MY FAVOURITE A.R. RAHMAN SONGS (PART 1: 1992-1999)

So, I had asked my followers on Twitter which composer they would like me to make a list on about my favourite songs by that composer. The options were A.R. Rahman, Jatin-Lalit, Anu Malik and Nadeem-Shravan, four of the most prominent Bollywood composers in the 90s. Of course, only one of them is just as relevant now as he was then, and that is Mr. A.R. Rahman, and maybe that’s the reason he ended up winning this poll.

My Favourite A.R. Rahman Songs from 1992-1999

But then I thought, How am I ever, ever going to cover my favourite ARR songs in one post? The man has so far had a very illustrious career in the music industry, ranging from Tamil to Hindi and even making us proud by composing entire soundtracks for so many Hollywood feature films! So I thought of splitting my post about him into four parts. Or maybe three. Let’s see. Also I’m sure I can’t limit myself in number of songs in such posts, so for whatever composer it may be, I will list as many songs as I feel, really deserve to be listed! So let’s get started with my favourite songs of A.R. Rahman from 1992 to 1999!

P.S. The following list is in order of release of the movies.

P.P.S: Including dubbed Hindi versions of the songs as well, because there are some real gems in those albums. 🙂

Here’s the Saavn playlist so you can listen along.

Song titles listed in pink have been added on 15/7/2019 — a few songs I missed in 2018 and had to add now that I have caught up on them. They have been added on the Saavn playlist as well 🙂


1. Chhoti Si Asha (Roja; 1992)

Singer: Minmini, Lyrics by: P.K. Mishra, Music Label: Magnasound Media Pvt. Ltd.

Well, Wikipedia tells me that initially, Alka Yagnik was going to sing this song, one of my most favourite songs from when I was a child, but due to date issues, it had to be sung by Minmini, who sang the original Tamil version as well. And little did I know then that this song marked the debut of a young composer who would later on be so influential and bring a sound revolution to Bollywood! This song’s composition is like a dream realised in the mode of a song, and the lyrics, even though they’re dubbed, resonate in some way with each and every one of us! And that iconic opening flute just fills you with happiness whenever you hear it. Enjoy!

2. Yeh Haseen Vaadiyaan (Roja; 1992)

Singers: S.P. Balasubrahmanyam & K.S. Chithra, Lyrics by: P.K. Mishra, Music Label: Magnasound Media Pvt. Ltd.

Another classic from the historic debut album of the maestro, this one is a lilting romantic number that gives me goosebumps everytime I listen to it. SPB and Chithra complement each other oh so well, and the song really reaches its peak when the singers sing “Mere jaane jaan…” The sensuous composition by Rahman and the digital beats that accompany it, are well managed, and Mishra’s lyrics are spot on!

3. Roja Jaanemann (Version 2) [Roja; 1992]

Singer: Hariharan & Sujatha Mohan, Lyrics by P.K. Mishra, Music Label: Magnasound Media Pvt Ltd.

I promise, the 26 years late ‘Roja’ madness will be over; this is the last one! But I love them all so much, especially this one and especially one of the songs I’m cutting out (Bharat Humko) and just had to insert this one here because… It’s so good!! Deliberately listing the Hariharan version because hey, his aalaaps are goosebumps-inducing and also, SPB got his Roja song on this list. Sujatha Mohan’s haunting humming throughout the song is just 😍.

After that he did a number of Tamil films, which definitely were dubbed in Hindi, but I’ve heard only some of those songs, and I like even fewer.

4. Muqabala Muqabala (Hum Se Hai Muqabala; 1995)

Singers: Mano & Swarnalatha, Lyrics by P.K. Mishra, Music Label: Venus

This has become a dance anthem, thanks to Prabhudheva’s moves in this song, and the beats are just as worthy of making this song so popular. The quirky (though bad) lyrics help the song sound silly but likeable, and Rahman’s tune is really catchy — the song isn’t so famous for nothing!

5. Sun Ri Sakhi (Hum Se Hai Muqabala; 1995)

Singer: Hariharan, Lyrics by P.K. Mishra, Music Label: Venus

Rahman experiments a lot with strings and tablas in this one, a beautifully charming romantic number that melts your heart by sweetness. Hariharan gracefully renders Rahman’s just as sweet tune, and it results in a song that I’d listen to for years to come.

6. Kehna Hi Kya (Bombay; 1995)

Singer: K.S. Chithra, Lyrics by Mehboob, Music Label: Universal Music India Pvt. Ltd.

I don’t think I know a soul on this planet who has heard this song and doesn’t like it, except for the 567 souls who have disliked it on YouTube. God bless their ears. This song is a showcase of Rahman’s versatility, composing such a heart touching composition and adorning it with splendid tablas, santoor (I believe) and the Qawwali part which he sings (again, I believe) is so beautiful. Chithra’s voice us as sweet as honey, and the way she pronounced “Unhe” is adorable. The most iconic portion of the song is probably the rushed female chorus, awkwardly trying to fit Mehboob’s lyrics into Rahman’s tune that goes too fast, but it’s an immortal classic by now and we all enjoy it so, nothing more can be said!

 7. Tu Hi Re (Bombay; 1995)

Singers: Hariharan & Kavita Krishnamurthy, Lyrics by: Mehboob, Music Label: Universal Music India Pvt. Ltd.

