DUOS GOOD(WAAH), SANDEEP-ANU JUDWAA!! (JUDWAA 2 – Music Review)

Music Album Details
♪ Music by: Sajid-Wajid, Meet Bros., Sandeep Shirodkar & Anu Malik
♪ Lyrics by: Dev Kohli, Danish Sabri & Sonu Saggu
♪ Music Label: T-Series
♪ Music Released On: 12th September 2017
♪ Movie Releases On: 29th September 2017

Judwaa 2 Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Judwaa 2 is an upcoming Bollywood comedy movie, starring Varun Dhawan (x2), Jacqueline Fernandez and Taapsee Pannu. The film is directed by David Dhawan, and produced by Sajid Nadiadwala. The film’s title indicates that it a sequel to 1996’s ‘Judwaa’, because in this era of intolerance, we sadly cannot tolerate a remake which would just make the 90s kids conscious of how old they are that a movie from the 90s is being remade! Anyway, the film looks like a typical David Dhawan film, and that means mindless fun. The music in a David Dhawan film is usually light too, and recently it has been Sajid-Wajid who have been composing for his films, but because it is the latest trend, Dhawan also tries the multicomposer formula for this album. Sajid-Wajid are part of the album; his albums are incomplete without them, but only one song this time. The other two composers are Meet Bros., composing an original track, and Sandeep Shirodkar (a well-known background score composer) gets to remake two songs from Anu Malik’s original album to ‘Judwaa’. Sandeep had scored the BGM for ‘Chashme Baddoor’and ‘Main Tera Hero’ so we know how he got onto this album, and not Tanishk Bagchi, the usual go-to for remakes. So let’s see how good this album is!


1. Chalti Hai Kya Nau Se Barah

Singers ~ Dev Negi & Neha Kakkar, Original Composition by ~ Anu Malik, Music Recreated by ~ Sandeep Shirodkar, Lyrics by ~ Dev Kohli

Obviously, the makers open the album with the remake of ‘Tan Tana Tan’ and very creatively name it ‘Chalti Hai Kya Nau Se Barah’. Now, the composer who has been roped in for this album, only to do the remakes, Sandeep Shirodkar, has kept most of the song intact. The only aberration he does to old song, is that he cuts out two lines of the antaras, in both antaras. And the song still sounds good. Also, he makes the pace of the song quicker, making it more enjoyable in today’s times. I appreciate how he didn’t add any composition of his own, and though it doesn’t make the song excellent either, at least it doesn’t add any atrocious new sounds to this song. All the iconic pieces from the old song, like the “Tyaun Tyaun” music that begins it, and the female singer repeating the hookline after the male singer, have been retained, and that will increase the song’s nostalgia value, for the 90s kids, who now will realise they’re eighteen-plus year olds. 😄 Also, Sandeep’s sounds are glitzier than Anu’s from the old song, and definitely has a lot more going on, like the amazing electric guitars, synthetic strings and the whole club setting. The singers do justice to the song, and Dev Negi surprises, singing a song I never thought I’d hear him sing. On the other hand, Neha Kakkar’s portions seemed forced into the song, just for the sake of giving Jacqueline and Taapsee something to say. The lyrics by Dev Kohli have been retained completely. A good remake with nothing much tampered with.

Rating: 3.5/5

 

2. Suno Ganpati Bappa Morya

Singer ~ Amit Mishra, Music by ~ Sajid-Wajid, Lyrics by ~ Danish Sabri

Since this album is basically an album of remakes interspersed with an equal number of original songs, the first original song appears now. Sajid-Wajid, after that atrocious album ‘Daddy’, return here, with a director who always gets the best out of them. However, I’m not too sure of that after listening to this song. The composition is a good one, with only the hookline sounding contrived. The antara especially has an amazing composition; something Sajid-Wajid should do more! I particularly loved the fast paced line in the antara. Amit Mishra delivers the song with an equal amount of zest, and presents the picture of a naughty Varun Dhawan’s character very well, through his slight gimmicks throughout the song. Sajid-Wajid, as always, though, score with their arrangements. The foreign band Pandora, was an amazing inclusion here in this (supposedly) Ganpati song. The band brings in cool instrumental pieces like that signature trumpet of the song, the amazing percussion that starts the song off, and of course the scintillating Spanish guitars in the antara. An amazing beatboxer performs in the beginning of the song too. Thankfully, this Ganpati song doesn’t get abominated by Sajid-Wajid’s typical dhols, though they do make an entry at the end of the song. The lyrics are unnerving, especially the hook lyrics. But again, what can we expect from a Casanova like Raja? 😂 Not the best David Dhawan has gotten from Sajid-Wajid, but definitely a good song.

Rating: 3.5/5

 

3. Oonchi Hai Building 2.0

Singers ~ Anu Malik & Neha Kakkar, Original Composition by ~ Anu Malik, Music Recreated by ~ Sandeep Shirodkar, Lyrics by ~ Dev Kohli

I’d like to start by congratulating the makers on naming this remake in an extra-creative way by adding a ‘2.0’ at the end of the song’s name. I’m waiting for Rajinikanth in Shankar’s ‘2.0’ by the way, and these people aren’t helping! Sandeep returns to remake another “gem” from Anu’s original soundtrack for ‘Judwaa’, and sadly, or happily, I don’t know, this one is utterly bad. The original was bad itself, I don’t know how they even thought of remaking it. A cringeworthy replacement of lyrics now makes the female refrain “aaja aaja aaja mere swagger waale raja“, which Neha Kakkar sings so beautifully, “Swagger” sounds like “Sagar”. Anu Malik has clearly redubbed vocals for the song, and it’s not sounding any better. Also, Sandeep adds too many extra noises, that make the song sound yucky. And that extra long, never-ending antara, oh God! I would say SKIP it, but you’re not going to end this year without it falling onto your eardrum in some way or the other.

Rating: 2/5 {I don’t even know why I’m rating it so high so -0.5} = 1.5/5

 

4. Aa Toh Sahi

Singers ~ Meet Bros. & Neha Kakkar, Music by ~ Meet Bros., Lyrics by ~ Sonu Saggu, Rap by ~ Roach Killa

The second original song on the album, and the last song on the album, happen to be the same thing. Meet Bros. enter now, with a groovy song following the Tropical House genre, with some delicious EDM to tease our senses. Sadly enough though, along with that, they serve us some of the same old hip-hop stuff that we have been hearing for five years or so. The hookline has been composed nicely, and makes sure that people will get hooked to the song. It is the mukhda that might just prevent the song from growing though. The arrangements sound a lot like those from ‘Nashe Si Chadh Gayi’ (Befikre), and when I checked the music credits, I found out why. Mikey McCleary has programmed the track, and that’s where the amazing international sounding beats came from. The vocals are good enough, and though this is Neha’s third song on the soundtrack, she sounds the best here. Meet Bros, who are pros at imitating Mika, but sounding better than Mika while doing so, do it here too. Roach Killa’s rap is forgettable except that it sounds a lot like Badshah’s ‘Mercy’. Lyrics are middling, using the patriotic “Dil Diya Hai Jaan Bhi Denge” line as a romantic one. 😆 Good, not great. But it definitely had the potential with the amazing beats!

Rating: 3/5


Judwaa 2 is one of the weakest David Dhawan albums, and the reason seems to be that half the album has been made by remaking the songs of ‘Judwaa’. With lack of innovation or creativity, a good album cannot be expected. What ‘Main Tera Hero’, ‘Chashme Baddoor’ had were a) solo composers, and b) original songs. That being said, the duos who made the original songs, Sajid-Wajid and Meet Bros have done well, but Sandeep has done his best to try and make his songs judwaas of Anu’s originals!

