LAIDBACK BREATHS! (SAANSEIN – Music Review)

Music Album Details
♪ Music by: Vivek Kar
♪ Lyrics by: Kumaar
♪ Music Label: T-Series
♪ Music Released On: 26th October 2016
♪ Movie Releases On: 11th November 2016

Saansein Album Cover

Saansein Album Cover

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Saansein is an upcoming Bollywood horror film, starring Rajneesh Duggal, Sonarika Bhadoria and Hiten Tejwani. The film has been directed by Rajiv S. Ruia, and produced by Goutam Jain and Vivek Agarwal. The story is about a club singer, who, every night after her performance, disappears without talking to anyone or meeting anyone. She’s probably possessed.. Come on, Bollywood, we know you better than you do yourself! Anyway, the movie is a horror/romance film, and in such movies, I expect wither a chilling and spine-tingling score, or a sappy, romantic, typical Bhattish score. The music of the film has been entirely composed by Vivek Kar, which makes this his first solo album ever. He is fresh from the success of his song ‘Cycle Se Chalaang’ (Saat Uchakkey), and now he is here with a complete album of a horror film. Going by the songs he composed in his previous albums (‘Zindagi 50-50’, ‘Meeruthiya Gangsters’, ‘Direct Ishq’, ‘One Night Stand’ etc) I think he’s going to give the second category of music I expect for such films (the typical romantic songs), but I do expect a lot more as it is his first solo album. So, without further ado, let’s go through the music of ‘Saansein’, and see how horrific it is!


1. Mera Ishq
Singers ~ Ash King, Arijit Singh & Swati SharmaBacking Vocals ~ Dev Negi & Joi Barua

Vivek Karta presents, as the first song on the album, a fresh and pleasant romantic number, that does impress, but fails to bring that climax point throughout its whole length. I’ll explain. So, the song starts off, with a soothing English verse, that has the backing vocalists Dev Negi and Joi Barua pronouncing words in a quite hilarious way. However, as soon as the main melody kicks in, you starts finding the song to be not as bad as you thought it would be. The mukhda starts with Swati singing some lines in a very soothing but heard-before-ish tune, which sounds a lot better than the songs she sang after her launchpad ‘Banno’ (Tanu Weds Manu Returns). Then Arijit enters with a nice, goosebumps-giving tune, that I think would have sounded quite ordinary had he not sung it. And then, the whole song is passed over to Ash King. It is like Arijit & Swati are backing vocalists like Dev and Joi. Anyway, the hookline sounds brilliant, until you remember the antara of that old song, ‘Yunhi Kat Jaayega Safar’ (Hum Hain Raahi Pyaar Ke), after which the hook sounds like a direct lift-off from the old song. The antaras of this song are soothing, and probably the best part of the song, but what I don’t understand is, why Arijit keeps singing only the same line. He sings it so beautifully that I don’t know why Ash has been given the other parts, which seem tailor-made for Arijit! We saw Ash overshadow Arijit earlier this month in ‘Alizeh’ (Ae Dil Hai Mushkil), but here, Arijit overshadows Ash with just his one line against Ash’s almost-entire song. The English verses just sound bad and quite laid-back. Arrangements are soothing too, until you delve deeper and understand how normal they are. The rhythm is nice, with the digital sounds sounding great occasionally, but the programming is horrendous. The sound isn’t clear, resulting in the instruments seeming to be mixed into each other. The flute though, is beautiful! 🙂 Kumaar’s lyrics are more ordinary stuff in an already ordinary song. Seems harmless at first, but the faults start popping up as you delve deeper. A good way to spoil a nice composition.

