct European touch makes it sound even more addictive. The line “Where do you think it comes from” instantly grabs your attention and makes your ears glued to the song. The arrangements are blissful, with acoustic guitars being riffed wondrously throughout the song. The guitars infuse life into the song, and make it sound all the more great. With simply guitars as the arrangements, I must say, Onesia has done a great job to make the arrangements captivating! The riffs are beautiful and soothing. Occasional twinkling sounds make the song seem more lulling. Onesia’s voice, as well, is cute, and her accent will make you want to hear the song on loop! The way she says the title of the song “d’accord”, is something that will amaze you. The lyrics are perfect as well, and cute as ever. A cute English song, by a French composer, in a Hindi film! The guitars are the highlight of this one! #5StarHotelSong!!

 

12. Carried Away
Singer ~ Onesia Rithner, Music by ~ Onesia Rithner, Lyrics by ~ Onesia Rithner

Onesia continues her Bollywood stint with her second song in the same album, another lulling and gentle song that is purely in English. This one is as lulling as the previous one; in fact, I would say it is more so. The subtle and mellow composition is something that will soothe and calm you down. I have no idea whether this song, too, is an inclusion of her previous works, but all I can say is, Onesia has worked really hard to make this one a gem as well! This one has no distinct European touch as such, but it nevertheless appeals with its simple nature. The composition is enchanting and graceful, and enough to drive you to sleep. The arrangements in this song are beautiful as well, but ranges beyond guitars; here, it is the piano that assumes center-stage. The wonderful chords on the piano are what makes it stand out. Later on, the song rises due to a wonderful addition of a slow drum rhythm, that is surely electronic, and wonderful arrangements clouding the pacifying piano sound. Guitars join in too, this time electric guitars, and they make a great appearance in the interlude. Yet again, Onesia croons the lullaby-like composition with a hushed voice, oozing of sweetness and charm. And yet again, her lyrics are perfect!! I guess it’s easy to write good stuff in English, more specifically, calm English songs!! BLISS! #5StarHotelSong!!

 

13. Dil Ashkon Mein
Singers ~ Sonu Kakkar & Tony Kakkar, Music by ~ Tony Kakkar, Lyrics by ~ Tony Kakkar

If you remember the name of this song, it was the hookline in ‘Kya Kasak’, and therefore, no prizes for guessing that this is its reprise! This time, instead of Sonu singing solo, Tony joins her in the beautiful song. The lyrics have been tweaked a bit for the male parts by Tony, and the arrangements change and become even better than they were before, in the bargain. Here, strings lead the arrangements charmingly. The composition, as we already know, is a beautiful heartbreaking and heart-touching one, which reaches out to you and screams to you to keep hearing it on loop! Tony sings this song beautifully, with all notes in place and with a better voice texture, unlike that with which he sang ‘Mile Ho Tum’. Here he sounds a bit like Jubin Nautiyal! Sonu as always excels in the vocals! Tony, lyricist as well as singer and composer, writes just as good lyrics for this version, as he did for the first. The duet version of my favourite song from the album, which was really a must-make, and now it is a must-hear!!! With that, the loooooonnnnnggg album ends with a #5StarHotelSong!!


Fever really surprised me! From an album that just came out of the blue, even though there are some pretty big names associated with it, I never expected such a wonderful album! First of all, I never expected those astounding fifteen tracks. Almost every song is impressive, and I really appreciate how the composers actually worked very dedicatedly to make this album (which will probably be washed out by the soon-to-release ‘Rustom’ and ‘Mohenjo Daro’ albums and the already released ‘Sultan’ album) a successful affair. With this album, newcomers like Rahul Jain and Onesia Rithner prove themselves, with great debuts, while composers that debuted just a few years (or even months) ago, like Tanishk, Faizan-Agnel & Rahul Bhatt, try to continue their successful stints, out of which the duo failed, while the other two succeeded quite well! And then some composers that have been around for quite some time, like Shamir Tandon & Ranjit Barot, too, try their best to impress. Lastly, the composer to whom the major part of the album belongs, Tony Kakkar, who has made five tracks out of fifteen, and has really established his position with this album. Only using his sisters as the singers and himself, he impresses quite a lot! Therefore, I must say, a ‘Fever’ must be exactly like this!