 

Total Points Scored by This Album: 3.5 + 1.5 + 3.5 + 3 = 11.5

Album Percentage: 57.5%

Final Rating for This Album: सा < रे < ग < म < < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: ‘Chalti Hai Kya Nau Se Barah = Suno Ganpati Bappa Morya > Aa Toh Sahi > Oonchi Hai Building 2.0

 

Remake Counter:
No. Of Remakes: 33 (from previous albums) + 02 (from Mubarakan) = 35

 

Which is your favourite song from Judwaa 2? Please vote for it below! Thanks! 🙂

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SACHIN-JIGAR STAY GROUNDED!! (BHOOMI – Music Review)

Music Album Details
♪ Music by: Sachin-Jigar
♪ Lyrics by: Priya Saraiya, Anvita Dutt, Vayu Srivastava & Utkarsh Naithani
♪ Music Label: T-Series
♪ Music Released On: 28th August 2017
♪ Movie Releases On: 22nd September 2017

Bhoomi Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Bhoomi is an upcoming Bollywood action thriller starring Sanjay Dutt, Aditi Rao Hydari and Sidhant Gupta in lead roles. The film has been directed by ‘Mary Kom’ and ‘Sarbjit’ fame Omung Kumar, and produced by Bhushan Kumar, Krishan Kumar and Sandeep Singh. The film is a revenge saga revolving around a father trying to avenge his daughter, who is a rape victim. Now, this filmmaker Omung Kumar, has been known for making loud and sobby dramatic films, but also, both of his previous films have had amazing music albums as well, featuring in the Music Mastani’s Top 20 Albums of the respective years they released in. While ‘Mary Kom’ featured music by newcomers Shashi-Shivamm, and ‘Sarbjit’ featured a nice mix of T-Series-affiliated artists (Amaal Mallik, Tanishk Bagchi, Jeet Gannguli), and newcomers Shail-Pritesh, this time Omung raises the bar by roping in highly busy composers Sachin-Jigar. Now this is probably the first time I remember seeing the duo compose for a drama like this, so it’ll be something new for them and for us. But expectations are still sky high because of Omung! So let’s see how far above the bhoomi (ground) Sachin-Jigar’s music flies!


1. Trippy Trippy

Singers ~ Neha Kakkar, Benny Dayal, Brijesh Shandilya & Badshah, Lyrics by ~ Priya Saraiya

Sachin-Jigar’s fifth album of the year starts off with a song I can’t believe they have made!! The song is a club song with a composition that I would expect from someone like Badshah or Yo Yo Honey Singh, and not Sachin-Jigar! The composition is very weird, and not in the good way. It is basically just a typical item song composition, and coming from Sachin-Jigar, that is quite shocking. The male portions especially, are very disappointing. Those are actually the parts that could’ve been the best. Also, the antara is quite similar to their own “Teri Mahima Aprampaar” (Entertainment). The hookline is just Badshah belching out the words in an expressionless tone. Here, it is evident the composers were trying to experiment, just to make the song sound a bit better, but sadly, they couldn’t make those experiments work. For example, the flute and dhols arrangement was clearly done to increase the quirkiness of the song, but it backfires, sadly. The beats too, aren’t addictive or anything — it is just a straightforward song to listen to and forget. The vocals by Neha Kakkar are very disappointing after that amazing rendition of hers in ‘Ghungta’ (Babumoshai Bandookbaaz)! Here she doesn’t even sound half as energetic as she did there! Benny Dayal and Brijesh Shandilya (and of course Badshah) are used very less, and their portions are just repeated over and over. Good, because those parts are very irritating. Also, the ‘Hicky hicky’ sung by Neha is kind of irritating too! The lyrics by Priya Saraiya are the usual fare we get to hear in such songs, and nothing really makes sense. A song that must be a mistake!!

Rating: 2.5/5

 

2. Lag Ja Gale

Singer ~ Rahat Fateh Ali Khan, Lyrics by ~ Priya Saraiya

Next up, the composers present a romantic song, very saccharine-sweet, and following a Sufi template to the tee. Again, it is shocking that Sachin-Jigar’s music gets so predictable, but let’s not complain just yet. The composition here is very beautiful, and doesn’t take time to like. The mukhda and antara are especially very beautiful. It is the hook line “tere mere pyaar nu“, that is very predictable and sounds out of place, in an otherwise beautiful song. I can’t remember which, but it sounds an awful lot like a very famous 90s song too. The presence of Rahat almost impeded me from liking the song a lot. His voice has been making songs heavy and inaccessible these days (Like it did for ‘Mere Rashke Qamar’ from ‘Baadshaho’), but thankfully, Sachin-Jigar have employed his voice prudently, and not overdone the high pitch or the aalaaps, and it comes out very beautiful. The “Rab Varga” loop gives the song a very unconventionally abrupt start, and it’s one of the best effects of the song. The arrangements by the duo are the trademark Sufi dholaks and tablas, but because of the composition, you bear with it. Also, a wonderful sarangi keeps you engaged throughout the song! The major part of the song also has acoustic guitars, making it a kind of fusion between Sufi and acoustic guitars. Priya Saraiya’s lyrics are very cute, and very simple-sweet. A rare song by Rahat Fateh Ali Khan that will be known for simplicity! I wish there was some innovation though, as it has turned out very predictable!

Rating: 4/5

 

3. Will You Marry Me

Singers ~ Jonita Gandhi & Divya Kumar, Lyrics by ~ Anvita Dutt

After two slightly disappointing songs, Sachin-Jigar get to make a wedding song for the film. Now, this song seems to be one of those disappointing songs which grow with time, because that’s what happened with me. I found it a bit weird at first, but in the successive listens, I started to like it bit by bit. Now this is purely subjective, but I still think Sachin-Jigar didn’t try to make this song (or any song from this film) complicated and layered, and that’s why this is happening. The songs are straightforward, something we hardly get from Sachin-Jigar, and that’s why we might be disappointed at first. Anyway, the composition is a peppy wedding number, complete with Punjabi phrases and effective Indian wedding arrangements. The hookline seems very cheesy at first, but becomes catchy later on. The beginning is quite entertaining, with those dialogues, and after that, Jonita’s weird programmed voice singing something gibberish, I believe. That is one of the best parts of the song. The female chorus too, is very entertaining, and the word “ponga pandit” specifically caught my interest. Lyricist Anvita Dutt has utilised it so nicely. As the hookline gets closer though, the song increases its heard-before-ness, and it becomes an ordinary wedding song by the time the hookline arrives, though it is catchy. The antara is no better. Vocals are entertaining, especially Jonita’s, and the female backing vocalists. Divya gets the same part to sing twice, and he sounds good too, but it is the composition of his parts that sounds too flat. Arrangements consist of digital beats accompanied by Indian wedding instruments like the shehnaai (wonderful interlude on that!), dhols etc. Anvita Dutt’s lyrics are very innovative at parts and very ordinary at parts. A confusing song! You don’t know whether you like it or not!

Rating: 3.5/5

 

4. Kho Diya

Singer ~ Sachin Sanghvi, Lyrics by ~ Priya Saraiya

Now comes what I’ve been expecting from Sachin-Jigar ever since ‘Meri Pyaari Bindu’ released and I loved all the songs. After that, frankly, I didn’t love any Sachin-Jigar song as much as I loved the song ‘Maana Ke Hum Yaar Nahin’, in any of their albums that released. But now, in ‘Bhoomi’, they come up with a deserving opponent for ‘Maana Ke Hum…’ with this song, another ghazal, and in my opinion, even better than ‘Maana Ke Hum…’ itself. I’ll explain why. The composition is genuinely ghazal-like, as in an actual, authentic ghazal! Though that song was also a ghazal, it did have minor Bollywood-ish touches. But in this song, Sachin-Jigar do not bow down to peer pressure in order to make a Bollywood-friendly song. The song still does carry many nuances of Sanjay Leela Bhansali’s style of composition though. I sincerely hope SLB catches this song and ropes Sachin-Jigar in for his next project! The antara is one of the most beautiful compositions I’ve heard in a while. The arrangements too, are amazing, with soothing tablas, divine manjeeras, beautiful Guitars, and scintillating strings that provide an atmosphere of love and divinity. The water drop sounds, so characteristic of SLB, sound beautiful. Sachin Sanghvi says this is his first solo song in Bollywood (He also sang a duet with Shreya Ghoshal in ‘Jayantabhai Ki Luv Story’ before this), and he does his solo debut in a smashing manner! His voice has that amazing metallic touch, which people might mistake for programming, but it is his raw voice! Priya Saraiya’s lyrics are yet again, one of the most brilliant she’s written this year. A lovely number that is surely going to stay with me for a long time!!