 

2. Tum Jo Mile / Tum Jo Mile (Unplugged) Singers ~ Armaan Malik / Amit Gupta & Pratap Dodla

The next song on the album fares a lot better than the first one, in that it gets the composition just as right as the first song, but that composition is also carried forward well, and embellished with good recording. The composition, though it might sound very heard-before, just like the previous song, does interest the listener, if not fascinate. The mukhda starts the song off well on a mellow note, while the hookline works well. Though it is one of those self-proclaiming hooklines, I really can’t imagine how else the hookline could’ve been incorporated into the song. The initial notes of the hookline somehow reminded me of the line “Abb toh humein…” from ‘Kandhon Se Milte Hain Kandhe’ (Lakshya) but then rather quickly dissipates and changes course. The hookline also consists of a small line with the mandatory word, “Rabba” in it. That part is quite good too. The antara is pleasant too, and again, heard-before, but functional. There is a nice little conclusion stanza at the end, which I quite liked. The main reason the song seems to work, is the vocals, which have been done amazingly by Armaan Malik, who infuses his charm into everything he sings. His voice perfectly suits the composition, and I’m glad Vivek chose him as the singer. The unplugged version on the other hand (which, by the way, is not even unplugged — it has the same arrangements as the original version for the most part of it, just starts off a bit unplugged) doesn’t fare as well, because the lead singer Amit Gupta seems misplaced there. He doesn’t sing the very formulaic song with as much charm as Armaan, thereby exposing the genericness of it. Pratap Dodla joins Amit in this version for backing vocals, I suppose, as I can’t really make out who’s voice is which. The arrangements in the first version are quite typical digital beats, with a nice piano intro to it, while strings shine throughout. However, in the ‘unplugged’ version, the violin gracefully forms the prelude, and interludes, and how I wish that this arrangement had been given to Armaan’s version of the song! Lyrics by Kumaar are quite formulaic as well, with him making note to include ‘humsafar’, ‘Dil’, ‘pal do pal’, ‘Dil’, ‘rabba’, ‘Dil’, and maybe more ‘Dil’, a good many times. After all, they’re the mandatory, quintessential words! Generic-sounding, but the first version is nevertheless a #5StarHotelSong!!

 

3. Tum Ho Mere
Singer ~ Najam Bajwa

The next song doesn’t start off too promisingly, with many melancholic ‘Woahh’s making up your grand welcome into it. And after that, the song barely fails to interested you even a bit more. The whole composition is lazy, and terribly slow-paced, with nothing interesting ever happening. The hookline is painfully complicated, with the singer just repeating the line “Tum Ho mere yaa ho nahi?” a gazillion times. By that time, the girl must already have even given her answer! The arrangements don’t help at all, to make the listener like the song. The beats are outdated, and there is no instrument that stands out amidst the dusty and laidback feel of the song. I could hear the piano and strings, but it is too plain and also buried too deep inside the arrangements. The guitars are audible mostly, but they are played so slowly, that you question whether they are guitars or sloths. The vocals are another reason to not listen to the song. Debutant Najam Bajwa doesn’t seem like he was fit for a solo song, but he nevertheless drawls his way through this. Kumaar’s lyrics have already been talked enough about, I guess. Easily skippable!

 

4. Dil Yeh Khamakha / Dil Yeh Khamakha (Reprise)
Singers ~ Dev Negi / Nikhil D’Souza

The next song too, starts off in such a way that you get frightened whether it isn’t the same melancholia of the previous song repeating itself all over again in this one. But to be honest, this song gets lots and lots better as it progresses. The composition does start off on a faltering note, but then steadies itself, and by the time it reaches the hookline, you happily keep listening to it. It is the first time I have witnessed such an improvement from the initial notes to the hookline of a song! The hookline is beautifullyand hauntingly amazing. The composition sounds even a bit of something Rahman would compose. The antara continues what the hookline started off, making the song actually sound complete and wholesome in itself. The song appears in two versions and I must say, both singers have done a great job at it. Dev Negi, with a more newbie approach to it, sounds innocent in his rendition of the pleasing composition, whereas Nikhil D’Souza brings more of a professional approach to it, singing in his trademark style, which he used to sing in for Pritam and the Bhatts. Both singers provide a fulfilling touch to the song, though. The arrangements remain the same in both versions. The unexpectedly brilliant electronic tabla beats amazed me, while the nice digital sounds in the hookline reminded me of Viju Shah’s excellent arrangements, which were quite similar, and way ahead of their times in the 90s. (‘Mushkil Bada Yeh Pyaar Hai’ from ‘Gupt’ being one of my most favourites!) The whistle is nice, and the chimes bring in a fresh factor to the song. Piano was expected, and it does a nice job here. Kumaar’s lyrics again, are very typical. One of the better song of the album, maybe the best too! Both versions are a #5StarHotelSong!!