 

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Dil Ashkon Mein > Kya Kasak > Teri Yaad > Besambhle > Kharaa Kharaa > Mile Ho Tum (Reprise) > Carried Away > Bas Ek Baar > D’accord > Nahi Nahi > Mujhme Kabhi > Mile Ho Tum > Kuch Is Tarah > Teri Yaad (Unplugged) > Look Look

 

Which is your favourite song from Fever? Please vote for it below! 🙂 Thanks! 🙂

SANGEET SANKAT MEIN!! (DHARAM SANKAT MEIN – Music Review)

Music Album Details
♪ Music by: Sachin Gupta, Jatinder Shah, Meet Bros. Anjjan & Shamir Tandon
♪ Lyrics by: Kumaar
♪ Music Label: Zee Music Company
♪ Music Released On: 30th March 2015
♪ Movie Releases On: 10th April 2015

Dharam Sankat Mein Album Cover

Dharam Sankat Mein Album Cover

 

To hear the full songs of this album on Hungama CLICK HERE

To buy this album on iTunes CLICK HERE


Dharam Sankat Mein is an upcoming Bollywood comedy / religious satirical film starring Paresh Rawal in the lead role, and Naseeruddin Shah, Annu Kapoor in supporting roles. It has veen directed by debutant Fuwad Khan, and produced by Viacom 18 Motion Pictures, Sajjad Chunawala and Shariq Patel. The film is about a Hindu man played by Paresh Rawal, who discovers that he was only adopted into a Hindu family, but was actually born into a Muslim family. This makes him go search for his father. The plot of the movie really does seem interesting, like all other movies of this genre, and is sure to get a great opening just because of the star value of Paresh Rawal. The music of this film, though I am not expecting much from it, yet seems like it would be something interesting. It is a multi-composer album, with two songs by Sachin Gupta (“Prince”, “Mere Dad Ki Maruti” fame) and one each by Jatinder Shah (“Janib” from “Dilliwaali Zaalim Girlfriend” fame), Meet Bros. Anjjan (do I really need to specify their ticket to fame?) and Shamir Tandon respectively. So, let’s see how far the album helps this religious satire!


1. Neelanand
Singer ~ Ravi Chowdhury, Music by ~ Sachin Gupta

Sachin Gupta is one of those composers, who pops up once in a year or so, and fails to create much impact with that little work he does. This time, he has come back after composing two songs in ‘Badlapur Boys’, which I didn’t review because it wasn’t that great. Before that, he had composed the entire album of ‘Mere Dad Ki Maruti’, so you can see the gaps in his popping-up. 😂 Anyways, now he’s back with two songs in this satirical film. This song is a song which seems like an anthem for the Babaji who is portrayed by Naseeruddin Shah in the film, Neelanand Baba. It’s quite a situational track, which goes on praising the Baba. Lyrics are of course, humorous just as they should be in such a song. The tune is pretty catchy as well. The song actually sounds like the bhakts of the Baba (saint) are sitting and chanting these lines for him. The “Neelanand Neelanand Neelanand BABA” chants are weirdly addictive, and you will find yourself crooning them, when you least expect them to pop in your mind. Ravi’s folksy vocals suit the composition and also this situation. He’s actually a Bhojpuri singer, debuting in Bollywood with this song. In the arrangements too, the song doesn’t lag behind, with interesting use of rock guitars in this type of song. Manjeeras adorn most of the composition, and give the religious feel, which is balanced out by these rock guitars, which is an interesting combo. I guess I could hear the dumroo in places too, and it sounded so great! The mukhda might be pretty catchy, but that interest is lost in the antaras, where only the “Neelanand BABA” chants are there to entertain you. A good attempt at making a catchy tribute to a dhongi baba!! Catchy hook helps the song, but just misses the coveted tag! 😜

 

2. Do You Know Baby
Singer ~ Gippy Grewal, Music by ~ Jatinder Shah

After giving us a wonderful, beautiful melody ‘Janib’ in ‘Dilliwaali Zaalim Girlfriend’, I guess Jatinder Shah signed this film, just to show his true colors. I did praise him and all for giving something traditionally, and beautifully Punjab-flavoured, but here he is, giving another song which sounds just like aall these Punjabi composers in Bollywood are trying to do. An utterly ridiculous sounding song, sung by the Punjabi singer/actor Gippy Grewal. Gippy’s voice is pretty irritating, and singing in Punjabi-Hindi-English lyrics mixed just sounds weird in his voice. Arrangements by Jatinder are pretty catchy, though, with the techno sounds and dhols pepping up the song. Lyrics are ridiculous, and nothing more was expected from Kumaar with such a song. The guy says “Hum pangdhe (Bhangre) ke sardaar, do you know baby?” That just sounds so stupid in itself! The hookline, is catchy, like it should be, but unfortunately, the other parts of the song just loosely revolve around this hook, thereby not making the listener that interested till the hookline comes, and then after it’s done, the condition becomes the same as it was before the hook had come. 😂 So it would have been better if they had just made the song with only one tune — that of the hook. Thank God, they kept the song short at only two and a half minutes. Jatinder disappoints, this time, because he shows variety…. An unwanted variety, for that matter!