Rating: 5/5

 

5. Daag

Singer ~ Sukhwinder Singh, Lyrics by ~ Priya Saraiya

The pathos enters now, as it always does. Of course, because this is an Omung Kumar film after all. There has to be an overtly dramatic sad song. And that happens to be this song. Now, the composition is really good, if I have to judge as per it’s genre. But as an individual song, this doesn’t take me anywhere. After the magic that the former song had me possessed with, this song falls flat! The duo try to lift it up with an intriguing and mysterious arrangement (this guitar riffs do the trick), but how much can a song be able to be saved by good arrangements if the composition isn’t appealing? Sukhwinder adds to the tedium, with his heavy voice, and it sounds very uncomfortable. Even though the composition is so poignant, it all sounds fake due to the overcooked nature of the music and vocals. The hookline itself too, is very tedious. It sounds like something that should have released around 2008. Sadly, this one isn’t memorable at all!

Rating: 3/5

 

6. Jai Mata Di

Singers ~ Ajay Gogavale & Sanjay Dutt, Lyrics by ~ Vayu Srivastava & Utkarsh Naithani

To wrap up the album, Sachin-Jigar present a devotional song. Now Ganeshotsav has ended, and Navratri is about to start, and with the film opening just one day after Navratri starts, it seems an apt decision to include a song entitled ‘Jai Mata Di’ in the album. Now, the song is primarily a very dramatic devotional song again, to make it fit with Omung Kumar standards of drama. However, it fares a bit better than that one, thanks to the divine touch. The composition is amazing, and Sachin-Jigar mould themselves into a very trademark Ajay-Atul mode to compose this one. Actually, if Ajay-Atul had composed for the ‘Sarkar’ series, and the chants would’ve been ‘Jai Mata Di’ instead of ‘Govinda’, then this would have been the perfect background score for the ‘Sarkar’ franchise. To add to the Ajay-Atul feel, Sachin-Jigar even rope in Ajay as the lead vocalist. As always, he aces the song. Sanjay Dutt starts the song with a mantra, bt his interventions throughout the actual song when he sings “Jai Maa Jai Maa’, sound better. The arrangements are good, and Especially the strings are amazing. Other sounds like the tabla, and the pathos-filled composition make it sound like yet another SLB song, a la ‘Gajanana’ (Bajirao Mastani), and ‘Dola Re Dola’ (Devdas). This song isn’t something to enjoy with your earphones, but something to experience in theatres!

Rating: 3.5/5


Bhoomi is a great example of an album composed by talented composers, but which suffers due to their inexperience in the genre of drama. Sachin-Jigar have composed for drama films very less; they usually go for rom-coms or musicals, but in this one, their discomfort is visible while composing for such a film. They still do try to add their own elements into the album, like the quirkiness of ‘Will You Marry Me’, which diffuses into thin air later on in the song. The best song in definitely ‘Kho Diya’, which I’m sure you will agree with, and so might they themselves. Anyway, it is one of those rare occasions where Sachin-Jigar disappoint, and it will surely pass!

 

Total Points Scored by This Album: 2.5 + 4 + 3.5 + 5 + 3 + 3.5 = 21.5

Album Percentage: 71.67%

Final Rating for This Album: सा < रे < ग < म < प <  < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Kho Diya > Lag Ja Gale > Will You Marry Me = Jai Mata Di > Daag > Trippy Trippy

 

Which is your favourite song from Bhoomi? Please vote for it below! Thanks!! 🙂

EK COMPOSER, DO COMPOSER, TEEN COMPOSER!! (LUCKNOW CENTRAL – Music Review)

Music Album Details
♪ Music by: Arjunna Harjaie, Rochak Kohli, Tanishk Bagchi, Sukhwinder Singh & Mychael Danna
♪ Lyrics by: Kumaar, Adheesh Verma & Sukhwinder Singh
♪ Music Label: T-Series
♪ Music Released On: 18th August 2017
♪ Movie Releases On: 15th September 2017

Lucknow Central Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Lucknow Central is a Bollywood drama film, starring Farhan Akhtar, Gippy Grewal, Inaamulhaq, Deepak Dobriyal , Diana Penty, Rajesh Sharma and Ronit Roy. The film has been directed by Ranjit Tiwari, and produced by Viacom18 Motion Pictures, Monisha Advani, Madhu C. Bhojwani and Nikkhil Advani. The plotline of this film closely resembles that of recently released ‘Qaidi Band’, and it is obviously a coincidence of the worst case. There is a difference though. The music here, is done by multiple composers. Leading the way is youngster Arjunna Harjaie, with three songs, and after he impressed so much in ‘Titoo MBA’, I cant wait to hear what he did here. Tanishk Bagchi has two songs too, and one is a remake, because he is the remake specialist according to T-Series. Guest composer Rochak Kohli presents one song in the album. All three of these composers have proved their mettle in the past, and it goes without saying that when it is an Advani production, the film is bound to have good if not great music. Also, I think Farhan Akhtar himself looks into the music of his films, and so it is bound to be great. Comparisons between this film and ‘Qaidi Band’ are sure to happen, but I noticed ‘Qaidi Band’ relied much more on the music, and this will rely much more on plot points. It reflects even in the number of songs — that film had nine, while this one has five and one version. So let’s see if this album supports the film!


1. Kaavaan Kaavaan

Singer ~ Divya Kumar, Chorus ~ Shivek, Anubhav, Aditya, Shubham, Umesh, Veljon, Vishal and Sarthak From Asm Academy, Original Composition by ~ Sukhwinder Singh & Mychael Danna, Music Recreated by ~ Arjunna Harjaie, Original Lyrics by ~ Sukhwinder Singh, New Lyrics by ~ Kumaar

When Bollywood starts remaking songs from Hollywood movies (doesn’t matter that the song is Hindi, though) you would think things are finally messed up for real. However, it is a pleasant surprise when the remake actually turns out to be good, and quite innovative. Arjuna Harjai (now spelling his name as Arjunna Harjaie) returns after a year and a half, after the song from ‘Do Lafzon Ki Kahani’ last year, and gets the opportunity to recreate this quite popular Punjabi number ‘Ajj Mera Jee Karda’ (Monsoon Wedding). The original had been composed jointly by Sukhwinder Singh and the film’s composer Mychael Danna. Now this remake is quite a good one. The composition has been kept intact for most of the song, with Arjunna having composed a new prelude to the song, with a haunting tune that immediately gets you interested. The original composition is good, and the “Kaavaan Kaavaan” portions, which I found irritating in the original, actually sound good here. The thing that makes this remake worthwhile though, is the amazing music. Arjunna equips a booming dhol rhythm (Vishal Dande), that has the required effect on the listener, making him or her groove to it happily. The shehnaai gives a wonderful traditional feel to the song. Strings and dafli have been used occasionally to infuse a strain of pathos through the song, and especially the antara (incorporated from the original itself) is beautiful, both in tune and its arrangements. The numerous tempo changes would normally be very confusing to a listener, but here, Arjunna manages them so seamlessly, it is unbelievable. As for the vocals, Divya Kumar steps into Sukhwinder Singh’s shoes without a problem, but because he does so, it evokes memories of Divya’s own ‘Jee Karda’ (Badlapur) in the first line of the song. 😄 And then a layman can easily say, “Hey! It’s a copy!” Because he wouldn’t know that ‘Ajj Mera Jee Karda’ came before ‘Jee Karda’. But I commend the makers for firmly sticking with Divya’s voice anyway, since he has sung amazingly — the Punjabi-ness comes across beautifully through his voice, and he especially does the emotional portions very nicely. Kumaar’s additional lyrics are good too, adding on Sukhwinder’s original. An apt remake, with an amazing rhythm, and changes that do not disrupt the original song’s integrity.