 

5. Royi
Singer ~ Shibani Sur

The last song on the album is what actually blew me away. Rightly kept as the album’s last song, this song has everything that a song should, in order to impress my musical sensibilities. The composition again, starts off very slowly, but this one hooked me from the start — perhaps the introduction of a female solo singer provided the necessary change in the album. Whatever it is, the composition is great. The mukhda, the hookline and the antaras are inexplicably finely crafted. The slow composition did the trick here, which didn’t quite work in the other songs. Also, the nice little semi-classical touch was enough to blow me away. The arrangements, with nothing much happening, gave a nice lounge-ish feel to the song. Whatever does happen though, is attractive enough for the listeners to enjoy. The digital beats, for one, are really cool! The vocals by débutante Shibani Sur, a trained classical singer, are awesome, and her husky voice is a perfect match to the quite drowsy feel of the song. The little nuances she performs in the antara lines, is to fall for! She handles her high notes, as well as the low ones, very well. Hoping to hear more of her in Bollywood in the future, and kudos to Vivek for presenting her beautiful voice in front of us all. Kumaar’s lyrics are quite better here, and have some meaning, other than the usual melancholia he wrote in the album. The best took long enough to arrive. A perfect grand finale to a not-so-perfect album! #5StarHotelSong!!


Saansein kind of meets my expectations. It certainly met my expectation that it would consist of typical Bhatt-style romantic songs under the name of spooky songs, but it didn’t quite meet the expectation I kept towards it being Vivek’s first solo album and chance to score a nice soundtrack. The tracks are nice, no doubt, but the compositions in most of them seem very laidback, and that’s the turn off. Two of the tracks are fantastic, while the other three try to fiddle with the rapidly-disappearing genre of typical Bhatt romance, which even the Bhatts will move on from soon, as far as I presume! This album lacks fresh air…!

 

Final Rating for This Album: सा < रे < ग <  < प < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Royi > Dil Yeh Khamakha = Dil Yeh Khamakha (Reprise) > Tum Jo Mile > Mera Ishq > Tum Jo Mile (Unplugged) > Tum Ho Mere

 

Which is your favourite song from Saansein? Please vote for it below! Thanks! 🙂

THE 6 MUSIC-ETEERS!! (SAAT UCHAKKEY – Music Review)

Music Album Details
♪ Music by: Jaidev Kumar, Bapi-Tutul, Vivek Kar, Niranjan Khound & Saket Singh
♪ Lyrics by: Kumaar, Amir Khusro & Sahil Sultanpuri
♪ Music Label: T-Series
♪ Music Released On: 7th October 2016
♪ Movie Released On: 14th October 2016

Saat Uchakkey Album Cover

Saat Uchakkey Album Cover

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


Saat Uchakkey is a Bollywood comedy film starring Anupam Kher, Manoj Bajpayee, Kay Kay Menon, Annu Kapoor, Vijay Raaz and Aditi Sharma. The movie is directed by Sanjeev Sharma, and produced by Wave Cinemas, Crouching Tiger Films and Shital Bhatia. Since the film has already released, and not created much of a buzz among the public, there’s no use discussing the film, so I’m gonna dive right into what concerns me i.e, music. The music album for this film has four songs, each composed by different composers or composer duos. The first composer is Jaidev Kumar, who came into Bollywood with his ‘Nagin Dance’ (Bajatey Raho) and is still struggling to survive without making these weird party-sharty songs. The second song is by a duo, Bapi-Tutul, whose names I’ve seen in many RGV films like ‘Rann’, ‘Sarkar’, ‘Sarkar Raj’ and ‘Rakht Charitra’. Next up, there’s Vivek Kar, whose name too, I’ve seen in many films, the biggest one I remember being ‘One Night Stand’. And the last song is by another duo, Niranjan Khound Saket Singh. The ayre debuting with this song, and hopefully, they have something fun in hand. My expectations from the album? Quite a bit of nothing, along with some songs about drinking, and some more of nothing. Basically, I have no expectations. This is like a filler review for me while I wait for the ‘Ae Dil Hai Mushkil’ album to release. 😛 So can we get on with it? 😀