 

3. Tu Takke
Singers ~ Gippy Grewal, Khushboo Grewal & Meet Bros. Anjjan, Music by ~ Meet Bros. Anjjan

A very familiar-sounding Tumbi sound brings us to the next song, where Meet Bros. Anjjan, probably the most well-known composers composing for his film, enter the soundtrack. And you know why it sounds so familiar? Because it bears a very striking resemblance to the opening Tumbi from Amit Trivedi’s ‘London Thumakda’ (Queen). Now I were them, I would really watch out before such a coincidence happened, because the whole nation knows that song, and then I would be exposed to all kinds of accusations of plagiarism. Even though it was simply a coincidence. So, that really gives a bad impression to the listeners right from the beginning. Anyways, since it quickly changes and gets off that ‘London Thumakda’ sound, the makers are saved. After that, though, what follows isn’t that great either. Gippy gets another song with different composers (pretty rare) in the same album, and I guess Meet Bros. Anjjan had to compose keeping his style in mind i.e, typical Punjabi wedding/rap/irritating songs. This is a major letdown from people like me, who were expecting something innovative. Meet Bros. Anjjan always deliver great when it’s not expected of them, but fail to do so when it is expected. How irritating is that! Meet Bros Anjjan’s rap is nothing worth hearing. Khushboo’s part is a relief, and she does well, actually providing something to hear in the song. The composition, again, is dependent on the hookline to make it work. Everything else, loose and dull and stale and heard-before. (Not that the hookline is something brilliant either, but we can cut them some slack there) Arrangements are good once again, tumbi and dhols leading it. Techno sounds are also used occasionally throughout the song. Kumaar’s lyrics are yet again, nothing fresh, the same Punjabi wedding stuff and irritating blend of Punjabi, Hindi and English. Nothing to appreciate as true or entertaining lyrics. Meet Bros. Anjjan stick to the everyday Punjabi wedding song template, thereby failing to give anything applaudable. Makes for a good dance to play at weddings though! 😝

 

4. Allah Hoo / Allah Hoo Allah
Singers ~ Ravi Chowdhury & Sachin Gupta / Pardeep Sran, Music by ~ Sachin Gupta

After three upbeat songs, out of which none were exceptional, but one did manage to at least interest me, finally I got something I would love to hear. Sachin Gupta re-enters with this Sufi track, with two versions, one sung by Ravi Chowdhury & the other by Pardeep Sran. The composition is a very soothing and calming song, sure to make the listener get emotional. It does remind you a lot of A.R. Rahman’s ‘Khwaja Mere Khwaja’ from ‘Jodhaa Akbar’. It has the same aura of divinity around it, as that song had. Ravi’s rendition suits the theme and pace of the song. Every single nuance has been done with ease and finesse by him. His voice has the required rustic-ness in it, with which he could carry out this rendition with no problem whatsoever. Arrangements are as soothing as soothing can be, with all the dholaks, harmoniums played in such a divine way, that you might even imagine yourself in a Gurudwara of you close your eyes. Sachin has provided beautiful orchestration in the hookline, which in itself has a master tune. Pardeep Sran, another debutant to Bollywood, in his version, manages to pull off the composition with as much ease and as expertly as Ravi. Though they have named his version ‘Allah Hoo Allah’, there is nothing different in this version and the former. His voice reminds you more of the folksiness of Punjab, slightly resembling Kailash Kher’s voice. The hookline in Pradeep’s version sounds way more traditional, because of the pronunciation, and it brings in an element of folk Punjab into the song. Kumaar has written meaningful lyrics, seeming to describe the feelings of a person, who has lost hopes from his life, and really doesn’t understand what his importance on the world is. Finally, true music lovers get what they would love, and Sachin Gupta aces with the composition! Brilliant work to create a Sufi traditional song! #5StarHotelSong!!