Now don’t tell me you came here looking for my favourite Rahman songs and didn’t expect me to include this gem. Yes, it’s highly popular and it’s quite surprising to see such craze for a dubbed Hindi song! I mean, the recent dubbed albums by Rahman almost went unnoticed! Rahman’s lilting composition gives me the goosebumps everytime and Hariharan’s silky smooth voice is the USP of the song, coupled with Kavita Krishnamurthy’s strong “Aayi re..” followed by a whole stanza sung by her. The plucked strings give the song its necessary haunting touch, and that high portion in the antara is composition at its best.

8. Hai Rama (Rangeela; 1995)

Singers: Hariharan & Swarnalatha, Lyrics by: Mehboob, Music Label: Tips Music

Yet again, another song you should have expected to feature here even before clicking the link. Indian Classical music is one of the best pacifiers in the world, and in ‘Hai Rama’, Rahman creates a very sensuous atmosphere with the opening music itself — a Bandish from the Raaga Puriya Dhanashree starts the song off supported by the ever faithful tanpura, followed by addictive percussion (Thavil?) and again, immersive strings. The melody only starts and makes things even better. Here, Hariharan sounds quite different from what he did in his previous songs with Rahman, all the gentle qualities shed off and he assumes more of a bold voice here, while Late Swarnalatha does wonders with her voice. 😍 The interludes in this song are amazing, again relying on percussion, flutes and low pitched vocals that are so haunting. The sound Rahman has introduced with this song should have been utilised more by other composers, but I somehow think they would never have accomplished it and hence, didn’t try.

9. Pyaar Yeh Jaane Kaisa Hai (Rangeela; 1995)

Singers: Kavita Krishnamurthy & Suresh Wadkar, Lyrics by Mehboob, Music Label: Tips Music

Now this song is a showcase of Rahman’s splendid work with strings. The same string loop plays repeatedly in the background, never sounding tedious, but making the song more inmersive and accentuating the melody along with enhancing the listening experience. The thumping sounds Rahman included alongside that violin loop, are great and the interludes yet again, are a class apart, especially the violin solo from 2:40 to 3:10 in the video below. And what can one say about Kavita Krishnamurthy’s voice? The great Suresh Wadkar himself, with all due respect to him, fizzles out in front of her. Rahman must make such songs again!

10. Tanha Tanha (Rangeela; 1995)

Singer: Asha Bhosle, Lyrics by Mehboob, Music Label: Tips Music

Again, splendid work with strings and flutes makes this song stand out. With a distinct oriental sound, this one is a great song to listen to when you want to chill out. Asha Bhosle’s naughty voice makes her sound younger than she ever had before, and every time I listen to the song, she reminds me why she is my favourite Mangeshkar sister. I’ve spoken less about Rahman with this song, because the maestro very graciously sits back and let’s Asha ji do her thing while he adds mere digital beats during her vocal portions, and steps forward for the mind blowing prelude and interludes.

11. Yaaron Sun Lo Zara (Rangeela; 1995)

Singers: Udit Narayan & K.S. Chithra, Lyrics by Mehboob, Music Label: Tips Music

Hey, stop complaining about this whole list being about ‘Rangeela’! It is my favourite album from the 90s and I’ve no qualms in including all the songs from it on the list (don’t worry, I won’t!) Also how can I ignore Aamir Khan? All the others have been picturized on Jackie Shroff. This song is one of my favorites for a reason — the upbeat composition by Rahman doesn’t impend him from adding cool stuff with strings, especially in the interludes, where the entire orchestra pitches in. And that quirky sound at the beginning is so iconic! Again, Chitra sounds so cute with her Hindi pronunciation, and Udit Narayan as always sounds young. He still does. That doesn’t mean we should remake this song, Bollywood.

12. Telephone Dhun Mein (Hindustani; 1996)

Singers: Hariharan & Kavita Krishnamurthy, Lyrics by P.K. Mishra, Music Label: Tips Music

One of the most exemplary songs when it comes to bad Tamil to Hindi dubbing, this one actually has a strong and catchy ‘Dhun’, and it seems like a sign for things to come as Rahman would compose something similar five years later for ‘Lagaan’ in the song ‘Ghanan Ghanan’. Hariharan again, changes all preconceptions about him, and sings wonderfully even in a calm but fun dance number. Rahman does his job great with the nice percussions.

13. Awaara Bhanwre (Sapnay; 1997)

Singers: Hema Sardesai & Malaysia Vasudevan, Lyrics by Javed Akhtar, Music Label: Saregama 

Thankfully this dud of a movie had good music. This song is an ode to nature of sorts, and Rahman’s catchy composition is so beautiful. Sadly, my friends think that this song is an original song from the Pears (or was it Ponds) TVC. Rahman’s inclusion of the hill tribe folk music in the interludes is engaging, as are the catchy but minimalistic beats which the melody is based on. Hema Sardesai sounds a lot better here than she does in Anu Malik songs.

14. Chanda Re (Sapnay; 1997)

Singers: Sadhana Sargam & Hariharan, Lyrics by Javed Akhtar, Music Label: Saregama

If this list were in the order of my favourite song to my least favourite song, this one would be somewhere at the very top. The beautiful santoor tune that follows the hook line each time, is goosebumps-inducing, and Hariharan singing the high notes along with Sadhana Sargam’s beautiful voice, are a treat to listen to. The composition of ‘Inn dhundhli dhundhli..” is so ravishing! Javed Akhtar’s lyrics are heart warming as well.