Rating: 4/5

 

2. Meer-E-Kaarwaan

Singers ~ Amit Mishra & Neeti Mohan, Music by ~ Rochak Kohli, Lyrics by ~ Adheesh Verma

Rochak Kohli enters the soundtrack next, with his sole song, which happens to be a wonderful Sufi duet, with, again, a strain of pathos running through it. The composer doesn’t usually get to do such songs, but he did impress us with the amazingly soothing ‘Rozana’ (Naam Shabana) earlier this year, so it is no surprise that he ended up composing this one so well. The composition is so fresh, and quite like the Pritam school of alternative rock, it mixes Sufi sounds with a templated rock rhythm. Without the Sufi, the rock would’ve sounded incomplete, and vice versa. So it is like a beautiful combination that couldn’t be avoided. The antara is beautiful, and I must mention Neeti here, because she has sung her antara splendidly, and it is a delight to hear her in that whispery voice of hers. Her co-singer, Amit Mishra, builds on where Pritam left him off in ‘Bulleya’ (Ae Dil Hai Mushkil), and here, he makes an effort to remain soft and not as energetic as he was there, and the result is excellent. The arrangements are rich as well, the dholaks providing the authentic Sufi touch, while the amazing guitar work (Keba Jeremiah) and strokes (Tapas Roy) are one of the highlights of the song. The choruses at the end and in the second interlude, have been composed beautifully. Also, there’s a pause after the second interlude, where one thinks the song ends, but it seems Rochak has more to give us! The lyrics by Adheesh Verma are great too! A song that wonderfully mixes elements of Pritam and Shankar-Ehsaan-Loy styles of composition, and a beautiful Sufi-Rock arrangement!

Rating: 4.5/5

 

3. Teen Kabootar

Singers ~ Mohit Chauhan & Divya Kumar, Additional Vocals ~ Aflatunes, Music by ~ Arjunna Harjaie, Lyrics by ~ Kumaar, Rap Written & Performed by ~ Raftaar

Arjunna returns to the album with his second song, this time, a fun a cappella number full of onomatopoeia. The beginning itself gets your interest peaked and you listen closely right from the beginning, where the singers do an innovative sargam, that sounds excellent. The composition by Arjunna, yet again, resembles the style of a cappella that Shankar-Ehsaan-Loy are well-known for, and they have succeeded with it in songs like ‘Maston Ka Jhund’ (Bhaag Milkha Bhaag). The composition doesn’t appeal to you at once though. It is the various vocal rhythms and sound effects that help you to find it appealing. The vocalists do an amazing job. Mohit’s metallic voice is the perfect choice for the song, and when he goes seamlessly from low to high notes, it sounds wonderful! Divya usually takes the high octaves and does so here as well. These lead singers definitely do well, but the backing vocalists also provide a very fun element to the song! The interlude where they sing “Chaaku Chaaku Leke Jaa..” is so fun to listen to! Even Raftaar’s rap adds an element of fun to the song. About the arrangements, whatever I say will be less. Amazing percussions (Taufiq Qureshi’s Mumbai Stamp) and guitar work makes the song appealing to listen to, and as mentioned before, Arjunna’s amazing use of the a cappella style in a desi way makes this song sound very unconventional. Kumaar’s situational lyrics too are clever and serve the purpose well. This song might be Arjunna’s ticket to many more Bollywood films which need quirky music!!

Rating: 4/5

 

4. Rangdaari

Singer ~ Arijit Singh, Backing Vocals by ~ Arjunna Harjaie, Music by ~ Arjunna Harjaie, Lyrics by ~ Kumaar

Arijit Singh has started to get songs in every film yet again; there was a kind of low phase intermittently. The only difference is that before, it used to appear right at the beginning of soundtracks. Now it has changed. And in this album too, we see an Arijit Singh song popping up as the fourth song on the soundtrack. The composition is amazingly beautiful. Arjunna Harjaie composes a wonderful Sufi tune, which is familiar to the ears, but soothing nonetheless. The hookline is something you’ve heard time and again, but still works its magic to soothe you down. Especially that line “tu laagey mujhe dushman si..” has been composed very beautifully. The antaras are beautiful, and the whole structure of the song reminds me of the recently released ‘Bairaagi’ (Bareilly Ki Barfi) which sadly, didn’t work for me as well as this. Arjunna decorates his magical composition with stellar musical instruments. First of all, he gives the genuine Sufi touch with the dholaks (Aanchal Goud), which sound wonderful and very earthy. But it is the interlude, in which he introduces a wonderful flute piece (Shubham Shirule), accompanied by a MIND-BLOWING sargam by Arijit (or is it Arjunna?). And it is then that the song gives off beautiful Rahmanish vibes, but also gets its own place in your heart. The Duff rhythms do sound too heard-before, but they’re ignorable due to the wonderful things Arjunna has added besides that. The ethnic strings sound amazing here, and as always, Tapas Roy has done magic with them. The vocals by Arijit are top-notch, but it is his everyday composition and he aces it as was expected. The lyrics are very impressive here as well. A beautiful Sufi song, with a familiar sound, but still impressed me because of its innocence!

Rating: 4.5/5

 

5. Kaavaan Kaavaan (Remix)

Singers ~ Sukhwinder Singh & Renesa, Original Music by ~ Sukhwinder Singh & Mychael Danna, Music Recreated by ~ Tanishk Bagchi, Original Lyrics by ~ Sukhwinder Singh, New Lyrics by ~ Kumaar

So ‘Kaavaan Kaavaan’, the opening track of the album, gets a ‘Remix’, or so T-Series calls it. But this isn’t the remix of Arjunna Harjaie’s song. It is the remix of the original song from ‘Monsoon Wedding’, done by Tanishk Bagchi, the third composer of the album. Also, I wouldn’t call it a remix at all, since it might just be another remake of the song by Tanishk, but Arjunna’s must have gotten chosen as the main version. This one is merely Tanishk’s original take on this song. That having been said, I can say Tanishk has worked very hard on this one. He tries to add digital beats wherever possible to make the song sound fresh, but some places it just doesn’t work, especially after the Indian arrangements that led the Arjunna version. Not that Tanishk hasn’t added dhols and all, but the emotion of the song doesn’t come across as well in this one. For a dance track though, this is better. Tanishk also ropes in Sukhwinder himself to re-dub the song, and that’s definitely a plus point. Renesa does the female portions of the song, and she sounds awesome. What bugged me was the hookline, where I found the backing vocalists too loud. A more zesty remake, but not more effective.

Rating: 3.5/5

 

6. Baaki Rab Pe Chhod De

Singers ~ Brijesh Shandilya, Vayu, Tanishk Bagchi & Arman Hasan, Music by ~ Tanishk Bagchi, Lyrics by ~ Kumaar

Tanishk’s second song serves as the caboose for this album, closing the album on a very lively and bright note. I say this because right from the beginning of the song, you know it is going to lift your spirits. It starts quite similarly to ‘Raula’ (Jab Harry Met Sejal), with lively plucked strings. The composition is fun to listen to, too, but gets slightly disjointed in the latter parts. It starts off brilliantly though, and the hookline is delightful. The arrangements here too, are mainly digital beats, but this time they succeed in remaking the song livelier. Tanishk’s trademark liveliness comes across well through this song, and it is a thing to wonder, why he spends time in doing some remakes. The singers do justice to the song, the lead singer, Brijesh doing an exceptionally good job. Little Arman Hasan, who we heard in ‘Kankad’ (Shubh Mangal Saavdhan), singing alongside his father Raja Hasan, does well too. Vayu has probably done some backing vocals, so I couldn’t really place him in the song! Kumaar’s lyrics, are amazing. He writes some amazingly positive lines in this one too, taking the support of various scientific inventors like Thomas Edison and Graham Bell. Lively song, but could’ve been slightly better!

Rating: 4/5


Lucknow Central is one of those rare multicomposer albums that is a delight to listen to. Well, I guess when each composer knows what he is best at, and delivers the best of whatever he is best at, with the proper supervision by the director and producer, the multicomposer album can also turn out well. Ek Composer, Do Composer, Teen Composer, But No Sign That This Album is Multicomposer!!