1. Neat Quarter
Singer ~ Late Labh Janjua, Music by ~ Jaidev Kumar, Lyrics by ~ Kumaar

Jaidev Kumar starts off the album with his song that starts off with a tune oh-so-reminiscent of the ‘Nagin Dance’ (Bajatey Raho), which I guess was his only (though undeserved) hit song, though he did give that wonderful song ‘Das Dae’ in ‘Ishqedarriyan’. Anyway, let’s analyze Jaidev’s career graph later. So, the song starts off with the very generic tune that plays on that typical shehnaai/harmonium mix type of wind instrument. The composition that follows is just more typicality heaped up on top of typicality. The mukhda is another very generic tune, while the hookline is just irritating. Not that the antara is any good either. The arrangements by Jaidev Kumar are quite fun, with a nice Punjabi dhol rhythm throughout overshadowing the average composition. The shehnaai thing is irritating though. Vocals by Labh Janjua, who sadly passed away last year, right when we were all dancing on his ‘Dil Kare Chu Che’, are effusive and seem very lively. This is a song he recorded before his death, of course. The lyrics by Kumaar are those type of lyrics that revolve all around drinks and nothing else. And the line “Liver Ki hai ye demand” just makes you laugh. 😛 A bad opening to the album, with nothing good except the arrangements and Labh’s singing.

2. Chhap Tilak
Singer ~ Kirti Sagathia, Music by ~ Bapi-Tutul, Lyrics by ~ Amir Khusro

Next up, we have a very mystical rendition of the Sufi song by Amir Khusro, ‘Chhap Tilak Sab Chheeni Re’. And what can I say about this one?? It is pure bliss, this song! It starts with a nice aalaap by Kirti Sagathia, who is the go-to for Garbas usually. Here, though, he has clearly been approached by Bapi-Tutul for a Qawwali, arranged quite innovatively. The mukhda reminds you of A.R. Rahman’s ‘Naina Milaike’ (Saathiya). However, that is just a slight resemblance. The composition is very sweet, and the duo seems to have taken extra care to handle this song with care. The hookline is what does the magic. Whenever Kirti sings the word “Cheeen” or any word corresponding to the same tune, you should observe the ease with which he sings them, and the sweetness in the composition that that word imparts. Though the song is practically the same tune repeated over and over again, you never get bored and it never seems repetitive. The arrangements are one of the main reasons for this. The Qawwali arrangements are complete with harmonium, but the percussion is not done by the tablas, and it is done by something quite unexpected — bongos and congos! The ethnic folk drums really add something of a Caribbean touch to the song, and that’s what I loved the most about the song. The claps have been used perfectly and they’ve given a wonderfully catchy rhythm to the song. Kirti’s rendition is fabulous, and his backing chorus helps him really well and it sounds even more fabulous. The lyrics have not been touched, and Khusro’s immortal piece of writing remains as it is, thankfully. Innovative and catchy at the same time! A song that excels in every department! #5StarHotelSong!!