 

5. Shiv Tandav
Singer ~ Aman Trikha, Music by ~ Shamir Tandon, Lyrics ~ Traditional

This is an out-and-out religious stotra, not at all spoilt by any techno sounds, and kept playing on the divine background of the tanpura drone. Aman has chanted the “Shiv Tandav” we all might be familiar with, with great and intense energy, at the same time making sure that energy is radiated out to the listeners as well. There is nothing much to describe here, except that you must not skip it just because you have heard it, or you think that you may get bored by it, because of you think so, you are very sadly mistaken. Shamir has designed the whole thing perfectly, and succeeds in his intention to make something impactful. Awesome!!!!! Divine!!!!! #5StarHotelSong!!


 

Dharam Sankat Mein is an album, in which songs seem to have been forced, just for promotion of the movie. The smart makers of this film have merely catered to the likes of the public, and so, whatever be the subject of the film, Punjabi music is a must. A wedding song, and a bhangra (failed one, if I may say so) have been added for the sake of the public, it seems. Entertaining, yes. Appreciated, no. Wanted, absolutely not. At the end of the day, it is Sachin Gupta (whom I was expecting the least from) and Shamir Tandon who give the best tracks on the album, partly because their songs are relevant to the movie, and partly because they have repeat value as well. Three good songs, put of which two are exceptional, not a very good thing for the overall album, so, may I say, sangeet sankat mein??

 

Final Rating for This Album: सा < रे < ग < < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Rexommended Listening Order: Allah Hoo / Allah Hoo Allah > Shiv Tandav > Neelanand > Tu Takke > Do You Know Baby

 

Which is your favourite song from Dharam Sankat Mein? Please vote for it below! 🙂

 

Next “dish”: Mr. X, Chefs: Ankit Tiwari & Jeet Gannguli

A WELL-BAKED PIZZA!! (PIZZA 3D – Music Review)

Album Details:-
♪ Music by:- Mikey McCleary, Saurabh Kalsi, Gaurav Godkhindi, Ramon Ibrahim & Shamir TandonTandon
♪ Lyrics by:- Ankur Tiwari, Tanmay Bahulekar, Sameer Pandey, Shashank Kunwar, Abhishek Kumar & Abhijeet Deshpande
♪ Music Label:- UTV/Times Music/Junglee Music
♪ Music Released On:- 25th June 2014
♪ Movie Released On:- 18th July 2014

Pizza 3D Album Cover

Pizza 3D Album Cover

 

To hear the full songs of this album on Gaana CLICK HERE

To buy this album on iTunes CLICK HERE


Pizza (in 3D) is a Bollywood supernatural thriller (horror) film which released on 18th July, 2014. It has been directed by Akshay Akkineni and produced by Siddharth Roy Kapur and Bejoy Nambiar. The film stars Akshay Oberoi, Parvathy Omanakuttan and Dipannita Sharma in lead roles. I was not expecting any decent soundtrack to this film after Bejoy’s previous film’s music being very bad (‘Kuku Mathur Ki Jhand Ho Gayi’), and even after the songs released, I ignored them and decided not to review them because the lyricists weren’t credited, but after hearing the songs, I realized they deserve a review and so what if the lyricists weren’t credited? At least the composers are, and so I decided to review it at the last moment before I post the Music Mastani Awards of July. So, the music of this film is composed by Mikey McCleary, Saurabh Kalsi, Gaurav Godkhindi-Ramon Ibrahim and Shamir Tandon. Three of them I’ve never heard of, but they have given me all the surprises! Read on to find out more!

Note:- I only know who the lyricists of two of the songs are, so please forgive me for not providing all the details, because nowhere has Times Music or UTV specified the details! :/


1. Gimme Pizza!:- Singer ~ Ankur Tiwari, Music by ~ Mikey McCleary, Lyrics by ~ Ankur Tiwari & Tanmay Bahulekar

This song is a mishmash of interesting sounds, with a mainly rock background. The tune is very weak, but the arrangements do the trick here, making for a pretty interesting listen. The rock elements are supported brilliantly by classical instruments like tablas and sitar. The lyrics don’t have any role in this song, which depends solely on the arrangements. I don’t know what was so great about this song that they needed two people to write it! They do get pretty loud at places, but overall, hey are very commendable. Mikey has used a very impressive amount of instruments, to cover up the bad tune. Ankur has sung it pretty well, but I think his voice has been altered, because the last time I heard it, it was pretty ‘besura’ in ‘Tu Tu Tu’ in ‘Kuku Mathur Ki Jhand Ho Gayi’. Either that, or maybe he is better at singing such rock songs. This is the very stuff I always expect from Mikey. I don’t know why I keep expecting more and more from him even when he fails in a certain movie. However, this time he really did live up to my expectations. Very impressive fusion! Thumbs-up to Mikey for that!