15. Shabba Shabba (Daud; 1997)

Singers: Ranu Mukherjee, Sonu Nigam & Neeraj Vora, Lyrics by Mehboob, Music Label: Tips Music

This song is just as addictive as the characters in the film find whatever it is they’re drinking. I’ve never heard of the singer Ranu Mukherjee, but I commend ARR for finding her because her voice is so perfect for this song. Sonu Nigam seems to be struggling to create a husky voice texture, but Rahman’s addictive tune and wonderful tribal folksy music makes up for it. And don’t miss interlude 2, with an amazing, amazing violin portion!

16. Yeh Jaan (Daud; 1997)

Singers: Kavita Krishnamurthy & Vinod Rathod, Lyrics by Mehboob, Music Label: Tips Music

Another one along the lines of ‘Pyar Yeh Jaane Kaisa’ (Rangeela), this one is another sensuous romantic song. This time though, substituting the strings that repeated in that song, is a low pitched tuba, that sounds just as majestic. The legendarily low pitched Vinod Rathod complement Krishnamurthy well, and the slow and haunting tune by Rahman works wonders. Also, is it just me or does the tube remind you of ‘Roja Jaanemann’ too?

17. Ajooba (Jeans; 1998)

Singers: Hariharan & Sadhana Sargam, Lyrics by Javed Akhtar, Music Label: T-Series

One of my childhood favourites, this song is as beautiful as whatever the most beautiful thing you can think of is. Name it, and this song is more beautiful if not as beautiful, as it. With that impressive flute melody, you cant really go wrong. And Hariharan. And Sadhana Sargam. What can go wrong? And nothing seems to have, even in the picturization. Aishwarya Rai. The seven wonders of the world. What else can you ask for! 😍

18. Tauba Tauba (Jeans; 1998)

Singers: Hariharan & Anuradha Sriram, Lyrics by Javed Akhtar, Music Label: T-Series

Yet another song that looks as wonderful as it sounds, with Rahman doing a great job with the percussion and the intermittent Qawwali touches. Hariharan obviously sounds great; by the end of this list it’ll probably be 1000 times I say it. Again, great work with the folksy sounds that Rahman has produced for the song, especially the Dandiya and the claps etc. The female chorus is wonderful and Anuradha’s haubting humming is a nice addition. Javed Akhtar’s lyrics make it all the better!

 

19. Kehta Hai Mera Yeh Dil (Jeans; 1998)

Singer: Kavita Krishnamurthy, Lyrics by Javed Akhtar, Music Label: T-Series

This one being based on a Carnatic raaga, it is, I believe, Rahman’s forte. And right from the vocal rhythm by Krishnamurthy, to the flute, to the melodious composition, this song is brilliant. There is some funky stuff going on in the video, what with two Aishwaryas, skeletons and whatnot. But the song as a song, is something I’ve loved since childhood. A pure Carnatic song.

20. Jiya Jale (Dil Se; 1998)

Singers: Lata Mangeshkar & M.G. Sreekumar, Lyrics by Gulzar, Malayalam Lyrics by Girish Pulthenchri, Music Label: Venus

Now this is where the actual Rahman magic actually starts, for me. Picking a singer who was almost towards the end of her career, and giving her a boost by making her sing a song with the essence of Kerala in its beats, and knowing it would do so well, I wish every composer had brains like Rahman. While others composers during this period were miscasting Lata Mangeshkar and making her sound too old for the songs she sung, Rahman skillfully managed to create this song in such a pitch that the songstress wouldn’t have to sound strained. And what can I say about Sreekumar’s Malayalam portions? They’re heavenly! And probably the only Malayalam most Indians know. Gulzar’s poetic lyrics (I believe a first for Rahman) served the song well, and wow. Just wow. This song is wow.

21. Ae Ajnabi (Dil Se; 1998)

Singers: Udit Narayan & Mahalakshmi Iyer, Lyrics By Gulzar, Music Label: Venus

If this list seems generic, it’s because it is. Nobody can ignore these songs when it comes to talking about the best Rahman songs! ‘Ae Ajnabi’ is one of those, complete with its haunting classical melody, especially in the antara, where Udit Narayan goes mind bogglingly high, and manages to pull it off effortlessly. Rahman equips a minimalistic duff rhythm in the backdrop, which has been heavily overused these days when composers want to evoke pathos. But some things work only once.

22. Satrangi Re (Dil Se; 1998)

Singers: Sonu Nigam & Kavita Krishnamurthy, Lyrics by Gulzar, Music Label: Venus

The Arabic influence in this song is spectacular, and Sonu Nigam’s vocals, spot-on. The little nuances in his voice are wonderful to listen to, while Kavita’s haunting whispery portions send chills down your spine. Rahman creates a catchy tune, with the accordion (?) that plays the Arabic tune over and over again throughout the song. This song is goosebumps.

23. Dil Se Re (Dil Se; 1998)

Singers: A.R. Rahman, Anuradha Sriram, Anupama & Febi Mani, Lyrics by Gulzar, Music Label: Venus

The iconic title song for ‘Dil Se’ was I believe, Rahman’s singing debut in Hindi (@phanishankar reminds me his Hindi singing debut is ‘Mangta hai Kya’ from ‘Rangeela’), and the man did sing as well as he composed. The way this song goes from soft to loud in a fraction of a second, is worthy of compliments, and especially the classically inclined bits like ‘Piya piya…’ are beautiful. Again, the composer has done amazing work with strings, percussions and made the song sound grand. The song starts with minimalistic bass doing the whole job but goes on to include some really cool percussion.