3. Cycle Se Chalaang
Singer ~ Kailash Kher, Music by ~ Vivek Kar, Lyrics by ~ Kumaar

After Kirti singing the previous song, we have Kailash Kher himself singing the next. The song has been composed by Vivek Kar, and he has really worked hard to make a quirky and catchy song, on the lines of Kailash Kher’s other quirky and catchy songs. The composition turns out to grow on you after just a few listens, and then it just takes over all the tunes in your head, until only this song is playing in your head all day! Believe me, it happened to me! Vivek Kar’s mukhda is amazing, with all the fun elements in the song appearing right from the beginning, and not from the middle of some line. And the best thing is, they remain throughout the song. Kailash Kher’s style of singing helps to make the song even more catchy, though it might become irritating for others. The antara too is quirky and catchy. The arrangements are tough to follow as there is so much happening everywhere. The harmonium and (again) that shehnaai thing (which sounds good here), and even a santoor help to give the song its fun elements. The percussion is strong and gives the song a catchy beat. Kailash is at his best trying to make us laugh but it is Kumaar’s lyrics that do the job at last. The satire is evident — “Mehnat Ki roti, pad gayi chhoti, isliye neeyat ho gayi khoti!” (What we earned by hard work wasn’t enough, so our intentions became evil!) The lyrics are a dig at the lifestyle of the uchakkey (thieves) of course. 😀 And the way it has been written really makes you smile, if not laugh. A good fun song after quite some time. Proof that you don’t need the mention of drinks to get people laughing in songs! #5StarHotelSong!!

4. Husn Wale Farebi
Singer ~ Saket Singh, Music by ~ Niranjan Khound & Saket Singh, Lyrics by ~ Sahil Sultanpuri

The last song on the album starts and right away, you can guess the genre. A very typical AdLib coupled with a bulbultarang gives it away right away. The disappointing thing though, is that, after the AdLib, the song jumps right into the Qawwali’s hookline! The composition is so outdated, and 90s, that there was actually no use of the makers asking for a Filmi Qawwali. The composers have tried to do it, but all they managed was to ape some old Qawwalis, probably by Nusrat Fateh Ali Khan, and the composition falls flat on its face. As it is, people in this generation are queasy when it comes to Qawwalis (Not me!) and so it was the responsibility of the composers to make the Qawwali sound catchy and not typical. Bollywood has given so many fun Qawwalis over the years. The arrangements offer nothing in terms of innovation, and we have the usual harmonium and tabla leading the way. The singer (and one half of the composer duo) seems bored halfway and seems to be singing for the sake of it. He also sounds like Wajid of Sajid-Wajid. I don’t know if that’s good or bad… 😛 The lyrics by Sahil Sultanpuri (that surname though! 😵) are obviously talking about girls and their ways of rejecting boys. The lyrics are so funny, that they might’ve been paid attention to, had the composition been attractive. But here, that’s doubtful. Nothing is intriguing here except the lyrics, which are funny.


Saat Uchakkey gives a bit more than I expected! I didn’t expect anything at all (which I didn’t get), and I expected a song about drinks (which I got). So my expectations are more than fulfilled as they were so minuscule. Bapi-Tutul, who have been in the industry for more than ten years, give a great interpretation of a classic Qawwali, while on the other hand, debutants Niranjan-Saket screw up a chance to compose a great and funny filmi Qawwali. I would’ve liked ‘Chhap Tilak’ even if it wouldn’t have been innovative and if it would’ve had a traditional arrangement, as it is a traditional song. But the filmi Qawwali has a scope to modify tradition, doesn’t it? The other two songs are supposed to be fun songs, out of which Vivek Kar’s excels, while Jaidev Kumar’s flops, save for Labh Janjua’s rendition. These six music-eteers give quite a mixed bag!

Final Rating for This Album: सा < रे < ग < म <  < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Chhap Tilak > Cycle Se Chalaang > Neat Quarter = Husn Wale Farebi

Which is your favourite song from Saat Uchakkey? Please vote for it below! Thanks! 🙂

ONLY ONE THING STANDS!! SIMPLICITY!! (ONE NIGHT STAND – Music Review)

Music Album Details
♪ Music by: Tony Kakkar, Meet Bros, Jeet Gannguli & Vivek Kar
♪ Lyrics by: Kumaar, Jasmine Sandlas, Manoj Muntashir & Shabbir Ahmed
♪ Music Label: T-Series
♪ Music Released On: 6th April 2016
♪ Movie Releases On: 6th May 2016

One Night Stand

One Night Stand

 