 

Total Points Scored by This Album: 4 + 4.5 + 4 + 4.5 + 3.5 + 4 = 24.5

Album Percentage: 81.67%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Rangdaari = Meer-E-Kaarwaan > Kaavaan Kaavaan = Baaki Rab Pe Chhod De = Teen Kabootar > Kaavaan Kaavaan (Remix)

 

Remake Counter:
No. Of Remakes: 31 (from previous albums) + 02 {counting both different takes on ‘Ajj Mera Jee Karda’} = 33

 

Which is your favourite song from Lucknow Central? Please vote for it below! Thanks! 🙂

FORMULA FOR SUCCESS: SIMPLE REHNE DE!! (SIMRAN – Music Review)

Music Album Details
♪ Music by: Sachin-Jigar
♪ Lyrics by: Priya Saraiya & Vayu Srivastava
♪ Music Label: T-Series
♪ Music Released On: 25th August 2017
♪ Movie Releases On: 15th September 2017

Simran Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE

To hear “Baras Ja” on Saavn CLICK HERE

To buy “Baras Ja” on iTunes CLICK HERE

♪ To hear “Baras Ja” on YouTube:


Simran is an upcoming Bollywood drama film, directed by Hansal Mehta, produced by Bhushan Kumar, Krishan Kumar, Shailesh R. Singh, and Amit Agarwal. The film stars Kangana Ranaut, Soham Shah, Mark Justice, Hiten Kumar and Esha Tiwari Pande in crucial roles. The film revolves around a Gujarati lady settled in the United States of America, who gets involved in crime. The film does seem quirky and very racy, and definitely very humorous. Now, Hansal Mehta usually does not rely on music to carry his films forward, as is evident from the fact that out of his recent film, ‘Shahid’ had just one song (not even released properly by a music label), and ‘Aligarh’ had no songs. Then there was ‘Citylights’, which, due to it being a joint venture with the Bhatts, had a stellar album by Jeet Gannguli. This film seems to be Hansal’s lightest film in a long time, and the result is that we can read the names of Sachin-Jigar in the credits, for music. Now, roping in Sachin-Jigar can’t mean anything except that Hansal wants great music for this film, doesn’t it? Accordingly, Sachin-Jigar have scored six songs for the film, and very situational too. Still, before I reveal much, let’s see how the music fares!!


1. Lagdi Hai Thaai

Singers ~ Guru Randhawa & Jonita Gandhi, Lyrics by ~ Vayu

“Doodho nahaao, phoolo phalo tum,
LED jaisi karna glow tum,
Sabko duayein yeh naseeb rakhna,
Jodi sada ye muskuraaye!
Maike ki photo ik kareeb rakhna,
Aisa na ho ki bhooli jaaye, jaaye, jaaye!
Jadon nache baby sajj dhajj, Lagdi hai thaai!”

– Vayu

It must be so difficult to compose for seven film albums in a year, but Sachin-Jigar are up and about, composing for the fourth album, which happens to be ‘Simran’. The first song matches Sachin-Jigar’s roots, as it is a Gujarati track by soul, but Punjabi by sound. Actually, it’s a beautifully thought out fusion of Gujarati and Punjabi, something nobody would ever be able to do this well and this seamlessly! The composition is perfectly suitable for a song that should make you get up and dance, and the desi touch, both Punjabi and Gujarati, add to the enjoyability of the song. Both the mukhda and the antara have been composed on the same tune, and Sachin-Jigar follow the trend to keep the song short and more appealing. The short length never hampers the beauty of the song. The hookline is amazing as well, but it is the arrangements that makes the song sound amazing. When it starts, you may be quick enough to dismiss it as yet another typical Punjabi number, added into the album just to be another ‘London Thumakda’ (Queen), but later you realise the magic, when the Gujarati dhols begin to awe you. The brass band (Trumpets by Kishore Sodha) is used very nicely here, and without sounding stale or heard-before, it provides a nice and fresh touch. But what is really amazing, is that wonderful flute (Naveen Kumar) which has been played in a very typical Gujju style, and it does nothing but inspire you to learn how to play flute! 😛 But I’m sure this kind of a flautist would take years to become so good! The vocals are amazing. At first, I thought Guru Randhawa has been chosen just because he has a history of many pop songs with T-Series, but turns out, he has given the Punjabi touch to the song very genuinely, and keeps aside all his pop song background for this one filmy song! Jonita is a surprise package; singing in Gujarati and all — though I think she is Gujarati. Anyway, she sings the old lady portions with as much ease as she does the lead heroine’s portions! In fact, she sings the Dadi Maa portions in Gujarati even better!! One thing I didn’t enjoy was the drunk part at the end, it seemed forced. Vayu’s lyrics are some of the most positive wedding song lyrics I’ve seen in Bollywood, a place where people come to weddings only to eat, drink and dance. But here, Vayu makes the characters sing things like “LED Jaisi Karna Glow Tum!” I swear, it is one of the most positive blessings I’ve heard in a Bollywood wedding song, and so less dramatic than the blessings they used to sing in songs like ‘Maahi Ve’ (Kal Ho Naa Ho) and all! All in all, this is a very enjoyable Gujju-Punjabi fusion, with amazing arrangements to accompany the energetic vocals!!

Rating: 4.5/5

 

2. Pinjra Tod Ke

Singer ~ Sunidhi Chauhan, Lyrics by ~ Priya Saraiya

“Jannat ke saaye, jannat le aaye hai,
Baahon mein, ab zindagi,
Kismat ki dori jo, baandhi woh kholi,
Jeene chali, main abb zindagi,
Pinjra tod ke, tod ke, udd jaana hai,
Baahein kholke, kholke, udd jaana hai!”

– Priya Saraiya

The next song starts off as a mellow composition, with piano notes almost assuring you that this is going to be a sad number. However, it is wonderful to see how Sachin-Jigar seamlessly change the mood of the song, making it uplifting and motivational as the song progresses. That is almost like a symbol infused into the song by Sachin-Jigar. The lyrics by Priya Saraiya talk about breaking free of restrictions, and flying freely — so Sachin-Jigar have probably structured the song in a way to resemble that, starting off very slowly, but breaking free subsequently! What a wonderful form the song takes on, once you realise that! Sachin-Jigar’s composition is nothing new, it is the usual Sunidhi pathos, but it works wonders even though it is heard-before. After all, it isn’t necessary for things to be complicated to like them, is it? The hookline is very motivating, as is the second antara, a sprightly conclusion to the otherwise soft song. It takes on a more energetic tempo and composition, and even has more energetic arrangements, since the electric guitars and drums truly break out in that part. The rest of the arrangements have a soothingly Western touch — starting off with amazing piano, progressing into a euphoric acoustic guitar-led arrangement, until the aforementioned second antara arrives. The interludes contain a wonderful “Oley Oley“, by a backing vocalist I suspect is Jonita Gandhi, she sounds exactly like her. This type of song nowadays, usually goes to Sunidhi, and she aces it, as always. It’s nice to see her finally getting recognised not only as a singer of those upbeat numbers she was terribly typecast for in the late 2000s. Priya Saraiya’s lyrics, as mentioned before, are motivating and uplifting, in the true sense! This is probably Priya’s best work in a long time! A beautiful song, with a simple and heard-before vibe, but still manages to impress monumentally!!

Rating: 5/5

 

3. Meet

Singer ~ Arijit Singh, Lyrics by ~ Priya Saraiya

“Tu hi mera meet hai ji,
Tu hi meri preet hai ji,
Jo labon se ho sake naa judaa,
Aisa mera geet hai ji!”