24. Chhaiyya Chhaiyya (Dil Se; 1998)

Singers Sukhwinder Singh & Sapna Awasthi, Lyrics by Gulzar, Music Label: Venus

Yeah, that’s pretty much the entire album of ‘Dil Se’ I have on this list, but I couldn’t help it! No introductions for this song, just sit back and groove to that irresistible groove that Rahman has equipped it with. And of course, the vocal powerhouses that Sukhwinder and Sapna are!

25. Taram Pum Taram Pum (Doli Saja Ke Rakhna; 1998)

Singers: Babul Supriyo & Srinivas, Lyrics by Mehboob, Music Label: T-Series

A fun song, but Rahman never compromised melody in his songs, so in this song, we get a strong, actually, very strong, melody that not only is catchy, but also melodious. Babul Supriyo and Srinivas have a blast singing it, but the melodious portions in the second stanza onwards are the best. Rahman’s percussion again, is mind blowing and the flute is beautiful. This was one of my favourite songs as a child!

26. Bol Sajni Mori Sajni (Doli Saja Ke Rakhna; 1998)

Singers: Sonu Nigam & Kavita Krishnamurthy, Lyrics by Mehboob, Music Label: T-Series

Now this is a song I discovered a year or two ago, and immediately fell in love with it, making it one of my favourite Rahman songs ever. The way he starts the song with a trademark Kathak portion, complete with Bola and Tablas, and switches over to an immersive romantic melody, decorated with his signature flutes, is commendable. Sonu Nigam has delievered one of his best renditions, and Kavita Krishnamurthy takes control of the song because her portions are quite louder and higher pitched than Sonu’s, making them stand out among the calm rest of the song.

27. Kissa Hum Likhenge (Doli Saja Ke Rakhna; 1998)

Singers: Anuradha Paudwal & M.G. Sreekumar, Lyrics by Mehboob, Music Label: T-Series

The first time T-Series maanaged to ‘let’ Rahman use the melodious voice of Ms. PaudwalThe first time T-Series managed to ‘let’ Rahman use the melodious voice of Ms. Paudwal (I’m just glad they haven’t managed to do so with today’s equivalent of Ms. Paudwal, as of now) resulted in a beautiful romantic song. The lilting composition was supported very well by addictive tabla beats, and the flute in the first interlude, and the orchestra with the veena in the seocnd, are worthy of high praise, as are the old-world-charm lyrics by Mehboob. The male singer could’ve been better, though;my only grouse with the song.

28. Tu Hi Tu (Kabhi Na Kabhi; 1998)

Singers: M.G. Sreekumar, K.S. Chithra, Lyrics by Javed Akhtar, Music Label: Shemaroo

A pacy romantic song in Tamil-movie Rahman style, it was probably the first time such an experiment was heard in Bollywood. It starts like a cranked up version of ‘Yeh Haseen Vaadiyaan’ (Roja), and goes on to a haunting melodious piece delivered meticulously by Chithra against the tanpura’s magical sound. Again, the male singer could’ve been replaced by somebody else. The magic Rahman does with strings (both Western and Indian classical) in this song, is remarkable!!

29. Tum Ho Meri Nigaahon Mein (Kabhi Na Kabhi; 1998)

Singers: Hariharan & Sujatha Mohan, Lyrics by Javed Akhtar, Music Label: Shemaroo

The waltzy start to thustsong instantly plugs you back to two songs that have already been listed on this list — ”Sun Ri Sakhi” (Humse Hai Muqabala) and “Bol Sajni” (Doli Saja ke Rakhna). The flute and strings provide a playful start to the song, and Hariharan’s silky voice is a delight to listen to as always. The interludes too, are delightful with the strings. Sujatha’s aalaap in the second interlude is lovely! This is a song to cherish.

30. Mil Gayee Woh Manzilein (Kabhi Na Kabhi; 1998)

Singers: Alka Yagnik & Kumar Sanu, Lyrics by Javed Akhtar, Music Label: Shemaroo

This goes down in history as Kumar Sanu’s only song with A.R. Rahman, a big thing because both were so huge and prominent in that decade, one would expect more! Still, I remember this song more for the pleasant melody by the maestro, and Alka’s sweet-as-sugar voice (her first released song for Rahman, am I right?), than for anything by Sanu. This could’ve been sung by Hariharan and I wouldn’t have minded, obviously. There is a lot going on in the flutes section in the song, even though the beats backing the main melody are standard 90s beats. The antara has a beautiful tune that harks back to ‘Tanha Tanha’ (Rangeela). Turns out I knew this song but never knew the name or movie, and so in my mind it was an Anu Malik song. 😂

 31. Ishq Bina (Taal; 1999)

Singers: Sonu Nigam, A.R. Rahman, Anuradha Sriram & Sujatha, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

Here comes the Titan of a soundtrack, Taal, but don’t worry, I won’t include all 12 songs on the list. The most popular song from ‘Taal’, and it truly deserves to be that. Rahman fuses Qawwali elements with other Indian sounds like ‘Manjeeras’, instruments you’d normally hear in bhajans and the like. But this is a Rahman song and nothing is demarcated within rigid rule barriers. Anuradha takes the female lead quite charmingly, but it is Sonu towards the end who takes the song away, and Rahman with his Qawwali portions, provides a nice break from the repetitiveness (not in a negative way) of the female part. The bass in the female part accentuates the composition, while the violin before Sonu Nigam’s part is wonderful. And who cannot notice Anand Bakshi’s metaphorical lines? 👌