To hear the full songs of this album on Saavn CLICK HERE

To buy this album on iTunes CLICK HERE


One Night Stand is an upcoming Bollywood romantic thriller, starring Sunny Leone, Tanuj Virwani and Nyra Banerjee, directed by Jasmine D’Souza, wife of Tony D’Souza, the director of films like ‘Blue’, ‘Boss’ and the upcoming ‘Azhar’. The movie is produced by Pradeep Sharma & Furquan Khan. The latest trend of multi-composers for a single album has been followed for this album too, with four composers, namely Meet Bros, Tony Kakkar, Jeet Gannguli and Vivek Kar. I have started hearing the album with very little expectations (just saying), so it’s up to these four to impress me with the music for this movie. Meet Bros have been impressive this year, so expecting more of that from them. Jeet hasn’t quite touched the standards with his two songs in ‘Sanam Re’, but I know he has the potential to even raise the standards, so hoping he does some of his exceptional magic here. As for Tony, he has been going on and off when it comes to giving good songs — I can only hope for the best! Vivek Kar, a relative newcomer, hasn’t really impressed with any of his earlier songs (all for very small-budget films), so I don’t know what to expect from him here. With that, here I go to start hearing the songs of this album!


1. Do Peg Maar
Singer ~ Neha Kakkar, Music by ~ Tony Kakkar, Lyrics by ~ Tony Kakkar

The album starts off with the quintessential Bollywood club song about drinks, to say it modestly. Tony has never impressed me with his upbeat tracks, just because he goes a bit too over-the-top with them. The EDM is always overdone, the composition is always too self-imposing on the listener, so much so that it actually does get stuck in the listeners’ heads, but unwantedly. The vocals are always over-stylish. This song, too, faces the same problems. Tony tries to create something catchy, but it comes across merely as annoying and irritating. right from the beginning, that heavy EDM hits your ears and sounds really cheap, which I’m sure wasn’t what Tony wanted. The mukhda has that really bad “trying-to-sound-cool-but-failing-miserably” feel to it. The first time you hear it, you won’t even think it has a tune. At least the antaras are better on that front, but just a little; the overall sound is still cheap. Tony has employed his sister Neha to sing (or rather, cough) this one. I say ‘cough’ because Neha has used a really weird froggy voice here, sounding as if she has a problem with her throat. Again, trying to be cool. Arrangements are nothing but techno beats and loud bombardments of EDM. Even Neha, who usually sounds so energetic in her songs, seems to be bored here. The less said about Tony’s lyrics, the better. It isn’t something he will look back to fifty years later and say, “What a soulful piece I’d penned down!” However, there is one thing that happens with this song, and which happens with all such songs — if you keep hearing it, it will infect you and never leave your brain! So stop before that happens. Usually for bad songs, I say stuff like “hear it only for blah and blah”, but this time, there’s nothing for which you should hear it! Just skip it! A cheap start to the album.

 

2. Ijazat
Singers ~ Arijit Singh, Music by ~ Meet Bros, Lyrics by ~ Shabbir Ahmed

The next song provides respite from the harsh opening to the album. Meet Bros step into the album to save the day. Their latest with Arijit, ‘Girl I Need You’ (Baaghi), was excellent, so this one was expected to be on the same lines. However, the two songs are poles apart in treatment and other aspects. Acoustic guitars very responsibly manage the opening of the song, with strings joining. Arijit starts off with a melancholic tune, very Bhatt-ish in flavour, but at the same time, not exhausting at all. As he progresses, all  you can do is drown in the ambience created by Meet Bros and Arijit’s vocals. I think it is the first time Meet Bros have gone completely Bhatt-ish in their composition, and they core full marks. They don’t go too typical, though the hookline is predictable; instead, they come up with a song that has good luck just like some of those songs in Bhatt movies, which are no different from the rest, but just seem better than the rest for some reason. Arijit uses his drowsy voice, but this time, it appeals; I guess due to the sultry composition. The composition is excellent. In the hookline, a wonderful portion where Arijit touches the high notes all of a sudden, has been composed so wonderfully, and sung just as effortlessly by Arijit. It is the part when he sings “Aaadat haiiiii ohhhhhh”. It gave me the goosebumps! Arrangements are like a typical Bhatt song — guitars, strings, piano. The only new addition that is really attractive is the accordion that sounds ever-so-scintillating. You have to hear it in the first interlude, where its use has been made to the fullest. The second interlude is also awesome, with a wonderful strings solo, played in a Hindustani classical way. Shabbir surprises highly with his good lyrics, and he has written some stuff that really sounds very good and even better with Meet Bros’ music. Meet Bros strike gold again, this time with something heard-before and with very few innovation! But they still manage to make it a #5StarHotelSong!!