– Priya Saraiya

The next song happens to be a very happy-go-lucky romantic song, sung by Arijit, the kind of song Sachin-Jigar have usually done many times with Atif. Since their songs with Arijit have always been unconventional and never-heard-before, this comes as a surprise, as it conforms to the regular Arijit school of romance. However, the composition is really charming, and has you hooked (at least to the hookline) in the first listen. In the subsequent listens you “try” to get hooked to the mukhda and antara. Sadly, I still can’t recall the tunes of these portions immediately, even after having listened to the song at least six times by now. Does that mean the song is bad? Not at all. The song is amazing. Sachin-Jigar weave magic even with those notes that evoke memories of compositions by other composers, but doesn’t really evoke memories of any song in particular. It has the charm of an old Bollywood song, and it is the kind of composition to which we would say “Ah, the nostalgia”, after listening to it after a long time somewhere in the future. It is for this reason that the song gets such a huge repeat value even though it isn’t hooking as such. The hook has wonderful variations Arijit takes not every time, so they remain exclusive, but you keep waiting for the times he does take those variations! The arrangements are just as soothing as the composition; again, a wonderful piano piece opens the song, coupled with a magical and fairy-tale-like strings portion, until the Acoustic guitars come in to lighten up the mood. The whole thing sounds so fulfilling with that wonderful composition. The guitar riff repeats throughout the song. The interlude has a nice flute portion, which keeps you listening, if not hooked. Arijit aces such songs, and does so yet again. Again, I must mention those wonderful aalaaps of his, in the hookline. Priya writes amazing lyrics here too, but here they’re quite simple, even more simple than ‘Pinjra Tod Ke’, and has a plain and straightforward theme — love. A charming love song, with simplicity ruling it.

Rating: 4.5/5

 

4. Single Rehne De

Singers ~ Shalmali Kholgade & Divya Kumar, Lyrics by ~ Vayu

“Mere dad bole karle shaadi, varna marr jaayegi boodhi daadi,
Shaadi kar, shaadi kar, shaadi kar, aakkho din shaadi kar,
Aur koi kaam nahi hai kya??”

– Vayu

A laugh riot arrives next, with a song that’s evidently about the main character trying to convince her father to let her stay single. There is actually very less by way of composition in the song, whatever little there is, just keeps repeating. The song is more like a rap, but it is the lyrics that hold it higher than it would have been. Vayu cracks you up with humorous lines that usually don’t find their way into songs; they are typical to scripts of rom-coms, but I find it very cool for them to find their way into a song. The production too, is good, but very repetitive again. Nevertheless, it goes with the unconventional nature of the lyrics. Shalmali Kholgade renders the rap with a feisty attitude, and Divya Kumar, relegated to the background does his one line well. Shalmali says the conversational portions of the song, at the beginning in such a funny, humorous way, that you start to get interested in the song due to her! Not a very fresh composition, but fresh lyrics and vocals, and even arrangements, which are sadly repeated too much!

Rating: 4/5

 

5. Simran

Singer ~ Jigar Saraiya, Lyrics by ~ Priya Saraiya

“Chulbuli hai, chulbuli hai, nakchadhi hai, manchali hai,
Palak jhapakte falak churaa le apni Simran!
Jaani anjaani, thodi si deewaani,
Deewaana sabko banaa de apni Simran!
Ho, suljha ke hi khud hi yeh badhaye apne dil aur dimaag ki uljhan!
Oye oye oye Simran, alhad si Simran!
Na jaane tu chali re kahaan!”

– Priya Saraiya

The title song which we heard in the trailer is presented to us next, and it is this song which is actually the one that took the most time for me to like. The composition is very likeable, and has a lilting charm to it, in a very playful way, and has a charming ‘Barfi’-esque vibe to it, with the numerous sound effects and the whole description of the main character. The composition is great, if you look at it, but the arrangements confused me. Firstly, I was apprehensive about them because they were so similar to the ‘Barfi’ title track, with the whole accordion, mandolin and vocal sound effects, that I wasn’t sure if I liked them! I love ‘Barfi’, but I just felt weird about this song being so close to that. Later on, I started appreciating the arrangements, because of their lilting European touch and it was definite that Sachin-Jigar’s music would be inspired by Pritam’s as they were his disciples after all! Jigar has sung the song himself, and he has carried it out very well, and his raw, Un-autotuned vocals make the song even better as it sounds more natural and casual! The lyrics by Priya too, do a great job in acquainting us with the character of Simran, and her nature. A good title song, with an amazing arrangement.

Rating: 4.5/5

 

♪ Bonus Song

♪ Baras Ja

Singer ~ Mohit Chauhan, Lyrics by ~ Priya Saraiya

“Jo nainon mein hai boondein,
Inhe rukhsaar ko, jee bhar ke chhoone de zara…
Ae dil, baras jaa, baras jaa na!
Abb toh aakar bhigo de tu mujhe!”

– Priya Saraiya

Now this song released later, a few days after T-Series had released the “Full Album”. Coincidentally, it had flooded in Mumbai on that day, and they came with a song called ‘Baras Ja’ the same night, so maybe they were waiting. 😶 Anyway, the song is probably the best, and least simple song on the soundtrack. It has a very complicated tune, but in spite of that, it is so easily loveable! It starts with a very sublime sound of the matka, and again, a soothing flute portion (Sachin-Jigar have really gotten it right with the flute in this album!!) that ensures you that this song was worth the wait! The composition is beautiful, very 90s, and very earthy at the same time, being very soothing. The antara is very, very amazingly composed, and Sachin-Jigar mix elements of Pritam’s and Rahman’s style of composition, to present to us a song, that is rooted to Indian music, especially in the arrangements. The song is decorated with beautiful flute pieces, and the Indian percussion really helps give it that earthy feel. Wonderful piano notes provide the much needed Western touch to the song too, but the Indian-ness overpowers it. Mohit Chauhan reminds us of his ‘Tum Se Hi’ (Jab We Met) days, and croons the song just as mellifluously. He does get a beautiful song all to himself after a long time, after having two songs by Pritam in ‘Jab Harry Met Sejal’, sharing space with a co-singer in both of them. This is his first solo song after a long time! Priya Saraiya’s lyrics again, are very effective in bringing out the romance, and help give the song another thing to boast about. If it had been released earlier, it would’ve been easier for people to find, with all the other songs of the album, and got more audience! I am sad because this is definitely the best of the album!!

Rating: 5/5


Simran is yet another beautiful album from Sachin-Jigar. After three albums this year, out of which one was a multicomposer one, they strike gold yet again with their fourth one. I definitely think we can attribute the beauty of this album to one and only one reason — that it’s a solo composer album, and the director Hansal Mehta was clear in what he wanted. The freedom and creative liberty given to Sachin-Jigar is evident, because they’ve made some of the most beautiful melodies, without making things too complicated. That shows us how things can be made more attractive by following a simple formula — “Simple Rehne De!!

 

Total Points Scored by This Album: 4.5 + 5 + 4.5 + 4 + 4.5 + 5 = 27.5

Album Percentage: 91.67%

Final Rating for This Album: सा < रे < ग < म < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Baras Ja = Pinjra Tod Ke > Meet = Simran = Lagdi Hai Thaai > Single Rehne De

 

Which is your favourite song from Simran? Please vote for it below! Thanks! 🙂

A RISHI RICH BEAT SAVES THE POSTER BOYS!! (POSTER BOYS – Music Review)

Music Album Details
♪ Music by: Tanishk Bagchi, Daler Mehndi, Dilip-Sameer, Rishi Rich, Sunai Marathe, Shreyas Iyengar & Sonny Ravan
♪ Lyrics by: Shabbir Ahmed, Javed Akhtar, Kumaar, Saurabh Pandey & Sonny Ravan
♪ Music Label: T-Series
♪ Music Released On: 19th August 2017
♪ Movie Releases On: 8th September 2017

Poster Boys Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Poster Boys is an upcoming satirical Bollywood film, starring Sunny Deol, Bobby Deol and Shreyas Talpade in lead roles. The film is an official remake of Shreyas-directed Marathi film ‘Poshter Boyz’, and is also directed by Shreyas Talpade himself. The film is produced by Sunny Sounds Pvt. Ltd., Shreyas Talpade and Deepti Talpade. The film revolves around three men who suffer humiliation in their village when they appear on an advertisement for vasectomy, without their knowledge or permission. The film seems like a comic caper, at the same time trying to create awareness about this. The music, which I actually expect to be bad, just because this film seems like one of those films where music plays a minuscule role, is by four composer entities. Remake master Tanishk Bagchi comes back with a remake here, while Rishi Rich gets to compose an original. The album also serves as the debut vehicle for three new composers, a duo, Sunai Marathe Shreyas Iyengar, and an individual, Sonny Ravan. So let’s see how this album with half its songs by known personalities, and half by newcomers, fares!