32. Nahin Saamne (Taal; 1999)

Singers: Hariharan & Sukhwinder Singh, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

This song. This song. This song. What can I even say? Probably the best use of piano and sitar (in a non classical song, of course) in any Bollywood song till now. And the beautiful humming, that haunting portion, that goosebumps-inducing portion, and Hariharan’s silky voice, never faltering even one bit, and that beautiful antara. Sorry if that was incoherent. It was, but, I can’t gather ny thoughts about this song just yet. NOTE: Sounds best when heard when it’s raining.

33. Taal Se Taal Mila (Taal; 1999)

Singers: Alka Yagnik, Udit Narayan & Sukhwinder Singh, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/ Mukta Audio

Another quite obvious choice, another rain song, another song where Sukhwinder is relegated to the background but does an amazing job. In this song he is the harbinger of the entire song, singing that classical portion before the song starts, before the female chorus starts, backed by Rahman’s wonderful Indian beats comprising matkas and whatnot, the sounds of raindrops, paayals, ghungroos, how beautiful the soundscape of this song is! And then that BEAUTIFUL flute! The rhythm of the song is really passionate, so befitting for a rain song. And that SARANGI, Wow! Listening to it after so long, in the monsoon season itself, is such an experience! Alka Yagnik (isn’t it her first with Rahman?) sounds cute to say the least, while I just keep waiting for Udit’s part to play, because it is one of my favourite portions of the song, when I could see Akshaye Khanna on screen,an actor I somehow sensed was a good actor, in my childhood. 😂 Even if I write 1000 more words on this song, they won’t do justice to the song. So listen to it yourselves. And also, special shoutout to the Western Version of the song — another auditory “sight” to behold.

34. Kahin Aag Lage Lag Jaaye (Taal; 1999)

Singers: Asha Bhosle, Aditya Narayan & Richa Sharma, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

A spectacular song in all fronts, this one has the same passion that is carried in the title song, but this time, not in so pronounced of an Indian way, if that makes sense. Sure,there are those very adorable Aditya Narayan interactions and tribal portions throughout the song, but it really hinges upon the symphonic arrangements by Rahman — the orchestra, African drums and whatnot. Not that he doesn’t include a lot of Indian music elements. And of course, once they had Asha Bhosle on board, other composers sat back and relaxed, but Rahman has clearly not taken it for granted.

35. Kariye Na (Taal; 1999)

Singers: Sukhwinder Singh & Alka Yagnik, Lyrics by Anand Bakshi, Music Label: Tips Music/Zee Music Company/Mukta Audio

Another recent acquisition for me wih respect to favourite Rahman songs,this song was very badly overshadowed because of the popularity of the other songs. Again,Rahman uses many Indian music elements like the Matka to make the song sound beautiful,abd Sukhwinder’s voice amongst that minimal background is a must-hear. And Alma’s Punjabi portion is so cute! Anand Bakshi’s lyrics though, are the highlight of the song for me.

36. Ruth Aa Gayee Re (1947 Earth; 1999)

Singer: Sukhwinder Singh, Lyrics by Javed Akhtar, Music Label: T-Series

The Sukhwinder-ARR collaboration was going really strong in the 90s. This song is yet another example of how beautiful the two were together. Here, Rahman takes a typical Qawwali-ish rhythm and composes a motivating song around it, very Indian in its sound, and Sukhwinder’s booming vocals do the rest. No wonder this song became so popular!

37. Dheemi Dheemi (1947 Earth; 1999)

Singer: Hariharan, Lyrics by Javed Akhtar, Music Label: T-Series

The song starts with a piano piece interlaced with Hariharan’s beautiful humming, joined by a beautiful flute portion, and as the melody starts, you can see how the Rahman of ‘Roja’ and the Rahman that was yet to come — say, of ‘Swades’ and ‘Saathiya’, kind of come to a confluence in this song! The composition is so addictive, with the piano arpeggio going on throughout the song, along with the flute!

38. Rang De (Thakshak; 1999)

Singer: Asha Bhosle, Lyrics by Sukhwinder Singh & Tejpal Kaur, Music Label: Saregama

This song is the quintessential Bollywood grand dance number. Rahman has included everything that is necessary for a hit number, in this song. Asha Bhosle going into the low notes quite effortlessly and sensuously, a captivating tune harking to folk music, engaging arrangements and a wonderful backing chorus. And who knew Sukhwinder Singh was the lyricist for this song? I didn’t! The percussions in this song are marvellous, and so is that flute in the interludes. Ah, sweet memories. If only Tabu could dance better.

39. Ae Nazneen Suno Na (Dil Hi Dil Mein; 1999)

Singer: Abhijeet Bhattacharya, Lyrics by Mehboob, Music Label: Sony Music 

Disclaimer: I knew the songs from ‘Dil Hi Dil Mein’ even last year when I did this feature. Maybe I thought the film is a 2000 film, so I hadn’t included them back then. This one is magical. Abhijeet’s first with Rahman, this one is a soaring love song, the word used because of the soaring strings that kick it off. When the rhythm kicks in you can’t help but groove along to it. The antara is splendidly composed, lots of twists in the melody, and Abhijeet renders it beautifully — probably the perfect choice for the song. The Duff rhythm throughout the song is addictive.