 

3. Ishq Da Sutta
Singers ~ Meet Bros & Jasmine Sandlas, Music by ~ Meet Bros, Lyrics by ~ Kumaar, Rap by ~ Jasmine Sandlas

This one does start off well. A twinkly sound opens the sound with various cool and addictive techno sounds. Then it sounds like a pop song since the singers tell their own names in the song (that’s so irritating in pop songs!! We read the credits!) However, that doesn’t matter at all. The song is yet another club song, but not exactly out-and-out clubbish, until the line before the hookline. Meet Bros’ song is totally dependent on the arrangements to score well. The composition is weak, with a very small part to like, for example, the line I mentioned which comes before the hookline — “nashe mein aaj phisalke..”. The hookline, too, is enjoyable. Meet Bros’ interruptions are cool, too! They definitely know how to keep the listener from getting bored. So, though the composition is predominantly weak, some parts here and there grab your attention. The arrangements, on the other hand, are just as Meet Bros would have wanted them to be — addictive, catchy and cool! I never like techno arrangements much, but here, Meet Bros have impressed me with it. Piano and guitars along with the clubbish sounds, really sound great! The arrangements really make sure the listener doesn’t get bored even if the composition is weak. Especially the arrangements in the second interlude, before Jasmine’s rap, are too cool. Meet Bros’ part in the song is too catchy, and doesn’t seem forcedly cool at all. I guess they have cool-ness already inside them. Coming towards the vocals, Jasmine doesn’t sound too good. Yo Yo Honey Singh’s find, I didn’t like her in her debut song, ‘Yaar Na Miley’ (Kick) either. Here, she sounds way too masculine, and I wonder why someone like Hard Kaur wouldn’t have worked. Oh, right, she’s older and might not have the same charm as before, right??? :\ (Sarcasm) Kumaar’s lyrics are not good either, but they suit this type of song. Jasmine’s English rap is pathetic. Meet Bros’ not-so-cool composition excellently enhanced by their too-cool arrangements, but destroyed by Jasmine’s trying-to-be-too-cool voice, doesn’t fare so good.

 

4. Ki Kara
Singers ~ Shipra Goyal, Music by ~ Vivek Kar, Lyrics by ~ Kumaar

Vivek Kar steps into the album for this song, which, again, starts off excellently. Guitars and piano make a wonderful start for melancholic romantic songs in Bollywood, and it’s also a commonly used beginning in Bollywood. The song is wholly and solely in Punjabi, written by Kumaar, so there I kind of had a problem understanding half the words. 😅 Vivek’s overall composition is good, but it gets pretty monotonous and boring at a certain point. The pace, for one, is quite slow, and the arrangements are not captivating at all. Though the composition is decent, the arrangements could’ve had the power to lift it up, if only a bit. Shipra sounds pretty good, but in some parts she sounds exhausted, maybe deliberately. She sings in a low voice, which doesn’t sound so good on her. I can’t help but think how good she sounded under the direction of Vishal-Shekhar in ‘Ishq Bulaava’ (Hasee Toh Phasee). The hookline of the song is good, but again, could’ve been more captivating! The arrangements, as I said before, are a bit on the weaker side. Guitars, both acoustic and electric, sound good, and so do the flutes. But almost half the song has very little arrangements, or they are too soft, and so because of the monotonous composition, the song sounds boring in those parts. In fact, the first time I heard it, I couldn’t pay attention to the song at all; it didn’t let me! Disappointing! A song that could’ve been better!