1. Kudiyan Shehar Diyan

Singers ~ Daler Mehndi & Neha Kakkar, Original Composition by ~ Dilip-Sameer & Daler Mehndi, Music Recreated by ~ Tanishk Bagchi, Original Lyrics by ~ Javed Akhtar, New Lyrics by ~ Shabbir Ahmed

So T-Series messes up with credits again — the old song ‘Kudiya Shehar Di’ (Arjun Pandit; 1999) which this song is a remake of, was credited to Dilip and Sameer Sen, but now they credit Daler Mehndi as its composer! Anyway, Tanishk (the go-to recreator these days) tries to infuse more life into the already lifeless and staid Punjabi number (or so I personally feel), by giving it a better mixed dhol arrangement, and having Neha Kakkar sing the female parts. But replacing one screechy singer (Alka Yagnik in the original) with another screechy singer, is not too wise! The only energy in the song is because of Mehndi’s amazing singing. Tanishk hasn’t actually newly composed anything; the song is just permutation and combination of the parts in the old song. Lyrics are functional, nothing great. An okayish remake of an okayish song.

Rating: 2.5/5

 

2. Kendhi Menoo

Singers ~ Yash Narvekar, Sukriti Kakar & Ikka Singh, Music by ~ Rishi Rich, Lyrics by ~ Kumaar

Rishi Rich is in charge of the next song: a nice hip hop number with a peppy and groovy beat that instantly has you hooked. The composition too, is quite catchy. Especially the hookline’s tune. The antara isn’t great, but good enough to go with the amazing beats. The arrangements are the highlight of the song, and those trumpet sounds are some of the best beats in a Bollywood hip-hop song this year. That being said, it isn’t like the song is extraordinary either, just surprisingly good enough and compared to the others in the album, it is a masterpiece. The vocals are nice too, with Yash Narvekar and Sukriti carrying the hip-hop vibe very well. I wish Sukriti wouldn’t mumble though. Ikka’s rap is good too! The lyrics are understandably ordinary. A good hip-hop number with a groovy “Rishi Rich beat”.

Rating: 3.5/5

 

3. Noor-E-Khuda

Singer ~ Kailash Kher, Music by ~ Sunai Marathe & Shreyas Iyengar, Lyrics by ~ Saurabh Pandey

This song is the typical Bollywood sad Qawwali, which gets played in movies whenever things are going wrong. Usually it’s Sukhwinder Singh or Kailash Kher singing these Qawwalis, and sure enough, here, the newcomer duo, Sunai Marathe & Shreyas Iyengar, present the song in Kher’s voice. The composition itself is very maudlin and typically dramatic. The roopak rhythm, as overused as it is, sounds very heavy here, and I am beginning to feel like it should be used less often now! The tablas and claps too, are very typical — nothing new. The lyrics are good as they should be, but again, very typical. Kailash Kher has the tendency to bore in such songs, but here it’s everything else that draws you away from the song.

Rating: 2/5

 

4. The Posterboys Anthem

Singer ~ Shree D, Music by ~ Sonny Ravan, Lyrics by ~ Sonny Ravan

Now the second debutant gets to end the album with something called the “Poster Boys Anthem”, and I must say, it is quite a tedious anthem. And also one of the saddest debuts I’ve seen. The composition is dead, and seems like someone who doesn’t know much about what it takes to make a good song, came out and composed a song for an everyday morcha, and decided to use it here. I don’t even know where this kind of a song would fit as the theme song to a satire as this. The vocals are so bad, it’s unbelievable. SKIP!

Rating: 0.5/5


Poster Boys is yet another bad multicomposer album. It pains us reviewers when our point is proved that the multicomposer trend is slowly corroding the quality of music. Well, actually, the trend isn’t to blame here. The makers could’ve gone for more established and seasoned artists, who would’ve composed some good music!!

 

Total Points Scored by This Album:  2.5 + 3.5 + 2 + 0.5 = 8.5

Album Percentage: 42.5%

Final Rating for This Album: सा < रे < ग  <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Kendhi Menoo > Kudiyan Shehar Diyan > Noor-E-Khuda > The Posterboys Anthem

 

Remake Counter:
No. Of Remakes: 30 (from previous albums) + 01 = 31

 

Which is your favourite song from Poster Boys? Please vote for it below! Thanks! 🙂

RATHER ‘DEAD’Y!! (DADDY – Music Review)

Music Album Details
♪ Music by: Sajid-Wajid, Olefonken & Bappi Lahiri
♪ Lyrics by: Danish Sabri, Prashant Ingole & Anjaan
♪ Music Label: T-Series
♪ Music Released On: 21st August 2017
♪ Movie Releases On: 8th September 2017

Daddy Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Daddy is an upcoming biographical crime film, starring Arjun Rampal, Aishwarya Rajesh, Anand Ingle and Nishikant Kamat. The film is directed by Ashim Ahluwalia, and produced by Arjun Rampal and Rutvij Patel. The film documents the life of gangster-turned-politician Arun Gawli. The film has music by Sajid-Wajid and a Norwegian DJ named Olenfonken, and I would expect something good from a movie about a gangster’s life. Let’s see how close to my expectations the composers deliver!


1. Eid Mubarak

Singers ~ Shabab Sabri & Tanvir Hussain, Music by ~ Sajid-Wajid, Lyrics by ~ Danish Sabri

Sajid-Wajid are usually great at Qawwali, and here they present a Qawaali as the first song. Well, the composition is the traditional Qawwali, and so it isn’t hooking right away, but if you’re the Qawwali lover, you would love it. As always, for a Sajid-Wajid song, they give it booming arrangements, making it worth listening to as a Qawwali. Harmonium, tablas, dholaks make the arrangements very rich and beautiful. As for the vocals, Shabab and Sa Re Ga Ma Pa 2016 contestant Tanvir Hussain (who’s exceptional with those aalaaps), handle them well. Lyrics are suitable too. A trademark Sajid-Wajid Qawwali.

Rating: 3/5

 

2. Zindagi Meri Dance Dance

Singers ~ Alisha Chinai & Vijay Benedict, Original Composition by ~ Bappi Lahiri, Music Recreated by ~ Olefonken, Lyrics by ~ Anjaan

Now I know I’m breaking my own rules, but this song is so bad it calls for a long review. 😅 Get ready. So the song starts with a nice, retro beat (the beat from Bappi Lahiri’s old song “Zindagi Meri Dance Dance” from “Dance Dance”, the song which this song is a “remake” of). After that an emcee announces that we, the audience are now going to be taken to the moon, and asks us to look at a rocket, in which the whole audience will apparently fit, without any food supply, water supply or anything. Then he erases all our doubts and tells us that a particular Mehbooba and her Mehboob are going to climb out of this rocket, and dance, in the “pyaar ki masti“, on the moon. Then we get to hear the Mehbooba, who says “Hi Darling, I want to daaaaance with you. Daaaaance. Daaaance of love. Daaaaance on the moon.” It’s so cringeworthy you feel like stopping the song then and there, but you continue for the sake of it. Later we learn that the boy’s life is “Dense” (“Zindagi Meri Dense Dense“). Well of course bro, life is a dense jungle, you need to bear with it. Luckily for us, the girl pronounces “Dance” well enough. All throughout the song, a good composition is spoiled by various stupid interjections by the characters, and it is so irritating. Midway, the Mehboob decides he has the money and brains enough to take his Mehbooba to Venus. Now if I were him I would die before going to Venus, because I would anyway die on Venus. Someone please tell him he’s gonna die on Venus. His Mehbooba, stupid as she is, complies, and gets all happy about going to Venus, and even counts down! And then the stupid backing chorus sings “Venus! We Are Venus!” I don’t know if they know they’re speaking incorrect English or whether they think they are Venus. The Mehboob and Mehbooba further go on to romance on Venus! She says “Dekhe Jo Tu Aise Mujhe, Mere Kadam Dagmagayein!” Well, I bet that’s because of the poisonous gases, lady. But she doesn’t get the point, and keeps romancing him. Later she gets bored of Venus (Or maybe an alien is after them) so the lady very casually points out, “Darling, Chalo Kisi Aur Duniya Mein Chalo” (Let’s go to another world.) And the smart Mehboob immediately says “Mars.” Ugh, idiot!! Thankfully they don’t romance on Mars, and the makers stop the song there, instead of going till Pluto. Still, the song ends at a staggering six and a half minutes! 😛 Olefonken has basically remixed the old song, but nobody will like it anyway. The only thing this is good for, is a hearty laugh.