40. Imtihaan Hum Pyaar Ka Deke (Dola Dola) [Dil Hi Dil Mein; 1999]

Singers: Srinivas & Swarnalatha, Lyrics by Mehboob, Music Label: Sony Music 

This is a trademark Rahman composition, and the duet by Srinivas and Swarnalatha is astounding, especially the breathless parts in the antara. The Qawwali-esque arrangements are astonishing, with the claps and flute dominating the soundscape, and a beautiful flute and violin interlude. The haunting composition, as mentioned before, is trademark Rahman, and this has been a song I’ve loved since childhood, so can’t dissect it technically and start unloving it now!


Those were my favourite Rahman songs from 1992 to 1999! I hope I wasn’t too obvious and you got to learn some new songs. If not, you’re already an encyclopedia that contains all the knowledge about every Rahman song ever. Stay tuned fir the next part of the series, where I’ll cover songs from 2000 onwards (most probably till 2008)! And thanks for reading such a long post! 😁

AN ALBUM OF SHAKESPEAREAN CLASS!! (HAIDER – Music Review)

Music Album Details:-
♪ Music by:- Vishal Bharadwaj
♪ Lyrics by:- Gulzar & Faiz Ahmed Faiz
♪ Music Label:- UTV/Junglee Music/Times Music
♪ Music Released On:- 12th September 2014
♪ Movie Releases On:- 2nd October 2014

Haider Album Cover

Haider Album Cover

 

To hear the full songs of this album on Gaana CLICK HERE

To buy this album on iTunes CLICK HERE


Haider is an upcoming Bollywood drama film, directed by Vishal Bhardwaj. The film is produced by Vishal Bhardwaj and Siddharth Roy Kapur and it stars Shahid Kapoor, Shraddha Kapoor, Tabu, Irrfan Khan and Kay Kay Menon in prominent roles. After making modern-day adaptations of Shakespeare’s plays ‘Macbeth’ (Maqbool) and ‘Othello’ (Omkara), Vishal is all set to complete his Shakespeare trilogy with this film, ‘Haider’ which is an adaptation of Shakespeare’s ‘Hamlet’ and it is set in Kashmir. The music has been composed by Vishal himself, who mostly composes only for his self-directed movies nowadays, with some exceptions here and there. This year he already gave us one stellar album in the form of ‘Dedh Ishqiya’, and so expectations from this album were naturally massive. Some or the other influences from Kashmiri folk music also are expected, as Vishal usually showcases the folk music of the part of the world in which his film is set. So, without wasting anymore precious time, let’s see what I think about this latest album, ‘Haider’!


1. Aao Na:- Singer ~ Vishal Dadlani, Lyrics by ~ Gulzar

The first song of the album, which is already on the tips of everyone’s tongue nowadays wherever you go, is a perfect opener to the album. After ‘Dhan Te Nan’ (Kaminey), both the Vishals come together once again to create a rocking track. The heavy rock template, which I normally hate like anything in normal Bollywood music, has been used so wonderfully here by Vishal Bharadwaj, that you would instantly fall in love with it! The energy level has been kept on the highest possible degree, thanks to the electric guitars which are played in a very attractive way and tune and also the drums supporting them. The clinking sounds like that of a spoon on a glass are noticeable throughout the song. A kind of microphone feedback effect has been very smartly added by Bharadwaj, to give the effect as if it’s a live rock concert! The tune which he has composed is also very attractive, actually addictive! This addictiveness of the song is the best part of it, because it can turn even Rock music haters (as me) into Rock maniacs, at least for the four odd minutes for which it plays! So I’ve spoken about the first Vishal, now time to talk about the man who has lent his powerful voice to the song, i.e, Vishal Dadlani. This man’s energy is always a topic of speculation. One wonders how he can produce such a powerful voice and manage to attract listeners to it each time! His voice takes this composition to a degree of energy which might not even be on the scale! 😛 Whether he’s singing softly, or loudly, the same amount of energy can be noticed! Kudos to him! The hookline comes to life thanks only to him, and if it were anybody other than him, the required energy definitely would never have reached the listeners. Gulzar has written dark, but great lyrics! ‘Hamlet’ has some references to gravediggers, so keeping that in mind, if one hears this song, paying close attention to the lyrics, it would sound very very spooky and creepy, but Gulzar has very well incorporated this aspect into the lyrics. Great in all aspects, and Vishal-Vishal combo again deliver a must-listen energetic track! #5StarHotelSong! 