 

5. Le Chala
Singers ~ Jubin Nautiyal, Music by ~ Jeet Gannguli, Lyrics by ~ Manoj Muntashir

Jeet steps in for his one and only song in the album, and how he impresses! Right from the starting piano notes, which are very captivating, to the end of the song, you can forget about everything else except the song. It is a sweet, romantic song with a happy ring to it, unlike ‘Ijazat’, which was a bit sultry. This one will surely appeal to those who love such romantic songs. Jeet doesn’t try to make the song sound too modern, and instead, makes the composition sound a bit dated, but that is the real magic in the song! The hookline is the perfect example of it; it is nothing we haven’t heard before, but it still appeals just because of the simplicity. The mukhda is the ideal start to the song, and works just like a mukhda should, which is to captiavte listeners in the first minute or so of the song. The antaras get a bit of a melancholic tinge, but still, they stand out, because of the 2000s feel. Jeet’s instrumentation is beautiful. Piano and guitars again, with variosu digital beats. Jeet uses both acoustic and electric guitars very well! The way an electric guitar riff plays in the background during the hookline, sounds very great! The first interlude is a wonderful sitar solo, but played in such a way, you almost mistake it for a piano! The second interlude is a great strings orchestra with horns blaring out beautifully. Jubin is an excellent choice for the song, and handles each and every note with his awsome voice that is smooth as cream! 😀 Manoj’s lyrics are beautiful and soulful, just as the song, though simple. Simplicity at its best!! And with this simplicity, the song wins your heart! The best song of the album for me! #5StarHotelSong!!

 

6. Tum Mere
Singer ~ Dev Negi, Music by ~ Vivek Kar, Lyrics by ~ Kumaar

Vivek comes back for the last song on the album, which is a reprise of his first song, ‘Ki Kara’. Unlike ‘Ki Kara’, this one captivates and hooks the listener right from the beginning! I was so surprised by this one! Electric guitars, a few acoustic guitars and a beautiful synthesizer tune start off the song. Dev Negi takes total control over the vocals, and does it with ease and power. The first time I heard it, I didn’t even notice it’s the reprise of ‘Ki Kara’, as I wasn’t able to pay attention to ‘Ki Kara’. The second time I heard them both, I realized that they have the same tune! Vivek gets it right this time, with perfectly captivating arrangements. The electric guitars are very catchy and instantly likable and also noticeable, unlike ‘Ki Kara’. Also, the pace of this song is faster, and it has an overall upbeat tone, unlike the whiny and monotonous nature of the first one. The composition is the same, but as I said, arrangements make a HUGE difference! It makes the composition which was sounding boring and monotonous, suddenly sound upbeat! Dev Negi’s voice is also cool in this one. That high-pitched synthesizer (I think) tune never leaves your head, and keeps coming in the song, so that it establishes a place in your mind. 😀 Kumaar has reprised the lyrics wonderfully, to make them sound more like they’re being sung from a male’s point of view. A good end to the album, and a saviour for Vivek after his other song that had disappointed. #5StarHotelSong!!


Considering that I was expecting really little from this album, Ine Night Stand turns out to be decent. Tony disappoints even more than anything, while Vivek gets it right with one out of two tracks. Meet Bros do well in both tracks, but ‘Ishq Da Sutta’ could’ve had better vocals and composition. Jeet, however, impresses with his sole song, by going on the road of simplicity. I noticed that in this album, all the good songs are really simple compositions, which aren’t anything new, but nevertheless, they appeal! The ones that try to impress going the modern way, lose it some place or the other. Therefore, in this album, only one thing stands, and that is simplicity! 🙂

 

Final Rating for This Album: सा < रे < ग < म <  < ध < नी < सां

Note: The letter which is underlined is the final rating.

Recommended Listening Order: Le Chala > Ijazat > Tum Mere > Ishq Da Sutta > Ki Kara > Do Peg Maar

 

Which is your favourite song from One Night Stand? Please vote for it below! Thanks! 🙂

 

Next “dish”: 1920 London, Chefs: Sharib-Toshi & Kaushik-Akash (JAM)