 

2. Tum Chal Diye:- Singer ~ Arjun Kanungo (Acoustic Version), Arjun Kanungo (Reprise), Music by ~ Saurabh Kalsi, Lyrics by ~ Shashank Kunwar & Abhishek Kumar

A beautiful romantic song, with a retro feel, this one you will find yourself instantly liking because of the simple yet lovable tune, and the awesome vocals by Arjun Kanungo, who had sung last year in ‘Khoon Choose Le’ from ‘Go Goa Gone’. It isn’t his first song, but of course it will add to his little fame, and might make him the next favourite of all composers. The arrangements are very simple, with mostly only acoustic guitars in the background (because it’s the ACOUSTIC version 😛 ). The lyrics are also good and go well with the theme of the song. Arjun has a kind of texture in his voice that is worth hearing. While the first version is a romantic song, the reprise version is a haunting, sad melody. The lyrics also change, and arrangements have taken a way more intense tone. The violins and orchestra has been managed awesomely, while the rock guitars and drums also join in. Arjun aces this one too, and the composer, Saurabh Kalsi also does just as brilliant work in this version too. This is his first film as a composer. He has composed songs for TV serials earlier. Well, it is great to have yet another immensely talented musician in Bollywood! Both versions are a must-listen, and you cannot afford to miss them! Great Bollywood debut by Saurabh! #5StarHotelSong!

 

3. Theher Ja:- Singer ~ Aparna Dauria, Music by ~ Gaurav Godkhindi & Ramon Ibrahim, Lyrics by ~ ? (Abhijeet Deshpande??)

If ‘Tum Chal Diye (Acoustic)’ sounded like a retro themed song, then wait till you hear this one! This one has got a totally retro 50s feel to it and it is sure to remind you of those old black-and-white Hindi songs where the actress just used to walk around in front of the actors with a rose in their hands with no apparent aim whatsoever, except maybe to show off how nice their flower smells. 😝 But seriously, the song is composed so perfectly that you will actually be transported to that era. Aparna Dauria sounds a lot like Shalmali Kholgade here, but she does an excellent job as well. The singer carries it out flawlessly, and the choice of instruments by the composers is perfect too! The brass instruments and drums just give it all the more of a retro feel. Gaurav Godkhindi has popped up in many albums, the latest one being ‘David’ for the remix of the remake of ‘Mast Kalandar’. The other guy I’ve never heard of. However, the duo has composed this track so very efficiently that I can’t find any other option but to praise, praise and praise them! Whoever has written the lyrics has also done a great job! Another must-listen song! And another #5StarHotelSong!

 

4. Haddiwali Mundi:- Singer ~ Ahan Shah, Music by ~ Shamir Tandon, Lyrics by ~ ? (Sameer Pandey??)

With the album getting better and better with each song, one would expect this song to be a great one…butt the truth is that it turns out to be the worst song of the album, and probably of the month as well. It is a heavy metal/rock song, with no fixed tune it seems, and lyrics that are just ‘anything’! The vocals are fine, but the song still doesn’t work because of the bad tune. The arrangements are way too loud. Whoever wrote the lyrics here should be banned from the industry. 😝 Good that the song is just two and a half minutes long, because it is simply ‘unjhelable’ and who knows what would happen if it was longer! It’s called weird, random, stupid, whatever you wanna call it! Or how about a better idea…just SKIP it!!


Pizza 3D is a surprisingly good album, with just one track being thoroughly disappointing. Otherwise, the album is pretty decent, with two outstanding romantic tracks and one awesome haunting sad melody. The title song is also very innovative. The composers have done justice to the theme of the movie by giving a surprisingly decent album. Who would have thought that these very-little-known people would churn out some beautiful melodies? I’m surprised and thoroughly impressed. As for the more-known composers, Mikey has delivered as per expectation, but Shamir has disappointed highly! An album with three gems, the other two songs being forgettable. This pizza is tasty to a certain extent!

 

Final Rating for This Album:- सा < रे < ग < म <  < ध < नी

Note:- The letter which is underlined is the final rating.

 

 

Next:- 3rd Music Mastani Monthly Awards (July 2014)… Be ready to vote!!! 🙂

Reviews Next Month:- Entertainment, Singham Returns, Mad About Dance, Raja Natwarlal, Desi Kattey, Daawat-E-Ishq & More!!!