 

2. Bismil:- Singer ~ Sukhwinder Singh, Lyrics by ~ Gulzar

Catchy Rabaab plucks grab your attention right at the starting of the song. Instantly, we get to know that we will get a glimpse of Kashmiri folk music in this song. Sukhwinder Singh, a regular on every Vishal Bharadwaj album, gets to croon this story-through-song type of track. His voice texture is perfect for this folksy track. He delivers it with the right amount of expressions and energy. He has done variations in each and every line, thanks to his unique voice texture, and that keeps the listeners at attention, and makes sure they don’t get bored at even a single moment in the song. The lyrics have been written to narrate a story, so you’re missing out if you haven’t paid attention to the lyrics in this song. The character is telling the audience everything which he has discovered, but in code language. The whole story has been beautifully crafted into a poetic manner by Gulzar, and he has done it so brilliantly! If you listen very carefully, you’ll be able to understand the story too. Decorative Urdu words have been used, making it sound very royal. The composition by Vishal is just too awesome to explain in words. It takes abrupt turns many times, and each time a new ambience is created. The song starts with a happy feeling, and ends in a mysterious, angry, vengeful mood. The Kashmiri folk music has also been beautifully used in the song, with rabaabs leading in most of the song, and awesome percussion as well, which gives a slight Russian feel as well, if I’m not mistaken. Towards the end, a grand orchestration has been done, complete with violins played in a fast manner. When the song ends, you might feel like you have missed a lot of what was happening, because that’s true! So many things happen at once in the song, that it is very tough to notice all of them. However, the only cure for this would be to listen to it again! And again! And again! Stories get an entirely new definition from now on! A track invoking interest in each second! #5StarHotelSong!!

 

3. Khul Kabhi:- Singer ~ Arijit Singh, Lyrics by ~ Gulzar

If there was any established composer whom I was looking forward to employ Arijit Singh, it had to be Vishal Bharadwaj. His unique style of music and Arijit’s voice yet had to create magic together. And my wish has come true in this album. Vishal has composed one of his typical, retro style melodies like that of ‘Zabaan Jale Hai’ from ‘Dedh Ishqiya’ and has wonderfully garnered the beautiful composition with Arijit’s voice. Arijit has not at all left any stone unturned in order to make the song sound beautiful. Previously, he has sung so many romantic songs, which people have loved, but they were all the same type. ‘Tum Hi Ho’, ‘Suno Na Sangemarmar’, ‘Muskurane’, all had that Bhatt feel to them, and it is very refreshing to hear him in a new kind of melody, which is typical only to VB, and which we barely get to hear regularly unlike those other romantic songs. Anyways, he has sung it so flawlessly, as though this song were made for him. Gulzar’s lyrics are romantic and go with the slow pace of the song. Beautiful arrangements have been done by Vishal too, with the violins making it sound grand here too. Of course, guitar can also be witnessed throughout the song. The sound of a shehnai at the start gets you ready for more pleasant surprises which the song has in store for you. The tune, as I said, is very unconventional and will need some time to grow on you, but when it fully grows on you, it will sound awesome and very addictive. The tune of the antara deserves a special mention for such an unusual but catchy tune! An intelligently composed and intelligently written song, with the great vocals of Arijit! What more could you ask for? #5StarHotelSong!! 

 

4. Gulon Mein Rang Bhare:- Singer ~ Arijit Singh, New Lyrics by ~ Gulzar, Original Lyrics by ~ Faiz Ahmed Faiz

This song is a ghazal , written by Faiz Ahmed Faiz. Gulzar has written some new lyrics, with which Arijit starts the song. Vishal has given a pure guitar background to this ghazal, so that it would cater to the modern listeners, while at the same time, retaining the richness in the composition, and keeping it calm and soothing. Arijit has sung it with utter innocence, and has done justice to the ghazal. After Mehdi Hasan, Jagjit Singh, Mohit Chauhan and K.K., it is time for Arijit Singh to croon this beautiful one. Though it isn’t the first time he has sung such a song (‘Phir Le Aaya Dil’ from ‘Barfi!’) it can still be said that it is yet another side of him. Vishal has given a small drum buildup to the hookline, which makes it sound even more beautiful. The arrangements have been kept soft, and they give a calm effect to the song. The tune is the same as the original, which I heard after hearing this version. Of course, the ambience created by this version can never match up to the level of the original, but if you are hearing it for the first time, it still sounds mind-blowing, so you know that nothing is wrong with this version either. I had wished for one song with Arijit and Vishal Bharadwaj together, and I got two in the same album! Both of them have been sung extremely well by the talented guy! The tinge of innocence in Arijit’s voice is the only thing it will need for you to fall in love with this song!! #5StarHotelSong!!

 

5. Ek Aur Bismil:- Singer ~ Sukhwinder Singh, Lyrics by ~ Gulzar

After the highly catchy and interesting ‘Bismil’, I was very excited when I saw the name of this track, because I was expecting something hatke from the original, as we saw in ‘Darling’ and ‘Doosri Darling’ from ‘7 Khoon Maaf’. And was I let down? Not at all! The catchiness gets more in this version! Vishal has given it an Arabic touch and it also sounds like Caribbean music in some places. Horns have been used almost everywhere, and they give that Caribbean flavour to the song. The percussion, on the other hand, gives a very Arabian feeling. There are strings used as well, which are interspersed throughout the song at places. I was definitely expecting something very upbeat, but who knew it would be so groovy and so catchy?! The whole mood of the song is energetic, vibrant and groovy, which you would never have expected after hearing the original, which had some shady moods as well. Sukhwinder has done variations even on the variations he took in the original! 😀 Again, his voice suits the Arabic-ness of the composition. There is a new antara by Gulzar in this one, and it has a different tune too! That one was for the theaters, this ones for the clubs! #5StarHotelSong!!