Rating: 1.5/5

 

3. Aala Re Aala Ganesha

Singers ~ Wajid & Ganesh Chandanshive, Music by ~ Sajid-Wajid, Lyrics by ~ Prashant Ingole

Where the first song was a Qawwali, the last song is a Ganesha song. And very badly composed too. Such a dark composition doesn’t suit a Ganpati song at all. It’s a typical Sajid-Wajid bad composition with no appeal at all. Those percussions are the same percussions they use everywhere, the dhol taashas, but that’s actually the best part of the song. The vocals are terrible, Wajid doing it himself. He is accompanied by Ganesh Chandanshive (‘Deewani Mastani’ fame) who disappoints as well. Lyrics are just so cringeworthy, like “Shambhu Cha Baal Kon?” (Who is Shankar’s son?). And then the chorus answers ‘Ganesha’. Another bad Ganesha song to release in the season, after the one from ‘Sniff’.

Rating: 1.5/5


Daddy is such a bad album, it is unbelievable. Two composers who used to be on the A-list of Bollywood composers once upon a time, now making this kind of music, is really sad. The guest “song” by Norwegian DJ Olefonken too, is dumb. Rather than “Daddy”, it should be called “Dead-y”!!

 

Total Points Scored by This Album:  3 + 1.5 + 1.5 = 6

Album Percentage: 40%

Final Rating for This Album: सा < रे < ग  <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Eid Mubarak > Zindagi Meri Dance Dance= Aala Re Aala Ganesha

 

Remake Counter:
No. Of Remakes: 29 (from previous albums) + 01 = 30

 

Which is your favourite song from Daddy? Please vote for it below! Thanks! 🙂

NOTHING ROYAL ABOUT THE ALBUM!! (BAADSHAAHO – Music Review)

Music Album Details
♪ Music by: Tanishk Bagchi, Ankit Tiwari, Neeraj Arya’s Kabir Cafe, Nusrat Fateh Ali Khan & R.D. Burman
♪ Lyrics by: Manoj Muntashir, A1 Melody Master – Fana, Nusrat Fateh Ali Khan & Sahir Ludhianvi
♪ Music Label: T-Series
♪ Music Released On: 19th August 2017
♪ Movie Releases On: 1st September 2017

Baadshaho Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Baadshaho is an upcoming crime action thriller, starring Ajay Devgn, Emraan Hashmi, Vidyut Jammwal, Ileana D’Cruz, Esha Gupta and Sanjay Mishra in lead roles. The film is directed by Milan Luthria, and produced by Bhushan Kumar, Krishan Kumar and Milan Luthria. The film follows the story of a gold robbery from a train in the 1970s. The music album is yet another of those albums produced by T-Series wherein a load of people have been hired to remake songs. Here too, we have three remakes, two by Tanishk Bagchi, and one by Neeraj Arya’s Kabir Café, who remake Saint Kabir’s songs. Ankit Tiwari has done the last song, and it is an original song. Let’s see just how un-royal this album is.


1. Mere Rashke Qamar / Mere Rashke Qamar (Female Version) / Mere Rashke Qamar (Remix)

Singers ~ Rahat Fateh Ali Khan & Nusrat Fateh Ali Khan / Tulsi Kumar / Rahat Fateh Ali Khan & Nusrat Fateh Ali Khan, Additional Vocals by ~ Shabab Sabri & Altamash Faridi, Original Composition by ~ Nusrat Fateh Ali Khan, Music Recreated by ~ Tanishk Bagchi, Original Lyrics by ~ A1 Melody Master – Fana & Nusrat Fateh Ali Khan, New Lyrics by ~ Manoj Muntashir, Remix by ~ DJ Chetas

Nusrat Fateh Ali Khan’s Qawwali that has suddenly gotten a popularity spurt, had to be remade in a Bollywood film, and it happens to be this one. It appears in three versions. Tanishk ropes in Rahat, which is an apt decision, but nevertheless, the song is a letdown. Rahat sings in a very painfully high-pitched voice, and Tanishk gives it a very modern and digital based arrangement, making the song lose its soul. And those backing vocalists are just a pain to the ears. Tulsi Kumar’s version is surprisingly less high-pitched and hence less harsh to the ears. But the backing vocalists ruin it again. DJ Chetas’ remix is abominable. The lyrics have been modified to make it more Bollywoodish, but it gets more boring and tedious. The most tedious and loud romantic song ever!

Rating: 2/5 for Rahat Version, 2.5/5 for Tulsi Version, 1/5 for Remix

 

2. Piya More

Singers ~ Neeti Mohan & Mika Singh, Music by ~ Ankit Tiwari, Lyrics by ~ Manoj Muntashir

Ankit’s only song in the album is an item song, which features Emraan Hashmi with Sunny Leone. The composer has used the composition of his old song ‘Nasha Sar Pe Chadke Bole’ (Dee Saturday Night), and made it, and that had a very nice 50s-ish sound in the hookline. However, legal issues followed, and he changed the hook tune, making it sound so distorted, it is disgusting. So now I don’t like the hook tune, and the rest of the song was anyway a typical item song tune. Neeti’s vocals are awesome, but Mika (a double track of his vocals, God save us) sounds horrendous. The arrangements are nice, and the sarangi interlude is fun. Lyrics are bad. Could’ve been much better!

Rating: 2.5/5

 

3. Socha Hai / Socha Hai (2nd Version)

Singers ~ Jubin Nautiyal & Neeti Mohan / Jubin Nautiyal & Neeti Mohan, Original Composition by ~ R.D. Burman, Music Recreated by ~ Tanishk Bagchi, Original Lyrics by ~ Sahir Ludhianvi, New Lyrics by ~ Manoj Muntashir

Again, this song was a remake of ‘Keh Doon Tumhe’ (Deewaar), until they changed it recently, and now it seems like they’ve tried to erase any trace of the old song. I don’t know why. Now it sounds so forced, I don’t know why they would interfere with art that way. The tune seems tweaked and stretched everywhere, to try to take it out of the ‘Keh Doon Tumhe’ mould. The funniest part is that now, there’s no mention of ‘Socha Hai’ in the song, which was there before. The vocals are good, but for Neeti’s portion, it sounds like somebody has a cloth tied around her mouth, which made her voice muffled. That sounds bad! Tanishk’s new antaras are the best parts of the song. Previously they had parts of the old song there too, but sadly those are gone too. Oh and the two versions are just one that is edited out of the other — why couldn’t they just keep it one version?? I don’t know what’s going on, but this song got a horrible makeover.

Rating: 2.5/5 for Short Version, 2.5/5 for Long Version

 

4. Hoshiyar Rehna

Singer ~ Neeraj Arya, Music & Lyrics Traditional, Music Recreated by ~ Neeraj Arya’s Kabir Café

Neeraj Arya’s Kabir Cafe remakes traditional folk songs by Kabirdas. Here they present us with a very staid and clichéd and very preachy folk number that tries to tug at your heart, but is too weak. The song proceeds very monotonously, and the dialogues thrown in increase its heaviness. The arrangements are good with the Rajasthani touch, but again, some variations in terms of arrangements would’ve been welcome! Even Neeraj’s vocals are quite bland. Very straightforward and preachy, boring song.

Rating: 2.5/5


Baadshaho Is the typical below average multicomposer, full of remakes fare. It has four songs, out of which three are remakes, and then it has three versions of the remade songs. The only original song too, sounds like a distorted 50s song. There’s nothing Royal about this album! 

 

Total Points Scored by This Album:  2 + 2.5 + 1 + 2.5 + 2.5+ 2.5 + 2.5 = 15.5

Album Percentage: 44.29%

Final Rating for This Album: सा < रे < ग  <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: You Decide!

 

Remake Counter:
No. Of Remakes: 26 (from previous albums) + 03 = 29

 

Which is your favourite song from Baadshaho? Please vote for it below! Thanks! 🙂