 

6. Jhelum:- Singer ~ Vishal Bharadwaj, Lyrics by ~ Gulzar

The sound of water rushing welcomes you to this track, and then a heavenly santoor portion makes you feel at home listening to the track. It is another typical Vishal Bharadwaj melody, which reminded me of ‘Badal Uthiya’ from ‘Matru Ki Bijlee Ki Mandola’, and just like that song, it has won me over! Jhelum is a river in Kashmir, and Gulzar has written the lyrics very beautifully. The orchestration in this song has been done wonderfully. The violins play a very important part in carrying forward the song, and the before I mentioned santoor constantly haunts with its part. The guitar solo in one of the interludes is beautiful. Vishal sings in an earthy tone, and the haunting melody he has composed is perfect for his voice. The climax of the song is at the peak of grandeur, with violins backed by ferocious percussion, and Vishal singing in a very dynamic manner, giving the feel of a Western live orchestra. The haunting melody seems to end too quickly, even though it is pretty decent in duration. It kind of reminded me of two of Sanjay Leela Bhansali’s film’s songs, one being ‘Tadap Tadap Ke’ from ‘Hum Dil De Chuke Sanam’ and the other is ‘Ang Laga De’ from ‘Ram-Leela’. The ghostly ambience created by this song is similar to that created by these two songs. Instantly lovable haunting melody which will leave you covered with goosebumps! Hats-off to Vishal for creating this! #5StarHotelSong!!

 

7. So Jao:- Singers ~ Alaap Majgavkar, Sourabh Joshi, Mayukh Sarkar, Muzamil Bhawani, Bashir Bhawani, Bashir Lone, Lyrics by ~ Gulzar

The first song of the album gets a makeover in this song. While ‘Bismil’ got more of a Western twist, this one here was already a Western-style composition, so it gets a folk twist. Yes, ‘Aao Na’ in a folk twist!! The singers are all Kashmiri folk singers, who I don’t know a thing about. The song starts with the sound of digging — this track is most probably going to be the only version in the movie, so it must be picturized on gravediggers — anyways, the sound effect has been done so realistically, it actually feels as if the people are digging in your ears. 😂 Then the lead voice starts and you might laugh at first, but later you get to know, that they are singing awesome! It’s their style of ‘rocking’ it, as we say! This version definitely has more of the haunting effect, all with the spooky lyrics and the melody too. Oud has been used here, and it sounds great. The track is short and lasts for a short time, but it definitely creeps you out! Whatever it was supposed to do it does that! Definitely try this one! You are not to miss it! #5StarHotelSong!!

 

8. Do Jahaan:- Singers ~ Suresh Wadkar & Shraddha Kapoor, Lyrics by ~ Gulzar

This one starts with some guitar strums, and then some rattling noises, followed by Suresh Wadkar’s nasal, but very melodious voice. He welcomes you to this composition so warmly, that you can’t help but to love it instantly. Shraddha sings for the second time after ‘Galliyan (Unplugged)’ in ‘Ek Villain’, and here she has some Kashmiri folk lines to croon. She does so, with much calmness and serenity in her voice, which sounds the same as it did in ‘Galliyan’, so I guess that is how she sings, and her voice when she talks just sounds miles apart from her singing voice. The composition is a lullaby-like melody, fully cloaked in tranquility. The lyrics by Gulzar are good, too. The guitars have been played throughout the song by Vishal, and so have the tablas and the shakers. The guitar interlude is wonderful. If there is any fault in the song, it just has to be that after a point, it can be that the tune has nothing new to offer, but is still enjoyable nevertheless. Otherwise, a cute and soothing, enjoyable, feel-good melody! #5StarHotelSong!!

 

9. Aaj Ke Naam:- Singer ~ Rekha Bharadwaj, Lyrics by ~ Faiz Ahmed Faiz

Another piece of writing by Faiz Ahmed Faiz, is featured in this album. There is always a song sung by Rekha Bharadwaj in a Vishal Bharadwaj album, and this time, she has got a beautiful nazm to sing. The background has been kept soft, with piano there at the start, then tablas dominating for a major part, and then again, piano coming into dominance. Vishal has composed the song wonderfully, and the musical arrangements really help to give some mental peace. Rekha’s unique voice suits the composition very well, and she takes the nazm to a whole new level. You would feel as if you are sitting at a tabla baithak in Lucknow, the tabla has been played so beautifully. The song is part of a long poem ‘Intesaab’ written by Faiz Ahmed Faiz. Vishal has adapted it quite beautifully here. 🙂 It is about the different roles a women plays in a single lifetime. This song is probably one of the most peaceful songs I’ve heard in recent times! If you want mental peace, then this song is for you! It is a must-listen!! The album ends with a #5StarHotelSong!!!


Haider is that type of album that will leave you speechless after you are done listening to it. All the songs have some particular intriguing element to them, and none of them disappoint, not even a single second of any of the songs leaves you bored. Vishal Bharadwaj has given nine gems of songs, let’s call it the Navratna! What’s more, the album is full of variety! The songs are a mix of groovy, calm, sad, romantic, intense and beautiful songs, all of them standing out amongst other nonsense, garbage songs of current times. Whether you are old, young or just born, you are sure to LOVE this album! Vishal Bharadwaj has outdone himself, and he has created a splendorous, stellar soundtrack! Definitely an album which might stay behind in the race on the music charts, but will win the races on people’s iPod playlists! A must-listen album, which is highly recommended for ALL!

 

Final Rating for This Album:- सा < रे < ग < म < प < ध < नी < सां

Note:- The letter which is underlined is the final rating.

 

Which is your favorite song from Haider? Please vote for it below!

 

Next “dish”:- Bang Bang, Chefs:- Vishal-Shekhar